Skip to content Skip to navigation
University of Warwick
  • Study
  • |
  • Research
  • |
  • Business
  • |
  • Alumni
  • |
  • News
  • |
  • About

University of Warwick
Publications service & WRAP

Highlight your research

  • WRAP
    • Home
    • Search WRAP
    • Browse by Warwick Author
    • Browse WRAP by Year
    • Browse WRAP by Subject
    • Browse WRAP by Department
    • Browse WRAP by Funder
    • Browse Theses by Department
  • Publications Service
    • Home
    • Search Publications Service
    • Browse by Warwick Author
    • Browse Publications service by Year
    • Browse Publications service by Subject
    • Browse Publications service by Department
    • Browse Publications service by Funder
  • Help & Advice
University of Warwick

The Library

  • Login
  • Admin

Epic relation : the sacred, history and late modernist aesthetics in Hart Crane, David Jones and Derek Walcott

Tools
- Tools
+ Tools

Rumbold, Matthew (2017) Epic relation : the sacred, history and late modernist aesthetics in Hart Crane, David Jones and Derek Walcott. PhD thesis, University of Warwick.

[img]
Preview
PDF
WRAP_Theses_Rumbold_2017.pdf - Submitted Version - Requires a PDF viewer.

Download (6Mb) | Preview
Official URL: http://webcat.warwick.ac.uk/record=b3184124~S15

Request Changes to record.

Abstract

In order to answer questions about the nature, viability and shape of what would constitute a modernist epic, this thesis explores three very different twentieth century writers, Hart Crane, David Jones and Derek Walcott. Rather than being a narrowly genre based study, however, I argue that in the twentieth century the ‘epic’ mode has become a malleable form with which to explore troubling legacies of history, empire and, to exhibit a dimension of the sacred in modernity. All three poets penned challenging epic poems (The Bridge, The Anathemata and Omeros respectively) in a condition of modernity. Haunted by the ruptures of history, in various ways, Crane, Jones and Walcott attempted to create an aesthetic which seeks cultural reintegration, recovery and reconciliation with the past. I analyse the formal experimental modernist aesthetic of each poet as they are anxiously and sometimes ambivalently influenced by the increasingly dominant institution of a particular form of metropolitan high modernism. This allows for a critique of modernity whilst contextualising a modernist inscription of imperialism. Finally, I show that the spiritual and religious concerns of these writers are essential in the recuperative or compensatory ideals of the epic. I argue that far from being an obsolete and impossible genre, for poets the epic is the very mode which best captures the transitions and conditions of an uneven and unequal modernity. I seek to show how through the trope of place (bridge, city, ruins, sacred sites and island), journey and the sea and other aesthetic devices, Crane, Jones and Walcott attempt to re-enchant emptied and destroyed cultural heritages.

Item Type: Thesis or Dissertation (PhD)
Subjects: P Language and Literature > PR English literature
Library of Congress Subject Headings (LCSH): Crane, Hart, 1899-1932. Bridge, Jones, David, 1895-1974. Anathemata, Walcott, Derek. Omeros, Epic poetry -- History and criticism, Holy, The, in literature, Modernism (Literature) -- History and criticism, History in literature
Official Date: September 2017
Dates:
DateEvent
September 2017Submitted
Institution: University of Warwick
Theses Department: Department of English and Comparative Literary Studies
Thesis Type: PhD
Publication Status: Unpublished
Supervisor(s)/Advisor: Mason, Emma
Sponsors: University of Warwick. Chancellor's International Scholarship ; Oppenheimer Fund Scholarship for South Africans
Format of File: pdf
Extent: 354 leaves
Language: eng

Request changes or add full text files to a record

Repository staff actions (login required)

View Item View Item

Downloads

Downloads per month over past year

View more statistics

twitter

Email us: wrap@warwick.ac.uk
Contact Details
About Us