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Daniel Lind Ramos and the visual politics of race in Puerto Rican art
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Viala, Fabienne (2015) Daniel Lind Ramos and the visual politics of race in Puerto Rican art. [Online]. (https://aica-sc.net/2015/11/11/daniel-lind-ramos-a...). Aica Caraïbe du Sud: Association Internationale des Critiques d’Art.
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Official URL: https://aica-sc.net/2015/11/11/daniel-lind-ramos-a...
Abstract
This article discusses the work of the painter and installation artist Daniel Lind-Ramos. The Puerto Rican artist explores the complex relationships that exist between historical memory, national identity and racial identities in Puerto Rico; more specifically, he shows the taboos that weigh on African cultural heritage in the Estado Asociado Libre, through a style of painting that is always symbolic, sometimes allegorical and containing “keys” that bring the political and the metaphysical into a dialogue on canvas and in space. For Lind-Ramos, art is the expression of an Afro-Puerto Rican hyper-consciousness that claims the right to redefine the codes of representation and visual perception of a Caribbean socio-political reality that addresses its colonial status.
Item Type: | Digital Scholarly Resource | ||||||
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Divisions: | Faculty of Arts > School of Modern Languages and Cultures > Hispanic Studies Faculty of Arts > School of Modern Languages and Cultures |
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Publisher: | Association Internationale des Critiques d’Art | ||||||
Place of Publication: | Aica Caraïbe du Sud | ||||||
Official Date: | 11 November 2015 | ||||||
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Publication Status: | Published | ||||||
Access rights to Published version: | Open Access (Creative Commons) |
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