Skip to content Skip to navigation
University of Warwick
  • Study
  • |
  • Research
  • |
  • Business
  • |
  • Alumni
  • |
  • News
  • |
  • About

University of Warwick
Publications service & WRAP

Highlight your research

  • WRAP
    • Home
    • Search WRAP
    • Browse by Warwick Author
    • Browse WRAP by Year
    • Browse WRAP by Subject
    • Browse WRAP by Department
    • Browse WRAP by Funder
    • Browse Theses by Department
  • Publications Service
    • Home
    • Search Publications Service
    • Browse by Warwick Author
    • Browse Publications service by Year
    • Browse Publications service by Subject
    • Browse Publications service by Department
    • Browse Publications service by Funder
  • Help & Advice
University of Warwick

The Library

  • Login
  • Admin

Dark patterns : interface design, augmentation and crisis

Tools
- Tools
+ Tools

Dieter, Michael (2015) Dark patterns : interface design, augmentation and crisis. In: Berry, D.M. and Dieter, Michael, (eds.) Postdigital Aesthetics. London, UK: Palgrave Macmillan, pp. 163-178. ISBN 9781349493784

Research output not available from this repository.

Request-a-Copy directly from author or use local Library Get it For Me service.

Official URL: http://dx.doi.org/10.1057/9781137437204_13

Request Changes to record.

Abstract

In early 1951, Douglas Engelbart — a young and idealistic electrical engineer working odd jobs for research laboratories in California — was suddenly taken by an unexpected series of epiphanies. Having spent time working on radar equipment during World War II and now contemplating how to make a significant contribution to society with his career, ‘the most difference for improving the lot of the human race’ (1986, 188), Engelbart considered the increasing complexity and urgency of global problems. His assessment involved an essential rationale — that for any given problem, the product of its complexity multiplied by its urgency would provide a measure of the immense difficulty that humanity would face in developing solutions. This led to a succession of rapid illuminations:
FLASH-1: The difficulty of mankind’s problems was increasing at a greater rate than our ability to cope. (We are in trouble.)
FLASH-2: Boosting mankind’s ability to deal with complex, urgent problems would be an attractive candidate as an arena in which a young person might try to ‘make the most difference.’ (Yes, but there’s that question of what does the young electrical engineer do about it? Retread for a role as educator, research psychologist, legislator, …? Is there any handle there that an electrical engineer could …?)
FLASH-3: Ahah — graphic vision surges forth of me sitting at a large CRT console working in ways that are rapidly evolving in front of my eyes (beginning from memories of the radar-screen consoles I used to service).
(Engelbart 1986, 186)

Item Type: Book Item
Divisions: Faculty of Social Sciences > Centre for Interdisciplinary Methodologies
Publisher: Palgrave Macmillan
Place of Publication: London, UK
ISBN: 9781349493784
Book Title: Postdigital Aesthetics
Editor: Berry, D.M. and Dieter, Michael
Official Date: 2015
Dates:
DateEvent
2015Published
Page Range: pp. 163-178
DOI: 10.1057/9781137437204_13
Status: Not Peer Reviewed
Publication Status: Published
Access rights to Published version: Restricted or Subscription Access
Related URLs:
  • Publisher

Request changes or add full text files to a record

Repository staff actions (login required)

View Item View Item
twitter

Email us: wrap@warwick.ac.uk
Contact Details
About Us