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Fascinum: the apotropaic phallus of Campania in the ancient & modern imagination

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Weil, Kathryn Emily van de (2019) Fascinum: the apotropaic phallus of Campania in the ancient & modern imagination. PhD thesis, University of Warwick.

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Official URL: http://webcat.warwick.ac.uk/record=b3489592~S15

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Abstract

This thesis comprises a re-evaluation of the apotropaic Campanian Phallus: a highly familiar and desultorily implemented feature of our discipline’s conceptual toolkit, as well as an enduringly conspicuous element of popular engagement with the ancient world. The nature of the Campanian phallus’ apotropaism varies hugely from scholar to scholar and is yet to be directly interrogated or socio-historically contextualised. Furthermore, its role as an apotropaic device is regularly conflated with the Enlightenment notion of universal fertility worship, most notably articulated by the antiquarian Richard Payne Knight.

This thesis’ re-examination of the ideological genealogy of phallic apotropaism in relation to late eighteenth- and nineteenth-century archaeological, anthropological and comparative-religious discourse highlights its particular import for the socio-cultural inquiries and concerns of that era. It will be demonstrated that the notion of the phallus as an apotropaic device has more in common with the nineteenth-century reinvention of Payne Knight’s ideas, and with the Enlightenment phallus’ coalescence with late nineteenth-century socio-cultural preoccupations, such as folklorism, mysticism and uncanny states of objecthood and representation. Accordingly, this thesis will expand our understanding of the place occupied by the Campanian apotropaic phallus in the modern imagination and the ways in which it relates to certain stages of our discipline’s history.

Having evaluated modernity’s ideological and intellectual relationship with this fabled semiotic conundrum, the latter part of the thesis will revisit the apotropaic phallus at the ancient sites themselves. In this section, it will be shown that the phallus is rarely wholly solemn, apotropaic and symbolic nor wholly sexual, humorous and literal: indeed, its depiction in different contexts throughout the towns regularly capitalised on its capacity for double entendre, reflexive humour, social satire and semiotic ‘code-switching’. In this way, the apotropaic phallus proved a mercurial and perplexing image even for its ancient users and creators.

Item Type: Thesis or Dissertation (PhD)
Subjects: D History General and Old World > D History (General)
N Fine Arts > N Visual arts (General) For photography, see TR
N Fine Arts > ND Painting
Library of Congress Subject Headings (LCSH): Penis in art, Penis in art -- History, Penis in art -- Social aspects, Symbolism in art, Semiotics and art
Official Date: April 2019
Dates:
DateEvent
April 2019UNSPECIFIED
Institution: University of Warwick
Theses Department: Department of Classics and Ancient History
Thesis Type: PhD
Publication Status: Unpublished
Supervisor(s)/Advisor: Cooley, Alison
Sponsors: Wolfson Foundation
Format of File: pdf
Extent: 2 volumes (370 leaves) : illustrations
Language: eng

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