Skip to content Skip to navigation
University of Warwick
  • Study
  • |
  • Research
  • |
  • Business
  • |
  • Alumni
  • |
  • News
  • |
  • About

University of Warwick
Publications service & WRAP

Highlight your research

  • WRAP
    • Home
    • Search WRAP
    • Browse by Warwick Author
    • Browse WRAP by Year
    • Browse WRAP by Subject
    • Browse WRAP by Department
    • Browse WRAP by Funder
    • Browse Theses by Department
  • Publications Service
    • Home
    • Search Publications Service
    • Browse by Warwick Author
    • Browse Publications service by Year
    • Browse Publications service by Subject
    • Browse Publications service by Department
    • Browse Publications service by Funder
  • Help & Advice
University of Warwick

The Library

  • Login
  • Admin

Rembrandt was here : the artist’s house in the age of modernism

Tools
- Tools
+ Tools

Campbell, Louise (2022) Rembrandt was here : the artist’s house in the age of modernism. Journal of the History of Collections, 34 (2). pp. 303-316. doi:10.1093/jhc/fhab043 ISSN 0954-6650.

[img]
Preview
PDF
WRAP-Rembrandt-was-here-artists-house-age-modernism-22.pdf - Published Version - Requires a PDF viewer.
Available under License Creative Commons Attribution 4.0.

Download (4Mb) | Preview
Official URL: http://dx.doi.org/10.1093/jhc/fhab043

Request Changes to record.

Abstract

In 1911 visitors to the Amsterdam house where Rembrandt lived between 1639 and 1658 were disappointed to find no working studio, bedroom or personal collections. In his design for the Rembrandthuis museum, the architect K.P.C. de Bazel had chosen not to create a period interior, but instead combined domestically scaled rooms with a museum displaying Rembrandt’s prints. The project registered early twentieth-century perceptions of Rembrandt as a modern, and contemporary debates about the restoration of historic buildings. Unlike many nineteenth-century house museums, it was designed to focus attention on the work rather than the life of the occupant. However, in 1998, the museum was reconfigured as a simulacrum of a seventeenth-century house, with a new annex for displaying prints and drawings and for exhibitions. The history of the Rembrandthuis illuminates changing approaches to the artist over time and their implications for architecture and museology in the age of modernism.

Item Type: Journal Article
Divisions: Faculty of Arts > History of Art
Journal or Publication Title: Journal of the History of Collections
Publisher: Oxford University Press
ISSN: 0954-6650
Official Date: July 2022
Dates:
DateEvent
July 2022Published
27 September 2021Available
Volume: 34
Number: 2
Page Range: pp. 303-316
DOI: 10.1093/jhc/fhab043
Status: Peer Reviewed
Publication Status: Published
Access rights to Published version: Open Access (Creative Commons)
Date of first compliant deposit: 19 August 2022
Date of first compliant Open Access: 19 August 2022

Request changes or add full text files to a record

Repository staff actions (login required)

View Item View Item

Downloads

Downloads per month over past year

View more statistics

twitter

Email us: wrap@warwick.ac.uk
Contact Details
About Us