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Staging the generic self : Céline Sciamma’s autofictional praxis

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Harrod, Mary (2022) Staging the generic self : Céline Sciamma’s autofictional praxis. French Screen Studies, 23 (2-3). doi:10.1080/26438941.2022.2149171 ISSN 2643-895X. (In Press)

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Official URL: https://doi.org/10.1080/26438941.2022.2149171

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Abstract

Céline Sciamma’s uniquely positioned work and public identity present a number of apparent contradictions – especially when considered in the context of French female authorship. After briefly analysing these, this article elaborates its central thesis: that the aporias surrounding Sciamma’s authorship, as manifested primarily in her films and secondarily in parafilmic publications and discourses, may be partially resolved by considering relevant artefacts through the prism of autofiction. Sciamma’s latest film Petite Maman can be seen as the fullest expression yet of a self-narrating tendency that, however, close analysis reveals to inform her earlier films as well. Finally, the article argues that such a perspective chimes with considering Sciamma’s work as formally queer and thus politically significant in ways that exceed questions of identity politics without merely bowing to Republican universalism.

Item Type: Journal Article
Subjects: P Language and Literature > PN Literature (General) > PN1993 Motion Pictures
Divisions: Faculty of Arts > School of Modern Languages and Cultures
Library of Congress Subject Headings (LCSH): Petite maman -- History and criticism, Autobiographical fiction, French -- History and criticism, French fiction -- Women authors -- History and criticism, Sciamma, Céline, -- 1980- -- Criticism and interpretation, Feminism and motion pictures, Women motion picture producers and directors, Queer theory, Motion pictures, French
Journal or Publication Title: French Screen Studies
Publisher: Informa UK Limited
ISSN: 2643-895X
Official Date: 20 December 2022
Dates:
DateEvent
20 December 2022Available
27 September 2022Accepted
Volume: 23
Number: 2-3
DOI: 10.1080/26438941.2022.2149171
Status: Peer Reviewed
Publication Status: In Press
Access rights to Published version: Open Access (Creative Commons)
Description:

Special Issue on Celine Sciamma, edited by Frances Smith.

Date of first compliant deposit: 4 November 2022
Date of first compliant Open Access: 21 December 2022
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