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Acting together: ensemble as a democratic process in art and life
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Neelands, Jonothan. (2009) Acting together: ensemble as a democratic process in art and life. Research in Drama Education: The Journal of Applied Theatre and Performance, Vol.14 (No.2). pp. 173-189. ISSN 1356-9783
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Official URL: http://dx.doi.org/10.1080/13569780902868713
Abstract
Traditionally drama in schools has been seen either as a learning medium with a wide range of curricular uses or as a subject in its own right. This paper argues that the importance of drama in schools is in the processes of social and artistic engagement and experiencing of drama rather than in its outcomes. The paper contrasts the pro-social emphasis in the ensemble model of drama with the pro-technical and limited range of learning in subject-based approaches which foreground technical knowledge of periods, plays, styles and genres. The ensemble-based approach is positioned in the context of professional theatre understandings of ensemble artistry and in the context of revolutionary shifts from the pro-technical to the pro-social in educational and cultural policy making in England. Using ideas drawn from McGrath and Castoriadis, the paper claims that the ensemble approach provides young people with a model of democratic living.
| Item Type: | Journal Article |
|---|---|
| Subjects: | L Education > LB Theory and practice of education P Language and Literature > PN Literature (General) > PN2000 Dramatic representation. The Theater |
| Divisions: | Faculty of Social Sciences > Institute of Education |
| Library of Congress Subject Headings (LCSH): | Drama in education -- Great Britain, Theater -- Political aspects, Theater and society, Citizenship -- Study and teaching -- Great Britain, Ensemble theater |
| Journal or Publication Title: | Research in Drama Education: The Journal of Applied Theatre and Performance |
| Publisher: | Routledge |
| ISSN: | 1356-9783 |
| Date: | May 2009 |
| Volume: | Vol.14 |
| Number: | No.2 |
| Page Range: | pp. 173-189 |
| Identification Number: | 10.1080/13569780902868713 |
| Status: | Peer Reviewed |
| Access rights to Published version: | Restricted or Subscription Access |
| References: | Arts Council England (2001) Drama in Schools 2nd Edition London; ACE Bernstein, B. (1973) Class, Codes and Control Vol. 1, Paladin; London Boal, A. (1976). Theatre of the Oppressed. London; Pluto Press Bhabha, H. (1994) The Location of Culture London; Routledge Bourdieu, P. (1984) (Nice, R. trans) Distinction; A Social Critique of the Judgement of Taste Cambridge, Mass; Harvard University Press; Bourdieu, P. (1993) The Field of Cultural Production: Essays on Art and Literature Cambridge; Polity Press Castoriadis, C. (1983) The Greek Polis and the Creation of Democracy (1983) in Curtis , D. (Ed) (1997) The Castoriadis Reader Oxford; Blackwell Freire, P. (1998) Pedagogy of Freedom New York; Rowman and Littlefield; Greene, M. (1995) Releasing the Imagination New York; Jossey-Bass; Holden, J. (2008) Culture and Learning; towards a new agenda London; DEMOS Kempe, A & Ashwell, M. (2001) Progression in Secondary Drama London; Heinemann. Kolb, D. (1984) Experiential learning : experience as the source of learning and development London : Prentice-Hall Leadbeater, C. 2008 What’s next? 21 ideas for 21st Century Learning London; Innovation Unit McGrath, J. (2002) Theatre and Democracy, in New Theatre Quarterly (2002), 18: 99-100 Cambridge University Press Neelands, J. (1984) Making Sense of Drama London; Heinemann Neelands, J, Freakley, V. and Lindsay, G.(2006) THINGS CAN ONLY GET BETTER; A study of social-market interventions in the shaping of the field of cultural production in International journal of Cultural Policy Vol. 12 No 1. Neelands, J. (2009) Getting off the Subject: English, Drama, Media and the Commonwealth of Culture, in Manuel, J. Andersen, M. and Cater, D. (2008) Re-visioning English Education: Imagination, Innovation, Creativity Sydney; University of Sydney Press Newman, F. (and associates) (1995) Authentic Achievement Jossey-Bass; New York Nicholson, H. (2002) The Politics of Trust: drama education and the ethic of care in RIDE Vol. 7 No. 1 Orlik, P. (1978). Social intelligence. In K.J. Klauer (Ed.), Handbook of pedagogical diagnosis Dusseldorf: Schwann. Ranciére, J. (2004) The Distribution of the Sensible in Rancierre, J. (2004) The Politics of Aesthetics London; Continuum Royal Shakespeare Company (2007) Programme notes for the Histories Cycle Stratford Upon Avon; RSC Seltzer, K. and Bentley, T. (2002) The Creative Age: Knowledge and skills for the new economy London; DEMOS Sternberg, R.J. Conway, B.E., Ketron, J.L., & Bernstein, M. (1981) People's conceptions of intelligence. Journal of Personality & Social Psychology, 41, (37-55) Tan, S. (2007) The Arrival London; Hodders Tully, J. (2000) Struggles over Recognition and Distribution Constellations, 7/4 (469-482) |
| URI: | http://wrap.warwick.ac.uk/id/eprint/2721 |
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