Skip to content Skip to navigation
University of Warwick
  • Study
  • |
  • Research
  • |
  • Business
  • |
  • Alumni
  • |
  • News
  • |
  • About

University of Warwick
Publications service & WRAP

Highlight your research

  • WRAP
    • Home
    • Search WRAP
    • Browse by Warwick Author
    • Browse WRAP by Year
    • Browse WRAP by Subject
    • Browse WRAP by Department
    • Browse WRAP by Funder
    • Browse Theses by Department
  • Publications Service
    • Home
    • Search Publications Service
    • Browse by Warwick Author
    • Browse Publications service by Year
    • Browse Publications service by Subject
    • Browse Publications service by Department
    • Browse Publications service by Funder
  • Help & Advice
University of Warwick

The Library

  • Login
  • Admin

Revolutionary aesthetics? Kleist, 1968, and the New German cinema

Tools
- Tools
+ Tools

Allan, Sean (2011) Revolutionary aesthetics? Kleist, 1968, and the New German cinema. German Life and Letters, Vol.64 (No.3). pp. 472-487. doi:10.1111/j.1468-0483.2011.01546.x

Research output not available from this repository, contact author.
Official URL: http://dx.doi.org/10.1111/j.1468-0483.2011.01546.x

Request Changes to record.

Abstract

This essay analyses the particular appeal of Kleist's work for the filmmakers of the New German Cinema movement in the Federal Republic during the late 1960s and early 1970s. Both Volker Schlöndorff's Kohlhaas – der Rebell (1968) and Hans-Jürgen Syberberg's San Domingo (1970) invite the spectator to view the student movement and the political events of 1968 through the prism of Kleist's Michael Kohlhaas and Die Verlobung in St. Domingo. Although Schlöndorff's film attempts to launch a radical critique of Kohlhaas's individualistic quest, the reluctance to abandon an essentially conservative aesthetic is at odds with Schlöndorff's quasi-Marxist reading of Kleist's novella. By contrast, the avant-garde aesthetic of Syberberg's San Domingo represents an attempt to develop a visual correlate to the distinctive character of Kleist's prose fiction generally, and of his radical treatment of the San Domingan uprising in particular. While San Domingo portrays the rise of such marginalised groups as the Rockers from Am Harras as a logical consequence of an increasing process of alienation from capitalist society, it also articulates a critique of left-wing sentimentality in its portrayal of the central protagonist, Michael König.

Item Type: Journal Article
Subjects: D History General and Old World > DD Germany
H Social Sciences > HN Social history and conditions. Social problems. Social reform
P Language and Literature > PN Literature (General) > PN1993 Motion Pictures
Divisions: Faculty of Arts > School of Modern Languages and Cultures > German Studies
Library of Congress Subject Headings (LCSH): Kleist, Heinrich von, 1777-1811 -- Film adaptations, Motion pictures -- Germany (West), Alienation (Social psychology) in motion pictures, Alienation (Social psychology) -- Germany (West), Nineteen sixty-eight, A.D. -- Influence
Journal or Publication Title: German Life and Letters
Publisher: Wiley-Blackwell Publishing Ltd.
ISSN: 00168777
Official Date: 2011
Dates:
DateEvent
2011Published
Volume: Vol.64
Number: No.3
Page Range: pp. 472-487
DOI: 10.1111/j.1468-0483.2011.01546.x
Status: Peer Reviewed
Publication Status: Published
Access rights to Published version: Restricted or Subscription Access

Data sourced from Thomson Reuters' Web of Knowledge

Request changes or add full text files to a record

Repository staff actions (login required)

View Item View Item
twitter

Email us: wrap@warwick.ac.uk
Contact Details
About Us