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Paranoia and irony in the Anglophone dectective narrative and the novels of Umberto Eco

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Key, Jonathan Benjamin (1999) Paranoia and irony in the Anglophone dectective narrative and the novels of Umberto Eco. PhD thesis, University of Warwick.

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Official URL: http://webcat.warwick.ac.uk/record=b1364600~S1

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Abstract

The thesis provides a reading of Umberto Eco's three novels, The Name of the
Rose, Foucault's Pendulum, and The Island of the Day Before, that, while it
acknowledges the importance of the Italian literary tradition in which they stand, also
seeks to explain why their author appeals so frequently to literary models outside
Italy, and in particular the Anglo-American detective genre.
Chapter One explains Eco's relationship to the development of Italian literature
through his lifetime. It is noted that Eco is beginning, both in his semiotics and his
fiction, from a position where post-structuralism has been extensively explored by
neo-avant-gardew riters. Eco positions himself alongsides uchw riters as Italo Calvino
and Jorge Luis Borges, who wish to explore the ludic possibilities of working within
structures, while all the time acknowledging the epistemological limitations of so
doing. Eco's chosen structure, more often than not, is the highly defined genre of
the detective story.
From here, the following chapters engage in close readings of the three novels,
with particular emphasis on The Name of the Rose and Foucault's Pendulum,
demonstrating that they explore problems of interpretation central to the detective
narrative. In doing this, they display an intimate knowledge of generic developments
within the detective tradition, and of the philosophical and aesthetic uses made of the
genre by other writers. The embedding of intertextual references to other detective
narratives within Eco's novels is an important factor, as they come together to form
a narrative of epistemological inquiry that itself follows Eco's philosophical progress
through the years. In short, the novels, inter alia, map a systematic inquiry into the
possibility of systematic inquiry. They reserve the space to engage in such an ironic
and self-referential project precisely through their fictionality.

Item Type: Thesis or Dissertation (PhD)
Subjects: P Language and Literature > PQ Romance literatures
Library of Congress Subject Headings (LCSH): Eco, Umberto -- Criticism and interpretation, Detective and mystery stories, Italian -- Criticism and interpretation, Paranoia in literature, Irony in literature
Official Date: March 1999
Dates:
DateEvent
March 1999Submitted
Institution: University of Warwick
Theses Department: Department of English and Comparative Literary Studies
Thesis Type: PhD
Publication Status: Unpublished
Supervisor(s)/Advisor: Nash, Cristopher ; Davidson, Peter, 1957-
Sponsors: British Academy
Extent: 336 p.
Language: eng

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