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Beautiful images in spectacular clarity : spectacular television, landscape programming and the question of (tele)visual pleasure

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Wheatley, Helen (Helen M.). (2011) Beautiful images in spectacular clarity : spectacular television, landscape programming and the question of (tele)visual pleasure. Screen, Vol.52 (No.2). pp. 233-248. ISSN 0036-9543

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Official URL: http://dx.doi.org/10.1093/screen/hjr004

Abstract

In establishing television's difference from cinema, scholars have too quickly dismissed the medium's spectacular qualities. Arguments about television which emphasize comparison with cinema typically position the medium as visually inefficient, sound-led and lacking in visual detail. Theories of television's distracted viewership also understand television as anti-spectacular, and, as Mimi White has argued, ‘the emphasis on the temporality of liveness on television (immediacy, interruption) distracts from consideration of the medium's spatial articulations’. It is these articulations, in the form of the spectacle of landscape on television, which this essay addresses. Considering the recent cycle of ‘landscape programming’ on British television, this essay explores television's spectacular aesthetic. An analysis is offered of the pictorial qualities of programmes such as Coast (BBC2/1, 2005-), A Picture of Britain (BBC1, 2005), Wainwright Walks (Skyworks for BBC4, 2007), Britain's Favourite View (ITV1, 2007) and Britain from Above (Lion for BBC1, 2008), and visual pleasure on television. It is argued that these programmes presume a contemplative mode of viewing more traditionally associated with the spectacular in other media (landscape painting, film). Whilst rejecting a technologically determinist argument about the rise of HD shooting and viewing technologies and the advent of this genre of programming (particularly through attention to the history of this genre), these recent programmes are understood as post-digital revolution television. This is simultaneously ‘slow television’ which allows for a contemplative gaze on spectacular ‘natural’ landscapes, and also a heavily-CGI'd cycle of programming which draws on a ‘Google Earth’ aesthetic to produce a frenzy of dazzling cartography, showcasing the spectacle of ‘new’ technologies.

Item Type: Journal Article
Subjects: P Language and Literature > PN Literature (General) > PN1990 Broadcasting
Divisions: Faculty of Arts > Film and Television Studies
Library of Congress Subject Headings (LCSH): Television -- Aesthetics, Television -- Stage-setting and scenery -- Great Britain, Television program locations -- Great Britain
Journal or Publication Title: Screen
Publisher: Oxford University Press
ISSN: 0036-9543
Date: 2011
Volume: Vol.52
Number: No.2
Page Range: pp. 233-248
Identification Number: 10.1093/screen/hjr004
Status: Peer Reviewed
Publication Status: Published
URI: http://wrap.warwick.ac.uk/id/eprint/38754

Data sourced from Thomson Reuters' Web of Knowledge

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