Skip to content Skip to navigation
University of Warwick
  • Study
  • |
  • Research
  • |
  • Business
  • |
  • Alumni
  • |
  • News
  • |
  • About

University of Warwick
Publications service & WRAP

Highlight your research

  • WRAP
    • Home
    • Search WRAP
    • Browse by Warwick Author
    • Browse WRAP by Year
    • Browse WRAP by Subject
    • Browse WRAP by Department
    • Browse WRAP by Funder
    • Browse Theses by Department
  • Publications Service
    • Home
    • Search Publications Service
    • Browse by Warwick Author
    • Browse Publications service by Year
    • Browse Publications service by Subject
    • Browse Publications service by Department
    • Browse Publications service by Funder
  • Help & Advice
University of Warwick

The Library

  • Login
  • Admin

Seeing Lucy's perspective : returning to Cavell, Wittgenstein and The awful truth

Tools
- Tools
+ Tools

Constable, Catherine (2011) Seeing Lucy's perspective : returning to Cavell, Wittgenstein and The awful truth. New Review of Film and Television Studies, Vol.9 (No.3). pp. 358-375. doi:10.1080/17400309.2011.585868 ISSN 1740-0309.

Research output not available from this repository.

Request-a-Copy directly from author or use local Library Get it For Me service.

Official URL: http://dx.doi.org/10.1080/17400309.2011.585868

Request Changes to record.

Abstract

This paper addresses two key themes in selected writings of Stanley Cavell: turning and returning, movements that are presented as essential to the processes of philosophising and interpretation, and looking again, which is variously constructed as a Nietzschean perspectival shift or a Wittgensteinian change of aspect. These themes inform Cavell's readings of filmic and philosophical texts and this paper will focus on two: The Awful Truth (McCarey 1937) and Wittgenstein's Philosophical Investigations. This is coupled with an analysis of the meta-critical role played by both themes in Cavell's theoretical accounts of interpreting and doing philosophy. I demonstrate that Cavell ultimately overlooks and neglects the perspectival and argue that Nietzsche's model is the most effective one for mapping clashes of interpretation. This involves examining the limited role allocated to the object of desire/interpretation. The paper ends by showing how The Awful Truth reworks elements of Nietzschean perspectivalism, reconfiguring it as a paradigm for the productive inter-relation of philosophical and film texts.

Item Type: Journal Article
Subjects: P Language and Literature > PN Literature (General)
Divisions: Faculty of Arts > Film and Television Studies
Journal or Publication Title: New Review of Film and Television Studies
Publisher: Routledge
ISSN: 1740-0309
Official Date: 2011
Dates:
DateEvent
2011Published
Volume: Vol.9
Number: No.3
Page Range: pp. 358-375
DOI: 10.1080/17400309.2011.585868
Status: Peer Reviewed
Publication Status: Published
Access rights to Published version: Restricted or Subscription Access

Request changes or add full text files to a record

Repository staff actions (login required)

View Item View Item
twitter

Email us: wrap@warwick.ac.uk
Contact Details
About Us