Pop music and characterisation in narrative film
Garwood, Ian (1999) Pop music and characterisation in narrative film. PhD thesis, University of Warwick.
WRAP_THESIS_Garwood_1999.pdf - Requires a PDF viewer such as GSview, Xpdf or Adobe Acrobat Reader
Official URL: http://webcat.warwick.ac.uk/record=b1364007~S15
This thesis discusses the use of pop songs in narrative films, with particular attention paid to their role in characterisation. My argument concerns the potential for pop to retain its specificity as a certain type of music whilst it carries out functions normally attributed to a composed score. Many commentators have assumed that, because a song may be known before it is used in a film, its narrative meanings are "pre-packaged". I combine an appreciation of pop music's propensity to come to a film already 'known' with an attempt to demonstrate how individual narratives ask songs to perform different affective roles. It is my contention that pop music's quality of 'knownness' is fundamental to its narrative affect in films, without, however, pre-determining that affect. I argue my case through close textual analysis, discussing the relationship between real-life pop stars' musical personas and the film characters they are asked to play, as well as offering numerous examples of songs without an on-screen performer becoming involved in processes of filmic narration.
|Item Type:||Thesis or Dissertation (PhD)|
|Subjects:||M Music and Books on Music > ML Literature of music
P Language and Literature > PN Literature (General) > PN1993 Motion Pictures
|Library of Congress Subject Headings (LCSH):||Popular music in motion pictures|
|Institution:||University of Warwick|
|Theses Department:||Department of Film and Television Studies|
|Supervisor(s)/Advisor:||Dyer, Richard, 1945-|
Actions (login required)