Skip to content Skip to navigation
University of Warwick
  • Study
  • |
  • Research
  • |
  • Business
  • |
  • Alumni
  • |
  • News
  • |
  • About

University of Warwick
Publications service & WRAP

Highlight your research

  • WRAP
    • Home
    • Search WRAP
    • Browse by Warwick Author
    • Browse WRAP by Year
    • Browse WRAP by Subject
    • Browse WRAP by Department
    • Browse WRAP by Funder
    • Browse Theses by Department
  • Publications Service
    • Home
    • Search Publications Service
    • Browse by Warwick Author
    • Browse Publications service by Year
    • Browse Publications service by Subject
    • Browse Publications service by Department
    • Browse Publications service by Funder
  • Help & Advice
University of Warwick

The Library

  • Login
  • Admin

Directing through montage : a chronological look at the construction of performance through the creation and combination of its various elements

Tools
- Tools
+ Tools

Sykes, Leo (1995) Directing through montage : a chronological look at the construction of performance through the creation and combination of its various elements. PhD thesis, University of Warwick.

[img]
Preview
PDF
WRAP_THESIS_Sykes_1995.pdf - Requires a PDF viewer.

Download (66Mb)
Official URL: http://webcat.warwick.ac.uk/record=b1367761~S15

Request Changes to record.

Abstract

This thesis is an investigation into the working practices of Odin Teatret. It focuses on
the making of the latest group performance, Kaosmos, made between 1992-1993. The
thesis extracts certain transmissible principles of practice from the process of Kaosmos.
These principles are concerned with the director's work on performance. The work of
the actor is therefore only referred in order to illuminate or explain this. The thesis
covers all areas of creative work involved in making performance: the director's
instructions, the actors' actions, the texts, music, songs, sound, set, lighting, costumes
and props.
This is the first study of the work of Eugenio Barba that follows his process of making
a performance from inception to finish, and, from this, extracts principles of practice.
This is not just a theoretical or historical document, but one that can hopefully
contribute to the working practices of other directors.
The method of investigation was primarily practical. I was assigned the role of
assistant director on Kaosmos. This gave me a daily insight into the working practice
of Odin Teatret in rehearsal. The thesis documents this process through practical
analysis and extracts from my work diary. It concludes with a performance-text of
Kaosmos, the basis of which I created during the process as a working document for
Barba and the actors.
The thesis is divided into two main parts: the first part gives the theoretical
background to the working practices to be documented later in the thesis. The second
part shows how these theories of practice were actually implemented in rehearsal. The
aspects here perceived as being central to the making of performance are: 1) the ability
to begin work on a performance at a stage before meanings, characters and narratives
have been established and 2) the use of montage as the main structural dynamic in the
creation of performance.
The intention of the thesis is not to draw any hard-and-fast conclusions. This would
endanger the creative nature of the practice it documents and turn the information here
offered into a handbook of rules. The intention is rather to allow the information to
inspire and inform other practitioners, without creating any definition of how this
should occur. It is of upmost importance that each artist interpret and use what is here
written in their own individual manner.
All the quotes are given in their language of publication, all translations contained in
the text are by myself.

Item Type: Thesis (PhD)
Subjects: P Language and Literature > PN Literature (General) > PN1993 Motion Pictures
Library of Congress Subject Headings (LCSH): Barba, Eugenio -- Criticism and interpretation, Odin teatret, Kaosmos, Motion pictures -- Production and direction
Official Date: November 1995
Dates:
DateEvent
November 1995Submitted
Institution: University of Warwick
Theses Department: Department of Theatre Studies
Thesis Type: PhD
Publication Status: Unpublished
Supervisor(s)/Advisor: Barker, Clive, 1931-
Extent: v, 385 leaves
Language: eng

Request changes or add full text files to a record

Repository staff actions (login required)

View Item View Item

Downloads

Downloads per month over past year

View more statistics

twitter

Email us: wrap@warwick.ac.uk
Contact Details
About Us