Skip to content Skip to navigation
University of Warwick
  • Study
  • |
  • Research
  • |
  • Business
  • |
  • Alumni
  • |
  • News
  • |
  • About

University of Warwick
Publications service & WRAP

Highlight your research

  • WRAP
    • Home
    • Search WRAP
    • Browse by Warwick Author
    • Browse WRAP by Year
    • Browse WRAP by Subject
    • Browse WRAP by Department
    • Browse WRAP by Funder
    • Browse Theses by Department
  • Publications Service
    • Home
    • Search Publications Service
    • Browse by Warwick Author
    • Browse Publications service by Year
    • Browse Publications service by Subject
    • Browse Publications service by Department
    • Browse Publications service by Funder
  • Help & Advice
University of Warwick

The Library

  • Login
  • Admin

Introduction

Tools
- Tools
+ Tools

Smith, Paul (2007) Introduction. In: Smith, Paul, (ed.) The substance + the shadow = La proie et l'ombre. Refiguring modernism (No.6). University Park, Pa.: Pennsylvania State University Press, ix-xlv. ISBN 9780271032054

Research output not available from this repository.

Request-a-Copy directly from author or use local Library Get it For Me service.

Official URL: http://www.psupress.org/books/titles/978-0-271-032...

Request Changes to record.

Abstract

In 1878, the author Marius Roux, a noted friend of Emile Zola and Paul Cezanne, published "La proie et l'ombre", a little-known roman a clef featuring a thinly disguised Cezanne as the main character, Germain Rambert. The text prominently features several conversations drawn from famous Impressionist discussions on the nature of art. "La proie et l'ombre" offers a unique insight into the thoughts and lives of the Impressionists. Cezanne scholar Paul Smith has resurrected this all-but-forgotten novel, recognizing its value in expanding our understanding of the Impressionists' world in general and Cezanne's in particular. This translation, titled "The Substance and the Shadow", also brings to the foreground the effects of a burgeoning capitalist economy on the artistic practices of the period. With the recent advent of the salons, art in France was no longer reserved for the privileged few, and artists increasingly found themselves attempting to appeal to the merchant classes. Art had become a commercial endeavor in ways never before imagined, and the story details Rambert's - and, by extension, Cezanne's - attempts to cope with the shift. In a substantial introductory essay, Paul Smith discusses the nature of the roman a clef and its use as a historical document, and provides an examination of the relationship between Roux's characters and their real-life counterparts. "The Substance and the Shadow" also offers an analysis of Roux's correspondence by distinguished Zola scholar Clive Thompson.

Item Type: Book Item
Divisions: Faculty of Arts > History of Art
Series Name: Refiguring modernism
Publisher: Pennsylvania State University Press
Place of Publication: University Park, Pa.
ISBN: 9780271032054
Book Title: The substance + the shadow = La proie et l'ombre
Editor: Smith, Paul
Official Date: 2007
Dates:
DateEvent
2007Published
Number: No.6
Number of Pages: 0
Page Range: ix-xlv
Status: Peer Reviewed
Publication Status: Published
Access rights to Published version: Restricted or Subscription Access
Description:

written by Marius Roux ; translated by Dick Collins and Fiona Cox ; edited with an introduction and notes by Paul Smith

Request changes or add full text files to a record

Repository staff actions (login required)

View Item View Item
twitter

Email us: wrap@warwick.ac.uk
Contact Details
About Us