Skip to content Skip to navigation
University of Warwick
  • Study
  • |
  • Research
  • |
  • Business
  • |
  • Alumni
  • |
  • News
  • |
  • About

University of Warwick
Publications service & WRAP

Highlight your research

  • WRAP
    • Home
    • Search WRAP
    • Browse by Warwick Author
    • Browse WRAP by Year
    • Browse WRAP by Subject
    • Browse WRAP by Department
    • Browse WRAP by Funder
    • Browse Theses by Department
  • Publications Service
    • Home
    • Search Publications Service
    • Browse by Warwick Author
    • Browse Publications service by Year
    • Browse Publications service by Subject
    • Browse Publications service by Department
    • Browse Publications service by Funder
  • Statistics
  • Help & Advice
University of Warwick

The Library

  • Login

An activity-centric conceptual framework for assessing and creating positive urban soundscapes

Tools
- Tools
+ Tools

Cain, Rebecca, Jennings, P. A., Adams, Mags, Bruce, Neil, Carlyle, Angus, Cusack, Peter, Davies, W., Hume, Ken and Plack, Christopher J. (2008) An activity-centric conceptual framework for assessing and creating positive urban soundscapes. In: Institute of Acoustics Spring Conference 2008, Reading, U.K., Apr 10-11, 2008. Published in: Proceedings of the Institute of Acoustics Spring Conference 2008 pp. 546-551.

Full text not available from this repository.
Official URL: http://www.positivesoundscapes.org/publications

Abstract

The Positive Soundscapes Project is an interdisciplinary investigation of soundscape perception [1]. The project seeks to develop a rounded view of human perception of soundscapes by drawing together methods from the disciplines of engineering sound quality [2], acoustics, psychoacoustics, physiology [3], as well as sound art, acoustic ecology and social science [4]. In the acoustics community, sound in the environment, especially that made by other people has overwhelmingly been considered in negative terms as both intrusive and undesirable. The strong focus of traditional engineering acoustics on reducing noise levels ignores the many possibilities for characterizing positive aspects of the soundscape, whereas art and social science disciplines interpret soundscape perception as a multimodal and multi-dimensional concept. The project team come from a wide range of disciplines and are applying their experiences to investigate soundscapes from different aspects to produce a more nuanced and complete picture of listener response than has so far been achieved. In order for the team behind the project to achieve this, an underpinning framework is required, by which to approach and move the project forward, while aligning thinking from the different disciplines. This paper describes a high-level first iteration of the conceptual framework, which is structured in three parts. The use and potential application of the framework within the Positive Soundscapes Project is then discussed.

Item Type: Conference Item (Paper)
Subjects: T Technology > TA Engineering (General). Civil engineering (General)
Divisions: Faculty of Science > WMG (Formerly the Warwick Manufacturing Group)
Journal or Publication Title: Proceedings of the Institute of Acoustics Spring Conference 2008
Publisher: Institute of Acoustics
Date: April 2008
Page Range: pp. 546-551
Status: Not Peer Reviewed
Publication Status: Published
Access rights to Published version: Restricted or Subscription Access
Conference Paper Type: Paper
Title of Event: Institute of Acoustics Spring Conference 2008
Type of Event: Conference
Location of Event: Reading, U.K.
Date(s) of Event: Apr 10-11, 2008
URI: http://wrap.warwick.ac.uk/id/eprint/46919

Request changes to a record

Actions (login required)

View Item View Item
twitter

Email us: publications@warwick.ac.uk
Contact Details
About Us