Pettinger, Lynne (2015) Embodied labour in music work. British Journal of Sociology, 66 (2). pp. 282-300. doi:10.1111/1468-4446.12123

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Abstract

This paper frames the work of performance as embodied labour in order to understand the contingent production of particular music performances. It is an interdisciplinary account that sits at the intersection of the sociology of work, culture and the body. The concept of embodied labour is developed with reference to the complex account of materiality – of bodies and things – present in Tim Ingold’s account of skill. This material account of skill is used to inform use to develop already of well established conceptualizations of body labour: craft, emotional and aesthetic labour through a reading of how these dimensions of embodied labour make possible the work of performance.

Item Type:	Journal Article
Subjects:	H Social Sciences > HD Industries. Land use. Labor H Social Sciences > HM Sociology M Music and Books on Music > ML Literature of music
Divisions:	Faculty of Social Sciences > Sociology
Library of Congress Subject Headings (LCSH):	Work -- Physiological aspects., Music -- Performance., Performing arts -- Social aspects., Industrial sociology., Music in literature., Human body.
Journal or Publication Title:	British Journal of Sociology
Publisher:	Wiley-Blackwell Publishing Ltd.
ISSN:	0007-1315
Official Date:	June 2015
Dates:	Date Event June 2015 Published 21 April 2015 Available May 2014 Accepted
Date of first compliant deposit:	20 July 2016
Volume:	66
Number:	2
Page Range:	pp. 282-300
DOI:	10.1111/1468-4446.12123
Status:	Peer Reviewed
Publication Status:	Published
Access rights to Published version:	Restricted or Subscription Access

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