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Playing the gallery. Time, space and the digital in Brian Eno’s recent installation music

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Hodkinson, James R. (2017) Playing the gallery. Time, space and the digital in Brian Eno’s recent installation music. Oxford German Studies, 46 (3). pp. 315-328. doi:10.1080/00787191.2017.1345435

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Official URL: http://doi.org/10.1080/00787191.2017.1345435

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Abstract

This essay considers the sound installation work of the British multimedia artist Brian Eno. Focusing on Eno’s so-called ‘ambient’ music, the essay asks to what extent this work can be read as an aesthetic intervention in contemporary cultures of musical listening that are driven and shaped by the instantaneous availability of music in digital formats. His sound installation 12 Seasons, written for the ‘Great Gallery’ of the Palace of Venaria Reala in Turin, is marked by slowly evolving melodic structures and textures that imply a culture of sustained listening. However, the installation process also saw Eno personally involved in the adaptation of the pre-recorded music to the acoustic properties of the gallery: this created a listening experience that could only be fully appreciated in the space for which the music was composed, given that the sound evolved as visitors moved through the gallery. Examining Eno’s compositional technique, installation practice and its underpinning musical theory, the essay asks to what extent 12 Seasons and similar works offer a spatially variable listening experience, which critiques the present trend of accessing music through lo-fidelity digital files and re-enforces the need for attentive listening over extended time. It asks, further, whether Eno is thus making a wider artistic protest against the contemporary hyper-consumption of cultural products, criticized by contemporary sociologists, which seems to value the acquisition of new aesthetic material over sustained engagement with it.

Item Type: Journal Article
Subjects: B Philosophy. Psychology. Religion > BD Speculative Philosophy
M Music and Books on Music > M Music
N Fine Arts > NX Arts in general
Divisions: Faculty of Arts > School of Modern Languages and Cultures > German Studies
Faculty of Arts > School of Modern Languages and Cultures
SWORD Depositor: Library Publications Router
Library of Congress Subject Headings (LCSH): Eno, Brian, 1948-, Sound installations (Art), Ambient music, Space and time in music
Journal or Publication Title: Oxford German Studies
Publisher: Informa UK Limited
ISSN: 1745-9214
Official Date: 2 August 2017
Dates:
DateEvent
2 August 2017Published
3 July 2017Available
31 March 2016Accepted
Volume: 46
Number: 3
Page Range: pp. 315-328
DOI: 10.1080/00787191.2017.1345435
Status: Peer Reviewed
Publication Status: Published
Publisher Statement: “This is an Accepted Manuscript of an article published by Taylor & Francis in Oxford German Studies on 02/08/2017, available online: http://www.tandfonline.com/10.1080/00787191.2017.1345435
Access rights to Published version: Restricted or Subscription Access

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