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The forest for the trees : political contexts for Godard's nature imagery in Film socialism and Adieu au langage

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Morrey, Douglas (2019) The forest for the trees : political contexts for Godard's nature imagery in Film socialism and Adieu au langage. Studies in French Cinema, 19 (1). pp. 55-68. doi:10.1080/14715880.2018.1427181 ISSN 1471-5880.

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Official URL: https://doi.org/10.1080/14715880.2018.1427181

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Abstract

Jean-Luc Godard’s most recent feature films, Film socialisme (2010) and Adieu au langage (2014), are striking for their prominent imagery of nature: recurring images include water and forests, and one of the principal ‘characters’ of Adieu au langage is a dog. In many ways, this can be seen to prolong a long-term project of aesthetic research begun in Godard’s films of the early 1980s, complete with the sometimes dubious gender politics of that period. The recent films also include an historico-political tirade against technocracy. Yet nature in these films is prevented from becoming a transcendent opposing pole to technics through the extreme fragmentation of Godard’s imagery that reaches an unprecedented level of distillation at this late stage of his career. As such, this article suggests that the difficult, unstable form of these films marks a serious attempt to capture something of a new political reality.

Item Type: Journal Article
Divisions: Faculty of Arts > School of Modern Languages and Cultures > French Studies
Faculty of Arts > School of Modern Languages and Cultures
Journal or Publication Title: Studies in French Cinema
Publisher: Taylor & Francis
ISSN: 1471-5880
Official Date: 2019
Dates:
DateEvent
2019Published
26 February 2018Available
10 January 2018Accepted
Volume: 19
Number: 1
Page Range: pp. 55-68
DOI: 10.1080/14715880.2018.1427181
Status: Peer Reviewed
Publication Status: Published
Access rights to Published version: Restricted or Subscription Access
Date of first compliant deposit: 18 January 2018
Date of first compliant Open Access: 21 May 2018

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