Hudson, Julie Patricia (2017) The environment on stage: scenery or shapeshifter? PhD thesis, University of Warwick.

PDF WRAP_Theses_Hudosn_2017.pdf - Submitted Version Embargoed item. Restricted access to Repository staff only until 8 December 2019. Contact author directly, specifying your specific needs. - Requires a PDF viewer. Download (4Mb)

Request Changes to record.

Abstract

This thesis is about the environment on stage in production and reception, in several guises. Ecocritical theatre speaks for the environment. Theatre ecologies denote the system of feedback loops running through theatrical events. Theatre ecocriticism describes an ecoaware spectatorial lens. The main theoretical innovation is the conception of the theatrical event as a living ecosystem in a literal sense. The vibrant chemistry between production and reception, and the spiralling ideas and emotions this generates in some conditions, are unavoidably driven by flows of matter and energy, thus, by the natural environment, even when human perspectives seem to dominate. Acceptance of this perspective requires a mind-set I describe as ‘ecoanthropocentric’, and theatre that succeeds in inculcating this perspective is ‘ecoeffective’. Both terms contain the idea that nature is culture and culture is nature, running through the work of Gregory Bateson and others. Methodologies applied in the empirical work are shaped in the same spirit: circularity, ambiguity, oscillating feedback loops and runaway warming systems are necessarily characteristic of effective ecotheatre.

My thesis question was prompted by suggestions that the environment is occluded on stage, an idea at odds with evidence of an active presence. Archival material suggests that coherent productions of Coriolanus put dearth (thus, the environment) on stage. Waiting for Godot is regularly staged as a response to environmental disasters. The campaigning group BP or Not BP speaks out for the environment through stage invasions. The bicycle reveals the environmental shapeshifter at the core of a cycling theatre company's productions. Critics reviewing a climate-change play in 2015 were more engaged in the play's ecological dimensions than their 1994 counterparts. Overall, the environment on stage is found to be at its most effective when consistently embedded, in the lived experience of production and reception, as an open secret.

Item Type:	Thesis or Dissertation (PhD)
Subjects:	P Language and Literature > PN Literature (General) > PN2000 Dramatic representation. The Theater
Library of Congress Subject Headings (LCSH):	Theater -- Environmental aspects, Ecocriticism
Official Date:	8 December 2017
Dates:	Date Event 8 December 2017 UNSPECIFIED
Institution:	University of Warwick
Theses Department:	Department of English and Comparative Literary Studies
Thesis Type:	PhD
Publication Status:	Unpublished
Supervisor(s)/Advisor:	Purcell, Stephen, 1981- ; Rutter, Carol Chillington
Format of File:	eng
Extent:	321 leaves : illustrations, charts.
Language:	eng

Request changes or add full text files to a record

Repository staff actions (login required)

View Item