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Identity Politics in Women's Performance in Japan
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Anan, Nobuko (2012) Identity Politics in Women's Performance in Japan. Theatre Research International, Vol. 37 (No. 01). pp. 68-70. doi:10.1017/S0307883311000782 ISSN 0307-8833.
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Official URL: http://dx.doi.org/10.1017/S0307883311000782
Abstract
In Japan, it was in the mid-1970s when women artists started to create their own professional theatre companies. This period also saw the development of the women's liberation movement in Japan, but there was no exchange between women theatre artists and activists. While the women artists explored a variety of issues in their work, with some few exceptions feminism was not their primary concern. This trend continues to this day, and accounts for why Tadashi Uchino argues that there has been no feminist theatre in Japan.
Item Type: | Journal Article | ||||
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Divisions: | Faculty of Arts > Theatre, Performance and Cultural Policy Studies | ||||
Journal or Publication Title: | Theatre Research International | ||||
Publisher: | Cambridge University Press | ||||
ISSN: | 0307-8833 | ||||
Official Date: | 2012 | ||||
Dates: |
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Volume: | Vol. 37 | ||||
Number: | No. 01 | ||||
Page Range: | pp. 68-70 | ||||
DOI: | 10.1017/S0307883311000782 | ||||
Status: | Peer Reviewed | ||||
Publication Status: | Published | ||||
Access rights to Published version: | Restricted or Subscription Access |
Data sourced from Thomson Reuters' Web of Knowledge
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