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Number of items: 32.
2024
Harrod, Mary (2024) Out of time : fantasising the French romantic hero in the Netflix era. French Screen Studies, 24 (2). doi:10.1080/26438941.2023.2275896 ISSN 2643-8941. (In Press)
2023
Harrod, Mary (2023) Staging the generic self : Cรฉline Sciammaโs autofictional praxis. French Screen Studies, 23 (2-3). pp. 212-230. doi:10.1080/26438941.2022.2149171 ISSN 2643-895X.
2022
Harrod, Mary (2022) Nostalgia, melancholy, trauma : backlash postfeminism in contemporary French screen romance. Nottingham French Studies, 61 (3). pp. 208-226. doi:10.3366/nfs.2022.0356 ISSN 0029-4586.
Harrod, Mary (2022) 'The "selfish" mothers of contemporary French comedy. Genre en Series : Cinema, Television, Medias (12-13). doi:10.4000/ges.2994 ISSN 2431-6563.
Harrod, Mary (2022) Heightened genre and womenโs filmmaking in Hollywood : Twilight (Catherine Hardwicke, 2008) as teen gothic. Feminist Encounters: A Journal of Critical Studies in Culture and Politics, 6 (2). p. 20. ISSN 2542-4920 doi:10.20897/femenc/12343
2021
Harrod, Mary (2021) Channeling globalism : Canal+ as transnational French genre film producer. Contemporary French Civilization, 46 (3). pp. 285-307. doi:10.3828/cfc.2021.18 ISSN 0147-9156.
2020
Harrod, Mary (2020) From postnational mobility to posthuman fluidity : unfixed identities and social responsibilities in Personal Shopper (Assayas, 2016) and Happy End (Haneke, 2017). Northern Lights: Film & Media Studies Yearbook, 18 (1). pp. 85-101. doi:10.1386/nl_00015_1 ISSN 1601-829X.
Harrod, Mary (2020) 'Money can't buy me love' : radical right-wing populism in French romantic comedies of the 2010s. New Review of Film and Television Studies, 18 (1). doi:10.1080/17400309.2019.1664055 ISSN 1740-0309.
2018
Harrod, Mary and Powrie, Phil (2018) New directions in contemporary French comedies : from nation, sex and class to ethnicity, community and the vagaries of the postmodern. Studies in French Cinema, 18 (1). pp. 1-17. ISSN 1471-5880 doi:10.1080/14715880.2017.1415420
Harrod, Mary (2018) Nancy Meyers. Feminist Media Studies, 18 (2). pp. 329-330. ISSN 1468-0777
2017
Harrod, Mary (2017) Parisian lovers in the contemporary romcom. In: Phillips, Alastair and Vincendeau, Ginette , (eds.) Paris in the Cinema : Beyond the Flรขneur. London : BFI : Palgrave. ISBN 9781844578177
Harrod, Mary and Paszkiewicz, Katarzyna (2017) Introduction: Womenโs authorship and genre in contemporary film and television. In: Women Do Genre in Film and Television. New York: Routledge.
Harrod, M. (2017) The myth of Lena Dunham. In: Harrod, M. and Paszkiewicz, K., (eds.) Women Do Genre in Film and Television. London: Routledge, pp. 179-197. ISBN 9781138695801
2016
Harrod, Mary (2016) Review of French 'Cinema in Close-Up: La Vie dโun acteur pour moi'. Studies in European Cinema , 13 (2). pp. 179-181. ISSN 1741-1548
Harrod, Mary (2016) Cinephilia as Multilingualism in The Artist. In: Mamula, Tijana and Patti, Lisa, (eds.) The Multilingual Screen New Reflections on Cinema and Linguistic Difference. London, New Delhi, New York, Sydney: Bloomsbury Academic. ISBN 9781501302886 (In Press)
Harrod, Mary (2016) โ"As If a Girlโs Reach Should Exceed Her Graspโ : gendering genericity and spectatorial address in the work of Amy Heckerling. In: Smith, Frances and Shary, Timothy, (eds.) Refocus on the Films of Amy Heckerling. ReFocus, the American directors series . Edinburgh, Scotland: Edinburgh University Press, Oxford University Press USA. ISBN 9781474404617
2015
Harrod, Mary (2015) Girlfriends, postfeminism, and the European chick-flick in France. In: Handyside, Fiona and Taylor-Jones, Kate, (eds.) International cinema and the girl local issues, transnational contexts. Global Cinema . Houndmills, Basingstoke, Hampshire ; New York, NY: Palgrave MacMillan, pp. 35-47. ISBN 9781137388933
Harrod, Mary (2015) Review of 'French Comedy on Screen : A Cinematic History'. French Studies, 69 (4). pp. 573-574. doi:10.1093/fs/knv174 ISSN 0016-1128.
Harrod, Mary (2015) Daniรจle Thompson : French Womenโs Screenwriting Goes Global. In: Selbo, Jule and Nelms, Jill, (eds.) Women screenwriters : an international guide. Houndmills, Basingstoke, Hampshire ; New York, NY: Palgrave MacMillan. ISBN 9781137312365
Harrod, Mary (2015) How Hollywood-style rom-coms seduced France. The Conversation .
Harrod, Mary and Liz, Mariana and Timoshkina, Alissa, eds. (2015) The Europeanness of European cinema : identity, meaning, globalization. International library of the moving image (25). London ; New York: I.B. Tauris. ISBN 9781780769295
Harrod, Mary (2015) From France with love : gender and identity in French romantic comedy. International library of the moving image (31). London ; New York: I.B. Tauris . ISBN 9781784533588
2014
Harrod, Mary, Liz, Mariana and Timoshhina, Alissa (2014) The Europeanness of European cinema : an overview. In: Harrod, Mary and Liz, Mariana and Timoshkina, Alissa, (eds.) The Europeanness of European cinema : identity, meaning, globalisation. International Library of the Moving Image . London: I.B.Tauris & Co Ltd, p. 1. ISBN 9781780769295
Harrod, Mary (2014) Franglais, Anglais and contemporary French comedy. In: Harrod, Mary and Liz, Mariana and Timoshkina, Alissa, (eds.) The Europeanness of European cinema : identity, meaning, globalisation. International Library of the Moving Image . London: I.B.Tauris & Co Ltd, pp. 145-158. ISBN 9781780769295
Harrod, Mary (2014) Auteur meets genre: Rohmer and the rom-com. In: Anderst, Leah, (ed.) The films of รric Rohmer : French new wave to old master. New York: Palgrave MacMillan, pp. 101-113. ISBN 9781137010995
2013
Harrod, Mary (2013) Sweet nothings? Imagining the inexpressible in contemporary French romantic comedy. Studies in French Cinema, 13 (2). doi:10.1386/sfc.13.2.171-1 ISSN 1471-5880.
Harrod, Mary (2013) A French Gigolo Cliente. In: Palmer, Tim and Michael, Charlie, (eds.) Directory of World Cinema: France. Directory of World Cinema series . Bristol, UK: Intellect Ltd , pp. 76-78. ISBN 9781841505633
Harrod, Mary (2013) LOL (Laughing out loud). In: Palmer, Tim and Michael, Charlie, (eds.) Directory of World Cinema: France. Directory of World Cinema series . Bristol, UK: Intellect Ltd , pp. 86-88. ISBN 9781841505633
2012
Harrod, Mary (2012) Review of 'Richard Linklater ' by David T. Johnson. Senses of Cinema, Issue 64 . ISSN 1443-4059
Harrod, Mary (2012) Linguistic difference as ontological sameness in Bienvenue chez les Ch'tis (2008). Studies in French Cinema, 12 (1). pp. 75-86. doi:10.1386/sfc.12.1.75-1 ISSN 1471-5880.
Harrod, Mary (2012) The rรฉalisatrice and the rom-com in the 2000s. Studies in French Cinema, 12 (3). pp. 227-240. doi:10.1386/sfc.12.3.227-1 ISSN 1471-5880.
2010
Harrod, Mary (2010) The aesthetics of pastiche in the work of Richard Linklater. Screen, 51 (1). pp. 21-37. doi:10.1093/screen/hjp046 ISSN 0036-9543.
This list was generated on Thu Mar 28 21:22:53 2024 GMT.