Smith, Paul. (2013) Cézanne’s primitive perspective or the view from everywhere. The Art Bulletin, Volume 95 (Number 1). pp. 102-119. ISSN 0004-3079

Smith, Paul. (2011) Pictorial grammar : Chomsky, John Willats, and the rules of representation. Art History, Vol.34 (No.3). pp. 562-593. ISSN 0141-6790

Smith, Paul (2009) Introduction to Seurat re-viewed. In: Smith, Paul, (ed.) Seurat re-viewed. Refiguring modernism, Vol.14 . University Park, Pa.: Pennsylvania State University Press, pp. 1-13. ISBN 9780271035451

Smith, Paul, ed. (2009) Seurat re-viewed. Refiguring modernism, Vol.14 . University Park, Pa.: Pennsylvania State University Press. ISBN 9780271035451

Smith, Paul (2009) Stillness and symbolism. "Souls of glass" : Seurat and the ethics of "timeless" experience. In: Smith, Paul, (ed.) Seurat re-viewed. Refiguring modernism, Vol.14 . University Park, Pa.: Pennsylvania State University Press, pp. 199-221. ISBN 9780271035451

Smith, Paul (2007) Literature and art. French Studies, Vol.61 (No.1). pp. 1-13. ISSN 0016-1128

Smith, Paul (2007) Introduction. In: Smith, Paul, (ed.) The substance + the shadow = La proie et l'ombre. Refiguring modernism (No.6). University Park, Pa.: Pennsylvania State University Press, ix-xlv. ISBN 9780271032054

Smith, Paul, 1956- (2007) 'Real primitives' : Cézanne, Wittgenstein, and the nature of aesthetic quality. In: Harris, Jonathan (Jonathan P.), (ed.) Value, art, politics : criticism, meaning and interpretation after Postmodernism. Value, art, politics . Liverpool: Liverpool University Press, pp. 93-122. ISBN 9781846310423

Smith, Paul (2006) Les Paysages tardifs de Cézanne, ou la perspective de la mort. In: Cézanne in Provence. New Haven, Conn. ; London [Washington]: Yale University Press [National Gallery of Art], pp. 81-96. ISBN 9780300113389

Smith, Paul (1997) Manet bits. Art History, Vol.20 (No.3). pp. 477-482. ISSN 0141-6790

Smith, Paul (1987) Pictures and history : one man's truth. Oxford Art Journal, Vol.10 (No.2). pp. 97-105. ISSN 0142-6540

Smith, Paul Victorine’s Secret: Baudelaire, Modernity, and the Ambiguity of Commodities. In: UNSPECIFIED Clark Institute/Periscope.