Journal Article

Lewis, W. J. (Wanda J.) and Smith, James R.. (2014) The effect of string tension variation on the perceived pitch of a classical guitar. Exchanges: the Warwick Research Journal, Volume 2 (Number 1). pp. 53-81. ISSN 2053-9665

Stewart, Neil and Brown, G. D. A.. (2004) Sequence effects in the categorization of tones varying in frequency. Journal of Experimental Psychology: Learning, Memory, and Cognition, Vol.30 (No.2). pp. 416-430. ISSN 0278-7393

Varriale, Simone. (2016) Beyond distinction : theorising cultural evaluation as a social encounter. Cultural Sociology, 10 (2). pp. 160-177. ISSN 1749-9755

Varriale, Simone. (2014) Bourdieu and the sociology of cultural evaluation : lessons from the Italian popular music press. Rassegna Italiana di Sociologia, Volume 2014 (Number 1). pp. 121-148. ISSN 0486-0349

Varriale, Simone. (2015) Cultural production and the morality of markets : popular music critics and the conversion of economic power into symbolic capital. Poetics : Journal of Empirical Research on Culture, the Media and the Arts, 51 . ISSN 0304-422X

Varriale, Simone. (2015) Reconceptualizing aesthetic cosmopolitanism : evidence from the early consecration of Anglo-American pop-rock in Italy. American Behavioral Scientist . ISSN 0002-7642 (In Press)

Book Item

Gololobov, Ivan and Steinholt, Yngvar (2011) Танец для мертвых? Институционализация русского рока в эпоху Единой России. In: Voroshilov, M. B. and Domanski, V., (eds.) Русская рок-поэзия : текст и контекст (Russkaja rok-poezija : tekst i kontekst) = Russian rock poetry : text and context. Ekaterinburg: Tver', pp. 32-40. ISBN 9785718603873

Conference Item

Refini, Eugenio (2010) Giuditta, Armida e l'impalpabile velo della seduzione. In: Invited Speaker : New York University, Casa Italiana Zerilli-Marimò, New York University, 15 April 2010 (Unpublished)

Book

Varriale, Simone (2016) Globalization, music and cultures of distinction : the rise of pop music criticism in Italy. London: Palgrave Macmillan. ISBN 9781137564498

Thesis or Dissertation

Charles, Monique (2016) 'Hallowed be thy Grime? : A musicological and sociological genealogy of Grime music and its relation to Black Atlantic religious discourse' (#HBTG?). PhD thesis, University of Warwick.

Meredith, Sharon (2002) Tuk in Barbados : the history, development and recontextualisation of a musical genre. PhD thesis, University of Warwick.

Morgan, Letisha Yvonne (2004) Representing blackness : MOVE, the media, and the city of Philadelphia. PhD thesis, University of Warwick.

Refaat, Malik (2014) A reaction time investigation of absolute pitch. PhD thesis, University of Warwick.

Toulson, David (2016) Culture is a weapon: popular music, protest and opposition to apartheid in Britain. PhD thesis, University of Warwick.

Yoo, Jiyun (2014) Live music and the dilemmas of the Korean consumer experience : consumption, markets, and identities. PhD thesis, University of Warwick.

Digital Scholarly Resource

Varriale, Simone (2016) Whose culture is global? Listening to Anglo-American pop music in Italy. [Online]. (http://discoversociety.org/2016/11/01/whose-cultur...). Bristol, UK: Discover Society Policy Press.