Journal Article

Fagge, Roger (2020) The politics, aesthetics and dissonance of music in everyday life. Jazz Research Journal, 13 (1-2). pp. 7-18. doi:10.1558/jazz.39944

Formilan, Giovanni and Stark, David (2021) Moments of identity : dynamics of artist, persona, and audience in electronic music. Theory and Society . doi:10.1007/s11186-021-09458-w (In Press)

Hodkinson, James R. (2017) Playing the gallery. Time, space and the digital in Brian Eno’s recent installation music. Oxford German Studies, 46 (3). pp. 315-328. doi:10.1080/00787191.2017.1345435

Kelleher, Carol, Wilson, Hugh N., Macdonald, Emma K. and Peppard, Joe (2019) The score is not the music : integrating experience and practice perspectives on value co-creation in collective consumption contexts. Journal of Service Research, 22 (2). pp. 120-138. doi:10.1177/1094670519827384

Lewis, W. J. (Wanda J.) and Smith, James R. (2014) The effect of string tension variation on the perceived pitch of a classical guitar. Exchanges: the Warwick Research Journal, Volume 2 (Number 1). pp. 53-81.

Stewart, Neil and Brown, G. D. A. (2004) Sequence effects in the categorization of tones varying in frequency. Journal of Experimental Psychology: Learning, Memory, and Cognition, Vol.30 (No.2). pp. 416-430. doi:10.1037/0278-7393.30.2.416

Varriale, Simone (2016) Beyond distinction : theorising cultural evaluation as a social encounter. Cultural Sociology, 10 (2). pp. 160-177. doi:10.1177/1749975515596447

Varriale, Simone (2014) Bourdieu and the sociology of cultural evaluation : lessons from the Italian popular music press. Rassegna Italiana di Sociologia, Volume 2014 (Number 1). pp. 121-148. doi:10.1423/76934

Varriale, Simone (2015) Cultural production and the morality of markets : popular music critics and the conversion of economic power into symbolic capital. Poetics : Journal of Empirical Research on Culture, the Media and the Arts, 51 . doi:10.1016/j.poetic.2015.03.002

Varriale, Simone (2018) Reconceptualizing aesthetic cosmopolitanism : evidence from the early consecration of Anglo-American pop-rock in Italy. American Behavioral Scientist . doi:10.1177/0002764218800139

Watt, Gary (2020) Law making music. Law and Humanities, 14 (1). pp. 26-56. doi:10.1080/17521483.2020.1752429

Watt, Gary (2020) Sound and fury signifying Brexit. Law Text Culture, 24 . pp. 1-26. 8.

Book Item

Elliott, Mark T., Ward, Dominic , Stables, Ryan , Fraser, Dagmar , Jacoby, Nori and Wing, Alan M. (2018) Analysing multi-person timing in music and movement : event based methods. In: Vatakis, Argiro and Balcı, Fuat and Di Luca, Massimiliano and Correa, Ángel , (eds.) Timing and Time Perception : Procedures, Measures, and Applications. Brill, pp. 177-215. ISBN 9789004280205

Gololobov, Ivan and Steinholt, Yngvar (2011) Танец для мертвых? Институционализация русского рока в эпоху Единой России. In: Voroshilov, M. B. and Domanski, V., (eds.) Русская рок-поэзия : текст и контекст (Russkaja rok-poezija : tekst i kontekst) = Russian rock poetry : text and context. Ekaterinburg: Tver', pp. 32-40. ISBN 9785718603873

Vanhaelen, Maude (2017) Cosmic harmony, demons, and the mnemonic power of music in Renaissance Florence : the case of Marsilio Ficino. In: Prins, Jacomien and Vanhaelen, Maude, (eds.) Sing Aloud Harmonious Spheres : Renaissance Conceptions of Cosmic Harmony. Warwick Series in the Humanities . New York: Routledge : Taylor & Francis Group. ISBN 9781138063464

Conference Item

Chowdhury, Shreyan, Guha, Tanaya and Hegde, Rajesh M. (2017) Music tempo estimation using sub-band synchrony. In: Interspeech 2017, Stockholm, Sweden, 20-24 Aug 2017. Published in: Proceedings of Interspeech 2017 pp. 3093-3096. ISSN 1990-9772. doi:10.21437/Interspeech.2017-1000

Refini, Eugenio (2010) Giuditta, Armida e l'impalpabile velo della seduzione. In: Invited Speaker : New York University, Casa Italiana Zerilli-Marimò, New York University, 15 April 2010 (Unpublished)

Working or Discussion Paper

Benetos, Emmanouil, Ragano, Alessandro, Sgroi, Daniel and Tuckwell, Anthony (2021) Measuring national happiness with music. Working Paper. Coventry, UK: University of Warwick. Department of Economics. Warwick economics research papers series (WERPS) (1326). (Unpublished)

Book

Sharpe, Alex (2021) David Bowie Outlaw : essays on difference, authenticity, ethics, art & love. London and New York: Routledge. ISBN 9780367691042

Varriale, Simone (2016) Globalization, music and cultures of distinction : the rise of pop music criticism in Italy. London: Palgrave Macmillan. ISBN 9781137564498

Journal Item

Mulcahy, Sean (2018) UK parliamentary inquiry turned verbatim musical : a theatre review. Alternative Law Journal, 43 (1). pp. 66-67. doi:10.1177/1037969X17753287

Thesis or Dissertation

Charles, Monique (2016) 'Hallowed be thy Grime? : A musicological and sociological genealogy of Grime music and its relation to Black Atlantic religious discourse' (#HBTG?). PhD thesis, University of Warwick.

Edworthy, Judy (1983) An experimental investigation into the relationship between pitch-interval and contour in melody processing. PhD thesis, University of Warwick.

Garcia, Luana Tavano (2019) Performing nationhood Brazilian identity in performance. PhD thesis, University of Warwick.

Lee, Dongjoon (2021) Strategic organisational change and artist-leadership in the K-pop industry: a narrative analysis approach. PhD thesis, University of Warwick.

Meredith, Sharon (2002) Tuk in Barbados : the history, development and recontextualisation of a musical genre. PhD thesis, University of Warwick.

Morgan, Letisha Yvonne (2004) Representing blackness : MOVE, the media, and the city of Philadelphia. PhD thesis, University of Warwick.

Refaat, Malik (2014) A reaction time investigation of absolute pitch. PhD thesis, University of Warwick.

Toulson, David (2016) Culture is a weapon: popular music, protest and opposition to apartheid in Britain. PhD thesis, University of Warwick.

Yoo, Jiyun (2014) Live music and the dilemmas of the Korean consumer experience : consumption, markets, and identities. PhD thesis, University of Warwick.

Digital Scholarly Resource

Varriale, Simone (2016) Whose culture is global? Listening to Anglo-American pop music in Italy. [Online]. (http://discoversociety.org/2016/11/01/whose-cultur...). Bristol, UK: Discover Society Policy Press.