Journal Article

Fagge, Roger (2020) The politics, aesthetics and dissonance of music in everyday life. Jazz Research Journal, 13 (1-2). pp. 7-18. doi:10.1558/jazz.39944

Hodkinson, James R. (2017) Playing the gallery. Time, space and the digital in Brian Eno’s recent installation music. Oxford German Studies, 46 (3). pp. 315-328. doi:10.1080/00787191.2017.1345435

Kelleher, Carol, Wilson, Hugh N., Macdonald, Emma K. and Peppard, Joe (2019) The score is not the music : integrating experience and practice perspectives on value co-creation in collective consumption contexts. Journal of Service Research, 22 (2). pp. 120-138. doi:10.1177/1094670519827384

Lewis, W. J. (Wanda J.) and Smith, James R. (2014) The effect of string tension variation on the perceived pitch of a classical guitar. Exchanges: the Warwick Research Journal, Volume 2 (Number 1). pp. 53-81.

Stewart, Neil and Brown, G. D. A. (2004) Sequence effects in the categorization of tones varying in frequency. Journal of Experimental Psychology: Learning, Memory, and Cognition, Vol.30 (No.2). pp. 416-430. doi:10.1037/0278-7393.30.2.416

Varriale, Simone (2016) Beyond distinction : theorising cultural evaluation as a social encounter. Cultural Sociology, 10 (2). pp. 160-177. doi:10.1177/1749975515596447

Varriale, Simone (2014) Bourdieu and the sociology of cultural evaluation : lessons from the Italian popular music press. Rassegna Italiana di Sociologia, Volume 2014 (Number 1). pp. 121-148. doi:10.1423/76934

Varriale, Simone (2015) Cultural production and the morality of markets : popular music critics and the conversion of economic power into symbolic capital. Poetics : Journal of Empirical Research on Culture, the Media and the Arts, 51 . doi:10.1016/j.poetic.2015.03.002

Varriale, Simone (2018) Reconceptualizing aesthetic cosmopolitanism : evidence from the early consecration of Anglo-American pop-rock in Italy. American Behavioral Scientist . doi:10.1177/0002764218800139

Watt, Gary (2020) Law making music. Law and Humanities, 14 (1). pp. 26-56. doi:10.1080/17521483.2020.1752429

Book Item

Elliott, Mark T., Ward, Dominic , Stables, Ryan , Fraser, Dagmar , Jacoby, Nori and Wing, Alan M. (2018) Analysing multi-person timing in music and movement : event based methods. In: Vatakis, Argiro and Balcı, Fuat and Di Luca, Massimiliano and Correa, Ángel , (eds.) Timing and Time Perception : Procedures, Measures, and Applications. Brill, pp. 177-215. ISBN 9789004280205

Gololobov, Ivan and Steinholt, Yngvar (2011) Танец для мертвых? Институционализация русского рока в эпоху Единой России. In: Voroshilov, M. B. and Domanski, V., (eds.) Русская рок-поэзия : текст и контекст (Russkaja rok-poezija : tekst i kontekst) = Russian rock poetry : text and context. Ekaterinburg: Tver', pp. 32-40. ISBN 9785718603873

Vanhaelen, Maude (2017) Cosmic harmony, demons, and the mnemonic power of music in Renaissance Florence : the case of Marsilio Ficino. In: Prins, Jacomien and Vanhaelen, Maude, (eds.) Sing Aloud Harmonious Spheres : Renaissance Conceptions of Cosmic Harmony. Warwick Series in the Humanities . New York: Routledge : Taylor & Francis Group. ISBN 9781138063464

Conference Item

Chowdhury, Shreyan, Guha, Tanaya and Hegde, Rajesh M. (2017) Music tempo estimation using sub-band synchrony. In: Interspeech 2017, Stockholm, Sweden, 20-24 Aug 2017. Published in: Proceedings of Interspeech 2017 pp. 3093-3096. ISSN 1990-9772. doi:10.21437/Interspeech.2017-1000

Refini, Eugenio (2010) Giuditta, Armida e l'impalpabile velo della seduzione. In: Invited Speaker : New York University, Casa Italiana Zerilli-Marimò, New York University, 15 April 2010 (Unpublished)

Book

Varriale, Simone (2016) Globalization, music and cultures of distinction : the rise of pop music criticism in Italy. London: Palgrave Macmillan. ISBN 9781137564498

Journal Item

Mulcahy, Sean (2018) UK parliamentary inquiry turned verbatim musical : a theatre review. Alternative Law Journal, 43 (1). pp. 66-67. doi:10.1177/1037969X17753287

Thesis or Dissertation

Charles, Monique (2016) 'Hallowed be thy Grime? : A musicological and sociological genealogy of Grime music and its relation to Black Atlantic religious discourse' (#HBTG?). PhD thesis, University of Warwick.

Edworthy, Judy (1983) An experimental investigation into the relationship between pitch-interval and contour in melody processing. PhD thesis, University of Warwick.

Meredith, Sharon (2002) Tuk in Barbados : the history, development and recontextualisation of a musical genre. PhD thesis, University of Warwick.

Morgan, Letisha Yvonne (2004) Representing blackness : MOVE, the media, and the city of Philadelphia. PhD thesis, University of Warwick.

Refaat, Malik (2014) A reaction time investigation of absolute pitch. PhD thesis, University of Warwick.

Toulson, David (2016) Culture is a weapon: popular music, protest and opposition to apartheid in Britain. PhD thesis, University of Warwick.

Yoo, Jiyun (2014) Live music and the dilemmas of the Korean consumer experience : consumption, markets, and identities. PhD thesis, University of Warwick.

Digital Scholarly Resource

Varriale, Simone (2016) Whose culture is global? Listening to Anglo-American pop music in Italy. [Online]. (http://discoversociety.org/2016/11/01/whose-cultur...). Bristol, UK: Discover Society Policy Press.