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Fagge, Roger. (2016) ‘Let the People Sing’ : J.B. Priestley and the significance of music. Cultural and Social History, 12 (4). pp. 545-563. ISSN 1478-0038
Michael, John and Wolf, Thomas. (2014) Why apply a hierarchical predictive processing framework to music perception and performance? Empirical Musicology Review, 9 (3-4). pp. 177-182. ISSN 1559-5749
Pettinger, Lynne. (2015) Embodied labour in music work. British Journal of Sociology, 66 (2). pp. 282-300. ISSN 0007-1315
Varriale, Simone. (2012) Is that girl a monster? : some notes on authenticity and artistic value in Lady Gaga. Celebrity Studies, Volume 3 (Number 2). pp. 256-258. ISSN 1939-2397
Fagge, Roger (2016) ‘One of the most remarkable cultural phenomena of our century’: Larkin, Hobsbawm and Amis on Jazz. In: Fagge, Roger and Pillai, Nicolas , (eds.) New jazz conceptions : history, theory, practice. Warwick Series in the Humanities . Abingdon, Oxford: Routledge. ISBN 9781848936096
Kümin, Beat A. (2001) Masses, morris and metrical psalms. Music in the English parish c. 1400-1600. In: Music and Musicians in Renaissance Cities and Towns. Cambridge, UK ; New York, NY: Cambridge University Press, pp. 70-81. ISBN 0521024862
Beynon, Meurig (2006) Mathematics and music : models and morals. In: The Bridges Conference : Mathematical Connections in Art, Music, and Science, London, England, 4 - 9 Aug 2006 pp. 437-444. (Unpublished)
Salzberg, Rosa Poverty makes me invisible : street singers and the discourse about poverty and wealth in renaissance Italy. In: Renaissance Society of America Annual Meeting, Montreal, Mar 2011
Harvey, Ruth, Paterson, Linda M., Radaelli, Anna and Franchi, Claudio (2010) The troubadour tensos and partimens : a critical edition. Gallica, Vol.14 . Woodbridge: D.S. Brewer ; [London] : Modern Humanities Research Association. ISBN 9781843841975
Thesis or Dissertation
Allett, Nicola Faye (2010) 'Love's labours': extreme metal music and its feeling community. PhD thesis, University of Warwick.
Barwell, Michael John (2002) Patterns of redemption: parachronicity in the work of Piero della Francesca, Frank Zappa and Stanley Spencer. PhD thesis, University of Warwick.
Bayton, Mavis (1989) How women become rock musicians. PhD thesis, University of Warwick.
Cowley, John (1992) Music & migration : aspects of black music in the British Caribbean, the United States, and Britain, before the independence of Jamaica and Trinidad & Tobago. PhD thesis, University of Warwick.
Garwood, Ian (1999) Pop music and characterisation in narrative film. PhD thesis, University of Warwick.
Hall, Duncan (2000) A pleasant change from politics : the musical culture of the British labour movement, 1918-1939. PhD thesis, University of Warwick.
Laing, Heather (2000) Wandering minds and anchored bodies: music, gender and emotion in melodrama and the woman's film. PhD thesis, University of Warwick.
Marshall, Lee (2001) Losing one's mind: bootlegging and the sociology of copyright. PhD thesis, University of Warwick.
Moore, James Ross (2000) An intimate understanding : the rise of British musical revue 1890-1920. PhD thesis, University of Warwick.
Nelson, Katie M. (2010) Thomas Whythorne and Tudor musicians. PhD thesis, University of Warwick.
Oda, Tomoo Thomas (2006) Many spheres of music : hermeneutic interpretation of musical signification. PhD thesis, University of Warwick.
Pearson, Edward R. S. (1991) The multiresolution Fourier transform and its application to polyphonic audio analysis. PhD thesis, University of Warwick.
Varriale, Simone (2014) Cosmopolitan expertise : music, media and cultural identities in Italy. PhD thesis, University of Warwick.
Vroomen, Laura (2002) This woman's work: Kate Bush, female fans and practices of distinction. PhD thesis, University of Warwick.
Willis, Jonathan Peter (2009) Church music and Protestantism in post-Reformation England: discourses, sites & identities. PhD thesis, University of Warwick.