Journal Article

Bashford-Rogers, Thomas, Debattista, Kurt and Chalmers, Alan (2014) Importance driven environment map sampling. IEEE Transactions on Visualization and Computer Graphics, 20 (6). pp. 907-918. doi:10.1109/TVCG.2013.258

Bell, A. R. (2009) The anachronistic fantastic : science, progress and the child in 'post-nostalgic' culture. International Journal of Cultural Studies, Vol.12 (No.1). pp. 5-22. doi:10.1177/1367877908098856

Bishop, Claire (2008) Vienna Inc. : the analytic documenta. Journal of Visual Culture, Volume 7 (Number 2). pp. 206-214. doi:10.1177/1470412908091940

Bourdua, Louise (2017) The discovery of the Trecento in the long nineteenth century. Predella, 56 (41-42). pp. 1-13.

Butcher, Kevin (2015) Coins from Sippar. Journal of the Oriental Society of Australia, 47 . pp. 182-189.

Bycroft, Michael (2018) Style and substance in rococo science. Journal of Interdisciplinary History, 48 (3). pp. 359-384. doi:10.1162/JINH_a_01162

Cooter, Roger and Stein, Claudia (2007) Die Macht des Plakats : Visuelle Kultur in der Medizingeschichte. Medizinhistorisches Journal , Vol.42 . pp. 180-209.

Cooter, Roger and Stein, Claudia (2010) Positioning the image of AIDS. Endeavour, Vol.34 (No.1). pp. 12-15. doi:10.1016/j.endeavour.2009.12.001

Costello, Diarmuid (2012) Automat, automatic, automatism : Rosalind Krauss and Stanley Cavell on photography and the photographically dependent arts. Critical Inquiry, Vol.38 (No.4). pp. 819-854. doi:10.1086/667426

Costello, Diarmuid (2021) Conceptual art and aesthetic ideas. Kantian Review . (In Press)

Costello, Diarmuid (2021) On the very idea of a "political" work of art. Journal of Political Philosophy, 29 (1). pp. 25-45. doi:10.1111/jopp.12217

De Luca, Tiago (2016) Slow time, visible cinema : duration, experience, and spectatorship. Cinema Journal, 56 (1). pp. 23-42. doi:10.1353/cj.2016.0052

Dent, Peter (2011) [F] or a competition of [...] by a German, John Pisano, Vasari, and the competitive motive at Pistoia, C. 1301. Zeitschrift fuer Kunstgeschichte, Vol.74 (No.1). pp. 29-44.

Dessy, Clément (2016) Une esthétique de la rue. 'La Revue blanche' au cœur de la ville. Romantisme, 2016/1 (171). pp. 74-88. doi:10.3917/rom.171.0074

Gale, Ken, Gallant, Mike, Gannon, Susanne, Kirkpatrick, Davina, Malthouse, Marina, Percy, McClain, Perrier, Maud, Porter, Sue, Rippin, Ann, Sakellariadis, Artemi, Speedy, Jane, Wyatt, Jonathan and Wyatt, Tess (2013) Inquiring into Red/Red inquiring. Humanities, Volume 2 (Number 2). pp. 253-277. doi:10.3390/h2020253

Gallimore, Adam (2013) Watching politics : an interdisciplinary symposium on the impact of visual cultures on politics, University of Warwick, 31 May 2013. Exchanges: the Warwick Research Journal, Volume 1 (Number 1).

Haedicke, Susan C. (2015) Co-performance of bodies and buildings : Compagnie Willi Dorner’s bodies in urban spaces and fitting and Asphalt Piloten’s around the block. Theatre Journal, 67 (4). pp. 643-661. doi:10.1353/tj.2015.0120

Haedicke, Susan C. (2016) Interrupting a legacy of hatred : Friches Théâtre Urbain's Lieu Commun. Research in Drama Education: The Journal of Applied Theatre and Performance, 21 (2). pp. 161-175. doi:10.1080/13569783.2016.1155409

Haedicke, Susan C. and Harper, Sarah (2015) Hope is a wooded time : an eco-performance of biodiversity in discarded geographic and social space. Performing Ethos : An International Journal of Ethics in Theatre & Performance, 5 (1/2). pp. 101-118. doi:10.1386/peet.5.1-2.101_1

Hodkinson, James R. (2021) The Hafis-Goethe-Denkmal and Cultural Sounds? As artistic responses to Goethe’s Divan : between close reading and cultural politics. Publications of the English Goethe Society, 89 (2-3). pp. 238-258. doi:10.1080/09593683.2020.1829269

Holdaway, Dominic (2012) Rome Awards : a return to cinema d'impegno? Contemporary cinematic engagements with organized crime. Papers of the British School at Rome, Volume 80 . pp. 353-354. doi:10.1017/S0068246212000402

Holdsworth, Nadine (2013) 'Boys don't dance, do they?'. Research in Drama Education: The Journal of Applied Theatre and Performance, Volume 18 (Number 2). pp. 168-178. doi:10.1080/13569783.2013.787255

Hutchens, Jessyca, Paz, Anita, Vogt, Naomi and Wakeford, Nina (2016) Introduction – on having the first line written. OAR: The Oxford Artistic and Practice Based Research Platform .

Hutchens , Jessyca, Paz, Anita, Vogt, Naomi and Wakeford, Nina (2018) New validities. JAR: The Journal for Artistic Research (112). doi:10.22501/jarnet.0012

John, Eileen (2020) Learning from aesthetic disagreement and flawed artworks. The Journal of Aesthetics and Art Criticism, 78 (3). pp. 279-288. doi:10.1111/jaac.12748

Kümin, Beat A. (2009) Iconographical approaches to the early modern public house. Food and History, Vol.7 (No.2). pp. 29-42. doi:10.1484/J.FOOD.1.100649

Lambert, Cath (2016) The affective work of art : an ethnographic study of Brian Lobel's fun with cancer patients. The Sociological Review, 64 (4). pp. 929-950. doi:10.1111/1467-954X.12394

Lebovici, Elisabeth (2021) To expose, to show, to demonstrate, to inform, to offer. OAR: The Oxford Artistic and Practice Based Research Platform (4).

Orrells, Daniel (2011) Burying and excavating Winckelmann's History of Art. Classical Receptions Journal, Volume 3 (Number 2). pp. 166-188. doi:10.1093/crj/clr005

Pericolo, Lorenzo (2017) "Donna bella e crudele" : Michelangelo's Divine Heads in Light of the Rime. Mitteilungen des Kunsthistorischen Institutes Florenz, 59 (2). pp. 202-233.

Roberts, Bill (2015) Unnaming the system? Retrieving postmodernism's contemporaneity. ARTMargins, 4 (2). pp. 3-23. doi:10.1162/ARTM-a-00116

Sargeant, Amy (2011) Lever, lifebuoy and ivory. Early Popular Visual Culture, Volume 9 (Number 1). pp. 37-55. doi:10.1080/17460654.2011.544112

Schroeder, Jonathan D. S. (2014) The painting of modern light : local color before regionalism. American Literature, 86 (3). pp. 551-581. doi:10.1215/00029831-2717407

Smyth, Patricia (2021) Place and space in nineteenth-century representations of old London : the Thieves’ House on West Street. Journal of Victorian Culture, 26 (3). pp. 357-383. doi:10.1093/jvcult/vcab010

Varma, Rashmi (2013) Primitive accumulation : the political economy of indigenous art in postcolonial India. Third Text, Volume 27 (Number 6). pp. 748-761. doi:10.1080/09528822.2013.857902

Viala, Fabienne (2020) La mémoire des gestes de l’esclavage dans les pratiques performatives caribéennes. L’Annuaire théâtral (63–64). pp. 49-62. doi:10.7202/1067747ar

Vickery, Jonathan (2011) Art, public authorship and the possibility of re-democratization. Visual Culture in Britain, Vol.12 (No.2). pp. 219-235. doi:10.1080/14714787.2011.575296

Vogt, Naomi (2016) Seeing first and then still : art historians and objects. OAR: The Oxford Artistic and Practice Based Research Platform . pp. 13-16.

Vogt, Naomi (2021) The invention of ritual : ceremonies on YouTube and Pierre Huyghe's Holiday. TDR :The Drama Review, 65 (4). pp. 147-165. doi:10.1017/S1054204321000599

Warnell, Philip (2009) Intimate distances: mediating mutuality, contestation and exchange between bodies. Leonardo, Vol.42 (No.1). pp. 29-35.

Watt, Gary (2021) Passing resemblance : death, masks, and law’s theatrical inheritance. Law Text Culture . (In Press)

Welland, Julia (2017) Violence and the contemporary soldiering body. Security Dialogue, 48 (6). pp. 524-540. doi:10.1177/0967010617733355

Whybrow, Nicolas (2010) Venice topologies/sent to Coventry. Liminalities: a journal of performance studies, Vol.6 (No.1).

Whybrow, Nicolas (2015) Watermarked : ‘Venice really lives up to its postcard beauty'. Performance Research, 20 (3). pp. 50-57. doi:10.1080/13528165.2015.1049036

Wilson, Paul, Griffiths, Susan, Williams, Ellis, Smith, M. Paul and Williams, Mark A. (2020) Designing 3-D prints for blind and partially sighted audiences in museums : exploring the needs of those living with sight loss. Visitor Studies, 23 (2). pp. 120-140. doi:10.1080/10645578.2020.1776562

Book Item

Alexander, Jenny (2011) The standing fabric and the rockeries : reconstructing the priory of St Peter, Thurgarton. In: Stöber, K. and Burtons, J. E., (eds.) The regular canons in the medieval British isles. Medieval Church Studies (MCS) (No.19). Turnhout: Brepols, pp. 433-457. ISBN 9782503532486

Allan, Sean (2012) ‘Good Bye, Lenin! (2003)'. In: Garncarz, Joseph and Annemone, Ligensa, (eds.) The Cinema of Germany. 24 Frames . New York;London: Wallflower Press, pp. 227-235. ISBN 978-1--905674-90-9

Allan, Sean (2013) Kosmopolitische Fiktionen. DEFA und der Globalisierungsprozess der europäischen Aufklärung. In: Arndt-Briggs, Skyler and Byg, Barton and Raeder, Andy and Torner, Evan and Wedel, Michael, (eds.) DEFA international : Grenzüberschreitende Filmbeziehungen vor und nach dem Mauerbau. Film, Fernsehen, Medienkultur : Schriftenreihe der Hochschule für Film und Fernsehen "Konrad Wolf" . Wiesbaden: Springer Vs Verlag, pp. 45-60. ISBN 9783531184937

Calvillo, Nerea (2019) Digital visualizations for thinking with the environment. In: Vertesi, Janet and Ribes, David, (eds.) digitalSTS : A Field Guide for Science & Technology Studies. Princeton: Princeton University Press, pp. 61-75. ISBN 9780691187075

Calvillo, Nerea (2020) Slowing. In: Jungnickel, Katrina, (ed.) Transmissions: Critical Tactics for Making and Communicating Research. Cambridge, Massachusetts: The MIT Press. ISBN 9780262043403

Camilletti, Fabio (2011) Ninfa fiorentina : the falling of Beatrice from Florence to modern metropolis. In: Dante in the nineteenth century : reception, canonicity, popularization. Cultural interactions: studies in the relationship between the arts (No.19). Oxford ; New York: Peter Lang, pp. 117-136. ISBN 9783039119790

Cooper, Donal (2009) Gothic art and the friars in late medieval Croatia, 1213-1460. In: Beresford-Peirse, Jadranka, (ed.) Croatia : aspects of art, architecture and cultural heritage. London: Frances Lincoln, pp. 76-97. ISBN 9780711229211

Costello, Diarmuid (2008) Danto and Kant, together at last? In: Stock , Kathleen and Thomson-Jones, Katherine, (eds.) New waves in aesthetics. Basingstoke : Palgrave Macmillan, pp. 244-266. ISBN 9780230220461

Costello, Diarmuid (2012) Danto and Kant, together at last? In: Rollins, Mark, 1947-, (ed.) Danto and his critics. Malden, MA: Wiley-Blackwell Publishing Ltd.. ISBN 9780470673447

Costello, Diarmuid (2014) Leaning into the wind : poiesis in Richard Long. In: Boetzkes, Amanda and Vinegar, Aron, (eds.) Heidegger and the Work of Art History. Farnham : Ashgate, pp. 141-169. ISBN 9781409456131

Costello, Diarmuid (2018) On the (so called) problem of detail : Michael Fried, Roland Barthes, and Roger Scruton on photography and intentionality. In: Abbott, Mathew, (ed.) Michael Fried and Philosophy: Modernism, Intention, and Theatricality. Routledge. ISBN 9781138679801

Costello, Diarmuid (2018) On the (so called) problem of detail : Michael Fried, Roland Barthes, and Roger Scruton on photography and intentionality. In: Abbott, Mathew, (ed.) Michael Fried and philosophy : modernism, intention, and theatricality. Routledge research in aesthetics, 1 . New York: Routledge, pp. 151-170. ISBN 9781138679801

Costello, Diarmuid (2009) Retrieving Kant’s aesthetics for art theory after Greenberg : some remarks on Arthur C. Danto and Thierry de Duve. In: Halsall, Francis and Jansen, Julia (Julia Alejandra), 1973- and O'Connor, Tony, 1943-, (eds.) Rediscovering aesthetics : transdisciplinary voices from art history, philosophy, and art practice. Stanford : Stanford University Press, pp. 117-132. ISBN 9780804759908

Costello, Diarmuid (2021) S T U P I D A R T. In: Schellenkens, Elisabeth and Dal Sasso, Davide, (eds.) Aesthetics, Philosophy and Martin Creed - Aesthetics and Contemporary Art. London: Bloomsbury Publishing PLC. ISBN 9781350009257

Costello, Diarmuid (2019) Without shame? Lee Friedlander's late self-portraits. In: Maes, Hans, (ed.) Portraits and Philosophy. Routledge Research in Aesthetics . London ; New York: Routledge. ISBN 9780367189402

Costello, Diarmuid and Willsdon, Dominic (2008) The life and death of images. In: Costello, Diarmuid and Willsdon, Dominic , (eds.) The life and death of images : ethics and aesthetics. London : Tate Publishing, pp. 7-36. ISBN 9781854376589

Earle, Rebecca (2006) Monumentos y museos: la nacionalización del pasado precolombino en la Hispanoamérica decimonónica. In: González Stephan, Beatriz and Andermann , Jens , (eds.) Galerías del progreso : museos, exposiciones y cultura visual en América Latin. Estudios culturales ; Estudios culturales (Rosario, Santa Fe, Argentina) (17). Rosario: Beatriz Viterbo Editora, pp. 27-56. ISBN 9789508451712

Gkikaki, Mairi (2014) Die weiblichen Frisuren auf den Münzen und in der Großplastik der Klassischen und Hellenistischen Zeit. Typen und Ikonologie. In: Die weiblichen Frisuren auf den Münzen und in der Großplastik der Klassischen und Hellenistischen Zeit. Typen und Ikonologie. Archaeologie Internationale (126). Rahden/Westf: Marie Leidorf Verlag . ISBN 9783896465405

Hatt, Michael (2012) Beholding modern American art. In: Galpin, Amy, (ed.) Behold, America! : art of the United States from three San Diego Museums. San Diego: San Diego Museum of Art. ISBN 9780937108499

Jensen, Eric (2016) Creativity and culture for all? Enhancing cultural participation in museums and galleries. In: Glaveanu, Vlad Petre , (ed.) The Palgrave Handbook of Creativity and Culture Research 2016. Basingstoke : Palgrave MacMillan. ISBN 9781137463432

Lang, Karen A. (1996) Monumental unease : monuments and the making of national identity in Germany. In: Forster-Hahn, Francois, (ed.) Imagining modern German culture, 1889-1910. Studies in the history of art . Washington : Hanover, N.H.: National Gallery of Art ; Distributed by the University Press of New England, pp. 274-299. ISBN 089468258X

Lucchini, Francesco (2011) Face, counterface, counterfeit. The lost silver visage of the reliquary of St. Anthony’s jawbone. In: Zchomelidse, Nino and Freni, Giovanni, (eds.) Meaning in motion : the semantics of movement in medieval art. Publications of the Department of Art and Archaeology, Princeton University . Princeton, N.J.: Princeton University Press, pp. 35-62. ISBN 9780691151939

Lucchini, Francesco (2009) Things that are not there : crafting nature, making history. In: Cleaver, Laura and Gerry, Kathryn and Harris, Jim, (eds.) Art and nature : studies in medieval art and architecture. Immediations Conference Papers 1 . London: The Courtauld Institute of Art, pp. 95-114.

Smyth, Patricia (2016) Narrative strategies in Paul Delaroche's assassination of the Duc de Guise. In: Cooke, Peter and Lübbren, Nina, (eds.) Painting and narrative in France : from Poussin to Gauguin. Abingdon : Routledge. ISBN 9781472440105

Smyth, Patricia (2014) Spectators and performers : viewing Delaroche. In: Hibberd, Sarah and Wrigley, Richard, (eds.) Art, Theatre, and Opera in Paris, 1750-1850 Exchanges and Tensions. Routledge. ISBN 9781409439479

Tagliaferro, Giorgio (2009) Mito di Venezia e iconografia di stato tra Lepanto e l’Interdetto: revisione di un categoria storiografica. In: Cinquegrani, A. and Crisanti, F. and Lombardo, L. and Rinaldin, A., (eds.) Cartoline veneziane : ciclo di seminari di letteratura italiana : Università Ca'Foscari di Venezia, 16 gennaio - 18 giugno 2008. Palermo: Officina di Studi Medievali, pp. 19-35. ISBN 9788864850023

Vickery, Jonathan (2010) Infrastructures : creating FLASH@Hebburn. In: Vickery, Jonathan, (ed.) Flash@Hebburn : urban art in the new century. [S.l.]: Art & Architecture Journal Press. ISBN 9780956519207

Whybrow, Nicolas (2016) Complex Coventry : towards an urban sensography. In: Davies, Trevor and Verwilt, Katrien, (eds.) Changing Metropolis III : Metropolis 2012-15. Laboratory and festival for art and performance in urban space. Copenhagen: Copenhagen International Theatre, pp. 91-96.

Whybrow, Nicolas (2020) Ring cycle. In: Urban sensographies. Abingdon, Oxon ; New York: Routledge, Taylor & Francis Group. ISBN 9780367406714

de Medeiros, Paulo (2019) Lusophone cinemas in transnational perspective. In: Leite, Ana Mafalda and Owen, Hilary and Sapega, Ellen W. and Secco, Tindó, (eds.) Postcolonial Nation and Narrative III: Literature & Cinema. Reconfiguring Identities in the Portuguese-Speaking World (13). Oxford: Peter Lang, pp. 21-34. ISBN 9781787075818

Conference Item

Bourdua, Louise (2006) Pellegrini, santi, artisti. Per un'iconografia del viaggio in veneto nel tardo medioevo. In: Il viaggio e le arti : il contesto italiano : atti del convegno internazionale di studi, Pescara-Penne, 9-10 Nov 2006. Published in: Il viaggio e le arti : il contesto italiano : atti del convegno internazionale di studi, Pescara-Penne, 9-10 novembre 2006 pp. 193-201. ISSN 9788862741347.

Bourdua, Louise (2008) Religious orders and their fresco cycles in the later middle ages. In: Le immagini del francescanesimo : atti del XXXVI Convegno internazionale : Assisi, 9-11 ottobre 2008, Assisi, 9-11 Oct 2008. Published in: Le immagini del francescanesimo : atti del XXXVI Convegno internazionale : Assisi, 9-11 ottobre 2008 pp. 195-216. ISSN 9788879881708.

James, C. J. (2009) Simple ideas on presentation design. In: Annual Conference of the IEEE Engineering in Medicine and Biology Society 2009, Minneapolis, MN, U.S.A., Sep 3-6, 2009. Published in: Proceedings of the Annual Conference of the IEEE Engineering in Medicine and Biology Society 2009 ISSN 1557-170X, ISBN:978-1-4244-3296-7.

Vickery, Jonathan (2011) Anti-spaces and ante-spaces in the post-creative city urban landscape. In: Eastside Projects Public Evaluation, Eastside Projects Digbeth Birmingham, 27-29 Oct 2011

Vickery, Jonathan (2013) Jochen Gerz’s "2-3 Strassen" : (de)constructing the urban public. In: Artscapes 2013 Conference, University of Kent, 27-28 Jun 2013 (Unpublished)

Vickery, Jonathan (2020) On the role of artistic freedoms in protecting fundamental human rights. In: Human Rights Conference 2020: Lawyers without Borders Student Division Aberdeen University, Aberdeen University, Scotland, 6 Mar 2020

Working or Discussion Paper

Vickery, Jonathan (2017) Researching SPILLOVER in the creative and cultural industries. Discussion Paper. Dortmund: European Research Partnership in Cultural and Creative Spillovers.

Book

Costello, Diarmuid, ed. (2010) Hannah Starkey : 29 pictures. Coventry : Mead Gallery. ISBN 9780902683990

Costello, Diarmuid and Iverson, Margaret , eds. (2010) Photography after conceptual art. Oxford : Wiley-Blackwell Publishing Ltd.. ISBN 9781444333602

Oyarzabal, Santiago and Pigott, Michael, eds. (2014) World film locations : Buenos Aires. Bristol: Intellect Books. ISBN 9781783203581

Pigott, Michael, ed. (2013) World film locations : Venice. Bristol: Intellect Books. ISBN 9781841507200

Costello, Diarmuid and Willsdon, Dominic , eds. (2008) The life and death of images : ethics and aesthetics. London : Tate Publishing. ISBN 9781854376589

Bourdua, Louise and Gibbs, Robert, eds. (2011) A wider trecento : studies in 13th- and 14th-century European art presented to Julian Gardner. Leiden: Brill. ISBN 9789004210769

Bourdua, Louise (2004) The Franciscans and art patronage in late medieval Italy. Cambridge ; New York: Cambridge University Press. ISBN 9780521281287

Newby, Zahra and Leader-Newby, Ruth E. (2007) Art and inscriptions in the ancient world. Cambridge, UK ; New York: Cambridge University Press. ISBN 9780521868518

Pigott, Michael (2013) Joseph Cornell versus cinema. The WISH List . London: Bloomsbury Academic. ISBN 9781780930367

Quick, Charles (2010) Flash@Hebburn : urban art in the new century. [S.l.]: Art & Architecture Journal Press. ISBN 9780956519207

Whybrow, Nicolas (2011) Art and the city. London ; New York : I.B. Tauris ; New York : Distributed in the U.S. and Canada exclusively by Palgrave Macmillan. ISBN 9781845114657

Wiese, Doro, Grau, Anna Lena and Serra, Richard (2018) F - Faust. Kleiner Stimmungs-Atlas in Einzelbänden . Hamburg: Textem Verlag. ISBN 9783864851360

Journal Item

Bishop, Claire (2008) Untitled (The questions with the lack of apparent activism in contemporary art and academia toward U.S. and U.K. military). October (No.123). pp. 25-26.

Costello, Diarmuid and Iversen, Margaret (2009) Introduction : photography after conceptual art. Art History, Vol.32 (No.5, Sp.Iss.SI). pp. 825-835. doi:10.1111/j.1467-8365.2009.00706.x

Schoonover, Karl and Corsi, Barbara (2020) Primed real estate : film producers and land development, a conversation with Karl Schoonover and Barbara Corsi. Historical Journal of Film Radio and Television, 40 (1). pp. 129-139. doi:10.1080/01439685.2020.1715600

Submitted Journal Article

Perkins, V. F. (2008) You only live once.

Report

Vickery, Jonathan (2018) The Spon Spun Festival : final evaluation report. Coventry: KE-W and Artspace Partnership.

Vickery, Jonathan (2011) Stretching new boundaries : participation in visual arts. Folkestone: Strange Cargo. (Unpublished)

Thesis or Dissertation

Barnett, Maura (1993) The contemporary response to British art before Ruskin's "Modern painters" : an examination of exhibition reviews published in the British periodical press and the journalist art critics who penned them : from the late eighteenth century to 1843. PhD thesis, University of Warwick.

Barwell, Michael John (2002) Patterns of redemption: parachronicity in the work of Piero della Francesca, Frank Zappa and Stanley Spencer. PhD thesis, University of Warwick.

Bourdua, Louise (1991) Aspects of Franciscan patronage of the arts in the Veneto during the later Middle Ages. PhD thesis, University of Warwick.

Burnett, Sarah (2009) The cult of St Nicholas in medieval Italy. PhD thesis, University of Warwick.

Cameron, Alasdair F. (1983) The repertory theatre movement, 1907-1917. PhD thesis, University of Warwick.

Chou, Shengfang (2019) Re-imagining Chineseness: Chinese people, Chinatown, and British masculine chinoiserie ca. 1850- ca. 1920. PhD thesis, University of Warwick.

Deby, Carolyn May (2020) Urbanwild becomings: choreographing audience experience to reveal sympoietic entanglement in the Anthropocene everyday. PhD thesis, University of Warwick.

Demir, Dace (2020) The institutionalisation project of Latvian contemporary visual arts : a critical-historical analysis of the Latvian field of cultural production 1991-2016. PhD thesis, University of Warwick.

Dunlop, Anne Elizabeth (1997) Advocata nostra: central Italian paintings of Mary as the Second Eve, c.1335-c.1445. PhD thesis, University of Warwick.

Eaton, Natasha Jane (2000) Imaging Empire : the trafficking of art and aesthetics in British India c.1772 to c.1795. PhD thesis, University of Warwick.

Eden, Alice (2016) Women, representation and the spiritual in the works of Thomas Cooper Gotch, Robert Anning Bell and Frederick Cayley Robinson. PhD thesis, University of Warwick.

Gatward Cevizli, Antonia (2011) Beyond Bellini : aspects of Italian-Ottoman cultural exchange 1453-1512. PhD thesis, University of Warwick.

Gibb, Reba Ann (2003) A study of the early Renaissance Sibyl cycles in the art of Northern and Central Italy. PhD thesis, University of Warwick.

Gietz, Nora (2013) The effects of revolutionary and Napoleonic policy on the artistic patrimony of Venice (1797 and 1806-1814). PhD thesis, University of Warwick.

Gow, Christopher Malcolm (2005) Iranian cinema in long shot. PhD thesis, University of Warwick.

Graham, Deborah Jane (2000) The manifestation of national identities in late eighteenth-century Scottish art c1750-1800. PhD thesis, University of Warwick.

Harrold, Jillian (2007) Saintly doctors : the early iconography of SS. Cosmas and Damian in Italy. PhD thesis, University of Warwick.

Hay, Miriam Anna (2019) Classical remains and Christian remembrance: reviewing late Roman sarcophagi. PhD thesis, University of Warwick.

Heathcote, Nigel James (2020) Damnatio memoriae and exemplarity in Imperial Rome : from the Julio-Claudians to the Severans. PhD thesis, University of Warwick.

Hutchinson, Laura Anne (2010) Seeing as sensing : the structuring of bodily experience in modern pictorial art. PhD thesis, University of Warwick.

Kearns, James (1976) Symbolist landscapes : the place of painting in the poetry and criticism of Mallarmé and his circle. PhD thesis, University of Warwick.

Kolpakova, Maria (2020) Genoa and the Christian East : artistic exchanges in the late Middle Ages. PhD thesis, University of Warwick.

Lafferty, Michael Gerald (2006) Arthur Danto's philosophy of art. PhD thesis, University of Warwick.

Love, Angus (2020) Alain Badiou’s twisted contemporaneity : inaesthetics and the contemporary. PhD thesis, University of Warwick.

Massini, Alexandra (2016) Taming transgression: Dionysos in the arts of the modern era. PhD thesis, University of Warwick.

Mirzoeff, Nicholas (1990) Pictorial sign and social order : L'Académie Royale de Peinture et Sculpture 1638-1752. PhD thesis, University of Warwick.

Moldovan, Delia (2020) Illustrating the year : the calendar in northern Italy during the late fifteenth and sixteenth centuries. Volume 1. PhD thesis, University of Warwick.

Morales, Patricia (2003) 'Mere good taste is nothing else but genius without the power of execution': artists as arbiters of taste, 1792-1836. PhD thesis, University of Warwick.

Mulcahy, Sean (2020) Performing the law: a study of performance in the court of law. PhD thesis, University of Warwick.

Niebrzydowski, Sue (1998) Verry matrymony : representations of the Virgin Mary and her mother, Saint Anne, as wives in medieval England, 1200-1540. PhD thesis, University of Warwick.

Prophet, Jane (1994) Taste, teaching and the Utah teapot : creative, gender, aesthetic and pedagogical issues surrounding the use of electronic media in art and design education : with particular reference to hypertext applications. PhD thesis, University of Warwick.

Retford, Kate (2000) Family and familiarity : the domestic sphere in eighteenth-century English visual culture. PhD thesis, University of Warwick.

Trowsdale, Jo (2019) Art-making as a site for education : a case study of the Imagineerium project. PhD thesis, University of Warwick.

Verlander, Freya (2020) (Skin)aesthetics: a study of skin(s) in spectatorship. PhD thesis, University of Warwick.

Wako, Miho (2012) Figured in lively paint : Eastern decorative art, English aestheticism, and consumer culture 1862-1900. PhD thesis, University of Warwick.

Walcot, Clare (2003) Figuring finance : London's new financial world and the iconography of speculation, circa 1689-1763. PhD thesis, University of Warwick.

Warr, Cordelia (1994) Female patronage and the rise of female spirituality in Italian art of the thirteenth and fourteenth centuries. PhD thesis, University of Warwick.

Weil, Kathryn Emily van de (2019) Fascinum: the apotropaic phallus of Campania in the ancient & modern imagination. PhD thesis, University of Warwick.

Wesner, Simone (2002) Adaptation and resistance: the impact of German unification on the living and working conditions of visual artists in Saxony and their response to transformation. PhD thesis, University of Warwick.

Willis, Zoë F. (2012) Saint cults and the politics of power in the Dalmatian commune of Zadar (1000-1468). PhD thesis, University of Warwick.

Zucca, Amy Marie (2002) Images of Moses and sixteenth-century Venice. PhD thesis, University of Warwick.

Book Review

Packwood, David (2008) Rembrandt, money and art. Art History, Volume 31 (Number 2). pp. 270-274. ISSN 0141-6790

Steedman, Carolyn (2011) Review of The secret life of objects, by Graves, J. Journal of Design History, Vol.24 (No.3). pp. 285-287. ISSN 0952-4649

Vogt, Naomi (2020) Extreme performances that lived inside a book. Art Journal . pp. 97-100. ISSN 0004-3249

Wright, David (2016) Review of Cultural policy : management, value and modernity in the creative industries by O'Brien, D. The British Journal of Sociology, 67 (3). pp. 569-570. ISSN 1468-4446

Scholarly Text

Vickery, Jonathan (2012) Public art and the art of the public : after the creative city. Birmingham: IXIA Public Arts Think Tank.

Vickery, Jonathan (2011) Strange cargo : the future of cultural participation. Strange Cargo. (Unpublished)

Vickery, Jonathan (2013) Urban art, intellectual property and aesthetic organization : understanding "2-3Strassen". Coventry: University of Warwick.

Vickery, Jonathan (2012) The past and possible future of countermonument. Birmingham: IXIA Public Arts Think Tank.