Journal Article

Andrews, Hannah, Ph.D. (2012) 'This is FilmFour – not some cheesy pseudo-Hollywood thing!' : the opening night simulcast of FilmFour on Channel 4. Journal of British Cinema and Television, Vol.9 (No.4). pp. 569-587. doi:10.3366/jbctv.2012.0106 ISSN 1743-4521.

Brassett, James and Sutton, Alex (2017) British satire, everyday politics : Chris Morris, Armando Iannucci and Charlie Brooker. The British Journal of Politics and International Relations, 19 (2). pp. 245-262. doi:10.1177/1369148117700147 ISSN 1467-856X.

Brunsdon, Charlotte (2008) In the dark : the BFI archive. Cinema Journal, Vol.47 (No.4). pp. 152-155. doi:10.1353/cj.0.0042 ISSN 1527-2087.

Brunsdon, Charlotte (2009) Introduction : screen Londons. Journal of British Cinema and Television, Vol.6 (No.2). pp. 165-177. doi:10.3366/E1743452109000855 ISSN 1743-4521.

Brunsdon, Charlotte (2008) Is television studies history? Cinema Journal, Vol.47 (No.3). pp. 127-137. ISSN 1527-2087.

Brunsdon, Charlotte (2012) 'It's a film' : medium specificity as textual gesture in Red road and The unloved. Journal of British Cinema and Television, Vol.9 (No.3). pp. 457-479. doi:10.3366/jbctv.2012.0100 ISSN 1743-4521.

Brunsdon, Charlotte (2013) Television crime series, women police, and fuddy-duddy feminism. Feminist Media Studies, Volume 13 (Number 3). pp. 375-394. doi:10.1080/14680777.2011.652143 ISSN 1468-0777.

Brunsdon, Charlotte (2009) Television criticism and the transformation of the archive. Television & New Media, Vol.10 (No.1). pp. 28-30. doi:10.1177/1527476408325732 ISSN 1527-4764.

Brunsdon, Charlotte (2023) The new Northern Ireland as a crime scene. Journal of British Cinema and Television, 20 (3). pp. 305-328. doi:10.3366/jbctv.2023.0678 ISSN 1743-4521.

Davidson, Joe P. L. (2023) Repeating beats : the return of rave, memories of joy and nostalgia between the afterglow and the hangover. Memory Studies, 16 (2). pp. 421-434. doi:10.1177/17506980221101115 ISSN 1750-6980.

Garde-Hansen, Joanne and Hills, Matt (2017) Fandom’s paratextual memory : remembering, reconstructing, and repatriating “lost” Doctor Who. Critical Studies in Media Communication, 34 (2). pp. 158-167. doi:10.1080/15295036.2017.1293276 ISSN 1529-5036 .

Hancock, Philip (2008) Fear and (self) loathing in Coleridge Close : management in crisis in the 1970s sitcom. Organization, Vol.15 (No.5). pp. 685-703. doi:10.1177/1350508408093648 ISSN 1350-5084.

Hodkinson, James R. (2020) Returning again. Resurrection narratives and afterlife aesthetics in contemporary television drama. Poetics Today, 41 (3). pp. 395-416. doi:10.1215/03335372-8519642 ISSN 0333-5372.

Lockley, Timothy James (2020) 'Our American Way of Living' : Lucy Richardson Milligan and American radio on the eve of World War II. Media History, 26 (4). pp. 457-471. doi:10.1080/13688804.2019.1597629 ISSN 1368-8804.

Moffat, Kate and Kaapa, Pietari (2018) Unthinking ethnocentrism : ecocritical approaches to ethnic diversity in Nordic screen media. Journal of Scandinavian Cinema, 8 (2). pp. 149-165. doi:10.1386/jsca.8.2.149_1 ISSN 2042-7891.

Moseley, Rachel (2013) Women at the edge : encounters with the Cornish coast in British film and television. Continuum, Volume 27 (Number 5). pp. 644-662. doi:10.1080/10304312.2013.824861 ISSN 1030-4312.

Oliver, Emily (2019) A voice for East Germany : developing the BBC German Service’s East Zone Programme. Historical Journal of Film, Radio and Television, 39 (3). pp. 568-583. doi:10.1080/01439685.2019.1643111 ISSN 0143-9685.

Peng, Yuzhu (Altman) (2022) Gender essentialism in Chinese reality TV : a case study of you are so beautiful. Television & New Media, 23 (7). pp. 743-760. doi:10.1177/15274764211027234 ISSN 1527-4764.

Ribeiro de Menezes, Alison (2016) Out of the labyrinth? Television memories of revolution and return in contemporary Portugal. Journal of Romance Studies, 16 (2). pp. 76-95. doi:10.3167/jrs.2016.160205 ISSN 1473-3536.

Sargeant, Amy (2012) GPO films : American and European models of advertising in the projection of nation. Twentieth Century British History, Vol.23 (No.1). pp. 38-56. doi:10.1093/tcbh/hwr065 ISSN 0955-2359.

Schmitz, Helmut (2016) Täter lite – unsere mütter, unsere väter and the manufacturing of empathy with German wartime trauma. German Life and Letters, 69 (3). pp. 365-386. doi:10.1111/glal.12125 ISSN 0016-8777.

Shapiro, Stephen (2020) Algorithmic television in the age of large-scale customization. Television & New Media, 21 (6). pp. 658-663. doi:10.1177/1527476420919691 ISSN 1527-4764.

Strelluf, Christopher (2015) 'The obligation of newspeople is not only to give the news accurately; it is also to say it correctly' : production and perception of broadcaster speech. Sociolinguistic Studies, 9 (4). pp. 467-491. doi:10.1558/sols.v9i4.27039 ISSN 1750-8649.

Wallace, Richard James (2021) Documentary style as post-truth monstrosity in the mockumentary horror film. Quarterly Review of Film and Video, 38 (6). pp. 519-540. doi:10.1080/10509208.2020.1780107 ISSN 1050-9208.

Wallace, Richard James (2016) John Cura : pioneer of the television archive. Journal of British Cinema and Television, 13 (1). pp. 99-120. doi:10.3366/jbctv.2016.0298 ISSN 1743-4521.

Warmington, Paul and Grosvenor, Ian (2011) A very historical mode of understanding : examining editorial and ethnographic relations in The Primary (2008). Paedagogica Historica, 47 (4). pp. 543-558. doi:10.1080/00309230.2011.588237 ISSN 0030-9230.

Warmington, Paul, Van Gorp, Angelo and Grosvenor, Ian (2011) Education in motion : uses of documentary film in educational research. Paedagogica Historica, 47 (4). pp. 457-472. doi:10.1080/00309230.2011.588239 ISSN 0030-9230.

Wheatley, Helen (2013) At home on Safari : colonial spectacle, domestic space and 1950s television. Journal of British Cinema and Television, Volume 10 . pp. 257-275. doi:10.3366/jbctv.2013.0134 ISSN 1743-4521.

Wheatley, Helen (2011) Beautiful images in spectacular clarity : spectacular television, landscape programming and the question of (tele)visual pleasure. Screen, Vol.52 (No.2). pp. 233-248. doi:10.1093/screen/hjr004 ISSN 0036-9543.

Wheatley, Helen (2020) Haunted television : trauma and the specter in the archive. JCMS: Journal of Cinema and Media Studies, 59 (3). pp. 69-89. doi:10.1353/cj.2020.0030 ISSN 0009-7101.

Wheatley, Helen (2012) Uncanny children, haunted houses, hidden rooms : children's Gothic television in the 1970s and 80s. Visual Culture in Britain, Vol.13 (No.3). pp. 383-397. doi:10.1080/14714787.2012.712889 ISSN 1471-4787.

Book Item

Achinger, Christine (2001) Engendering airwaves – Zur Konstruktion von Geschlecht im Radio. In: Stuhlmann, Andreas , (ed.) Radio-Kultur und Hör-Kunst : zwischen Avantgarde und Popularkultur 1923-2001. Würzburg: Königshausen & Neumann, pp. 24-38. ISBN 9783826020971

Burns, Rob (2004) German television. In: Sinclair , John, 1944- and Turner, Graeme, (eds.) Contemporary world television. London : BFI, pp. 70-74. ISBN 1844570096

Stanway, Elizabeth R. (2020) Who's moon. In: Harmes, Marcus K. and Orthia, Lindy, (eds.) Doctor Who and science : essays on ideas, identities and ideologies in the series. Jefferson, North Carolina: McFarland & Company. ISBN 9781476681122

Working or Discussion Paper

Mastrorocco , Nicola and Ornaghi, Arianna (2020) Who watches the watchmen? Local news and police behavior in the United States. Working Paper. Coventry: University of Warwick. Department of Economics. Warwick economics research papers series (WERPS) (1294). (Unpublished)

Pogorelskiy, Kirill and Shum, Matthew (2019) News we like to share : how news sharing on social networks influences voting outcomes. Working Paper. Coventry: University of Warwick. Department of Economics. Warwick economics research papers series (WERPS) (1199). (Unpublished)

Journal Item

Andrews, Hannah, Ph.D. (2008) A view from the demographic: notes on a conference. Screen, Vol.49 (No.3). pp. 324-330. doi:10.1093/screen/hyn038

Brunsdon, Charlotte and Gray, Ann (2008) In focus : the place of television studies : a view from the British midlands - introduction. Cinema Journal, Vol.47 (No.3). pp. 122-127. doi:10.1353/cj.0.0001

Submitted Journal Article

Williams, Emyr, Robbins, Mandy and Picton, Laura (2006) Adolescent television viewing and belief in vampires. Journal of Beliefs and Values, Vol.27 (No.2). pp. 227-229. doi:10.1080/13617670600850000

Thesis

An, Chairin (2016) The multiple identities of creative labourers and negotiated creative autonomy : an empirical research with light-entertainment television PDs in South Korea. PhD thesis, University of Warwick.

Andrews, Hannah, Ph.D. (2011) Public service broadcasters and British cinema, 1990–2010. PhD thesis, University of Warwick.

Bennett, James (2007) Your window-on-the-world: interactive television, the BBC and the second shift aesthetics of public service broadcasting. PhD thesis, University of Warwick.

Callaghan, Daniel (2016) The representation of prohibition in fully-serialised American prestige television. PhD thesis, University of Warwick.

Chang, Nam Fung (1997) Yes prime manipulator : a descriptive study of a Chinese translation of British political humour. PhD thesis, University of Warwick.

Chung, Hsiao-Ling (2009) Managing the cross-industry networks of the audiovisual sector: a perspective from the independent screen productions in the UK and Taiwan. PhD thesis, University of Warwick.

Curzon, John (2009) Whatever happened to the north of England? : the spaces of post-industrial northern England in contemporary television and film drama. PhD thesis, University of Warwick.

Goode, Ian (2000) Voices of inheritance : aspects of British film and television in the 1980s and 1990s. PhD thesis, University of Warwick.

Greatbatch, David (1985) The social organisation of news interview interaction. PhD thesis, University of Warwick.

Hemingway, Tom (2021) The aesthetics of post-broadcast comedy television. PhD thesis, University of Warwick.

Huda, Zeenat (2004) Problem of national identity of the middle class in Bangladesh and state-satellite television. PhD thesis, University of Warwick.

Johnson , Catherine (2002) Histories of telefantasy: the representation of the fantastic and the aesthetics of television. PhD thesis, University of Warwick.

Kim, Ju Young (2007) Rethinking media flow under globalisation: rising Korean wave and Korean TV and film policy since 1980s. PhD thesis, University of Warwick.

Kuhn, Raymond (1980) The politics of broadcasting in France 1974-1978. PhD thesis, University of Warwick.

Martin, Daniel (2022) The representation of the Northern male body in British film and television. PhD thesis, University of Warwick.

Oldham, Joseph Christopher (2013) Serial narratives of the secret state in British television drama, 1979-2010. PhD thesis, University of Warwick.

Parrott, Jessica M. (2019) Rolling the boards : the interplay of representation and recruitment in disability casting in UK theatre and television. PhD thesis, University of Warwick.

Pearson, Kat (2023) ‘Always nice to see Cov on telly’ : television, placemaking, and UK cities of culture. PhD thesis, University of Warwick.

Potts, Neill (2005) The television work of Alfred Hitchcock. PhD thesis, University of Warwick.

Quigley Berg, Joelin (2015) Issues of harm and offence : the regulation of gender and sexuality portrayals in British television advertising. PhD thesis, University of Warwick.

Rao, Isabel Joan Sutherland (2018) Screening the seventies: Representations of the 1970s in British film and television. PhD thesis, University of Warwick.

Ross, Karen (1990) Ethnic stereotypes and television : an examination of white students' attitudes towards ethnic stereotypes and television in six Midlands colleges. PhD thesis, University of Warwick.

Shimada, Akiko S. (2011) Representations of girls in Japanese Magical Girl TV animation programmes from 1966 to 2003 and Japanese female audiences' understanding of them. PhD thesis, University of Warwick.

Sisley, Joy (2000) Translating from one medium to another : explorations in the referential power of translation. PhD thesis, University of Warwick.

Steward, Tom (2010) Authorship, creativity and personalisation in US television drama. PhD thesis, University of Warwick.

Tsukamoto, Eri (2020) Online audience responses to the representations of animals in wildlife docu-soaps. PhD thesis, University of Warwick.

Wallace, Richard James (2011) 'The fine line between stupid and clever' : re-thinking the comic mockumentary. PhD thesis, University of Warwick.

Weston, Leanne (2021) Fascinating rhythms : music programming, memory and materiality in visual culture. PhD thesis, University of Warwick.

Wheatley, Helen (2002) Gothic television. PhD thesis, University of Warwick.

Wolthuis, Josette Margarethe (2020) Dressing for television : costume, fashion and seriality. PhD thesis, University of Warwick.

Zhang, Chang (2020) A comparative study of the communication strategies of Chinese and Russian English language international broadcasting. PhD thesis, University of Warwick.

Zhao, Jing (2020) The Chinese queer glocalisation of TV formats in the new millennium. PhD thesis, University of Warwick.

Zheng, Shiyu (Sharon) (2021) Chinese fandom of BBC’s Sherlock : identity construction, transcultural productivity, and museum participation. PhD thesis, University of Warwick.

Book Review

Irwin, Mary M. (2008) Review of Crime watching : investigating real crime TV, by Jermyn, D. Journal of British Cinema and Television, Vol.5 (No.2). pp. 417-419. ISSN 1743-4521

Irwin, Mary M. (2011) Review of Restyling factual TV : audience & news, documentary & reality genres, by Hill, A. Participations, Vol.8 (No.2). ISSN 1749-8716

Peng, Yuzhu (Altman) (2018) Review of Television and dating in contemporary China : identities, love, and intimacy. Chinese Journal of Communication, 11 (3). pp. 361-363.