Galt, Rosalind and Schoonover, Karl, eds. (2010) Global art cinema : new theories and histories. New York: Oxford University Press. ISBN 9780195385625

Al-Qasimi, Noor (2007) The codes of modesty: reconfiguring the Muslim female subject. PhD thesis, University of Warwick.

Allan, Sean (2000) 1989 and the wende in East German cinema : Peter Kahane’s Die Architekten (1990), Egon Günther’s Stein (1991) and Jörg Foth’s Letztes aus der Da Da eR (1990). In: Flanagan , Clare and Taberner, Stuart , (eds.) 1948-1989: Cultural perspectives on division and unity in East and West. German Monitor (No.50). Amsterdam : Rodopi, pp. 291-309. ISBN 9042014628

Allan, Sean (2004) Burger King versus Spreewaldgurken : der Ost-West diskurs in Wolfgang Becker's Good Bye, Lenin! In: Reiher, Ruth and Baumann , Antje , (eds.) Vorwärts und nichts vergessen : Sprache in der DDR : was war, was ist, was bleibt. AtV [Aufbau Taschenbuch Verlag] (8118). Berlin : Aufbau Taschenbuch Verlag, pp. 326-334. ISBN 3746681189

Allan, Sean (1999) DEFA. An historical overview. In: Allan , Sean and Sandford, John, 1944 Jan. 1-, (eds.) DEFA : East German cinema, 1946-1992. New York: Berghahn, pp. 1-21. ISBN 1571819436

Allan, Sean (2009) Der arge weg der erkenntnis : Konrad Wolf's Goya and its relation to GDR cultural policy and the DEFA künstlerfilm. In: Wallace, Ian, 1942-, (ed.) Feuchtwanger and Film. Feuchtwanger studies (No.1). Oxford : Peter Lang, pp. 21-40. ISBN 9783039119547

Allan, Sean (2005) Frauen, stars und arbeitswelten : DEFA-forschung in Großbritannien 1996-2005. In: Schenk, Ralf, 1956- and Richter, Erika and Löser , Claus, 1962-, (eds.) Apropos: Film 2005 : das 6. Jahrbuch der DEFA-Stiftung. Berlin : DEFA-Stiftung / Bertz + Fischer, pp. 308-313. ISBN 3865051650

Allan, Sean (2002) 'Geld ist die quelle allen wohlstands und regelt die (un)ordnung der welt' : DEFA, history and the rise and fall of the GDR. In: Byg , Barton and Moore, Betheny , (eds.) Moving images of East Germany : past and future of DEFA film. Harry & Helen Gray Humanities Program series (No.12). Washington, D.C.: American Institute for Contemporary German Studies, pp. 35-55. ISBN 9780941441650

Allan, Sean. (2006) Good Bye, Lenin! : ostalgie und identität im wieder vereinigten Deutschland. GFL: German as a Foreign Language, Vol.1 . pp. 46-59. ISSN 1470-9570

Allan, Sean (2009) Ich denke, sie machen meistens nackte Weiber : kunst und künstler in Konrad Wolf's Goya (1971) und Der Nackte Mann auf dem Sportplatz (1974). In: Eichinger, Barbara and Stern , Frank, 1944-, (eds.) Film im Sozialismus - die DEFA. Buchreihe der ÖH Uni Wien , Vol.4 (No.4). Wien : Mandelbaum, pp. 342-367. ISBN 9783854762911

Allan, Sean (1999) Lampe, Jutta. In: Sandford, John, 1944 Jan. 1-, (ed.) Encyclopedia of Contemporary German Culture. Routledge World Reference edition . London: Routledge, p. 364. ISBN 9780415263528

Allan, Sean (2000) 'Meine liebe junge freundin! Du scheinst dir nicht bewußt zu sein, daß es eine Auszeichnung ist, bei mir arbeiten zu dürfen' : frauen und Vorgesetzte im DEFA-Spielfilm. In: Zimmermann , Peter, 1944 and Moldenhauer, Gebhard, 1939-, (eds.) Der geteilte Himmel : Arbeit, Alltag und Geschichte im ost- und westdeutschen Film. Close Up (No.13). Konstanz : UVK Medien, pp. 399-423. ISBN 3896692798

Allan, Sean (2007) 'Memories are made of this' : gender, history and identity in East German cinema. In: Barker, Peter and Ohse, Marc-Dietrich and Tate , Dennis , (eds.) Views from abroad : die DDR aus britischer Perspektive. Bielefeld : WBV, W. Bertelsmann Verlag, pp. 247-258. ISBN 9783763935697

Allan, Sean (2006) Ostalgie, fantasy and the normalization of east-west relations in post-unification comedy. In: Clarke, David , (ed.) German cinema : since unification. New Germany in context . London ; New York, NY: Continuum, pp. 105-126. ISBN 9780826491060

Allan, Sean (2010) Post-unification German-Jewish relations and the discourse of victimhood in Dani Levy’s films. In: Cooke , Paul, 1969- and Silberman, Marc, 1948-, (eds.) Screening war : perspectives on German suffering. Screen cultures . Rochester, N.Y.: Random House, pp. 351-266. ISBN 9781571134370

Allan, Sean (2010) Projections of history : East German filmmakers and the Berlin Wall. In: Hochscherf, Tobias and Laucht , Christoph and Plowman, Andrew, (eds.) Divided, but not disconnected : German experiences of the Cold War. New York ; Oxford : Berghahn, pp. 119-133. ISBN 9781845457518

Allan, Sean (2006) Review of Expressionist film : new perspectives, by Scheunemann, D., ed. Modern Language Review, Vol.101 (No.1). pp. 292-293. ISSN 0026-7937

Allan, Sean (2009) Review of Film and memory in East Germany, by Pinkert, A. German History, Vol.27 (No.4). pp. 624-625. ISSN 0266-3554

Allan, Sean (2003) Review of Fritz Lang's 'Metropolis' : cinematic visions of technology and fear, by Minden, M. and Bachmann, H., eds. Modern Language Review, Vol.98 (No.3). p. 782. ISSN 0026-7937

Allan, Sean. (2006) Review of Your Unknown Brother (Dein unbekannter Bruder) [DVD], directed by Weiß, U. German Studies Review, Vol.29 (No.3). pp. 713-714. ISSN 0149-7952

Allan, Sean. (2011) Revolutionary aesthetics? Kleist, 1968, and the New German cinema. German Life and Letters, Vol.64 (No.3). pp. 472-487. ISSN 00168777

Allan, Sean. (2007) 'Seit der wende hat der mann nur pech gehabt. Jetzt soll er auch noch jude sein' : theatricality, memory and identity in Dani Levy's Alles auf Zucker! (2004). Debatte: Journal of Contemporary Central and Eastern Europe, Vol.15 (No.1). pp. 25-42. ISSN 0965-156X

Allan, Sean and Sandford, John, 1944 Jan. 1- (1999) DEFA : East German cinema, 1946-1992. New York : Berghahn. ISBN 1571819436

Allan, Seán. (2011) 'Sagt, wie soll man Stalin danken?' Kurt Maetzig's Ehe im schatten (1947), Roman einer jungen ehe (1952) and the cultural politics of post-war Germany. German Life and Letters, Volume 64 (Number 2). pp. 255-271. ISSN 1468-0483

Allen, Steven William, 1967- (2003) A pleasure in pain : contemporary mainstream cinema's fascination with the aestheticized spectacle of the controlled body. PhD thesis, University of Warwick.

Andrews, Hannah, Ph.D. (2011) Public service broadcasters and British cinema, 1990–2010. PhD thesis, University of Warwick.

Arroyo, José (2000) Queering the folklore : genre and re-presentation of homosexual and national identities in 'Las cosas del querer'. In: Marshall, Bill, 1957- and Stilwell, Robynn Jeananne, (eds.) Musicals : Hollywood and beyond. Exeter: Intellect Books, pp. 70-79. ISBN 9781841500034

Boss, Peter John, 1954- (1989) Death, disintegration of the body and subjectivity in the contemporary horror film. PhD thesis, University of Warwick.

Brown, Tom, 1978- (2007) From intimate pleasures to spectacular vistas: musicality and historicity in French and American 'classical' cinema of the 1930s. PhD thesis, University of Warwick.

Brunsdon, Charlotte. (2009) Introduction : screen Londons. Journal of British Cinema and Television, Vol.6 (No.2). pp. 165-177. ISSN 1743-4521

Brunsdon, Charlotte. (2012) 'It's a film' : medium specificity as textual gesture in Red road and The unloved. Journal of British Cinema and Television, Vol.9 (No.3). pp. 457-479. ISSN 1743-4521

Brunsdon, Charlotte. (2012) The attractions of the cinematic city. Screen, Volume 53 (Number 3). pp. 209-227. ISSN 0036-9543

Bruzzi, Stella, 1962- (2010) Approximation – documentary, history and staging reality. In: The documentary real : on the ambiguous relation between documentary film and reality, Domzaal, Vooruit, 21 Oct 2010 (Unpublished)

Bruzzi, Stella, 1962-. (2010) Imperfect justice : Fritz Lang's Fury (1936) and cinema's use of the trial form. Law and Humanities, Vol.4 (No.1). pp. 1-19. ISSN 1752-1483

Bruzzi, Stella, 1962- (2009) Where are those buggers? : aspects of homosexuality in mainstream British cinema. In: Murphy, Robert, (ed.) The British cinema book (third edition). London ; New York: Palgrave Macmillan on behalf of the BFI. ISBN 9781844572762

Burns, Rob, 1949-. (1995) Fassbinder’s Angst essen Seele auf : a mellow Brechtian drama. German Life and Letters, Vol.48 (No.1). pp. 56-74. ISSN 0016-8777

Burns, Rob, 1949- (1997) From bondage to bonding : Saliha Scheinhardt's Frauen, die sterben, ohne daß sie gelebt hätten and Tevfik Baser's abschied vom falschen paradies. In: Conference on Image into Text - Text into Image, St Patrick's College, Maynooth, Ireland, Sep 1995. Published in: Text Into Image: Image Into Text - 1995 Interdisciplinary Bicentenary Conference, Vol.20 pp. 339-347.

Burns, Rob, 1949-. (2009) On the streets and on the road : identity in transit in Turkish–German travelogues on screen. New Cinemas: Journal of Contemporary Film, 7 (1). pp. 11-26. ISSN 1474-2756

Burns, Rob, 1949-. (1996) Promise unfulfilled? Margarethe von Trotta’s Germany film 'Das Versprechen'. Debatte: Journal of Contemporary Central and Eastern Europe, 4 (2). pp. 130-147. ISSN 0965-156X

Burns, Rob, 1949-. (2007) Towards a cinema of cultural hybridity: Turkish-German filmmakers and the representation of alterity. Debatte: Journal of Contemporary Central and Eastern Europe, 15 (1). pp. 3-24. ISSN 0965-156X

Burns, Rob, 1949- (2006) Turkish-German cinema : from cultural resistance to transnational cinema? In: Clake, David, (ed.) German cinema : since unification. New Germany in Context . London and New York: Continuum, pp. 127-134. ISBN 978-0826481450

Burns, Rob, 1949- and Lamb, Stephen. (1981) Social reality and stylisation in 'Fear Eats the Soul' : Fassbinder’s study in prejudice. New German Studies, Vol.9 (No.3). pp. 193-206. ISSN 0307-2770

Burrows, Jon. (2010) Near broke, but no tramp : Billie Ritchie, Charlie Chaplin and 'that costume'. Early Popular Visual Culture, 8 (3). pp. 247-262. ISSN 1746-0654

Burrows, Jon (2011) Review of Early Irish cinema 1895–1921, by Condon, D. Journal of British Cinema and Television, Vol.8 (No.1). pp. 159-161. ISSN 1743-4521

Burrows, Jon (2008) Review of Women filmmakers in early Hollywood, by Mahar, K. W. ; Beyond the Gibson Girl : reimagining the American New Woman, 1895-1915, by Patterson, M. H. Early Popular Visual Culture, Vol.6 (No.2). pp. 212-214. ISSN 1746-0654

Burrows, Jon (2010) "She had so many appearances" : Alphonse Courlander and the birth of the "moving picture girl". In: Shail, Andrew, (ed.) Reading the cinematograph : the cinema in British short fiction, 1896-1912. Exeter studies in film history . Exeter: University of Exeter Press. ISBN 9780859898539

Burrows, Jon. (2010) West is best!; or, what we can learn from Bournemouth. Early Popular Visual Culture, Vol.8 (No.4). pp. 351-362. ISSN 1746-0654

Burrows, Jon (2013) The art of not "playing to pictures" in British cinemas, 1906-1914. In: Brown, Julie and Davison, Annette, (eds.) The Sounds of the Silents in Britain. Oxford: Oxford University Press. ISBN 9780199797615 (In Press)

Burrows, Jon. (2009) ‘A vague Chinese quarter elsewhere’ : Limehouse in the cinema 1914–36. Journal of British Cinema and Television, Vol.6 (No.2). pp. 282-301. ISSN 1743-4521

Burrows, Jon and Brown, Richard. (2010) Financing the Edwardian cinema boom, 1909-1914. Historical Journal of Film, Radio and Television, 30 (1). pp. 1-20. ISSN 0143-9685

Chung, Hsiao-Ling (2009) Managing the cross-industry networks of the audiovisual sector: a perspective from the independent screen productions in the UK and Taiwan. PhD thesis, University of Warwick.

Cohen, Robin, 1944-. (1981) Migrants on the screen and in the theatre. Newsletter on International Labour Studies (No.10). pp. 24-26.

Crouse, Jeffrey Dennis (1997) Representations of screen heterosexuality in the musicals of Fred Astaire and Vincente Minnelli. PhD thesis, University of Warwick.

Curzon, John (2009) Whatever happened to the north of England? : the spaces of post-industrial northern England in contemporary television and film drama. PhD thesis, University of Warwick.

Darke, Paul Anthony (1999) The cinematic construction of physical disability as identified through the application of the social model of disability to six indicative films made since 1970 : A day in the death of Joe Egg (1970), The raging moon (1970), The elephant man (1980), Whose life is it anyway? (1981), Duet for one (1987) and My left foot (1989). PhD thesis, University of Warwick.

Dauncey, H. and Morrey, Douglas. (2008) Quiet contradictions of celebrity : Zinedine Zidane, image, sound, silence and fury. International Journal of Cultural Studies, Vol.11 (No.3). pp. 301-320. ISSN 1367-8779

Davis, Oliver (2009) Jacques Rancière lectures on aesthetics. In: Invited Speaker : Warwick University's Centre for Research in Philosophy, Literature and the Arts, Warwick University's Centre for Research in Philosophy, Literature and the Arts, 13 Oct 2009 (Unpublished)

Davis, Oliver and Rancière, Jacques Re-visions : remarks on the Love of cinema : an interview with Jacques Rancière by Oliver Davis. The Journal of Visual Culture, Vol.10 (No.3). pp. 294-304. ISSN 1470-4129

Dwyer, Kevin Anthony, 1960- (1996) On a celluloid platter : an analysis of the representations and functions of food and eating in the cinema. PhD thesis, University of Warwick.

Epstein, Debbie and Steinberg, Deborah Lynn. (2011) The Bourne tragedy : lost subjects of the bioconvergent age. MediaTropes, Vol.3 (No.1). pp. 89-112. ISSN 1913-6005

Falconer, Peter (2010) Melancholy in Hollywood westerns, 1939-1962. PhD thesis, University of Warwick.

Fowler, Catherine, 1969- (1995) The films of Chantal Akerman : a cinema of displacements. PhD thesis, University of Warwick.

Gabrysiak, Diane (2006) The representation of money in film : gold, paper, metal and electronic. PhD thesis, University of Warwick.

Gallafent, Ed (2013) Touching relations in Jean Renoir's 'The Southerner'. In: Phillips, Alastair and Vincendeau, Ginette, (eds.) A companion to Jean Renoir. Oxford: John Wiley and Sons Ltd.. ISBN 9781444338539 (In Press)

Garwood, Ian (1999) Pop music and characterisation in narrative film. PhD thesis, University of Warwick.

Goode, Ian (2000) Voices of inheritance : aspects of British film and television in the 1980s and 1990s. PhD thesis, University of Warwick.

Grist, Leighton (1996) Authorship and context: the films of Martin Scorsese 1963-1977. PhD thesis, University of Warwick.

Guha, Malini (2008) The post-imperial cityscape: London and Paris in the cinema. PhD thesis, University of Warwick.

Gundle, Stephen (2008) Glamour : a history. Oxford ; New York: Oxford University Press. ISBN 9780199210985

Haggith, Toby (1998) Castles in the air : British film and the reconstruction of the built environment, 1939-51. PhD thesis, University of Warwick.

Hartwig, David W. (2010) The place of Shakespeare : performing King Lear and The tempest in an endangered world. PhD thesis, University of Warwick.

Henderson, Stuart. (2009) From screen to shelf : perspectives on independent distribution. Journal of British Cinema and Television, Vol.6 (No.3). pp. 468-480. ISSN 1743-4521

Henderson, Stuart (2011) The history and form of the Hollywood sequel, 1911-2010. PhD thesis, University of Warwick.

Hillier, Jim and Phillips, Alastair (2009) 100 film noirs. BFI Screen Guides . London: Palgrave Macmillan on behalf of the BFI. ISBN 9781844572151

Irwin, Mary M.. From Coronation street to Mean streets : Life on Mars US. Scope, Vol.19 . ISSN 1465-9166

Jeffers, Tamar Elizabeth Louise (2005) "Should I surrender?": performing and interrogating female virginity in Hollywood films 1957-64. PhD thesis, University of Warwick.

Jenkins, Claire (2009) Family entertainment: representations of the American family in contemporary Hollywood cinema. PhD thesis, University of Warwick.

Jensen, Eric. (2008) The Dao of human cloning : utopian/dystopian hype in the British press and popular films. Public Understanding of Science, Vol.17 (no.2). pp. 123-143. ISSN 0963-6625

Joo, Woojeong (2011) The flavour of tofu : Ozu, history and the representation of the everyday. PhD thesis, University of Warwick.

King, John, 1950- (2010) Review of On location in Cuba: street filmmaking during times of transition, by Stock, A. M. The Americas, Vol.66 (No.3). pp. 418-419. ISSN 0003-1615

Kiss, Robert James (2000) The Doppelgänger in Wilhelmine cinema (1895-1914) : modernity, audiences and identity in turn-of-the-century Germany. PhD thesis, University of Warwick.

Klevan, Andrew (1996) Disclosure of the everyday : the undramatic achievements in narrative film. PhD thesis, University of Warwick.

Laing, Heather (2000) Wandering minds and anchored bodies: music, gender and emotion in melodrama and the woman's film. PhD thesis, University of Warwick.

Lehin, Barbara (2003) Cinema and society: Thatcher's Britain and Mitterand's France. PhD thesis, University of Warwick.

MacDowell, James (2011) The final couple : happy endings in Hollywood cinema. PhD thesis, University of Warwick.

Marie, Laurent (2000) The French Communist Party and French cinema 1944-1999. PhD thesis, University of Warwick.

Marshall, Peter, 1964 Oct. 16- (2009) Saints and cinemas : a man for all seasons. In: Doran, Susan and Freeman, Thomas S., 1959-, (eds.) Tudors and Stuarts on film : historical perspectives. Basingstoke ; New York: Palgrave Macmillan, pp. 46-59. ISBN 9781403940704

Martino, Mariarita (2011) An analysis of scopophilia in an intersemiotic context : four Italian film adaptations. PhD thesis, University of Warwick.

McDonald, Paul, 1963- (1997) Public bodies, private moments : method acting and American cinema in the 1950s. PhD thesis, University of Warwick.

Meir, Christopher (2007) Underwriting national sovereignty?: policy, the market and Scottish cinema, 1982- present. PhD thesis, University of Warwick.

Morrey, Douglas (2011) Houellebecq, genetics and evolutionary psychology. In: James, Simon and Saul, Nicholas, (eds.) The evolution of literature : legacies of Darwin in European cultures. Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft . Amsterdam: Rodopi, pp. 227-238. ISBN 9789042033979

Morrey, Douglas (2008) Introduction : Claire Denis and Jean-Luc Nancy. Film-Philosophy, Vol.12 (No.1). pp. 1-6. ISSN 1466-4615

Morrey, Douglas (2005) Jean-Luc Godard. Manchester: Manchester University Press. ISBN 9780719067587

Morrey, Douglas (2002) Jean-Luc Godard and the other history of cinema. PhD thesis, University of Warwick.

Morrey, Douglas. (2008) Open wounds : body and image in Jean-Luc Nancy and Claire Denis. Film-Philosophy, Vol.12 (No.1). pp. 10-30. ISSN 1466-4615

Morrey, Douglas. (2010) Secrets and lies, or how (not) to write about Jacques Rivette. Australian Journal of French Studies, Vol.47 (No.2). pp. 121-132. ISSN 0004-9468

Morrey, Douglas (2011) To elicit and elude : the film writing of Keith Reader. In: Higbee, Will and Leahy, Sarah, (eds.) Studies in French Cinema : UK perspectives 1985-2010. Bristol ; Chicago: Intellect, pp. 191-201. ISBN 9781841503233

Moseley, Rachel. (2013) Between land and sea : encounters with the Cornish coast in British film and television. Continuum . ISSN 1030-4312 (In Press)

Moseley, Rachel. (2012) "It's a wild and windy country. Wild...passionate...strange" : Poldark and the place-image of Cornwall. Visual Culture in Britain, Volume (Number ). ISSN 1471-4787 (In Press)

Moseley, Rachel (2000) Trousers and tiaras : growing up with Audrey Hepburn. PhD thesis, University of Warwick.

Perkins, V. F., 1936-. (2009) Le Plaisir : "La Maison Tellier". Film Quarterly, Vol.63 (No.2). pp. 66-71. ISSN 0015-1386

Perkins, V. F., 1936-. (2009) Le plaisir: "the mask" and "the model". Film Quarterly, Vol.63 (No.1). pp. 15-22. ISSN 0015-1386

Phillips, Alastair (2013) Cinematic boundaries : Alexander Sokurov's 'The Sun' as liminal biopic. In: Brown, Tom, 1978- and Vidal, Belen, (eds.) The biopic in contemporary film culture. AFI Film Readers . Oxon: Routledge. ISBN 9780415899406 (In Press)

Phillips, Alastair (2013) Cinematic boundaries : Alexander Sokurov's The sun as liminal biopic. In: Brown, Tom, 1978- and Vidal, Belen, (eds.) The biopic in contemporary film culture. AFI Film Readers . London ; New York: Routledge. ISBN 9780415899406 (In Press)

Phillips, Alastair. (2011) Fractured landscapes : detection, location and history in Uchida Tomu's Kiga kaikyo/a fugitive from the past. Screen, Vol.52 (No.2). pp. 215-232. ISSN 0036-9543

Phillips, Alastair (2011) Placing French film history. In: Higbee, Will and Leahy, Sarah, (eds.) Studies in French cinema : UK perspectives 1985–2010. Bristol: Intellect. ISBN 9781841503233

Phillips, Alastair (2013) Seeing with his own eyes : Renoir and photography. In: Phillips, Alastair and Vincendeau, Ginette, (eds.) A companion to Jean Renoir. Oxford: John Wiley and Sons Ltd.. ISBN 9781444338539 (In Press)

Pigott, Michael (2011) Jan Němec. In: Bingham, Adam, (ed.) Directory of world cinema : East Europe. Directory of World Cinema series . Bristol: Intellect. ISBN 9781841504643

Pigott, Michael (2011) Miklós Jancsó. In: Bingham, Adam, (ed.) Directory of world cinema : East Europe. Directory of World Cinema series . Bristol: Intellect. ISBN 9781841504643

Pigott, Michael (2009) Time and film style. PhD thesis, University of Warwick.

Pigott, Michael. (2012) The analog-digital feedback loop : videogame aesthetics in Children of Men and Cloverfield. Film Criticism . ISSN 0163-5069 (In Press)

Pillai, Nicolas (2012) The happy couple : American marriages in Hollywood films 1934-1948. PhD thesis, University of Warwick.

Probert, Rebecca (2011) Carry on up the aisle! Marriage, cohabitation and divorce in popular film, 1958-1978. In: SLSA conference, University of Sussex, 12-14 April 2011 (Unpublished)

Read, Jacinda (1998) Narratives of transformation : feminism, femininity and the rape-revenge cycle. PhD thesis, University of Warwick.

Sargeant, Amy. (2010) The return of Mata Hari: "A woman redeemed" (Sinclair Hill, 1927). Historical Journal of Film, Radio and Television, Vol.30 (No.1). pp. 37-54. ISSN 0143-9685

Sargeant, Amy, 1962- (2008) Review of Red velvet seat : women's writing on the first fifty years of cinema. Modernism/Modernity, Vol.15 (No.3). pp. 580-581. ISSN 1071-6068

Sargeant, Amy, 1962-. (2009) Sparrows can't sing : East End kith and kinship in the 1960s. Journal of British Cinema and Television, Vol.6 (No.2). pp. 256-266. ISSN 1743-4521

Sauter, Martin, 1963- (2010) Liesl Frank, Charlotte Dieterle and the European Film Fund. PhD thesis, University of Warwick.

Sava, Laura (2008) Adapting (to) the letter : Patrice Chéreau’s Gabrielle. In: Pethő, Ágnes, (ed.) Words and images on the screen : language, literature, moving pictures. Newcastle Upon Tyne: Cambridge Scholars Press, pp. 104-118. ISBN 9781847188434

Sava, Laura (2006) Home as a sound effect : Danica Dakic's installations. In: Ciugureanu, Adina and Irimia, Mihaela and Vlad, Eduard, (eds.) Balkan Cultural Identities. Constanța: Ovidius University Press, pp. 345-354.

Sava, Laura (2011) Intermedial encounters : the representation of theatre in film. PhD thesis, University of Warwick.

Sava, Laura. (2011) Théâtre du Soleil meets the cinema : acting and mask work in Ariane Mnouchkine’s Molière. Screening the Past (No.31). ISSN 1328-9756

Sava, Laura. (2010) The problem of film-theatre intermediality in Jesus of Montreal. Excursions, Vol.1 (No.1). pp. 102-122. ISSN 2044-4095

Schmitz, Helmut (2007) A Nation of victims? : representations of German wartime suffering from 1945 to the present. German monitor (No.67). Amsterdam ; New York, NY: Rodopi. ISBN 9789042022096

Schoonover, Karl (2012) Brutal vision : the neorealist body in postwar Italian cinema. Minneapolis: University of Minnesota Press. ISBN 9780816675548

Schoonover, Karl (2010) Divine : towards an "imperfect" stardom. In: Morrison, James, (ed.) Hollywood reborn : movie stars of the 1970s. Star Decades . New Brunswick, N.J.: Rutgers University Press, pp. 158-181. ISBN 9780813547480

Schoonover, Karl (2009) Neorealism at a distance. In: Trifonova, Temenuga, (ed.) European film theory. AFI Film Readers . London ; New York: Routledge, pp. 301-318. ISBN 9780415960434

Shaw, Spencer, 1945- (2002) Showtime: the phenomenology of film consciousness. PhD thesis, University of Warwick.

Smyth, J. E., 1977- (2010) Edna Ferber's Hollywood : American fictions of gender, race, and history. Texas film and media studies series . Austin: University of Texas Press. ISBN 9780292719842

Smyth, J. E., 1977-. (2011) Fred Zinnemann's Search (1945-48) : reconstructing the voices of Europe's children. Film History: an international journal, Vol.23 (No.1). pp. 75-92. ISSN 0892-2160

Stanley, Alice (2009) Representations of sexuality in the films of François Ozon. PhD thesis, University of Warwick.

Steedman, Carolyn. (1980) Schools of writing. Screen Education (London), Vol.38 . pp. 5-13. ISSN 0306-0691

Steinberg, Deborah Lynn (2008) Wissenschaft als Spektakel : Die Suche nach dem jüdischen Gen im Dokumentarfilm. In: Pethes, Nicolas and Schicktanz, Silke, (eds.) Sexualität als Experiment : Identität, Lust und Reproduktion zwischen Science und Fiction. Frankfurt: Campus Verlag, pp. 391-410. ISBN 9783593386089

Stollery, Martin (1994) Alternative empires : Soviet montage cinema, the British documentary movement & colonialism. PhD thesis, University of Warwick.

Sykes, Leo (1995) Directing through montage : a chronological look at the construction of performance through the creation and combination of its various elements. PhD thesis, University of Warwick.

Tasker, Yvonne, 1964- (1995) Spectacular bodies: gender, genre and the action cinema. PhD thesis, University of Warwick.

Thomas, Sarah, 1978- (2008) Face-maker : the negotiation between screen performance, extra-filmic persona and conditions of employment within the career of Peter Lorre. PhD thesis, University of Warwick.

Totaro, Donato, 1958- (2001) Time and the long take in The Magnificent Ambersons, Ugetsu and Stalker. PhD thesis, University of Warwick.

Willmets, Simon (2011) Falling out with history : Hollywood and the Central Intelligence Agency, 1945 - 1975. PhD thesis, University of Warwick.

Wimmer, Leïla, 1966- (2006) The French reception of British cinema. PhD thesis, University of Warwick.

Zborowski, James (2008) ‘Between sympathy and detachment’: point of view and distance in movies directed by Alfred Hitchcock, Otto Preminger and Max Ophuls. PhD thesis, University of Warwick.

Ūdris, Jānis (1988) Grotesque and excremental humour : Monty Python's meaning of life. PhD thesis, University of Warwick.