Journal Article

Aaron, Michele (2020) Love's revival : film practice and the art of dying. Film-Philosophy, 24 (2). pp. 83-103. doi:10.3366/film.2020.0133

Abbey, Matthew (2021) ‘Refugees welcome’, including in (gay) porn : violence under the mask of liberation. Porn Studies, 8 (3). pp. 314-330. doi:10.1080/23268743.2021.1879666

Allan, Sean (2006) Good Bye, Lenin! : ostalgie und identität im wieder vereinigten Deutschland. GFL: German as a Foreign Language, Vol.1 . pp. 46-59.

Allan, Sean (2006) Review of Your Unknown Brother (Dein unbekannter Bruder) [DVD], directed by Weiß, U. German Studies Review, Vol.29 (No.3). pp. 713-714.

Allan, Sean (2011) Revolutionary aesthetics? Kleist, 1968, and the New German cinema. German Life and Letters, Vol.64 (No.3). pp. 472-487. doi:10.1111/j.1468-0483.2011.01546.x

Allan, Sean (2007) 'Seit der wende hat der mann nur pech gehabt. Jetzt soll er auch noch jude sein' : theatricality, memory and identity in Dani Levy's Alles auf Zucker! (2004). Debatte: Journal of Contemporary Central and Eastern Europe, Vol.15 (No.1). pp. 25-42. doi:10.1080/09651560701241412

Allan, Seán (2011) 'Sagt, wie soll man Stalin danken?' Kurt Maetzig's Ehe im schatten (1947), Roman einer jungen ehe (1952) and the cultural politics of post-war Germany. German Life and Letters, Volume 64 (Number 2). pp. 255-271. doi:10.1111/j.1468-0483.2010.01532.x

Baker, Catherine, Szczygielska, Marianna and Zorko, Špela Drnovšek (2021) Guarding the “Balkan Route” on the postsocialist frontier : revisiting Maja Weiss’ Varuh meje (2002). International Feminist Journal of Politics, 23 (5). pp. 811-828. doi:10.1080/14616742.2021.1991827

Brunsdon, Charlotte (2009) Introduction : screen Londons. Journal of British Cinema and Television, Vol.6 (No.2). pp. 165-177. doi:10.3366/E1743452109000855

Brunsdon, Charlotte (2012) 'It's a film' : medium specificity as textual gesture in Red road and The unloved. Journal of British Cinema and Television, Vol.9 (No.3). pp. 457-479. doi:10.3366/jbctv.2012.0100

Brunsdon, Charlotte (2012) The attractions of the cinematic city. Screen, Volume 53 (Number 3). pp. 209-227. doi:10.1093/screen/hjs021

Bruzzi, Stella (2010) Imperfect justice : Fritz Lang's Fury (1936) and cinema's use of the trial form. Law and Humanities, Vol.4 (No.1). pp. 1-19.

Burns, Rob (1995) Fassbinder’s Angst essen Seele auf : a mellow Brechtian drama. German Life and Letters, Vol.48 (No.1). pp. 56-74. doi:10.1111/j.1468-0483.1995.tb01618.x

Burns, Rob (2009) On the streets and on the road : identity in transit in Turkish–German travelogues on screen. New Cinemas: Journal of Contemporary Film, 7 (1). pp. 11-26. doi:10.1386/ncin.7.1.11_1

Burns, Rob (1996) Promise unfulfilled? Margarethe von Trotta’s Germany film 'Das Versprechen'. Debatte: Journal of Contemporary Central and Eastern Europe, 4 (2). pp. 130-147. doi:10.1080/09651569608454544

Burns, Rob (2007) Towards a cinema of cultural hybridity: Turkish-German filmmakers and the representation of alterity. Debatte: Journal of Contemporary Central and Eastern Europe, 15 (1). pp. 3-24. doi:10.1080/09651560701241362

Burns, Rob and Lamb, Stephen (1981) Social reality and stylisation in 'Fear Eats the Soul' : Fassbinder’s study in prejudice. New German Studies, Vol.9 (No.3). pp. 193-206.

Burrows, Jon (2010) Near broke, but no tramp : Billie Ritchie, Charlie Chaplin and 'that costume'. Early Popular Visual Culture, 8 (3). pp. 247-262. doi:10.1080/17460654.2010.498162

Burrows, Jon (2010) West is best!; or, what we can learn from Bournemouth. Early Popular Visual Culture, Vol.8 (No.4). pp. 351-362. doi:10.1080/17460654.2010.513818

Burrows, Jon (2009) ‘A vague Chinese quarter elsewhere’ : Limehouse in the cinema 1914–36. Journal of British Cinema and Television, Vol.6 (No.2). pp. 282-301. doi:10.3366/E1743452109000946

Burrows, Jon and Brown, Richard (2010) Financing the Edwardian cinema boom, 1909-1914. Historical Journal of Film, Radio and Television, 30 (1). pp. 1-20. doi:10.1080/01439681003619349

Cohen, Robin (1981) Migrants on the screen and in the theatre. Newsletter on International Labour Studies (No.10). pp. 24-26.

Constable, Catherine (2018) Challenging capitalism : ethics, exploitation and the sublime in Moon and Source Code. Science Fiction Film and Television, 11 (3). pp. 417-448. doi:10.3828/sfftv.2018.25

Constable, Catherine (2018) Surfaces of science fiction : enacting gender and “humanness” in Ex Machina. Film-Philosophy, 22 (2). pp. 281-301. doi:10.3366/film.2018.0077

Dauncey, H. and Morrey, Douglas (2008) Quiet contradictions of celebrity : Zinedine Zidane, image, sound, silence and fury. International Journal of Cultural Studies, Vol.11 (No.3). pp. 301-320. doi:10.1177/1367877908092587

De Luca, Tiago (2018) Earth networks : 'The human surge' and cognitive mapping. NECSUS: European Journal of Media Studies, Autumn 2018 .

De Luca, Tiago (2017) On length : a short history of long cinema. ANIKI: Portuguese Journal of the Moving Image, 4 (2). pp. 335-352. doi:10.14591/aniki.v4n2.353

De Luca, Tiago (2019) The end of the world viewed, or the wind in the things : on Nikolaus Geyrhalter’s Homo Sapiens. Discourse : Journal for Theoretical Studies in Media and Culture, 41 (1). pp. 112-141.

Eikhof, Doris Ruth, Newsinger, Jack, Luchinskaya, Daria and Aidley, Daniela (2019) And … action? Gender, knowledge and inequalities in the UK screen industries. Gender, Work & Organization, 26 (6). pp. 840-859. doi:10.1111/gwao.12318

Epstein, Debbie and Steinberg, Deborah Lynn (2011) The Bourne tragedy : lost subjects of the bioconvergent age. MediaTropes, Vol.3 (No.1). pp. 89-112.

Harrod, Mary (2020) From postnational mobility to posthuman fluidity : unfixed identities and social responsibilities in Personal Shopper (Assayas, 2016) and Happy End (Haneke, 2017). Northern Lights: Film & Media Studies Yearbook, 18 (1). pp. 85-101. doi:10.1386/nl_00015_1

Henderson, Stuart (2009) From screen to shelf : perspectives on independent distribution. Journal of British Cinema and Television, Vol.6 (No.3). pp. 468-480. doi:10.3366/E1743452109001149

Hodkinson, James R. (2020) Returning again. Resurrection narratives and afterlife aesthetics in contemporary television drama. Poetics Today, 41 (3). pp. 395-416. doi:10.1215/03335372-8519642

Hussein, Nazia and Hussain, Saba (2015) Interrogating practices of gender, religion and nationalism in the representation of Muslim women in Bollywood : contexts of change, sites of continuity. Exchanges: the Warwick Research Journal, 2 (2). pp. 284-304.

Irwin, Mary M. From Coronation street to Mean streets : Life on Mars US. Scope, Vol.19 .

Jensen, Eric (2008) The Dao of human cloning : utopian/dystopian hype in the British press and popular films. Public Understanding of Science, Vol.17 (no.2). pp. 123-143. doi:10.1177/0963662506065874

Jesson, Claire (2017) 'We shall really have to do something about your equipment' : the projectionist’s negotiation of obsolescence in the Smallest Show on Earth and Coming Up Roses. Journal of British Cinema and Television, 15 (1). pp. 115-130.

Lester, Catherine (2016) The children's horror film : characterizing an 'impossible' subgenre. The Velvet Light Trap, 78 . 628733.

MacDowell, James (2018) Interpretation, irony, and "surface meaning" in film. Film-Philosophy, 22 (2). pp. 261-280. doi:10.3366/film.2018.0076

Mengis, Jeanne, Nicolini, Davide and Gorli, Mara (2018) The video production of space : how different recording practices matter. Organizational Research Methods, 21 (2). pp. 288-315. doi:10.1177/1094428116669819

Moffat, Kate (2018) Bodies in transition : Somatechnics and the experimental art of Liselotte Wajstedt's Sámi Nieida Jojk (Sámi Daughter Yoik, 2007). Somatechnics, 8 (1). pp. 48-63. doi:10.3366/soma.2018.0236

Moffat, Kate (2016) Short Subject : From imperfect strangers to new citizens : screening race and ethnicity in Nordic film history. Journal of Scandinavian Cinema, 6 (3). pp. 225-233. doi:10.1386/jsca.6.3.225_1

Moffat, Kate and Kaapa, Pietari (2018) Unthinking ethnocentrism : ecocritical approaches to ethnic diversity in Nordic screen media. Journal of Scandinavian Cinema, 8 (2). pp. 149-165. doi:10.1386/jsca.8.2.149_1

Morrey, Douglas (2008) Open wounds : body and image in Jean-Luc Nancy and Claire Denis. Film-Philosophy, Vol.12 (No.1). pp. 10-30.

Morrey, Douglas (2010) Secrets and lies, or how (not) to write about Jacques Rivette. Australian Journal of French Studies, Vol.47 (No.2). pp. 121-132.

Morrey, Douglas (2016) The rough and the smooth : narrative, character and performance in Fingers (1978) and De battre mon coeur s'est arrêté/The Beat that My Heart Skipped (2005). Studies in French Cinema, 16 (3). pp. 190-204. doi:10.1080/14715880.2016.1220196

Moseley, Rachel (2013) "It's a wild and windy country. Wild...passionate...strange" : Poldark and the place-image of Cornwall. Visual Culture in Britain, Volume 14 (Number 2). pp. 218-237. doi:10.1080/14714787.2013.789631

Moseley, Rachel (2013) Women at the edge : encounters with the Cornish coast in British film and television. Continuum, Volume 27 (Number 5). pp. 644-662. doi:10.1080/10304312.2013.824861

Perkins, V. F. (2009) Le Plaisir : "La Maison Tellier". Film Quarterly, Vol.63 (No.2). pp. 66-71. doi:10.1525/FQ.2009.63.2.66

Perkins, V. F. (2009) Le plaisir: "the mask" and "the model". Film Quarterly, Vol.63 (No.1). pp. 15-22. doi:10.1525/FQ.2009.63.1.15

Phillips, Alastair (2011) Fractured landscapes : detection, location and history in Uchida Tomu's Kiga kaikyo/a fugitive from the past. Screen, Vol.52 (No.2). pp. 215-232. doi:10.1093/screen/hjr006

Pigott, Michael (2018) Sounds of the projection box : liner notes for a phonographic method. Journal of British Cinema and Television, 15 (1). pp. 27-45. doi:10.3366/jbctv.2018.0400

Ryzhenko, Ilia (2021) Review of Theatre through the camera eye : the poetics of an intermedial encounter by Laura Sava. Open Screens, 4 (2). 19. doi:10.16995/os.8017

Sargeant, Amy (2009) Sparrows can't sing : East End kith and kinship in the 1960s. Journal of British Cinema and Television, Vol.6 (No.2). pp. 256-266. doi:10.3366/E1743452109000922

Sargeant, Amy (2010) The return of Mata Hari: "A woman redeemed" (Sinclair Hill, 1927). Historical Journal of Film, Radio and Television, Vol.30 (No.1). pp. 37-54. doi:10.1080/01439680903577250

Sava, Laura (2011) Théâtre du Soleil meets the cinema : acting and mask work in Ariane Mnouchkine’s Molière. Screening the Past (No.31).

Sava, Laura (2010) The problem of film-theatre intermediality in Jesus of Montreal. Excursions, Vol.1 (No.1). pp. 102-122.

Schmitz, Helmut (2016) Täter lite – unsere mütter, unsere väter and the manufacturing of empathy with German wartime trauma. German Life and Letters, 69 (3). pp. 365-386. doi:10.1111/glal.12125

Schoonover, Karl (2019) What do we do with vacant space in horror films? Discourse, 40 (3). pp. 342-357.

Schoonover, Karl (2018) The cinema of disposal : Max Ophuls and accumulation in America. Differences, 29 (1). pp. 33-65. doi:10.1215/10407391-6681640

Schoonover, Karl and Galt, Rosalind (2015) Os mundos do cinema queer : da estética ao ativismo. ArtCultura, 17 (30). pp. 97-107.

Schwartz, Laura (2018) Review article : the politics of remembering the suffragettes. Revue Francais Civilisation Britanique, XXIII (1). doi:10.4000/rfcb.1841

Smyth, J. E. (2011) Fred Zinnemann's Search (1945-48) : reconstructing the voices of Europe's children. Film History: an international journal, Vol.23 (No.1). pp. 75-92.

Steedman, Carolyn (1980) Schools of writing. Screen Education (London), Vol.38 . pp. 5-13.

Stone, Katherine (2016) Sympathy, empathy, and postmemory : problematic positions in Unsere Mütter, unsere Väter. Modern Language Review, 111 (2). pp. 454-477. doi:10.5699/modelangrevi.111.2.0454

Wallace, Richard James (2021) Documentary style as post-truth monstrosity in the mockumentary horror film. Quarterly Review of Film and Video, 38 (6). pp. 519-540. doi:10.1080/10509208.2020.1780107

Whittaker, Thomas (2018) Crime, knowledge and the photographic object in la isla mínima. Hispanic Research Journal, 19 (1). pp. 41-54. doi:10.1080/14682737.2017.1419547

Book Item

Allan, Sean (2000) 1989 and the wende in East German cinema : Peter Kahane’s Die Architekten (1990), Egon Günther’s Stein (1991) and Jörg Foth’s Letztes aus der Da Da eR (1990). In: Flanagan , Clare and Taberner, Stuart , (eds.) 1948-1989: Cultural perspectives on division and unity in East and West. German Monitor (No.50). Amsterdam : Rodopi, pp. 291-309. ISBN 9042014628

Allan, Sean (2004) Burger King versus Spreewaldgurken : der Ost-West diskurs in Wolfgang Becker's Good Bye, Lenin! In: Reiher, Ruth and Baumann , Antje , (eds.) Vorwärts und nichts vergessen : Sprache in der DDR : was war, was ist, was bleibt. AtV [Aufbau Taschenbuch Verlag] (8118). Berlin : Aufbau Taschenbuch Verlag, pp. 326-334. ISBN 3746681189

Allan, Sean (1999) DEFA. An historical overview. In: Allan , Sean and Sandford, John, 1944 Jan. 1-, (eds.) DEFA : East German cinema, 1946-1992. New York: Berghahn, pp. 1-21. ISBN 1571819436

Allan, Sean (2009) Der arge weg der erkenntnis : Konrad Wolf's Goya and its relation to GDR cultural policy and the DEFA künstlerfilm. In: Wallace, Ian, 1942-, (ed.) Feuchtwanger and Film. Feuchtwanger studies (No.1). Oxford : Peter Lang, pp. 21-40. ISBN 9783039119547

Allan, Sean (2005) Frauen, stars und arbeitswelten : DEFA-forschung in Großbritannien 1996-2005. In: Schenk, Ralf, 1956- and Richter, Erika and Löser , Claus, 1962-, (eds.) Apropos: Film 2005 : das 6. Jahrbuch der DEFA-Stiftung. Berlin : DEFA-Stiftung / Bertz + Fischer, pp. 308-313. ISBN 3865051650

Allan, Sean (2002) 'Geld ist die quelle allen wohlstands und regelt die (un)ordnung der welt' : DEFA, history and the rise and fall of the GDR. In: Byg , Barton and Moore, Betheny , (eds.) Moving images of East Germany : past and future of DEFA film. Harry & Helen Gray Humanities Program series (No.12). Washington, D.C.: American Institute for Contemporary German Studies, pp. 35-55. ISBN 9780941441650

Allan, Sean (2009) Ich denke, sie machen meistens nackte Weiber : kunst und künstler in Konrad Wolf's Goya (1971) und Der Nackte Mann auf dem Sportplatz (1974). In: Eichinger, Barbara and Stern , Frank, 1944-, (eds.) Film im Sozialismus - die DEFA. Buchreihe der ÖH Uni Wien , Vol.4 (No.4). Wien : Mandelbaum, pp. 342-367. ISBN 9783854762911

Allan, Sean (1999) Lampe, Jutta. In: Sandford, John, 1944 Jan. 1-, (ed.) Encyclopedia of Contemporary German Culture. Routledge World Reference edition . London: Routledge, p. 364. ISBN 9780415263528

Allan, Sean (2000) 'Meine liebe junge freundin! Du scheinst dir nicht bewußt zu sein, daß es eine Auszeichnung ist, bei mir arbeiten zu dürfen' : frauen und Vorgesetzte im DEFA-Spielfilm. In: Zimmermann , Peter, 1944 and Moldenhauer, Gebhard, 1939-, (eds.) Der geteilte Himmel : Arbeit, Alltag und Geschichte im ost- und westdeutschen Film. Close Up (No.13). Konstanz : UVK Medien, pp. 399-423. ISBN 3896692798

Allan, Sean (2007) 'Memories are made of this' : gender, history and identity in East German cinema. In: Barker, Peter and Ohse, Marc-Dietrich and Tate , Dennis , (eds.) Views from abroad : die DDR aus britischer Perspektive. Bielefeld : WBV, W. Bertelsmann Verlag, pp. 247-258. ISBN 9783763935697

Allan, Sean (2006) Ostalgie, fantasy and the normalization of east-west relations in post-unification comedy. In: Clarke, David , (ed.) German cinema : since unification. New Germany in context . London ; New York, NY: Continuum, pp. 105-126. ISBN 9780826491060

Allan, Sean (2010) Post-unification German-Jewish relations and the discourse of victimhood in Dani Levy’s films. In: Cooke , Paul, 1969- and Silberman, Marc, 1948-, (eds.) Screening war : perspectives on German suffering. Screen cultures . Rochester, N.Y.: Random House, pp. 351-266. ISBN 9781571134370

Allan, Sean (2010) Projections of history : East German filmmakers and the Berlin Wall. In: Hochscherf, Tobias and Laucht , Christoph and Plowman, Andrew, (eds.) Divided, but not disconnected : German experiences of the Cold War. New York ; Oxford : Berghahn, pp. 119-133. ISBN 9781845457518

Arroyo, José (2000) Queering the folklore : genre and re-presentation of homosexual and national identities in 'Las cosas del querer'. In: Marshall, Bill, 1957- and Stilwell, Robynn Jeananne, (eds.) Musicals : Hollywood and beyond. Exeter: Intellect Books, pp. 70-79. ISBN 9781841500034

Bruzzi, Stella (2009) Where are those buggers? : aspects of homosexuality in mainstream British cinema. In: Murphy, Robert, (ed.) The British cinema book (third edition). London ; New York: Palgrave Macmillan on behalf of the BFI. ISBN 9781844572762

Burns, Rob (2006) Turkish-German cinema : from cultural resistance to transnational cinema? In: Clake, David, (ed.) German cinema : since unification. New Germany in Context . London and New York: Continuum, pp. 127-134. ISBN 978-0826481450

Burrows, John (2018) Piccadilly (1929). In: Neale, Steve, (ed.) Silent Features : The Development of Silent Feature Films 1914-1934. Exeter studies in film history . Exeter: University of Exeter Press. ISBN 9780859892896

Burrows, Jon (2010) "She had so many appearances" : Alphonse Courlander and the birth of the "moving picture girl". In: Shail, Andrew, (ed.) Reading the cinematograph : the cinema in British short fiction, 1896-1912. Exeter studies in film history . Exeter: University of Exeter Press. ISBN 9780859898539

Burrows, Jon (2013) The art of not "playing to pictures" in British cinemas, 1906-1914. In: Brown, Julie and Davison, Annette, (eds.) The Sounds of the Silents in Britain. Oxford: Oxford University Press. ISBN 9780199797615 (In Press)

De Luca, Tiago (2017) Casa Grande & Senzala: domestic space and class conflict in Casa Grande and Que horas ela volta? In: da Silva, Antonio Marcio and Cunha, Mariana, (eds.) Space and Subjectivity in Contemporary Brazilian Cinema. Screening Spaces . London: Palgrave, pp. 203-219. ISBN 9783319839004

De Luca, Tiago (2018) Global visions : around-the-world travel and visual culture in early modernity. In: Bayman, Louis and Pinazza, Natália, (eds.) Journeys on Screen Theory, Ethics, Aesthetics. Edinburgh: Edinburgh University Press, pp. 19-35. ISBN 9781474421836

De Luca, Tiago (2017) Watching cinema disappear : intermediality and aesthetic experience in Tsai Ming-liang’s Goodbye Dragon Inn (2003) and Stray Dogs (2013). In: Gibbs, John and Pye, Douglas, (eds.) The Long Take : Critical Approaches. Palgrave Close Readings in Film and Television . London: Palgrave, pp. 163-176. ISBN 9781137585738

Gallafent, Ed (2013) Touching relations in Jean Renoir's 'The Southerner'. In: Phillips, Alastair, 1963- and Vincendeau, Ginette, (eds.) A companion to Jean Renoir. Oxford: John Wiley and Sons Ltd.. ISBN 9781444338539 (In Press)

Marshall, Peter (2009) Saints and cinemas : a man for all seasons. In: Doran, Susan and Freeman, Thomas S., 1959-, (eds.) Tudors and Stuarts on film : historical perspectives. Basingstoke ; New York: Palgrave Macmillan, pp. 46-59. ISBN 9781403940704

Morrey, Douglas (2011) Houellebecq, genetics and evolutionary psychology. In: James, Simon and Saul, Nicholas, (eds.) The evolution of literature : legacies of Darwin in European cultures. Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft . Amsterdam: Rodopi, pp. 227-238. ISBN 9789042033979

Morrey, Douglas (2011) To elicit and elude : the film writing of Keith Reader. In: Higbee, Will and Leahy, Sarah, (eds.) Studies in French Cinema : UK perspectives 1985-2010. Bristol ; Chicago: Intellect, pp. 191-201. ISBN 9781841503233

Phillips, Alastair (2014) Cinematic boundaries : Alexander Sokurov's 'The Sun' as liminal biopic. In: Brown, Tom, 1978- and Vidal, Belen, (eds.) The biopic in contemporary film culture. AFI Film Readers . New York ; London: Routledge. ISBN 9780415899406

Phillips, Alastair (2013) Cinematic boundaries : Alexander Sokurov's The sun as liminal biopic. In: Brown, Tom, 1978- and Vidal, Belen, (eds.) The biopic in contemporary film culture. AFI Film Readers . London ; New York: Routledge. ISBN 9780415899406 (In Press)

Phillips, Alastair (2011) Placing French film history. In: Higbee, Will and Leahy, Sarah, (eds.) Studies in French cinema : UK perspectives 1985–2010. Bristol: Intellect. ISBN 9781841503233

Phillips, Alastair (2013) Seeing with his own eyes : Renoir and photography. In: Phillips, Alastair, 1963- and Vincendeau, Ginette, (eds.) A companion to Jean Renoir. Oxford: John Wiley and Sons Ltd.. ISBN 9781444338539 (In Press)

Pigott, Michael (2011) Jan Němec. In: Bingham, Adam, (ed.) Directory of world cinema : East Europe. Directory of World Cinema series . Bristol: Intellect. ISBN 9781841504643

Pigott, Michael (2011) Miklós Jancsó. In: Bingham, Adam, (ed.) Directory of world cinema : East Europe. Directory of World Cinema series . Bristol: Intellect. ISBN 9781841504643

Sava, Laura (2008) Adapting (to) the letter : Patrice Chéreau’s Gabrielle. In: Pethő, Ágnes, (ed.) Words and images on the screen : language, literature, moving pictures. Newcastle Upon Tyne: Cambridge Scholars Press, pp. 104-118. ISBN 9781847188434

Sava, Laura (2006) Home as a sound effect : Danica Dakic's installations. In: Ciugureanu, Adina and Irimia, Mihaela and Vlad, Eduard, (eds.) Balkan Cultural Identities. Constanța: Ovidius University Press, pp. 345-354.

Schoonover, Karl (2010) Divine : towards an "imperfect" stardom. In: Morrison, James, (ed.) Hollywood reborn : movie stars of the 1970s. Star Decades . New Brunswick, N.J.: Rutgers University Press, pp. 158-181. ISBN 9780813547480

Schoonover, Karl (2009) Neorealism at a distance. In: Trifonova, Temenuga, (ed.) European film theory. AFI Film Readers . London ; New York: Routledge, pp. 301-318. ISBN 9780415960434

Steinberg, Deborah Lynn (2008) Wissenschaft als Spektakel : Die Suche nach dem jüdischen Gen im Dokumentarfilm. In: Pethes, Nicolas and Schicktanz, Silke, (eds.) Sexualität als Experiment : Identität, Lust und Reproduktion zwischen Science und Fiction. Frankfurt: Campus Verlag, pp. 391-410. ISBN 9783593386089

de Medeiros, Paulo (2019) Lusophone cinemas in transnational perspective. In: Leite, Ana Mafalda and Owen, Hilary and Sapega, Ellen W. and Secco, Tindó, (eds.) Postcolonial Nation and Narrative III: Literature & Cinema. Reconfiguring Identities in the Portuguese-Speaking World (13). Oxford: Peter Lang, pp. 21-34. ISBN 9781787075818

Conference Item

Bruzzi, Stella (2010) Approximation – documentary, history and staging reality. In: The documentary real : on the ambiguous relation between documentary film and reality, Domzaal, Vooruit, 21 Oct 2010 (Unpublished)

Burns, Rob (1997) From bondage to bonding : Saliha Scheinhardt's Frauen, die sterben, ohne daß sie gelebt hätten and Tevfik Baser's abschied vom falschen paradies. In: Conference on Image into Text - Text into Image, St Patrick's College, Maynooth, Ireland, Sep 1995. Published in: Text Into Image: Image Into Text - 1995 Interdisciplinary Bicentenary Conference, Vol.20 pp. 339-347. ISBN 90-420-0153-4. ISSN 0929-6999.

Goyal, Ankit, Kumar, Naveen, Guha, Tanaya and Narayanan, Shrikanth S. (2016) A multimodal mixture-of-experts model for dynamic emotion prediction in movies. In: 2016 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), Shanghai, China, 20-25 March 2016 pp. 2822-2826. ISBN 9781479999880. ISSN 2379-190X. doi:10.1109/ICASSP.2016.7472192

Guha, Tanaya, Huang, Che-Wei, Kumar, Naveen, Zhu, Yan and Narayanan, Shrikanth S. (2015) Gender representation in cinematic content : a multimodal approach. In: 17th ACM International Conference on Multimodal Interaction, Seattle, Washington, USA, 9-13 Nov 2015 . Published in: Proceedings of the 2015 ACM on International Conference on Multimodal Interaction pp. 31-34. ISBN 9781450339124. doi:10.1145/2818346.2820778

Probert, Rebecca (2011) Carry on up the aisle! Marriage, cohabitation and divorce in popular film, 1958-1978. In: SLSA conference, University of Sussex, 12-14 April 2011 (Unpublished)

Book

Galt, Rosalind and Schoonover, Karl, eds. (2010) Global art cinema : new theories and histories. New York: Oxford University Press. ISBN 9780195385625

Allan, Sean and Sandford, John (1999) DEFA : East German cinema, 1946-1992. New York : Berghahn. ISBN 1571819436

Gundle, Stephen (2008) Glamour : a history. Oxford ; New York: Oxford University Press. ISBN 9780199210985

Hillier, Jim and Phillips, Alastair (2009) 100 film noirs. BFI Screen Guides . London: Palgrave Macmillan on behalf of the BFI. ISBN 9781844572151

Morrey, Douglas (2005) Jean-Luc Godard. Manchester: Manchester University Press. ISBN 9780719067587

Schmitz, Helmut (2007) A Nation of victims? : representations of German wartime suffering from 1945 to the present. German monitor (No.67). Amsterdam ; New York, NY: Rodopi. ISBN 9789042022096

Schoonover, Karl (2012) Brutal vision : the neorealist body in postwar Italian cinema. Minneapolis: University of Minnesota Press. ISBN 9780816675548

Smyth, J. E. (2010) Edna Ferber's Hollywood : American fictions of gender, race, and history. Texas film and media studies series . Austin: University of Texas Press. ISBN 9780292719842

Journal Item

Davis, Oliver and Rancière, Jacques Re-visions : remarks on the Love of cinema : an interview with Jacques Rancière by Oliver Davis. The Journal of Visual Culture, Vol.10 (No.3). pp. 294-304. doi:10.1177/1470412911419747

Gundle, Stephen (2008) Stars and stardom in the study of Italian cinema. Italian Studies, Volume 63 (Number 2). pp. 261-266.

Harrod, Mary and Powrie, Phil (2018) New directions in contemporary French comedies : from nation, sex and class to ethnicity, community and the vagaries of the postmodern. Studies in French Cinema, 18 (1). pp. 1-17. doi:10.1080/14715880.2017.1415420

MacDonald, Malcolm (2018) Editorial [in Language and Intercultural Communication]. Language and Intercultural Communication, 18 (6). pp. 591-594. doi:10.1080/14708477.2018.1522720

Morrey, Douglas (2008) Introduction : Claire Denis and Jean-Luc Nancy. Film-Philosophy, Vol.12 (No.1). pp. 1-6.

Schoonover, Karl and Corsi, Barbara (2020) Primed real estate : film producers and land development, a conversation with Karl Schoonover and Barbara Corsi. Historical Journal of Film Radio and Television, 40 (1). pp. 129-139. doi:10.1080/01439685.2020.1715600

Thesis

Al-Qasimi, Noor (2007) The codes of modesty: reconfiguring the Muslim female subject. PhD thesis, University of Warwick.

Allen, Steven William (2003) A pleasure in pain : contemporary mainstream cinema's fascination with the aestheticized spectacle of the controlled body. PhD thesis, University of Warwick.

Andrews, Hannah, Ph.D. (2011) Public service broadcasters and British cinema, 1990–2010. PhD thesis, University of Warwick.

Boss, Peter John (1989) Death, disintegration of the body and subjectivity in the contemporary horror film. PhD thesis, University of Warwick.

Brown, Tom (2007) From intimate pleasures to spectacular vistas: musicality and historicity in French and American 'classical' cinema of the 1930s. PhD thesis, University of Warwick.

Bumrungsalee, Intira (2013) Translating culture in films : subtitling in Thailand. PhD thesis, University of Warwick.

Chua, Ling-Yen (1998) Deviant intersections : interrogating discourses of race, sexuality and non-white homosexuality in contemporary films. PhD thesis, University of Warwick.

Chung, Hsiao-Ling (2009) Managing the cross-industry networks of the audiovisual sector: a perspective from the independent screen productions in the UK and Taiwan. PhD thesis, University of Warwick.

Cox, Fiona E. (2013) Dressing the part : costuming of lesbian identities in contemporary film and television. PhD thesis, University of Warwick.

Crouse, Jeffrey Dennis (1997) Representations of screen heterosexuality in the musicals of Fred Astaire and Vincente Minnelli. PhD thesis, University of Warwick.

Curzon, John (2009) Whatever happened to the north of England? : the spaces of post-industrial northern England in contemporary television and film drama. PhD thesis, University of Warwick.

Darke, Paul Anthony (1999) The cinematic construction of physical disability as identified through the application of the social model of disability to six indicative films made since 1970 : A day in the death of Joe Egg (1970), The raging moon (1970), The elephant man (1980), Whose life is it anyway? (1981), Duet for one (1987) and My left foot (1989). PhD thesis, University of Warwick.

Denny, Matthew (2015) The postmodern auteur : a contradiction in terms? PhD thesis, University of Warwick.

Dwyer, Kevin Anthony (1996) On a celluloid platter : an analysis of the representations and functions of food and eating in the cinema. PhD thesis, University of Warwick.

Edwards, Jake (2021) Unidentified flying objects, photographic aesthetics, and moving images. PhD thesis, University of Warwick.

Falconer, Peter (2010) Melancholy in Hollywood westerns, 1939-1962. PhD thesis, University of Warwick.

Fowler, Catherine (1995) The films of Chantal Akerman : a cinema of displacements. PhD thesis, University of Warwick.

Frame, Gregory (2012) The American president in film and television. PhD thesis, University of Warwick.

Gabrysiak, Diane (2006) The representation of money in film : gold, paper, metal and electronic. PhD thesis, University of Warwick.

Gallimore, Adam (2014) Subjectivity, immediacy, and the digital : historical reassessment in contemporary American cinema. PhD thesis, University of Warwick.

Garwood, Ian (1999) Pop music and characterisation in narrative film. PhD thesis, University of Warwick.

Goode, Ian (2000) Voices of inheritance : aspects of British film and television in the 1980s and 1990s. PhD thesis, University of Warwick.

Grist, Leighton (1996) Authorship and context: the films of Martin Scorsese 1963-1977. PhD thesis, University of Warwick.

Guha, Malini (2008) The post-imperial cityscape: London and Paris in the cinema. PhD thesis, University of Warwick.

Haggith, Toby (1998) Castles in the air : British film and the reconstruction of the built environment, 1939-51. PhD thesis, University of Warwick.

Hartwig, David W. (2010) The place of Shakespeare : performing King Lear and The tempest in an endangered world. PhD thesis, University of Warwick.

Henderson, Stuart (2011) The history and form of the Hollywood sequel, 1911-2010. PhD thesis, University of Warwick.

Holdaway, Dom (2013) A return to cinema d'impegno? Cinematic engagements with organized crime in Italy, 1950-2010. PhD thesis, University of Warwick.

Intepe, Demet (2020) Environmental justice and writers as activists in multi-ethnic U.S. literatures, film, and theate. PhD thesis, University of Warwick.

Jacoby, Alexander (2010) The old capital on film : the representation of Kyoto in Japanese cinema, 1945-1964. PhD thesis, University of Warwick.

Jeffers, Tamar Elizabeth Louise (2005) "Should I surrender?": performing and interrogating female virginity in Hollywood films 1957-64. PhD thesis, University of Warwick.

Jenkins, Claire (2009) Family entertainment: representations of the American family in contemporary Hollywood cinema. PhD thesis, University of Warwick.

Jesson, Claire (2018) The projectionist in cinema and the persistence of film. PhD thesis, University of Warwick.

Johnstone, Sara R. (2013) A special relationship : the British Empire in British and American cinema, 1930-1960. PhD thesis, University of Warwick.

Joo, Woojeong (2011) The flavour of tofu : Ozu, history and the representation of the everyday. PhD thesis, University of Warwick.

Jung, Berenike Christiane (2016) The (In)visibilities of torture : political torture and visual evidence in U.S. and Chilean fiction cinema (2004 – 2014). PhD thesis, University of Warwick.

Kiss, Robert James (2000) The Doppelgänger in Wilhelmine cinema (1895-1914) : modernity, audiences and identity in turn-of-the-century Germany. PhD thesis, University of Warwick.

Klevan, Andrew (1996) Disclosure of the everyday : the undramatic achievements in narrative film. PhD thesis, University of Warwick.

Krebs, Gerhild (2021) Walter Rilla (1894-1980) : medien, darstellende künste, exil und startum am beispiel seines frühen und mittleren filmwerks im Deutsch-Britischen kulturkontext 1921-1957. PhD thesis, University of Warwick.

Laing, Heather (2000) Wandering minds and anchored bodies: music, gender and emotion in melodrama and the woman's film. PhD thesis, University of Warwick.

Lehin, Barbara (2003) Cinema and society: Thatcher's Britain and Mitterand's France. PhD thesis, University of Warwick.

Lester, Catherine (2016) The children's horror film : beneficial fear and subversive pleasure in an (im)possible Hollywood subgenre. PhD thesis, University of Warwick.

Lim, Michael Kho (2017) Pinoy Indie, Inc. : the cultural economy of distribution and Philippine independent cinema. PhD thesis, University of Warwick.

Liu, Tingli (2019) Love and marriage for ‘leftover' women : representations and readings in Chinese media. PhD thesis, University of Warwick.

Luijnenburg, Linde Maria Elise (2017) Hidden postcolonial conscience in Italian cinema: Attempts to autodefine ‘the Italian’ through representations of the Black Other in the commedia all’italiana. PhD thesis, University of Warwick.

MacDowell, James (2011) The final couple : happy endings in Hollywood cinema. PhD thesis, University of Warwick.

Macedo, Lynne (2001) Fiction and film : the influence of cinema on writers from Trinidad and Jamaica 1950-1985. PhD thesis, University of Warwick.

Magistrali, Silvia M. (2021) Cinematic imagery and the weekly press in post-war Italy : production sites, processes and people, 1950-1965. PhD thesis, University of Warwick.

Mancosu, Gianmarco (2019) DecolonItaly : decolonization and national identity in post-war Italy, 1945-1960. PhD thesis, University of Warwick.

Marco, Derilene (2016) Films about South Africa 1987-2014 : representations of 'The Rainbow'. PhD thesis, University of Warwick.

Marie, Laurent (2000) The French Communist Party and French cinema 1944-1999. PhD thesis, University of Warwick.

Martino, Mariarita (2011) An analysis of scopophilia in an intersemiotic context : four Italian film adaptations. PhD thesis, University of Warwick.

McDonald, Paul (1997) Public bodies, private moments : method acting and American cinema in the 1950s. PhD thesis, University of Warwick.

Meir, Christopher (2007) Underwriting national sovereignty?: policy, the market and Scottish cinema, 1982- present. PhD thesis, University of Warwick.

Merchant, Hayley J. (2012) Mind to screen : the conveyance of disordered mental states in film. PhD thesis, University of Warwick.

Morrey, Douglas (2002) Jean-Luc Godard and the other history of cinema. PhD thesis, University of Warwick.

Moseley, Rachel (2000) Trousers and tiaras : growing up with Audrey Hepburn. PhD thesis, University of Warwick.

Mulligan, Georgia (2017) The queer cinema of Jacques Demy. PhD thesis, University of Warwick.

Ottman, Barbara Verena (2015) The Lubitsch touch : a meta-critical study, 1923–1947. PhD thesis, University of Warwick.

Oyarzabal, Santiago (2012) Representations of social crisis in recent Argentine cinema. PhD thesis, University of Warwick.

Palmer, Helen (2020) Sexual expression and the romantic ideal explored through an ‘American’ style of dance in dance-led dream ballets within Hollywood film musicals 1935-1956. PhD thesis, University of Warwick.

Phillips, Alastair (1999) City of darkness, city of light : the representation of Paris in the 1930's French films of the German emigrés. PhD thesis, University of Warwick.

Pigott, Michael (2009) Time and film style. PhD thesis, University of Warwick.

Pilkington, Patrick (2015) The courtroom trial sequence in Hollywood cinema, 1934-1966. PhD thesis, University of Warwick.

Pillai, Nicolas (2012) The happy couple : American marriages in Hollywood films 1934-1948. PhD thesis, University of Warwick.

Rao, Isabel Joan Sutherland (2018) Screening the seventies: Representations of the 1970s in British film and television. PhD thesis, University of Warwick.

Read, Jacinda (1998) Narratives of transformation : feminism, femininity and the rape-revenge cycle. PhD thesis, University of Warwick.

Rios Miranda, Sofia (2020) Mexican screen melodrama : unravelling Mexico's sociocultural expectations and ambiguities. PhD thesis, University of Warwick.

Sauter, Martin (2010) Liesl Frank, Charlotte Dieterle and the European Film Fund. PhD thesis, University of Warwick.

Sava, Laura (2011) Intermedial encounters : the representation of theatre in film. PhD thesis, University of Warwick.

Schmid, Julian (2020) Warning! Contains spoilers: reading post-‘9/11’ US security discourses through superhero films. PhD thesis, University of Warwick.

Shacklock, Zoe Ruth (2017) The kinaesthetics of serial television. PhD thesis, University of Warwick.

Shaka, Femi Okiremuete (1994) Colonial and post-colonial African cinema : (a theoretical and critical analysis of discursive practices). PhD thesis, University of Warwick.

Shaw, Spencer (2002) Showtime: the phenomenology of film consciousness. PhD thesis, University of Warwick.

Sloan, Anna C. (2013) Imperial Hollywood : American cinematic representations of Europe, 1948-1964. PhD thesis, University of Warwick.

Slugan, Mario (2014) Montage aesthetics : narrative, adaptation and urban modernity in Alfred Döblin’s Berlin Alexanderplatz. PhD thesis, University of Warwick.

Smith, Frances C. E. (2013) Rethinking the norm : Judith Butler and the Hollywood teen movie. PhD thesis, University of Warwick.

Sonbol, Deema (2020) A social constructionist approach to female entrepreneurs' media representation and experiences in Saudi Arabia. PhD thesis, University of Warwick.

Soto, E. R. (2014) (Un)veiling bodies : a trajectory of Chilean post-dictatorship documentary. PhD thesis, University of Warwick.

Stanley, Alice (2009) Representations of sexuality in the films of François Ozon. PhD thesis, University of Warwick.

Stollery, Martin (1994) Alternative empires : Soviet montage cinema, the British documentary movement & colonialism. PhD thesis, University of Warwick.

Sykes, Leo (1995) Directing through montage : a chronological look at the construction of performance through the creation and combination of its various elements. PhD thesis, University of Warwick.

Tasker, Yvonne (1995) Spectacular bodies: gender, genre and the action cinema. PhD thesis, University of Warwick.

Taylor, James (2016) Hollywood superheroes : the aesthetics of comic book to film adaptation. PhD thesis, University of Warwick.

Teinemaa, Teet (2017) The American imaginary in the contemporary American multi-protagonist film. PhD thesis, University of Warwick.

Thomas, Sarah (2008) Face-maker : the negotiation between screen performance, extra-filmic persona and conditions of employment within the career of Peter Lorre. PhD thesis, University of Warwick.

Thompson, Lauren Jade (2012) Becoming what women want : formations of masculinity in postfeminist film and television. PhD thesis, University of Warwick.

Totaro, Donato (2001) Time and the long take in The Magnificent Ambersons, Ugetsu and Stalker. PhD thesis, University of Warwick.

Treveri Gennari, Daniela (2005) America, the Vatican and the Catholic Church sphere of activity in Italian post war cinema (1945-1960). PhD thesis, University of Warwick.

Turner, Elizabeth Clair (2018) Box of tricks: a critical analysis of twenty-first century televised performance magic. PhD thesis, University of Warwick.

Walkley, Sarah Elizabeth (2016) To what extent can France continue to defend the cultural exception in the digital age? : an analysis of cultural diversity in the French film industry. PhD thesis, University of Warwick.

Weetch, Owen (2013) Images in depth : spectacle, narrative and meaning construction in contemporary 3D cinema. PhD thesis, University of Warwick.

Willis, Corin Charles (2002) The signifier returns to haunt the referent : blackface and the stereotyping of African-Americans in Hollywood early sound film. PhD thesis, University of Warwick.

Willmetts, Simon (2011) Falling out with history : Hollywood and the Central Intelligence Agency, 1945 - 1975. PhD thesis, University of Warwick.

Wimmer, Leïla (2006) The French reception of British cinema. PhD thesis, University of Warwick.

Wąsik, Marta (2016) The home movie imagination in UK and US fiction films. PhD thesis, University of Warwick.

Yacavone, Peter (2014) The aesthetics of negativity : the cinema of Suzuki Seijun. PhD thesis, University of Warwick.

Zborowski, James (2008) ‘Between sympathy and detachment’: point of view and distance in movies directed by Alfred Hitchcock, Otto Preminger and Max Ophuls. PhD thesis, University of Warwick.

Zhao, Jing (2020) The Chinese queer glocalisation of TV formats in the new millennium. PhD thesis, University of Warwick.

Ūdris, Jānis (1988) Grotesque and excremental humour : Monty Python's meaning of life. PhD thesis, University of Warwick.

Book Review

Allan, Sean (2006) Review of Expressionist film : new perspectives, by Scheunemann, D., ed. Modern Language Review, Vol.101 (No.1). pp. 292-293. ISSN 0026-7937

Allan, Sean (2003) Review of Fritz Lang's 'Metropolis' : cinematic visions of technology and fear, by Minden, M. and Bachmann, H., eds. Modern Language Review, Vol.98 (No.3). p. 782. ISSN 0026-7937

Burrows, Jon (2011) Review of Early Irish cinema 1895–1921, by Condon, D. Journal of British Cinema and Television, Vol.8 (No.1). pp. 159-161. ISSN 1743-4521

Burrows, Jon (2008) Review of Women filmmakers in early Hollywood, by Mahar, K. W. ; Beyond the Gibson Girl : reimagining the American New Woman, 1895-1915, by Patterson, M. H. Early Popular Visual Culture, Vol.6 (No.2). pp. 212-214. ISSN 1746-0654

King, John (2010) Review of On location in Cuba: street filmmaking during times of transition, by Stock, A. M. The Americas, Vol.66 (No.3). pp. 418-419. ISSN 0003-1615

Palma-Gutierrez, Mauricio (2022) Breaking the Encanto. Journal of Refugee Studies . ISSN 0951-6328

Phillips, Alastair (2008) Reviews of: Hollywood Asian : Philip Ahn and the politics of cross-ethnic performance, by Chung, H.S. ; Sessue Hayakawa : silent cinema and transnational stardom, by Miyao, D. Screen, Volume 49 (Number 2). pp. 228-233. ISSN 0036-9543

Sargeant, Amy (2008) Review of Red velvet seat : women's writing on the first fifty years of cinema. Modernism/Modernity, Vol.15 (No.3). pp. 580-581. ISSN 1071-6068