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Allan, Sean (1995) Review of Kleist on stage, 1804-1987, by Reeve, W.C. Journal of European Studies, Vol.25 (No.1). pp. 96-97. ISSN 0047-2441

Allan, Sean and Griffiths, Elystan. (2011) Introduction. Heinrich von Kleist : performance and performativity. German Life and Letters, Vol.64 (No.3). pp. 327-336. ISSN 0016-8777

Alrefaai, Nesrin (2009) An analytical study of Sadallah Wannous’s contribution towards defining an Arabic theatre in the Twentieth Century. PhD thesis, University of Warwick.

Amine, Khalid, Azmy, Hazem M. and Carlson, Marvin. (2010) IFTR's Arabic theatre working group. Theatre Research International, Vol.35 (No.3). pp. 263-274. ISSN 0307-8833

Astbury, Katherine (2008) The success of Marmontel's moral tales on the French stage 1760-1770. In: Cronk, Nicholas, (ed.) Voltaire and the 1760s : essays for John Renwick. Studies on Voltaire and the eighteenth century, Vol.2008 (No.10). Oxford: SVEC. ISBN 9780729409490

Aston, Elaine (1987) Outside the doll's house : a study in images of women in English and French theatre, 1848-1914. PhD thesis, University of Warwick.

Azmy, Hazem M. (2012) Staging Egypt on the global stage : (de)constructing narratives of post-9/11 Egyptian performance realities. PhD thesis, University of Warwick.

B

Babbage, Frances (2000) Re-visioning myth : feminist strategies in contemporary theatre. PhD thesis, University of Warwick.

Bai, Rongning (1996) Brecht and China : a mutual response. PhD thesis, University of Warwick.

Baines, Roger W., Marinetti, Christina, 1976- and Perteghella, Manuela (2011) Staging and performing translation : text and theatre practice. Basingstoke, Hampshire: Palgrave Macmillan. ISBN 9780230228191

Belvis Pons, Esther (2012) Trans-formative theatre : living further realities. PhD thesis, University of Warwick.

Ben-Shaul, Daphna, Kanner, Ruth, Reinelt, Janelle G. and Rokem, Freddie. (2010) Capturing moments of misperformance "local tales". Performance Research, Vol.15 (No.2). pp. 66-73. ISSN 1352-8165

Benshalom, Yotam (2012) Performing translation : theatrical theory and its relevance to textual transfer. PhD thesis, University of Warwick.

Billing, Christian M., 1968- (2000) Fashioning anatomies : figurations of the sexed and gendered body on the early modern English stage. PhD thesis, University of Warwick.

Buonanno, Giovanna (1995) A stage under petticoat government : Italian international actresses in the age of Queen Victoria. PhD thesis, University of Warwick.

C

Caesar, Ann Hallamore (2010) Review of Living masks: the achievement of Pirandello, by Mariani, U. Modern Drama, Vol.53 (No.1). pp. 124-126. ISSN 0026-7694

Clarke, Jan, 1956- (1988) The Guénégaud Theatre 1673-1680 and the machine plays of Thomas Corneille. PhD thesis, University of Warwick.

Cohen, Robin, 1944-. (1981) Migrants on the screen and in the theatre. Newsletter on International Labour Studies (No.10). pp. 24-26.

Cornford, Tom. (2010) Reconstructing theatre: the Globe under Dominic Dromgoole. New Theatre Quarterly, Vol.26 (No.104). pp. 319-328. ISSN 0266-464X

D

Davis, Jim (2008) A Review of: Fantasies of Empire: the Empire Theatre of Varieties and the licensing controversy of 1894 by Donohue, J.W. Theatre Journal , Vol.60 (No.3). pp. 495-496. ISSN 0192-2882

Davis, Jim, 1949- (2009) Auntie, can you do that? or 'Ibsen in Brixton' : Representing the Victorian theatre through caricature and cartoon. In: Heinrich, Anselm and Newey , Katherine and Richards, Jeffrey, (eds.) Ruskin, the theatre and Victorian visual culture. Basingstoke ; New York: Palgrave Macmillan ; [Bristol] : Arts & Humanities Research Council, pp. 216-238. ISBN 9780230200593

Davis, Tracy C., 1960- (1984) Critical and popular reaction to Ibsen in England, 1872-1906. PhD thesis, University of Warwick.

De Martino Cappuccio, Alessandra (2011) Acculturating dialect theatre : Casa Cupiello moves to west Lancashire. In: Naples Crucible of the World 2 : a 'foreign' perspective, University of Parthenope, Naples, 3-4 Jun 2011 (Unpublished)

De Martino Cappuccio, Alessandra (2011) Cultural translation in theatre. Exploring Neapolitan theatre through Eduardo De Filippo. In: Invited Speaker : for the Week of Italian Language, Shanghai International Studies University, 17 Oct 2011 (Unpublished)

De Martino Cappuccio, Alessandra (2010) Translating dialect theatre. In: Translating Theatre. Migrating Text(s), University of Warwick, 12 Jun 2010 (Unpublished)

De Martino Cappuccio, Alessandra (2010) Translating food in Eduardo De Filippo's theatre. In: International Conference : The Role of Theatre in Contemporary Society, University of Westminster, 14-15 May 2010 (Unpublished)

De Martino Cappuccio, Alessandra (2009) Translating for theatre : cultural encounters in Pippo Delbono's theatre. In: Conference on modern/contemporary Italian theatre : beyond Pirandello, Pearson Lecture Theatre, UCL, 23 May 2009 (Unpublished)

De Martino Cappuccio, Alessandra (2010) The multiple faces of Filumena Marturano. Tradition and modernity in Eduardo. In: Naples crucible of the world, Italian Cultural Institute/British Library, London, 29-30 Oct 2010 (Unpublished)

De Martino Cappuccio, Alessandra (2008) The representation of characters in an English adaptation of Napoli milionaria! In: The Tradition of the Actor/Author in Italian Theatre, University of Glasgow, 17-18 Oct 2008 (Unpublished)

De Martino Cappuccio, Alessandra and d'Amora, Mariano (2011) Translating cultures : dialect theatre in twentieth century Italy. The Neapolitan case. In: Italian Department Seminar Series, Italian Department, University of Warwick, 25 Jan 2011 (Unpublished)

F

Finnan, Kevin (2005) A body of work: performance and becoming. PhD thesis, University of Warwick.

Finneran, Michael J., 1976- (2008) Critical myths in drama as education. PhD thesis, University of Warwick.

Freakley, Vivien (2002) Mapping professional lives: the study of the professionalisation of actors and dancers. PhD thesis, University of Warwick.

G

Gale, Maggie B. (Maggie Barbara), 1963- (1995) West End women : representations of woman, the female and femininity, in plays by women on the London stage 1918-1962. PhD thesis, University of Warwick.

Gluhovic, Milija. (2010) Exhumations : the return of the dead in Tadeusz Kantor’s Let the Artists Die and in Andrzej Wajda's Katyń. Polish Theatre Perspectives (PTP), Vol.1 (No.1). pp. 227-255. ISSN 2081-4844

Gluhovic, Milija. (2010) Melancholic loss in Harold Pinter’s landscape. Sarajevske Sveske (No.29-30). pp. 265-284. ISSN 1512-8539

Gluhovic, Milija (2013) Performing European memories : trauma, ethics, politics. Studies in International Performance . Basingstoke; New York: Palgrave Macmillan Ltd.. ISBN 9780230297906

Gould, Terence, 1932- (2006) A historical study of the political and religious influences on the Alsatian language theatre. PhD thesis, University of Warwick.

H

Haedicke, Susan (2012) Contemporary street arts in Europe : aesthetics and politics. Studies in International Performance . Basingstoke; New York: Palgrave Macmillan Ltd.. ISBN 9780230220263

Haedicke, Susan (2012) Opéra Pagaï’s entreprise de détournement : collages of geographic, imaginary and discursive spaces. In: Performance and the politics of space : theatre and topology. London: Routledge. ISBN 9780415509688 (In Press)

Haedicke, Susan C. (2011) Breaking down the walls : interventionist performance strategies in French street theatre. In: Finburgh, Clare and Lavery, Carl, 1969-, (eds.) Contemporary French Theatre and Performance. Performance interventions . Basingstoke : Palgrave Macmillan, pp. 162-173. ISBN 9780230580510

Haedicke, Susan C. (2009) Documenting the invisible : dramatizing the Algerian Civil War of the 1990s. In: Haedicke, Susan C., (ed.) Political performances : theory and practice. Themes in Theatre - Collective Approaches to Theatre and Performance (No.4). Amsterdam : Rodopi. ISBN 9789042026070

Hampton-Reeves, Stuart (1997) Henry VI in performance : history, culture and Shakespeare reproduced. PhD thesis, University of Warwick.

Harding, James. (2012) You forgot your double security check. Performance Research, 17 (3). pp. 76-82. ISSN 1352-8165

Harding, James (2013) The ghosts of the avant-garde(s) : exorcising experimental theater and performance. Michigan: University of Michigan Press. ISBN 9780472118748 (In Press)

Hartwig, David W. (2010) The place of Shakespeare : performing King Lear and The tempest in an endangered world. PhD thesis, University of Warwick.

Haseman, Brad and Winston, Joe, 1953- (2010) 'Why be interested?' Aesthetics, applied theatre and drama education. Research in Drama Education, Vol.15 (No.4). pp. 465-475. ISSN 1356-9783

Holdsworth, Nadine (2013) Experimentation and internationalism : David Greig since 2000. In: Reballato, Dan, (ed.) Modern British playwriting : 2000-2009. Decades of modern British playwriting : voices, documents, new interpretations . Methuen. ISBN 9781408129265 (In Press)

Holdsworth, Nadine. (2012) Imagining the north in British theatre since 2000. New Theatre Quarterly . ISSN 0266-464X (In Press)

Holdsworth, Nadine (2011) Joan Littlewood’s theatre. Cambridge studies in modern theatre . Cambridge, UK ; New York: Cambridge University Press. ISBN 9780521119603

Holdsworth, Nadine (2008) Review of Impossible plays : adventures with the Cottesloe Company by Dewhurst, K. and Shepherd, J. Theatre Research International, Vol.33 (No.2). pp. 218-219. ISSN 0307-8833

Holdsworth, Nadine (2008) A Review of: Taking stock: The theatre of Max Stafford Clark by Stafford-Clark, M. and Roberts,P. Theatre Research International, Vol.33 (No.2). pp. 218-219. ISSN 0307-8833

Holdsworth, Nadine (2010) Theatre and nation. Theatre& . New York: Palgrave Macmillan. ISBN 9780230218710

Howard, Tony, 1947- (2008) Review of: This wide and universal theater : Shakespeare in performance, then and now, by Bevington, D.M. Journal of British Studies, Volume 47 (Number 2). pp. 413-414. ISSN 0021-9371

Hutchison, Yvette. (2010) The 'Dark Continent' goes north: an exploration of intercultural theatre practice through Handspring and Sogolon Puppet Companies' production of Tall Horse. Theatre Journal , Vol.62 (No.1). pp. 57-73. ISSN 0192-2882

Hutchison, Yvette (2010) Post-1990s verbatim theatre in South Africa : exploring an African concept of 'truth'. In: Martin, Carol, 1952-, (ed.) The dramaturgy of the real on the world stage. Studies in international performance . Basingstoke ; New York: Palgrave Macmillan, pp. 61-71. ISBN 9780230220546

Hutchison, Yvette (2013) South African performance and the archive of memory. Manchester: Manchester University Press. ISBN 9780719083730 (In Press)

Hutchison, Yvette (2009) Verbatim theatre in South Africa : ‘living theatre in a person’s performance’. In: Forsyth, Alison, 1961- and Megson, Christopher, (eds.) Get real : documentary theatre past and present. Performance interventions . Houndmills, Basingstoke, Hampshire [England] ; New York: Palgrave Macmillan, pp. 209-223. ISBN 9780230221154

Hutchison, Yvette and Walder, Dennis (2011) Editorial. Contemporary Theatre Review, Vol.21 (No.1). pp. 3-7. ISSN 1048-6801

J

James, Dafydd (2011) Queer moments : the profound politics of performance. PhD thesis, University of Warwick.

Jestrovic, Silvija (2012) Performance, space, utopia : cities of war, cities of exile. Studies in International Performance . Basingstoke; New York: Palgrave Macmillan Ltd.. ISBN 9780230292666 (In Press)

Jestrovic, Silvija, 1970- and Meerzon, Yana (2009) Introduction : Framing 'America' - between exilic imaginary and exilic collective. In: Jestrovic, Silvija, 1970- and Meerzon, Yana, (eds.) Performance, exile and 'America'. Studies in international performance . Basingstoke : Palgrave Macmillan, pp. 1-20. ISBN 9780230574564

Johnson, David Vivian, 1964- (2001) The history, theatrical performance work and achievements of Talawa Theatre Company 1986-2001. PhD thesis, University of Warwick.

K

Keenan, Siobhan, 1973- (1999) Provincial playing places and performances in early modern England, 1559-1625. PhD thesis, University of Warwick.

Kershaw, Baz (2007) 'Performing consumers' : global capital and its theatrical seductions. MODERN DRAMA, 50 (3). pp. 470-472. ISSN 0026-7694

Kershaw, Baz (2011) Theatre, Facilitation and Nation Formation in the Balkans and Middle East. By Sonja Arsham Kuftinec. Studies in International Performance. Basingstoke: Palgrave Macmillan, 2009; pp. xviii + 217, 20 illustrations. $85 cloth. Theatre Survey, Vol.52 (No.2). pp. 378-380. ISSN 0040-5574

Kershaw, Baz. (2012) ‘This is the way the world ends, not …?’ : On performance compulsion and climate change. Performance Research, Vol.17 (No.4). pp. 5-17. ISSN 1352-8165

Kershaw, Baz and Ley, Graham (2008) An editorial of Contemporary Theatre Review. Contemporary Theatre Review, Vol.18 (No.3). pp. 289-292. ISSN 1048-6801

Kershaw, Baz and Nicholson, Helen, 1958- (2011) Research methods in theatre and performance. Research methods for the arts and humanities . Edinburgh : Edinburgh University Press. ISBN 9780748641574

Kirwan, Peter. (2010) “What's past is prologue” : negotiating the authority of tense in reviewing Shakespeare. Shakespeare, Vol.6 (No.3). pp. 337-342. ISSN 1745-0918

Komporaly, Jozefina, 1969 (2001) Configurations of mothering in post-war British women's playwriting. PhD thesis, University of Warwick.

Kuksa, Iryna (2007) Scenography and new media technologies: history, educational applications and visualization techniques. PhD thesis, University of Warwick.

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Lamb, Charles, 1947- (1992) Irrational theatre : the challenge posed by the plays of Howard Barker for contemporary performance theory and practice. PhD thesis, University of Warwick.

Lee, Hye-Kyung, 1968- (2003) Reinventing the non-profit theatre: a study of the growth of educational work in British non-profit theatres from the 1990s to the present. PhD thesis, University of Warwick.

Lewando Hundt, Gillian, Bryanston, Claudette, Lowe, Pam, Cross, Saul, Sandall, Jane and Spencer, Kevin. (2011) Inside ‘Inside view’ : reflections on stimulating debate and engagement through a multimedia live theatre production on the dilemmas and issues of pre-natal screening policy and practice. Health Expectations, Vol.14 (No.1). pp. 1-9. ISSN 1369-6513

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Marston, John, 1575?-1634 (1966) Antonio and Mellida : the first part. Regents Renaissance drama series . London: Edward Arnold.

Marston, John, 1575?-1634 (1966) Antonio's revenge : the second part of 'Antonio and Mellida'. Regents Renaissance drama series . London: Edward Arnold.

Merkin, Ros (1993) The theatre of the organised working class 1830-1930. PhD thesis, University of Warwick.

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Neelands, Jonothan (2010) 11/09 - the space in our hearts. In: O'Connor, Peter J., (ed.) Creating democratic citizenship through drama education : the writings of Jonothan Neelands. Stoke on Trent, UK: Trentham Books, pp. 119-130. ISBN 9781858564562

Neelands, Jonothan. (2009) Acting together: ensemble as a democratic process in art and life. Research in Drama Education: The Journal of Applied Theatre and Performance, Vol.14 (No.2). pp. 173-189. ISSN 1356-9783

Neelands, Jonothan (2010) Beowulf : a sample lesson. In: O'Connor, Peter J., (ed.) Creating democratic citizenship through drama education : the writings of Jonothan Neelands. Stoke on Trent, UK: Trentham Books, pp. 7-24. ISBN 9781858564562

Neelands, Jonothan (2009) Getting off the subject: English, drama, media and the commonwealth of powerful culture. In: Manuel, Jacqueline and Brock, P. (Paul) and Carter , D. (Don) and Sawyer, Wayne, (eds.) Imagination, innovation, creativity: re-visioning English education. Sydney: Phoenix Education. ISBN 9781921586194

Neelands, Jonothan (2010) In the hands of living people. In: O'Connor, Peter J., (ed.) Creating democratic citizenship through drama education : the writings of Jonothan Neelands. Stoke on Trent, UK: Trentham Books, pp. 99-113. ISBN 9781858564562

Neelands, Jonothan (2010) Learning through imagined experience. In: O'Connor, Peter J., (ed.) Creating democratic citizenship through drama education : the writings of Jonothan Neelands. Stoke on Trent, UK: Trentham Books, pp. 35-48. ISBN 9781858564562

Neelands, Jonothan (2010) Mirror, dynamo or lens? In: O'Connor, Peter J., (ed.) Creating democratic citizenship through drama education : the writings of Jonothan Neelands. Stoke on Trent, UK: Trentham Books, pp. 143-158. ISBN 9781858564562

Neelands, Jonothan (2010) Mirror, dynamo or lens? Drama, children and social change. In: O'Connor, Peter, Dr., (ed.) Creating Democratic Citizenship through Drama Education: the writings of Jonothan Neelands. Stoke on Trent: Trentham Books. ISBN 9781858564562

Neelands, Jonothan (2010) Structuring to begin. In: O'Connor, Peter J., (ed.) Creating democratic citizenship through drama education : the writings of Jonothan Neelands. Stoke on Trent, UK: Trentham Books, pp. 49-62. ISBN 9781858564562

Neelands, Jonothan. (2007) Taming the political: the struggle over recognition in the politics of applied theatre. Research in Drama Education, Vol.12 (No.3). pp. 305-317. ISSN 1356-9783

Neelands, Jonothan (2010) Theatre without walls. In: O'Connor, Peter J., (ed.) Creating democratic citizenship through drama education : the writings of Jonothan Neelands. Stoke on Trent, UK: Trentham Books, pp. 79-98. ISBN 9781858564562

Neelands, Jonothan (2010) Theatre without walls. In: O'Connor, Peter J., (ed.) Creating democratic citizenship through drama education : the writings of Jonothan Neelands. Stoke on Trent, UK: Trentham Books, pp. 79-98. ISBN 9781858564562

Neelands, Jonothan (2010) The arrival. In: O'Connor, Peter J., (ed.) Creating democratic citizenship through drama education : the writings of Jonothan Neelands. Stoke on Trent, UK: Trentham Books, pp. 159-166. ISBN 9781858564562

Neelands, Jonothan (2010) The art of togetherness. In: O'Connor, Peter J., (ed.) Creating democratic citizenship through drama education : the writings of Jonothan Neelands. Stoke on Trent, UK: Trentham Books, pp. 131-142. ISBN 9781858564562

Neelands, Jonothan. (2009) The art of togetherness: reflections on some essential artistic and pedagogic qualities of drama curricula. NJ Drama Australia Journal, Vol.33 (No.1). pp. 9-18. ISSN 1445-2294

Neelands, Jonothan (2010) The meaning of drama. In: O'Connor, Peter J., (ed.) Creating democratic citizenship through drama education : the writings of Jonothan Neelands. Stoke on Trent, UK: Trentham Books, pp. 67-78. ISBN 9781858564562

Neelands, Jonothan and Dobson, Warwick (2008) Advanced drama and theatre studies. London: Hodder Murray. ISBN 9780340972625

Neelands, Jonothan and Goode, Tony (2010) Theatre as a learning process. In: O'Connor, Peter J., (ed.) Creating democratic citizenship through drama education : the writings of Jonothan Neelands. Stoke on Trent, UK: Trentham Books, pp. 25-34. ISBN 9781858564562

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Osbourne, John (1998) The plays of Heinrich von Kleist: Ideals and illusions. THEATRE RESEARCH INTERNATIONAL, 23 (1). pp. 82-83. ISSN 0307-8833

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Paraschas, Sotirios (2012) "La contrefaçon spirituelle" : Balzac and the unauthorised stage adaptations of novels. In: Archer, Neil and Weisl-Shaw, Andreea, (eds.) Adaptation : studies in French and francophone culture. Oxford ; New York: Peter Lang, pp. 67-78. ISBN 9783034302227

Pedley, Catherine (2003) Dualities: the female performer and the popular stage in late nineteenth-century Paris. PhD thesis, University of Warwick.

Penlington, Amanda Jane (2001) 'A little easy and modern for the times' : a documentary of productions of Ben Jonson's plays by major professional theatre companies in England, 1977-2000. PhD thesis, University of Warwick.

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Reinelt, Janelle G. (2010) Generational shifts. Theatre Research International, Vol.35 (No.3). pp. 288-290. ISSN 0307-8833

Reinelt, Janelle G. (2007) Is performance studies imperialist? Part 2. TDR-THE DRAMA REVIEW-A JOURNAL OF PERFORMANCE STUDIES, 51 (3). pp. 7-16. ISSN 1054-2043

Reinelt, Janelle G. (2010) Jan Lauwers : performance realities-memory, history, death. In: Delgado, Maria M. and Rebellato, Dan, 1968-, (eds.) Contemporary European theatre directors. London : Routledge, pp. 205-231. ISBN 9780415462501

Reinelt, Janelle G.. (2007) Moving around. Theatre Survey, Vol.48 (No.2). pp. 331-338. ISSN 0040-5574

Reinelt, Janelle G. (2009) On feminist and sexual politics. In: Aston, Elaine and Diamond, Elin, (eds.) The Cambridge companion to Caryl Churchill. Cambridge Collections Online . Cambridge: Cambridge University Press, pp. 18-35. ISBN 9780521493222

Reinelt, Janelle G.. (2011) Rethinking the public sphere for a global age. Performance Research, Vol.16 (No.2). pp. 16-27. ISSN 1352-8165

Reinelt, Janelle G. (2009) Review of It, by Roach, J. R. TDR: The Journal of Performance Studies, Vol.53 (No.1). pp. 151-153. ISSN 1054-2043

Reinelt, Janelle G.. (2007) Selective affinities: British playwrights at work (characterizing a community of playwrights working in Britain). MODERN DRAMA, 50 (3). pp. 305-324. ISSN 0026-7694

Reinelt, Janelle G.. (2006) Toward a poetics of theatre and public events - In the case of Stephen Lawrence. TDR-THE DRAMA REVIEW-A JOURNAL OF PERFORMANCE STUDIES, 50 (3). 69-+. ISSN 1054-2043

Reinelt, Janelle G. (2010) The epistemology of first-person narrative. In: Nineteenth annual conference of the German Society for Contemporary Theatre and Drama in English, Paderborn, 2010. Published in: Narrative in drama : papers given on the occasion of the nineteenth annual conference of the German Society for Contemporary Theatre and Drama in English, Vol.18 pp. 107-120.

Reinelt, Janelle G.. (2007) The limits of censorship. Theatre Research International, Vol.32 (No.1). pp. 3-15. ISSN 0307-8833

Reinelt, Janelle G.. (2011) The performance of political correctness. Theatre Research International, Vol.36 (No.2). pp. 134-147. ISSN 1474-0672

Reinelt, Janelle G.. (2007) The "rehabilitation" of Howard Brenton. TDR-THE DRAMA REVIEW-A JOURNAL OF PERFORMANCE STUDIES, 51 (3). pp. 167-174. ISSN 1054-2043

Reinelt, Janelle G. and Hewitt, Gerald. (2011) David Edgar's Testing the Echo. Race & Class, Vol.53 (No.1). pp. 83-88. ISSN 0306-3968

Reinelt, Janelle G. and Hewitt, Gerald (2011) The political theatre of David Edgar : negotiation and retrieval. Cambridge studies in modern theatre . Cambridge: Cambridge University Press. ISBN 9780521509688

Richards, Mary Elizabeth, Ph.D. (2002) Resisting the limits of the performing body. PhD thesis, University of Warwick.

Roberts, Penny. (1995) Marlowe's The Massacre at Paris: a historical perspective. Renaissance Studies, Vol.9 (No.4). pp. 430-441. ISSN 0269-1213

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Salzberg, Rosa Growing like a weed : ballad singers in the communications culture of renaissance Italy. In: Urban Crisis and Communication in Renaissance Italy, University of Sydney, Feb 2010

Salzberg, Rosa Poverty makes me invisible : street singers and the discourse about poverty and wealth in renaissance Italy. In: Renaissance Society of America Annual Meeting, Montreal, Mar 2011

Sava, Laura (2008) Adapting (to) the letter : Patrice Chéreau’s Gabrielle. In: Pethő, Ágnes, (ed.) Words and images on the screen : language, literature, moving pictures. Newcastle Upon Tyne: Cambridge Scholars Press, pp. 104-118. ISBN 9781847188434

Sava, Laura (2006) Home as a sound effect : Danica Dakic's installations. In: Ciugureanu, Adina and Irimia, Mihaela and Vlad, Eduard, (eds.) Balkan Cultural Identities. Constanța: Ovidius University Press, pp. 345-354.

Sava, Laura (2011) Intermedial encounters : the representation of theatre in film. PhD thesis, University of Warwick.

Sava, Laura. (2011) Théâtre du Soleil meets the cinema : acting and mask work in Ariane Mnouchkine’s Molière. Screening the Past (No.31). ISSN 1328-9756

Sava, Laura. (2010) The problem of film-theatre intermediality in Jesus of Montreal. Excursions, Vol.1 (No.1). pp. 102-122. ISSN 2044-4095

Scheer, Edward, 1964-. (2008) Australia's post-Olympic apocalypse? PAJ - A Journal of Performance and Art, Vol.30 (No.1 (PAJ 88)). pp. 42-56. ISSN 1520-281X

Scheer, Edward, 1964-. (2008) The performance of disappearance : Mike Parr's Amerika. TDR: The Journal of Performance Studies, Vol.52 (No.3). pp. 195-201. ISSN 1054-2043

Shewring, Margaret (2013) The Royal Shakespeare Company at the Swan : the first twenty-five years. In: Holland, Peter, (ed.) Shakespeare Survey 65 : A Midsummer Night's Dream. Shakespeare Survey . Cambridge: Cambridge University Press. ISBN 9781107024519 (In Press)

Shewring, Margaret (2012) Staging Richard II for the new millenium. In: Lopez, Jeremy, (ed.) Richard II : new critical essays. Shakespeare Criticism . Routledge. ISBN 9780415569965

Shewring, Margaret (2012) Waterborne pageants and festivities in the renaissance : essays in honour of J. R. Mulryne. European Festival Studies: 1450–1700 . Farnham Surrey: Ashgate Publishing. ISBN 9781409400233

Shewring, Margaret (2012) The repertoire of professional players in Stratford-upon-Avon, 1568-1597. In: Mulryne, J. R., (ed.) The Guild and Guild Buildings of Shakespeare's Stratford : society, religion, school and stage. Ashgate Publishing. ISBN 9781409417668 (In Press)

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Townsend, Joanna Kate, 1967- (1999) Speaking the body, representing the self : hysterical rhetoric on stage. PhD thesis, University of Warwick.

Tungtang, Paradee (2011) Shakespeare in Thailand. PhD thesis, University of Warwick.

Turbide, Johanne (1997) Management accounting systems and the exercise of interpersonal power in organizations: observations from an 'accounting free' zone : the case of not-for-profit performing arts organisations. PhD thesis, University of Warwick.

Turner, Rachael Lucy (2000) Myth, biography and the female role in the plays of Pam Gems. PhD thesis, University of Warwick.

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Vickery, Jonathan (2010) Infrastructures : creating FLASH@Hebburn. In: Vickery, Jonathan, (ed.) Flash@Hebburn : urban art in the new century. [S.l.]: Art & Architecture Journal Press. ISBN 9780956519207

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Watanabe, J. and Neelands, Jonothan (2009) Using drama as a medium of instruction. Tokyo: Banseishobo Publications. ISBN 9784893803924

Wei, Shu-Mei (2003) Unpacking identities: performing diasporic space in contemporary Taiwanese theatre. PhD thesis, University of Warwick.

White, Tim. (2010) Just listening at Cafe Oto. Performance Research, Vol.15 (No.3 Sp. Iss. SI). pp. 15-22. ISSN 1352-8165

Whybrow, Nicolas (2013) Losing Venice : conversations in a sinking city. In: Hopkins, D. J. and Solga, Kim, (eds.) Performance and the global city. Performance Interventions . Basingstoke: Palgrave Macmillan. ISBN 9780230361676 (In Press)

Whybrow, Nicolas. (2011) Situation Venice : towards a performative 'ex-planation' of a city. Research in Drama Education: the journal of applied theatre and performance, Vol.16 (No.2). pp. 279-298. ISSN 1356-9783

Winston, Joe, 1953- (2010) Editorial. Research in Drama Education, Vol.15 (No.2). pp. 145-146. ISSN 1356-9783

Winston, Joe, 1953-, Lo, Chia-yu and Wang, Xiao-di. (2010) Being in a state of crossing : drama education and transnational space. The Journal of Drama and Theatre Education in Asia , Vol.1 (No.1). pp. 7-24. ISSN 2079-960

Winston, Joe, 1953- and Tandy, Miles (2009) Beginning drama 4-11. London: Routledge. ISBN 9780415475839

Woddis, Jane (2005) Spear-carriers or speaking parts?: arts practitioners in the cultural policy process. PhD thesis, University of Warwick.

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Yagi, Naoko (1999) Towards a definition of performance improvisation. PhD thesis, University of Warwick.

Yun, Hunam (2010) Appropriations of Irish drama by modern Korean nationalist theatre : a focus on the influence of Sean O’Casey in a colonial context. PhD thesis, University of Warwick.