The Library
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- Subject Classification [Library of Congress, Moys] (83294)
- P Language and Literature (4141)
- PN Literature (General) (1874)
- PN2000 Dramatic representation. The Theater (395)
- PN Literature (General) (1874)
- P Language and Literature (4141)
Number of items at this level: 395.
UNSPECIFIED (1992) ACTING WOMEN - IMAGES OF WOMEN IN THEATER - FERRIS,L. SHAKESPEARE QUARTERLY, 43 (3). pp. 382-384. ISSN 0037-3222
UNSPECIFIED (1983) APPIA,ADOLPHE AND EURHYTHMICS. MASKE UND KOTHURN, 29 (1-4). pp. 141-152. ISSN 0025-4606.
UNSPECIFIED (1985) ARNOTT,JAMES - IN-MEMORIAM. NEW THEATRE QUARTERLY, 1 (1). p. 128. ISSN 0266-464X.
UNSPECIFIED (1985) AUDIENCE DISRUPTION IN THE THEATER OF THE WEIMAR-REPUBLIC. NEW THEATRE QUARTERLY, 1 (3). pp. 283-291. ISSN 0266-464X.
UNSPECIFIED (1982) BECKETT DRAMATIC COUNTERPOINT, A READING OF 'PLAY'. JOURNAL OF BECKETT STUDIES (9). pp. 25-41. ISSN 0309-5207.
UNSPECIFIED (1991) BERNHARDT,SARAH, A FRENCH ACTRESS ON THE ENGLISH STAGE - ASTON,E. THEATRE RESEARCH INTERNATIONAL, 16 (2). pp. 157-159. ISSN 0307-8833
UNSPECIFIED (1988) BROTHERS IN SUFFERING AND JOY, THE APPIA-CRAIG CORRESPONDENCE. NEW THEATRE QUARTERLY, 4 (15). pp. 268-288. ISSN 0266-464X.
UNSPECIFIED (1997) Behind the arras, through the wall: Wajda's 'Hamlet' in Krakow, 1989. NEW THEATRE QUARTERLY, 13 (49). pp. 53-68. ISSN 0266-464X.
UNSPECIFIED (1997) Body and ritual in Farquhar. COMPARATIVE DRAMA, 31 (3). pp. 414-435. ISSN 0010-4078.
UNSPECIFIED (1997) British drama, 1660-1779: A critical history - Kavenik,FM. COMPARATIVE DRAMA, 31 (2). pp. 309-312. ISSN 0010-4078
UNSPECIFIED (1984) THE CASE OF THE RECUSANT ACROBAT + LEYOUNG,TOWSTAN. THEATRE NOTEBOOK, 38 (1). pp. 37-41. ISSN 0040-5523.
UNSPECIFIED (1986) CIBBER AND VANBRUGH, LANGUAGE, PLACE, AND SOCIAL-ORDER IN 'LOVES LAST SHIFT'. COMPARATIVE DRAMA, 20 (4). pp. 287-304. ISSN 0010-4078.
UNSPECIFIED (1991) THE COMMEDIA-DELL-ARTE FROM THE RENAISSANCE TO FO,DARIO - CAIRNS,C. THEATRE RESEARCH INTERNATIONAL, 16 (2). pp. 155-156. ISSN 0307-8833
UNSPECIFIED (1988) THE COMMON IMAGINATION AND THE INDIVIDUAL VOICE + AN INTERVIEW WITH CHURCHILL,CARYL. NEW THEATRE QUARTERLY, 4 (13). pp. 3-16. ISSN 0266-464X
UNSPECIFIED (1991) CONTEMPORARY APPROACHES TO IBSEN, VOL 6 - HEMMER,B, YSTAD,V. THEATRE RESEARCH INTERNATIONAL, 16 (1). pp. 65-66. ISSN 0307-8833
UNSPECIFIED (1983) COUNTERPOINT, ABSENCE AND THE MEDIUM IN BECKETT 'NOT I'. MODERN DRAMA, 26 (4). pp. 407-414. ISSN 0026-7694.
UNSPECIFIED (1998) Characters and authors in Luigi Pirandello. THEATRE RESEARCH INTERNATIONAL, 23 (3). p. 288. ISSN 0307-8833
UNSPECIFIED (1997) Concrete poetry - A post-war experiment in visual poetry. In: Conference on Image into Text - Text into Image, ST PATRICKS COLL, MAYNOOTH, IRELAND, SEP, 1995. Published in: TEXT INTO IMAGE : IMAGE INTO TEXT - 1995 INTERDISCIPLINARY BICENTENARY CONFERENCE, 20 pp. 213-219. ISBN 90-420-0153-4. ISSN 0929-6999.
UNSPECIFIED (2002) Discovering Mary Arden's house: Property and society in Wilmcote, Warwickshire. SHAKESPEARE QUARTERLY, 53 (1). pp. 53-82. ISSN 0037-3222.
UNSPECIFIED (1995) EEL PIE AND UGLY SISTERS IN 'KING LEAR' .1. ESSAYS IN THEATRE-ETUDES THEATRALES, 13 (2). pp. 135-158. ISSN 0821-4425.
UNSPECIFIED (1990) FEMME FATALE AS SCAPEGOAT, THE MODERNITY OF DESCLEE,AIMEE. NEW THEATRE QUARTERLY, 6 (24). pp. 365-378. ISSN 0266-464X.
UNSPECIFIED (1993) FOOTSBARN, FROM A TRIBAL 'MACBETH' TO AN INTERCULTURAL 'DREAM'. NEW THEATRE QUARTERLY, 9 (33). pp. 16-30. ISSN 0266-464X.
UNSPECIFIED (1998) From travelling with Footsbarn to 'Wandertheater' with Ton-und-Kirschen - An interview with the founders of this new theatre company in Germany David Johnston and Margarete Biereye (continuing coverage of Footsbarn, and what happened next). NEW THEATRE QUARTERLY, 14 (56). pp. 299-310. ISSN 0266-464X
UNSPECIFIED (1989) GAMES IN EDUCATION AND THEATER. NEW THEATRE QUARTERLY, 5 (19). pp. 227-235. ISSN 0266-464X.
UNSPECIFIED (1994) GERMAN AND DUTCH THEATER, 1600-1848 - BRANDT,GW, HOGENDOORN,W. THEATRE RESEARCH INTERNATIONAL, 19 (2). pp. 166-167. ISSN 0307-8833
UNSPECIFIED (1991) HELENAS CHOOSING - WRITING THE COUPLETS IN A CHOREOGRAPHY OF DISCONTINUITY ('ALLS WELL THAT ENDS WELL' 2-3). ESSAYS IN THEATRE-ETUDES THEATRALES, 9 (2). pp. 121-139. ISSN 0821-4425.
UNSPECIFIED (1997) Harrison, Herakles, and wailing women: 'Labourers' at Delphi. NEW THEATRE QUARTERLY, 13 (50). pp. 133-143. ISSN 0266-464X.
UNSPECIFIED (1997) 'Identity - Even if it is a fantasy': the work of Carran Waterfield. NEW THEATRE QUARTERLY, 13 (51). pp. 231-247. ISSN 0266-464X.
UNSPECIFIED (2001) An Iranian passion play: 'Taziyeh' in history and performance. NEW THEATRE QUARTERLY, 17 (65). pp. 54-66. ISSN 0266-464X.
UNSPECIFIED (1989) JAGRAN, THEATER FOR EDUCATION AND DEVELOPMENT + ASSESSMENT, INTERVIEW AND SCENARIOS FROM THE INDIAN MIME COMPANY. NEW THEATRE QUARTERLY, 5 (18). pp. 124-139. ISSN 0266-464X.
UNSPECIFIED (2004) Jane Austen and the theatre. THEATRE SURVEY, 45 (1). pp. 141-142. ISSN 0040-5574
UNSPECIFIED (1994) THE LIVING MONUMENT - SELF AND STAGE IN THE CRITICISM AND SCHOLARSHIP OF BRADBROOK,M.C. SHAKESPEARE SURVEY - AN ANNUAL SURVEY OF SHAKESPEARE STUDIES AND PRODUCTION, VOL 47, 47 . pp. 107-116. ISSN 0080-9152.
Davis, Jim, 1949- and Smithson, Harriet and Raby, Peter, eds. (2009) Lives of Shakespearian actors II : Edmund Kean, Sarah Siddons and Harriet Smithson by their contemporaries. London: Pickering & Chatto. ISBN 9781851968527 (set)
UNSPECIFIED (2000) Luigi Pirandello: Contemporary perspectives. THEATRE RESEARCH INTERNATIONAL, 25 (1). pp. 91-92. ISSN 0307-8833
UNSPECIFIED (1987) THE MAGDALENA-EXPERIMENT, NEW DIRECTIONS IN WOMENS THEATER. DRAMA REVIEW, 31 (4). pp. 10-17. ISSN 0012-5962.
UNSPECIFIED (1982) THE MEININGER-COMPANY AND ENGLISH SHAKESPEARE. SHAKESPEARE SURVEY (35). 13-&. ISSN 0080-9152.
UNSPECIFIED (1987) NAMING AND ENTITLEMENT IN WYCHERLEY, ETHEREGE, AND DRYDEN + CHIEF DRAMATISTS OF 1670S ENGLAND. COMPARATIVE DRAMA, 21 (3). pp. 259-289. ISSN 0010-4078.
UNSPECIFIED (2004) New readings in theatre history. MODERN DRAMA, 47 (1). pp. 149-151. ISSN 0026-7694
UNSPECIFIED (1985) ORWELL 'ANIMAL FARM'. THEATER, 16 (2). pp. 30-31. ISSN 0161-0775.
UNSPECIFIED (1988) OTHER THEATERS - THE DEVELOPMENT OF ALTERNATIVE AND EXPERIMENTAL THEATER IN BRITAIN - DAVIES,A. THEATRE RESEARCH INTERNATIONAL, 13 (3). pp. 299-300. ISSN 0307-8833
UNSPECIFIED (1984) PATRONAGE, PLEASURE AND PROFIT, A STUDY OF THE THEATRE-ROYAL, LEICESTER 1847-1900. THEATRE NOTEBOOK, 38 (2). pp. 77-88. ISSN 0040-5523.
UNSPECIFIED (1987) PERCEPTIONS OF THE FEMALE ROLE - THE ISTA CONGRESS. NEW THEATRE QUARTERLY, 3 (11). pp. 234-240. ISSN 0266-464X
UNSPECIFIED (1989) PERFORMANCE - HILTON,J. THEATRE RESEARCH INTERNATIONAL, 14 (1). pp. 105-107. ISSN 0307-8833
UNSPECIFIED (1986) A PIECE-OF-OUR-LIFE, THE THEATRE-OF-THE-EIGHTH-DAY + COLLAGE OF INTERVIEWS. NEW THEATRE QUARTERLY, 2 (8). pp. 291-305. ISSN 0266-464X.
UNSPECIFIED (1983) THE PIP-SIMMONS-COMPANY. MASKE UND KOTHURN, 29 (1-4). pp. 206-211. ISSN 0025-4606.
UNSPECIFIED (1987) PIRANDELLO DEBUT AS DIRECTOR - THE OPENING OF THE TEATRO-DARTE. NEW THEATRE QUARTERLY, 3 (12). pp. 349-351. ISSN 0266-464X.
UNSPECIFIED (1996) PLAYERS OF SHAKESPEARE, VOL 13 - JACKSON,R, SMALLWOOD,R. ESSAYS IN THEATRE-ETUDES THEATRALES, 14 (2). pp. 177-179. ISSN 0821-4425
UNSPECIFIED (1991) PORTRAIT OF TERRY,ELLEN - CHESHIRE,DF. THEATRE RESEARCH INTERNATIONAL, 16 (2). pp. 157-159. ISSN 0307-8833
UNSPECIFIED (1994) PRESENCE AND RESISTANCE - POSTMODERNISM AND CULTURAL POLITICS IN CONTEMPORARY AMERICAN PERFORMANCE - AUSLANDER,P. TDR-THE DRAMA REVIEW-A JOURNAL OF PERFORMANCE STUDIES, 38 (2). pp. 181-183. ISSN 1054-2043
UNSPECIFIED (1986) PRODUCIBLE INTERPRETATION, 8 ENGLISH PLAYS, 1675-1707 - MILHOUS,J, HUME,RD. COMPARATIVE DRAMA, 20 (2). pp. 187-189. ISSN 0010-4078
Jestrovic , Silvija, 1970- and Meerzon, Yana, eds. (2009) Performance, exile and 'America'. Studies in international performance . Basingstoke : Palgrave Macmillan. ISBN 9780230574564
Fricker, Karen and Gluhovic, Milija, eds. (2013) Performing the βnewβ Europe : identities, feelings and politics in the Eurovision Song Contest. Studies in International Performance . Basingstoke; New York: Palgrave Macmillan Ltd.. ISBN 9780230299924
Haedicke, Susan C., ed. (2009) Political performances : theory and practice. Themes in Theatre - Collective Approaches to Theatre and Performance (No.4). Amsterdam : Rodopi. ISBN 9789042026070
UNSPECIFIED (1995) RE-CASTING THE PHAEDRA SYNDROME, MYTH AND MORALITY IN WERTENBAKER,TIMBERLAKE THE 'LOVE OF THE NIGHTINGALE'. MODERN DRAMA, 38 (4). pp. 510-519. ISSN 0026-7694.
UNSPECIFIED (1994) REGICIDE AND RESTORATION, ENGLISH TRAGICOMEDY, 1660-1671 - MAGUIRE,NK. COMPARATIVE DRAMA, 28 (2). pp. 257-259. ISSN 0010-4078
UNSPECIFIED (1993) A REGISTER OF ENGLISH THEATRICAL DOCUMENTS 1660-1737 - MILHOUS,J, HUME,RD. COMPARATIVE DRAMA, 26 (4). pp. 377-379. ISSN 0010-4078
UNSPECIFIED (1987) REINHARDTS 'MIRACLE' AT OLYMPIA, A RECORD AND A RECONSTRUCTION. NEW THEATRE QUARTERLY, 3 (9). pp. 3-23. ISSN 0266-464X.
UNSPECIFIED (1992) RESTORATION AND GEORGIAN ENGLAND, 1660-1788 - THOMAS,D, HARE,A. COMPARATIVE DRAMA, 26 (1). pp. 76-77. ISSN 0010-4078
UNSPECIFIED (1988) RESTORATION COMEDY IN PERFORMANCE - STYAN,JL. COMPARATIVE DRAMA, 22 (2). pp. 174-176. ISSN 0010-4078
UNSPECIFIED (2003) Remembering John McGrath. CONTEMPORARY THEATRE REVIEW, 13 (1). pp. 111-114. ISSN 1026-7166.
UNSPECIFIED (1997) Revisiting the Prozorovs + Chekhov, 'Three Sisters'. MODERN DRAMA, 40 (3). pp. 325-336. ISSN 0026-7694.
UNSPECIFIED (1985) SCHNEIDER,ALAN - IN-MEMORIAM. NEW THEATRE QUARTERLY, 1 (1). p. 128. ISSN 0266-464X.
UNSPECIFIED (1994) THE SEMIOTICS OF THEATER - FISCHERLICHTE,E. THEATRE RESEARCH INTERNATIONAL, 19 (2). pp. 182-183. ISSN 0307-8833
UNSPECIFIED (1985) SHAKESPEARE 'HAMLET'. NEW THEATRE QUARTERLY, 1 (1). 108-&. ISSN 0266-464X.
UNSPECIFIED (1985) SHAKESPEARE 'KING LEAR'. NEW THEATRE QUARTERLY, 1 (1). 116-&. ISSN 0266-464X.
UNSPECIFIED (1994) SHAKESPEARE, HIS DESIGNERS, AND THE POLITICS OF COSTUME - HANDING OVER CRESSIDAS GLOVE. ESSAYS IN THEATRE-ETUDES THEATRALES, 12 (2). pp. 107-128. ISSN 0821-4425.
UNSPECIFIED (1995) STAGING AND DATE OF 'PROMETHEUS BOUND'. In: Annual General Meeting of the Classical-Association, UNIV EXETER, EXETER, ENGLAND, APR 05, 1994. Published in: THEATRE HISTORY STUDIES, 15 pp. 219-224. ISSN 0733-2033.
UNSPECIFIED (1985) STRUCTURALISM AND AFTER - TRENDS AND TENDENCIES IN THEATRE-ANALYSIS .1. NEW THEATRE QUARTERLY, 1 (1). pp. 79-82. ISSN 0266-464X
UNSPECIFIED (1985) STRUCTURALISM AND AFTER - TRENDS AND TENDENCIES IN THEATRE-ANALYSIS .2. NEW THEATRE QUARTERLY, 1 (2). pp. 205-207. ISSN 0266-464X
UNSPECIFIED (1989) STRUGGLING WITH THE PAST, WOMENS THEATER IN SEARCH OF A HISTORY. NEW THEATRE QUARTERLY, 5 (18). pp. 107-112. ISSN 0266-464X.
UNSPECIFIED (2000) Seamus Heaney, Colonialism, and the cure - Sophoclean re-visions (The 'Cure at Troy', the poet's version of Sophocles' 'Philoctetes'). PAJ-A JOURNAL OF PERFORMANCE AND ART (66). 1-+. ISSN 0735-8393.
UNSPECIFIED (1998) Sex, censorship, and 'Salome' in 1968: Or, "I'm not allowed to take my clothes off!". THEATER, 28 (3). pp. 51-60. ISSN 0161-0775.
UNSPECIFIED (2001) Shakespeare and race. ESSAYS IN THEATRE-ETUDES THEATRALES, 19 (2). pp. 169-171. ISSN 0821-4425
UNSPECIFIED (1998) Shakespeare and the authority of performance. ESSAYS IN THEATRE-ETUDES THEATRALES, 17 (1). pp. 77-79. ISSN 0821-4425
UNSPECIFIED (1998) Snatched bodies; Ophelia in the grave (Three representations of Ophelia on film, Olivier, Kozintsev and Zeffirelli). SHAKESPEARE QUARTERLY, 49 (3). pp. 299-319. ISSN 0037-3222.
UNSPECIFIED (1994) THEATER AND PERFORMANCE IN AUSTRIA FROM MOZART TO JELINEK - ROBERTSON,R, TIMMS,E. THEATRE RESEARCH INTERNATIONAL, 19 (2). p. 170. ISSN 0307-8833
UNSPECIFIED (1986) THE TOURING OF THE SHREW + STAGING SHAKESPEARE THE 'TAMING OF THE SHREW'. NEW THEATRE QUARTERLY, 2 (7). pp. 275-281. ISSN 0266-464X.
UNSPECIFIED (1996) Theatre and signification - French - Kowzan,T. THEATRE RESEARCH INTERNATIONAL, 21 (2). pp. 181-182. ISSN 0307-8833
UNSPECIFIED (1997) Theatre in Vienna: A critical history 1776-1995 - Yates,WE. THEATRE RESEARCH INTERNATIONAL, 22 (2). pp. 172-173. ISSN 0307-8833
UNSPECIFIED (1996) Theatre semiotics - French - Kowzan,T. THEATRE RESEARCH INTERNATIONAL, 21 (2). pp. 181-182. ISSN 0307-8833
UNSPECIFIED (2001) Transforming Shakespeare: Contemporary women's re-visions in literature and performance. SHAKESPEARE QUARTERLY, 52 (4). pp. 505-508. ISSN 0037-3222
UNSPECIFIED (2003) Travelling across borders: Re-imagining the nation and nationalism in contemporary Scottish theatre. CONTEMPORARY THEATRE REVIEW, 13 (2). pp. 25-39. ISSN 1026-7166.
UNSPECIFIED (1987) VANBRUGH AND CIBBER, LANGUAGE, PLACE, AND SOCIAL-ORDER IN THE 'RELAPSE'. COMPARATIVE DRAMA, 21 (1). pp. 62-83. ISSN 0010-4078.
Davis, Jim, 1949-, ed. (2010) Victorian pantomime : a collection of critical essays. Hampshire, U. K. ; New York: Palgrave Macmillan. ISBN 9780230221598
UNSPECIFIED (2002) Virtuality and performativity - Recreating Rome's Theatre of Pompey. PAJ-A JOURNAL OF PERFORMANCE AND ART (70). pp. 25-43. ISSN 1520-281X.
UNSPECIFIED (1988) WHEN THE KISSING STOPPED AND WHAT HAPPENED NEXT + A PRACTICAL TEXTBOOK ON THE USES OF GAME-PLAYING FOR ACTORS. NEW THEATRE QUARTERLY, 4 (14). pp. 144-151. ISSN 0266-464X.
UNSPECIFIED (1994) WILDE INTERPRETATIONS + THEATER CRITICISM. MODERN DRAMA, 37 (1). pp. 156-174. ISSN 0026-7694.
UNSPECIFIED (1987) WOMEN EXPERIMENT WITH THEATER - MAGDALENA-86. NEW THEATRE QUARTERLY, 3 (11). pp. 224-234. ISSN 0266-464X.
UNSPECIFIED (2005) The censorship of British drama 1900-1968. MODERN DRAMA, 48 (1). pp. 204-206. ISSN 0026-7694
UNSPECIFIED (2000) A computer reconstruction of Richelieu's Palais Cardinal Theatre, 1641 (Among the first purpose-built proscenium theatres in France). THEATRE RESEARCH INTERNATIONAL, 25 (3). pp. 233-247. ISSN 0307-8833.
UNSPECIFIED (2001) The culture of playgoing in Shakespeare's England: A collaborative debate. ESSAYS IN THEATRE-ETUDES THEATRALES, 20 (1). pp. 67-69. ISSN 0821-4425
UNSPECIFIED (1999) The design of the Theatre du Marais and Wren's Theatre Royal, Drury Lane: A computer-based investigation. THEATRE NOTEBOOK, 53 (3). pp. 127-145. ISSN 0040-5523.
Allan, Sean (1995) Review of Kleist on stage, 1804-1987, by Reeve, W.C. Journal of European Studies, Vol.25 (No.1). pp. 96-97. ISSN 0047-2441
Allan, Sean and Griffiths, Elystan (2011) Introduction. Heinrich von Kleist : performance and performativity. German Life and Letters, Vol.64 (No.3). pp. 327-336. doi:10.1111/j.1468-0483.2011.01537.x ISSN 0016-8777.
Alonso Recarte, Claudia, Grant, Teresa and Ramos Gay, Ignacio (2018) Introduction : real animals on the stage. Studies in Theatre and Performance, 38 (2). pp. 103-112. doi:10.1080/14682761.2018.1451941 ISSN 1468-2761.
Alrefaai, Nesrin (2009) An analytical study of Sadallah Wannousβs contribution towards defining an Arabic theatre in the Twentieth Century. PhD thesis, University of Warwick.
Amine, Khalid, Azmy, Hazem M. and Carlson, Marvin (2010) IFTR's Arabic theatre working group. Theatre Research International, Vol.35 (No.3). pp. 263-274. doi:10.1017/S030788331000057X ISSN 0307-8833.
Astbury, Katherine (2019) RΓ©pertoires traditionnels et rΓ©pertoire nouveau Γ Paris sous les Cent-Jours. In: Julian, Thibaut and De Santis, Vincenzo, (eds.) FiΓ¨vre et vie du théÒtre sous la RΓ©volution franΓ§aise et lβEmpire. Encounters, 384 . Paris: Classiques Garnier, pp. 195-210. ISBN 9782406083108
Astbury, Katherine (2019) Réécrire une histoire du théÒtre en province : les MΓ©moires et confessions dβun comΓ©dien de Jean-Edme Paccard. In: Julian, Thibaut and De Santis, Vincenzo, (eds.) FiΓ¨vre et vie du théÒtre sous la RΓ©volution franΓ§aise et lβEmpire. Encounters, 384 . Paris: Classiques Garnier, pp. 293-310. ISBN 9782406083108
Astbury, Katherine (2021) βWhole shew and spectacleβ : French Prisoner-of-War theatre in England during the Napoleonic era. Journal of War and Culture Studies, 14 (2). pp. 194-210. doi:10.1080/17526272.2021.1887577 ISSN 1752-6272.
Astbury, Katherine (2008) The success of Marmontel's moral tales on the French stage 1760-1770. In: Cronk, Nicholas, (ed.) Voltaire and the 1760s : essays for John Renwick. Studies on Voltaire and the eighteenth century, Vol.2008 (No.10). Oxford: SVEC. ISBN 9780729409490
Aston, Elaine (1987) Outside the doll's house : a study in images of women in English and French theatre, 1848-1914. PhD thesis, University of Warwick.
Azeda, Hope, Mbabazi, Lillian and Smith, Bobby (2022) Performing violence, devising futures? Performance with and by young people in Rwanda and Uganda. In: Busby, Selina and Freebody, Kelly and Rajendran, Charlene, (eds.) Routledge Companion to Theatre and Young People. Routledge Companions . Abingdon, Oxon: Routledge, Taylor & Francis Group. ISBN 9780367712433
Azmy, Hazem M. (2012) Staging Egypt on the global stage : (de)constructing narratives of post-9/11 Egyptian performance realities. PhD thesis, University of Warwick.
Babbage, Frances (2000) Re-visioning myth : feminist strategies in contemporary theatre. PhD thesis, University of Warwick.
Bahrami, Aida (2017) "Spectacles of woe" : Sadean readings of contemporary European drama. PhD thesis, University of Warwick.
Bai, Rongning (1996) Brecht and China : a mutual response. PhD thesis, University of Warwick.
Baines, Roger W., Marinetti, Christina and Perteghella, Manuela (2011) Staging and performing translation : text and theatre practice. Basingstoke, Hampshire: Palgrave Macmillan. ISBN 9780230228191
Bakola, Emmanuela (2018) Seeing the invisible : interior spaces and uncanny Erinyes in Aeschylusβ Oresteia. In: Kampakoglou, Alexandros and Novokhatko, Anna, (eds.) Gaze, vision and visuality in ancient Greek literature. Trends in Classics , 54 . Berlin ; Boston: Walter de Gruyter GmbH, pp. 163-186. ISBN 9783110571288
Barrett, Maria (2015) Diversity and social engagement : cultivating a working class theatre audience. In: 23rd ENCATC Annual Conference βThe Ecology of Culture: Community Engagement, Co-creation, Cross Fertilization, Lecce , Italy, 22 Oct 2015. Published in: The Ecology of Culture pp. 47-61.
Barrett, Maria (Researcher in theatre studies) (2016) 'Our place' : class, the theatre audience and the Royal Court Liverpool. PhD thesis, University of Warwick.
Bazzoni, Alberica (2020) The (un)masking of patriarchal power in Pirandelloβs six characters in search of an author and clothing the naked. Modern Language Notes, 135 (1). pp. 152-174. doi:10.1353/mln.2020.0019 ISSN 0026-7910.
Belvis Pons, Esther (2012) Trans-formative theatre : living further realities. PhD thesis, University of Warwick.
Ben-Shaul, Daphna, Kanner, Ruth, Reinelt, Janelle G. and Rokem, Freddie (2010) Capturing moments of misperformance "local tales". Performance Research, Vol.15 (No.2). pp. 66-73. doi:10.1080/13528165.2010.490433 ISSN 1352-8165.
Benshalom, Yotam (2012) Performing translation : theatrical theory and its relevance to textual transfer. PhD thesis, University of Warwick.
Bessac-Khelifi, Barbara (2022) Le décor vivant arts décoratifs et performance, des scènes théÒtrales aux intérieurs de Paris et Londres 1851-1908. PhD thesis, University of Warwick.
Billing, Christian M. (2000) Fashioning anatomies : figurations of the sexed and gendered body on the early modern English stage. PhD thesis, University of Warwick.
Buonanno, Giovanna (1995) A stage under petticoat government : Italian international actresses in the age of Queen Victoria. PhD thesis, University of Warwick.
Caesar, Ann (2010) Review of Living masks: the achievement of Pirandello, by Mariani, U. Modern Drama, Vol.53 (No.1). pp. 124-126. ISSN 0026-7694
Calvert, Dave (2017) Performance, learning disability and the priority of the object : a study of dialectics, dynamism and performativity in the work of learning disabled artists. PhD thesis, University of Warwick.
Cattell, Tracy Catherine (2015) The living language of stage management : an interpretative study of the history and development of professional stage management in the United Kingdom, 1567-1968. PhD thesis, University of Warwick.
Chadwick, Eleanor (2017) Shakespeare, the Middle Ages, and contemporary historically-responsive theatre practice. PhD thesis, University of Warwick.
Charalambous, Chryso (2012) Drama/theatre education for democracy : the role of aesthetic communities. PhD thesis, University of Warwick.
Chen, Zhen Troy, Whyke, Thomas William, Lopez-Mugica, Joaquin and Peng, Altman Yuzhu (2023) Cashing the pink RMB through docile bodies : queering paradox of erotic entrepreneurs on Chinese social media platforms. Humanities and Social Sciences Communications, 10 (1). 491. doi:10.1057/s41599-023-02006-0 ISSN 2662-9992.
Cho, Seoug-kwan (2014) Shakespeare and the South Korean Stage. PhD thesis, University of Warwick.
Clarke, Jan (1988) The GuΓ©nΓ©gaud Theatre 1673-1680 and the machine plays of Thomas Corneille. PhD thesis, University of Warwick.
Coates, David J. (2020) Amateur theatre networks in the archive. Performance Research, 25 (1). pp. 39-43. doi:10.1080/13528165.2020.1736751 ISSN 1352-8165.
Coates, David J. (2019) Mapping London's amateur theatre histories. In: Cochrane, Claire and Robinson, Jo, (eds.) The Methuen Drama Handbook of Theatre History and Historiography. Bloomsbury, pp. 126-138. ISBN 9781350034297
Coates, David James (2017) The development of amateur theatre in Britain in the long nineteenth century, 1789-1914. PhD thesis, University of Warwick.
Cohen, Robin (1981) Migrants on the screen and in the theatre. Newsletter on International Labour Studies (No.10). pp. 24-26.
Cornford, Thomas (2012) The English theatre studios of Michael Chekhov and Michel Saint-Denis, 1935-1965. PhD thesis, University of Warwick.
Cornford, Tom (2010) Reconstructing theatre: the Globe under Dominic Dromgoole. New Theatre Quarterly, Vol.26 (No.104). pp. 319-328. doi:10.1017/S0266464X1000062X ISSN 0266-464X.
Cousin, Geraldine (1985) Shakespeare from scratch : the Footsbarn βHamletβ and βKing Learβ. New Theatre Quarterly, Volume 1 (Number 1). pp. 105-127. ISSN 0266-464X doi:10.1017/S0266464X00001469
Crossley, Mark B. A. (2013) Best not to ignore : a critical enquiry into a higher education cine-theatrical pedagogy. PhD thesis, University of Warwick.
Daroy, Alys (2022) Biophilic Shakespeare : towards an ecology of form. PhD thesis, University of Warwick.
Davis, Jim (2009) Auntie, can you do that? or 'Ibsen in Brixton' : Representing the Victorian theatre through caricature and cartoon. In: Heinrich, Anselm and Newey , Katherine and Richards, Jeffrey, (eds.) Ruskin, the theatre and Victorian visual culture. Basingstoke ; New York: Palgrave Macmillan ; [Bristol] : Arts & Humanities Research Council, pp. 216-238. ISBN 9780230200593
Davis, Jim (2017) Looking and being looked at : visualizing the Nineteenth-Century spectator. Theatre Journal, 69 (4). pp. 515-534. doi:10.1353/tj.2017.0068 ISSN 0192-2882.
Davis, Jim (2008) A Review of: Fantasies of Empire: the Empire Theatre of Varieties and the licensing controversy of 1894 by Donohue, J.W. Theatre Journal , Vol.60 (No.3). pp. 495-496. ISSN 0192-2882
Davis, Jim (2014) βSlap on! Slap ever!β: Victorian pantomime, gender variance, and cross-dressing. New Theatre Quarterly, Volume 30 (Number 3). pp. 218-230. doi:10.1017/S0266464X14000463 ISSN 0266-464X.
Davis, Natasha (2016) Performing migratory identity : practice-as-research on displacement and (Be)Longing. PhD thesis, University of Warwick.
Davis, Tracy C. (1984) Critical and popular reaction to Ibsen in England, 1872-1906. PhD thesis, University of Warwick.
De Martino Cappuccio, Alessandra (2011) Acculturating dialect theatre : Casa Cupiello moves to west Lancashire. In: Naples Crucible of the World 2 : a 'foreign' perspective, University of Parthenope, Naples, 3-4 Jun 2011 (Unpublished)
De Martino Cappuccio, Alessandra (2011) Cultural translation in theatre. Exploring Neapolitan theatre through Eduardo De Filippo. In: Invited Speaker : for the Week of Italian Language, Shanghai International Studies University, 17 Oct 2011 (Unpublished)
De Martino Cappuccio, Alessandra (2010) Translating dialect theatre. In: Translating Theatre. Migrating Text(s), University of Warwick, 12 Jun 2010 (Unpublished)
De Martino Cappuccio, Alessandra (2010) Translating food in Eduardo De Filippo's theatre. In: International Conference : The Role of Theatre in Contemporary Society, University of Westminster, 14-15 May 2010 (Unpublished)
De Martino Cappuccio, Alessandra (2009) Translating for theatre : cultural encounters in Pippo Delbono's theatre. In: Conference on modern/contemporary Italian theatre : beyond Pirandello, Pearson Lecture Theatre, UCL, 23 May 2009 (Unpublished)
De Martino Cappuccio, Alessandra (2010) The multiple faces of Filumena Marturano. Tradition and modernity in Eduardo. In: Naples crucible of the world, Italian Cultural Institute/British Library, London, 29-30 Oct 2010 (Unpublished)
De Martino Cappuccio, Alessandra (2008) The representation of characters in an English adaptation of Napoli milionaria! In: The Tradition of the Actor/Author in Italian Theatre, University of Glasgow, 17-18 Oct 2008 (Unpublished)
De Martino Cappuccio, Alessandra and d'Amora, Mariano (2011) Translating cultures : dialect theatre in twentieth century Italy. The Neapolitan case. In: Italian Department Seminar Series, Italian Department, University of Warwick, 25 Jan 2011 (Unpublished)
Dean, Deborah and Greene, Anne-Marie (2017) How do we understand worker silence despite poor conditions - as the actress said to the woman bishop. Human Relations, 70 (10). pp. 1237-1257. doi:10.1177/0018726717694371 ISSN 0018-7267.
Deby, Carolyn May (2020) Urbanwild becomings : choreographing audience experience to reveal sympoietic entanglement in the Anthropocene everyday. PhD thesis, University of Warwick.
Elden, Stuart (2021) Ceremony, genealogy, political theology. In: Rai, Shirin M. and Gluhovic, Milija and Jestrovic, Silvija and Saward, Michael, (eds.) The Oxford Handbook of Politics and Performance. Oxford handbooks . New York: Oxford University Press, pp. 377-390. ISBN 9780190863456
Elden, Stuart (2017) Foucault and Shakespeare : ceremony, theatre, politics. Southern Journal of Philosophy, 55 (Supplement 1). pp. 153-172. doi:10.1111/sjp.12225 ISSN 0038-4283.
Estrada-Fuentes, MarΓa (2017) Performative reintegration : ex-combatants' transitions toward civilian identities in Colombia. PhD thesis, University of Warwick.
Farnell, Ian (2021) Contemporary British theatre and science fiction : staging the final frontier. PhD thesis, University of Warwick.
Feng, Mengyu (2019) Learning to teach moral education through drama in a Chinese primary school. PhD thesis, University of Warwick.
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Fowler, Benjamin Brynmor (2015) (Re)directing the text : politics & perception in the work Katie Mitchell & Thomas Ostermeier. PhD thesis, University of Warwick.
Francis, Michael Barrie (2013) Victorian values and the Victorian theatre. PhD thesis, University of Warwick.
Franks, Matthew (2017) Laboratory, library, database : Londonβs avant-garde drama societies and ephemeral repertoire. Modernism/Modernity, 24 (3). pp. 549-574. doi:10.1353/mod.2017.0049 ISSN 1071-6068.
Franks, Matthew (2017) Schoolchildren or citizen shareholders? : Provincial repertory audiences, letters to the editor, and public subscription. Theatre Survey, 58 (2). pp. 186-208. doi:10.1017/S0040557417000060 ISSN 0040-5574.
Freakley, Vivien (2002) Mapping professional lives: the study of the professionalisation of actors and dancers. PhD thesis, University of Warwick.
Freebody, Kelly (2013) Talking drama into being : types of talk in drama classrooms. Exchanges: the Warwick Research Journal, Volume 1 (Number 1). ISSN 2053-9665.
French, Claire (2019) Methodologies for mobilising languaging : facilitating dynamic linguistic resources in applied performance praxis. PhD thesis, University of Warwick.
Fryer, Nic (2013) Towards a pedagogy of devised theatre praxis. PhD thesis, University of Warwick.
Gale, Maggie B. (1995) West End women : representations of woman, the female and femininity, in plays by women on the London stage 1918-1962. PhD thesis, University of Warwick.
Gluhovic, Milija (2019) Europe in crisis, the left, and the challenge of migration. Studies in Theatre and Performance, 39 (3). pp. 285-301. doi:10.1080/14682761.2019.1654295 ISSN 1468-2761.
Gluhovic, Milija (2010) Exhumations : the return of the dead in Tadeusz Kantorβs Let the Artists Die and in Andrzej Wajda's KatyΕ. Polish Theatre Perspectives (PTP), Vol.1 (No.1). pp. 227-255. ISSN 2081-4844.
Gluhovic, Milija (2010) Melancholic loss in Harold Pinterβs landscape. Sarajevske Sveske (No.29-30). pp. 265-284. ISSN 1512-8539 .
Gluhovic, Milija (2013) Performing European memories : trauma, ethics, politics. Studies in International Performance . Houndmills, Basingstoke, Hampshire ; New York: Palgrave Macmillan Ltd.. ISBN 9780230297906
Gould, Terence (2006) A historical study of the political and religious influences on the Alsatian language theatre. PhD thesis, University of Warwick.
Grant, Teresa (2018) A pleasant tragicomedy, the cat being scapβtβ?: William Sampsonβs The Vowbreaker (1636) and the instability of genre. Studies in Theatre and Performance, 38 (2). pp. 113-129. doi:10.1080/14682761.2018.1451947 ISSN 1468-2761.
Grossi, Alessandra (2022) Challenging narratives : gender, politics, and performance in mid-Victorian classical burlesque. PhD thesis, University of Warwick.
Haedicke, Susan C. (2018) The Aroma-Home Community Garden Projectβs democratic narratives : embodied memory-stories of planting and cooking. Public Art Dialogue, 8 (1). pp. 114-130. doi:10.1080/21502552.2018.1430290 ISSN 2150-2552.
Haedicke, Susan C. (2011) Breaking down the walls : interventionist performance strategies in French street theatre. In: Finburgh, Clare and Lavery, Carl, 1969-, (eds.) Contemporary French Theatre and Performance. Performance interventions . Basingstoke : Palgrave Macmillan, pp. 162-173. ISBN 9780230580510
Haedicke, Susan C. (2015) Co-performance of bodies and buildings : Compagnie Willi Dornerβs bodies in urban spaces and fitting and Asphalt Pilotenβs around the block. Theatre Journal, 67 (4). pp. 643-661. doi:10.1353/tj.2015.0120 ISSN 0192-2882.
Haedicke, Susan C. (2013) Contemporary street arts in Europe : aesthetics and politics. Studies in International Performance . Basingstoke; New York: Palgrave Macmillan Ltd.. ISBN 9780230220263
Haedicke, Susan C. (2009) Documenting the invisible : dramatizing the Algerian Civil War of the 1990s. In: Haedicke, Susan C., (ed.) Political performances : theory and practice. Themes in Theatre - Collective Approaches to Theatre and Performance (No.4). Amsterdam : Rodopi. ISBN 9789042026070
Haedicke, Susan C. (2016) Interrupting a legacy of hatred : Friches ThéÒtre Urbain's Lieu Commun. Research in Drama Education: The Journal of Applied Theatre and Performance, 21 (2). pp. 161-175. doi:10.1080/13569783.2016.1155409 ISSN 1356-9783.
Haedicke, Susan C. (2012) OpΓ©ra PagaΓ―βs entreprise de dΓ©tournement : collages of geographic, imaginary and discursive spaces. In: Performance and the politics of space : theatre and topology. Routledge Advances in Theatre & Performance Studies . London: Routledge. ISBN 9780415509688
Hampton-Reeves, Stuart (1997) Henry VI in performance : history, culture and Shakespeare reproduced. PhD thesis, University of Warwick.
Harding, James (2012) You forgot your double security check. Performance Research, 17 (3). pp. 76-82. doi:10.1080/13528165.2012.696865 ISSN 1352-8165.
Harding, James (2013) The ghosts of the avant-garde(s) : exorcising experimental theater and performance. Michigan: University of Michigan Press. ISBN 9780472118748 (In Press)
Harpin, Anna (2016) Mute stages : performing silent lives. In: Harpin, Anna R. and Nicholson, Helen, (eds.) Performance and participation practices, audiences, politics. London: Palgrave Macmillan. ISBN 9781137393166
Harpin, Anna (2020) You were an O. Your black O in the middle of your faceβ : Madness and Catastrophe in Katie Mitchellβs Ophelias Zimmer and Anatomy of a Suicide. Contemporary Theatre Review, 30 (2). pp. 193-210. doi:10.1080/10486801.2020.1732954 ISSN 1048-6801.
Hart, Natalie (2013) In-between zones : the impact of class and ethnicity on engagement with the Birmingham Repertory Theatre's youth theatre (The Young REP). PhD thesis, University of Warwick.
Hartwig, David W. (2010) The place of Shakespeare : performing King Lear and The tempest in an endangered world. PhD thesis, University of Warwick.
Haseman, Brad and Winston, Joe (2010) 'Why be interested?' Aesthetics, applied theatre and drama education. Research in Drama Education, Vol.15 (No.4). pp. 465-475. ISSN 1356-9783 doi:10.1080/13569783.2010.512182
Hatfull, Ronan (2018) βThe other RSCβ: the history and legacy of the Reduced Shakespeare Company. PhD thesis, University of Warwick.
Heath, Thomas (2022) Actor training in the flow state : towards a rhetoric for play in contemporary actor training. PhD thesis, University of Warwick.
Herington, Sky Frances Anson (2022) βLβouragan du corpsβ: embodiment, entanglement and performances of power in Sony Labou Tansiβs theatre. PhD thesis, University of Warwick.
Heron, Jonathan (2015) A different kind of failure : towards a model of experimental theatre as transdisciplinary performance. PhD thesis, University of Warwick.
Hida, Norifumi (2013) Reconsidering hyogen education in Japan : drama for the whole person in the twenty-first century. PhD thesis, University of Warwick.
Holden, Michael Derrick (2020) The London theatre business in the late sixteenth century. PhD thesis, University of Warwick.
Holdsworth, Amy (2008) "Television resurrections" : television and memory. Cinema Journal, Volume 47 (Number 3). pp. 137-144. doi:10.1353/cj.0.0017 ISSN 1527-2087.
Holdsworth, Nadine (2013) Experimentation and internationalism : David Greig since 2000. In: Reballato, Dan, (ed.) Modern British playwriting : 2000-2009. Decades of modern British playwriting : voices, documents, new interpretations . Methuen. ISBN 9781408129265 (In Press)
Holdsworth, Nadine (2011) Joan Littlewoodβs theatre. Cambridge studies in modern theatre . Cambridge, UK ; New York: Cambridge University Press. ISBN 9780521119603
Holdsworth, Nadine (2016) Performing place, heritage and Henry V in Portsmouth historic dockyard. Contemporary Theatre Review, 26 (2). pp. 196-210. doi:10.1080/10486801.2016.1144054 ISSN 1048-6801.
Holdsworth, Nadine (2008) Review of : Impossible plays : adventures with the Cottesloe Company, by Dewhurst, K. and Shepherd, J. Theatre Research International, Volume 33 (Number 2). pp. 218-219. ISSN 0307-8833
Holdsworth, Nadine (2008) Review of : Taking stock : the theatre of Max Stafford Clark, by Stafford-Clark, M. and Roberts, P. Theatre Research International, Volume 33 (Number 2). pp. 218-219. ISSN 0307-8833
Holdsworth, Nadine (2010) Theatre and nation. Theatre& . New York: Palgrave Macmillan. ISBN 9780230218710
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Holmwood, Clive (2012) An investigation into the space where drama education and dramatherapy meet. What does this mean in conceptual and practical terms for practitioner and participant? PhD thesis, University of Warwick.
Hopkins, Lisa (1986) John Ford and his circle : coterie values and the language of Ford's theatre. PhD thesis, University of Warwick.
Howard, Tony (2008) Review of: This wide and universal theater : Shakespeare in performance, then and now, by Bevington, D.M. Journal of British Studies, Volume 47 (Number 2). pp. 413-414. ISSN 0021-9371
Hudson, Julie Patricia (2017) The environment on stage: scenery or shapeshifter? PhD thesis, University of Warwick.
Hutchison, Yvette (2010) The 'Dark Continent' goes north: an exploration of intercultural theatre practice through Handspring and Sogolon Puppet Companies' production of Tall Horse. Theatre Journal , Vol.62 (No.1). pp. 57-73. doi:10.1353/tj.0.0335 ISSN 0192-2882.
Hutchison, Yvette (2010) Post-1990s verbatim theatre in South Africa : exploring an African concept of 'truth'. In: Martin, Carol, 1952-, (ed.) The dramaturgy of the real on the world stage. Studies in international performance . Basingstoke ; New York: Palgrave Macmillan, pp. 61-71. ISBN 9780230220546
Hutchison, Yvette (2013) South African performance and the archive of memory. Manchester: Manchester University Press. ISBN 9780719083730
Hutchison, Yvette (2009) Verbatim theatre in South Africa : βliving theatre in a personβs performanceβ. In: Forsyth, Alison, 1961- and Megson, Christopher, (eds.) Get real : documentary theatre past and present. Performance interventions . Houndmills, Basingstoke, Hampshire [England] ; New York: Palgrave Macmillan, pp. 209-223. ISBN 9780230221154
Hutchison, Yvette and Ranford, Steve (2019) Creating a network on and off-line, in and out of Africa : African women playwright network. Research in Drama Education: The Journal of Applied Theatre and Performance, 24 (4). pp. 508-521. doi:10.1080/13569783.2019.1646122 ISSN 1356-9783.
Hutchison, Yvette and Walder, Dennis (2011) Editorial. Contemporary Theatre Review, Vol.21 (No.1). pp. 3-7. ISSN 1048-6801 doi:10.1080/10486801.2011.536021
Hutchison, Yvette and Walder, Dennis (2011) Making theatre in Africa : reflections and documents [Editorial]. Contemporary Theatre Review, Volume 21 (Number 1). pp. 3-7. ISSN 1048-6801 doi:10.1080/10486801.2011.536021
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Irish, Tracy (2016) Possible Shakespeares : the educational value of working with Shakespeare through theatre-based practice. PhD thesis, University of Warwick.
James, Dafydd (2011) Queer moments : the profound politics of performance. PhD thesis, University of Warwick.
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Jestrovic, Silvija (2019) Worksites of the left. Studies in Theatre and Performance, 39 (3). pp. 217-223. ISSN 1468-2761 doi:10.1080/14682761.2019.1654307
Jestrovic, Silvija and Meerzon, Yana (2009) Introduction : Framing 'America' - between exilic imaginary and exilic collective. In: Jestrovic, Silvija, 1970- and Meerzon, Yana, (eds.) Performance, exile and 'America'. Studies in international performance . Basingstoke : Palgrave Macmillan, pp. 1-20. ISBN 9780230574564
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Kershaw, Baz (2011) Review of: Theatre, facilitation and nation formation in the Balkans and Middle East, by Sonja Arsham Kuftinec. Theatre Survey, Volume 52 (Number 2). pp. 378-380. ISSN 0040-5574
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Lavery, Carl and Whybrow, Nicolas (2012) Editorial Pas de Deux. Performance Research : A Journal of the Performing Arts, Volume 17 (Number 2). pp. 1-10. ISSN 1352-8165 doi:10.1080/13528165.2012.671086
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Lewando Hundt, Gillian, Bryanston, Claudette, Lowe, Pam, Cross, Saul, Sandall, Jane and Spencer, Kevin (2011) Inside βInside viewβ : reflections on stimulating debate and engagement through a multimedia live theatre production on the dilemmas and issues of pre-natal screening policy and practice. Health Expectations, Vol.14 (No.1). pp. 1-9. doi:10.1111/j.1369-7625.2010.00597.x ISSN 1369-6513.
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Mulcahy, Sean (2020) Performing the law: a study of performance in the court of law. PhD thesis, University of Warwick.
Mulcahy, Sean (2017) Review of Theatre & Law by Read, Alan. Alternative Law Journal, 42 (1). pp. 81-82. ISSN 2398-9084
Mulcahy, Sean (2018) UK parliamentary inquiry turned verbatim musical : a theatre review. Alternative Law Journal, 43 (1). pp. 66-67. ISSN 2398-9084 doi:10.1177/1037969X17753287
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