Journal Article

UNSPECIFIED (1983) APPIA,ADOLPHE AND EURHYTHMICS. MASKE UND KOTHURN, 29 (1-4). pp. 141-152.

UNSPECIFIED (1985) ARNOTT,JAMES - IN-MEMORIAM. NEW THEATRE QUARTERLY, 1 (1). p. 128.

UNSPECIFIED (1985) AUDIENCE DISRUPTION IN THE THEATER OF THE WEIMAR-REPUBLIC. NEW THEATRE QUARTERLY, 1 (3). pp. 283-291.

UNSPECIFIED (1982) BECKETT DRAMATIC COUNTERPOINT, A READING OF 'PLAY'. JOURNAL OF BECKETT STUDIES (9). pp. 25-41.

UNSPECIFIED (1988) BROTHERS IN SUFFERING AND JOY, THE APPIA-CRAIG CORRESPONDENCE. NEW THEATRE QUARTERLY, 4 (15). pp. 268-288.

UNSPECIFIED (1997) Behind the arras, through the wall: Wajda's 'Hamlet' in Krakow, 1989. NEW THEATRE QUARTERLY, 13 (49). pp. 53-68.

UNSPECIFIED (1997) Body and ritual in Farquhar. COMPARATIVE DRAMA, 31 (3). pp. 414-435.

UNSPECIFIED (1984) THE CASE OF THE RECUSANT ACROBAT + LEYOUNG,TOWSTAN. THEATRE NOTEBOOK, 38 (1). pp. 37-41.

UNSPECIFIED (1986) CIBBER AND VANBRUGH, LANGUAGE, PLACE, AND SOCIAL-ORDER IN 'LOVES LAST SHIFT'. COMPARATIVE DRAMA, 20 (4). pp. 287-304.

UNSPECIFIED (1983) COUNTERPOINT, ABSENCE AND THE MEDIUM IN BECKETT 'NOT I'. MODERN DRAMA, 26 (4). pp. 407-414.

UNSPECIFIED (2002) Discovering Mary Arden's house: Property and society in Wilmcote, Warwickshire. SHAKESPEARE QUARTERLY, 53 (1). pp. 53-82.

UNSPECIFIED (1995) EEL PIE AND UGLY SISTERS IN 'KING LEAR' .1. ESSAYS IN THEATRE-ETUDES THEATRALES, 13 (2). pp. 135-158.

UNSPECIFIED (1990) FEMME FATALE AS SCAPEGOAT, THE MODERNITY OF DESCLEE,AIMEE. NEW THEATRE QUARTERLY, 6 (24). pp. 365-378.

UNSPECIFIED (1993) FOOTSBARN, FROM A TRIBAL 'MACBETH' TO AN INTERCULTURAL 'DREAM'. NEW THEATRE QUARTERLY, 9 (33). pp. 16-30.

UNSPECIFIED (1989) GAMES IN EDUCATION AND THEATER. NEW THEATRE QUARTERLY, 5 (19). pp. 227-235.

UNSPECIFIED (1991) HELENAS CHOOSING - WRITING THE COUPLETS IN A CHOREOGRAPHY OF DISCONTINUITY ('ALLS WELL THAT ENDS WELL' 2-3). ESSAYS IN THEATRE-ETUDES THEATRALES, 9 (2). pp. 121-139.

UNSPECIFIED (1997) Harrison, Herakles, and wailing women: 'Labourers' at Delphi. NEW THEATRE QUARTERLY, 13 (50). pp. 133-143.

UNSPECIFIED (1997) 'Identity - Even if it is a fantasy': the work of Carran Waterfield. NEW THEATRE QUARTERLY, 13 (51). pp. 231-247.

UNSPECIFIED (2001) An Iranian passion play: 'Taziyeh' in history and performance. NEW THEATRE QUARTERLY, 17 (65). pp. 54-66.

UNSPECIFIED (1989) JAGRAN, THEATER FOR EDUCATION AND DEVELOPMENT + ASSESSMENT, INTERVIEW AND SCENARIOS FROM THE INDIAN MIME COMPANY. NEW THEATRE QUARTERLY, 5 (18). pp. 124-139.

UNSPECIFIED (1994) THE LIVING MONUMENT - SELF AND STAGE IN THE CRITICISM AND SCHOLARSHIP OF BRADBROOK,M.C. SHAKESPEARE SURVEY - AN ANNUAL SURVEY OF SHAKESPEARE STUDIES AND PRODUCTION, VOL 47, 47 . pp. 107-116.

UNSPECIFIED (1987) THE MAGDALENA-EXPERIMENT, NEW DIRECTIONS IN WOMENS THEATER. DRAMA REVIEW, 31 (4). pp. 10-17.

UNSPECIFIED (1982) THE MEININGER-COMPANY AND ENGLISH SHAKESPEARE. SHAKESPEARE SURVEY (35). 13-&.

UNSPECIFIED (1987) NAMING AND ENTITLEMENT IN WYCHERLEY, ETHEREGE, AND DRYDEN + CHIEF DRAMATISTS OF 1670S ENGLAND. COMPARATIVE DRAMA, 21 (3). pp. 259-289.

UNSPECIFIED (1985) ORWELL 'ANIMAL FARM'. THEATER, 16 (2). pp. 30-31.

UNSPECIFIED (1984) PATRONAGE, PLEASURE AND PROFIT, A STUDY OF THE THEATRE-ROYAL, LEICESTER 1847-1900. THEATRE NOTEBOOK, 38 (2). pp. 77-88.

UNSPECIFIED (1986) A PIECE-OF-OUR-LIFE, THE THEATRE-OF-THE-EIGHTH-DAY + COLLAGE OF INTERVIEWS. NEW THEATRE QUARTERLY, 2 (8). pp. 291-305.

UNSPECIFIED (1983) THE PIP-SIMMONS-COMPANY. MASKE UND KOTHURN, 29 (1-4). pp. 206-211.

UNSPECIFIED (1987) PIRANDELLO DEBUT AS DIRECTOR - THE OPENING OF THE TEATRO-DARTE. NEW THEATRE QUARTERLY, 3 (12). pp. 349-351.

UNSPECIFIED (1995) RE-CASTING THE PHAEDRA SYNDROME, MYTH AND MORALITY IN WERTENBAKER,TIMBERLAKE THE 'LOVE OF THE NIGHTINGALE'. MODERN DRAMA, 38 (4). pp. 510-519.

UNSPECIFIED (1987) REINHARDTS 'MIRACLE' AT OLYMPIA, A RECORD AND A RECONSTRUCTION. NEW THEATRE QUARTERLY, 3 (9). pp. 3-23.

UNSPECIFIED (2003) Remembering John McGrath. CONTEMPORARY THEATRE REVIEW, 13 (1). pp. 111-114.

UNSPECIFIED (1997) Revisiting the Prozorovs + Chekhov, 'Three Sisters'. MODERN DRAMA, 40 (3). pp. 325-336.

UNSPECIFIED (1985) SCHNEIDER,ALAN - IN-MEMORIAM. NEW THEATRE QUARTERLY, 1 (1). p. 128.

UNSPECIFIED (1985) SHAKESPEARE 'HAMLET'. NEW THEATRE QUARTERLY, 1 (1). 108-&.

UNSPECIFIED (1985) SHAKESPEARE 'KING LEAR'. NEW THEATRE QUARTERLY, 1 (1). 116-&.

UNSPECIFIED (1994) SHAKESPEARE, HIS DESIGNERS, AND THE POLITICS OF COSTUME - HANDING OVER CRESSIDAS GLOVE. ESSAYS IN THEATRE-ETUDES THEATRALES, 12 (2). pp. 107-128.

UNSPECIFIED (1989) STRUGGLING WITH THE PAST, WOMENS THEATER IN SEARCH OF A HISTORY. NEW THEATRE QUARTERLY, 5 (18). pp. 107-112.

UNSPECIFIED (2000) Seamus Heaney, Colonialism, and the cure - Sophoclean re-visions (The 'Cure at Troy', the poet's version of Sophocles' 'Philoctetes'). PAJ-A JOURNAL OF PERFORMANCE AND ART (66). 1-+.

UNSPECIFIED (1998) Sex, censorship, and 'Salome' in 1968: Or, "I'm not allowed to take my clothes off!". THEATER, 28 (3). pp. 51-60.

UNSPECIFIED (1998) Snatched bodies; Ophelia in the grave (Three representations of Ophelia on film, Olivier, Kozintsev and Zeffirelli). SHAKESPEARE QUARTERLY, 49 (3). pp. 299-319.

UNSPECIFIED (1986) THE TOURING OF THE SHREW + STAGING SHAKESPEARE THE 'TAMING OF THE SHREW'. NEW THEATRE QUARTERLY, 2 (7). pp. 275-281.

UNSPECIFIED (2003) Travelling across borders: Re-imagining the nation and nationalism in contemporary Scottish theatre. CONTEMPORARY THEATRE REVIEW, 13 (2). pp. 25-39.

UNSPECIFIED (1987) VANBRUGH AND CIBBER, LANGUAGE, PLACE, AND SOCIAL-ORDER IN THE 'RELAPSE'. COMPARATIVE DRAMA, 21 (1). pp. 62-83.

UNSPECIFIED (2002) Virtuality and performativity - Recreating Rome's Theatre of Pompey. PAJ-A JOURNAL OF PERFORMANCE AND ART (70). pp. 25-43.

UNSPECIFIED (1988) WHEN THE KISSING STOPPED AND WHAT HAPPENED NEXT + A PRACTICAL TEXTBOOK ON THE USES OF GAME-PLAYING FOR ACTORS. NEW THEATRE QUARTERLY, 4 (14). pp. 144-151.

UNSPECIFIED (1994) WILDE INTERPRETATIONS + THEATER CRITICISM. MODERN DRAMA, 37 (1). pp. 156-174.

UNSPECIFIED (1987) WOMEN EXPERIMENT WITH THEATER - MAGDALENA-86. NEW THEATRE QUARTERLY, 3 (11). pp. 224-234.

UNSPECIFIED (2000) A computer reconstruction of Richelieu's Palais Cardinal Theatre, 1641 (Among the first purpose-built proscenium theatres in France). THEATRE RESEARCH INTERNATIONAL, 25 (3). pp. 233-247.

UNSPECIFIED (1999) The design of the Theatre du Marais and Wren's Theatre Royal, Drury Lane: A computer-based investigation. THEATRE NOTEBOOK, 53 (3). pp. 127-145.

Allan, Sean and Griffiths, Elystan (2011) Introduction. Heinrich von Kleist : performance and performativity. German Life and Letters, Vol.64 (No.3). pp. 327-336. doi:10.1111/j.1468-0483.2011.01537.x

Alonso Recarte, Claudia, Grant, Teresa and Ramos Gay, Ignacio (2018) Introduction : real animals on the stage. Studies in Theatre and Performance, 38 (2). pp. 103-112. doi:10.1080/14682761.2018.1451941

Amine, Khalid, Azmy, Hazem M. and Carlson, Marvin (2010) IFTR's Arabic theatre working group. Theatre Research International, Vol.35 (No.3). pp. 263-274. doi:10.1017/S030788331000057X

Bazzoni, Alberica (2019) The (un)masking of patriarchal power in Pirandello’s six characters in search of an author and clothing the naked. Modern Language Notes, 135 (1).

Ben-Shaul, Daphna, Kanner, Ruth, Reinelt, Janelle G. and Rokem, Freddie (2010) Capturing moments of misperformance "local tales". Performance Research, Vol.15 (No.2). pp. 66-73. doi:10.1080/13528165.2010.490433

Coates, David J. (2020) Amateur theatre networks in the archive. Performance Research, 25 (1). pp. 39-43. doi:10.1080/13528165.2020.1736751

Cohen, Robin (1981) Migrants on the screen and in the theatre. Newsletter on International Labour Studies (No.10). pp. 24-26.

Cornford, Tom (2010) Reconstructing theatre: the Globe under Dominic Dromgoole. New Theatre Quarterly, Vol.26 (No.104). pp. 319-328. doi:10.1017/S0266464X1000062X

Davis, Jim (2017) Looking and being looked at : visualizing the Nineteenth-Century spectator. Theatre Journal, 69 (4). pp. 515-534. doi:10.1353/tj.2017.0068

Davis, Jim (2014) ‘Slap on! Slap ever!’: Victorian pantomime, gender variance, and cross-dressing. New Theatre Quarterly, Volume 30 (Number 3). pp. 218-230. doi:10.1017/S0266464X14000463

Dean, Deborah and Greene, Anne-Marie (2017) How do we understand worker silence despite poor conditions - as the actress said to the woman bishop. Human Relations, 70 (10). pp. 1237-1257. doi:10.1177/0018726717694371

Elden, Stuart (2017) Foucault and Shakespeare : ceremony, theatre, politics. Southern Journal of Philosophy, 55 (Supplement 1). pp. 153-172. doi:10.1111/sjp.12225

Franks, Matthew (2017) Laboratory, library, database : London’s avant-garde drama societies and ephemeral repertoire. Modernism/Modernity, 24 (3). pp. 549-574. doi:10.1353/mod.2017.0049

Franks, Matthew (2017) Schoolchildren or citizen shareholders? : Provincial repertory audiences, letters to the editor, and public subscription. Theatre Survey, 58 (2). pp. 186-208. doi:10.1017/S0040557417000060

Freebody, Kelly (2013) Talking drama into being : types of talk in drama classrooms. Exchanges: the Warwick Research Journal, Volume 1 (Number 1).

Gluhovic, Milija (2019) Europe in crisis, the left, and the challenge of migration. Studies in Theatre and Performance . doi:10.1080/14682761.2019.1654295 (In Press)

Gluhovic, Milija (2010) Exhumations : the return of the dead in Tadeusz Kantor’s Let the Artists Die and in Andrzej Wajda's Katyń. Polish Theatre Perspectives (PTP), Vol.1 (No.1). pp. 227-255.

Gluhovic, Milija (2010) Melancholic loss in Harold Pinter’s landscape. Sarajevske Sveske (No.29-30). pp. 265-284.

Grant, Teresa (2018) A pleasant tragicomedy, the cat being scap’t”?: William Sampson’s The Vowbreaker (1636) and the instability of genre. Studies in Theatre and Performance, 38 (2). pp. 113-129. doi:10.1080/14682761.2018.1451947

Haedicke, Susan C. (2018) The Aroma-Home Community Garden Project’s democratic narratives : embodied memory-stories of planting and cooking. Public Art Dialogue, 8 (1). pp. 114-130. doi:10.1080/21502552.2018.1430290

Haedicke, Susan C. (2015) Co-performance of bodies and buildings : Compagnie Willi Dorner’s bodies in urban spaces and fitting and Asphalt Piloten’s around the block. Theatre Journal, 67 (4). pp. 643-661. doi:10.1353/tj.2015.0120

Haedicke, Susan C. (2016) Interrupting a legacy of hatred : Friches Théâtre Urbain's Lieu Commun. Research in Drama Education: The Journal of Applied Theatre and Performance, 21 (2). pp. 161-175. doi:10.1080/13569783.2016.1155409

Harding, James (2012) You forgot your double security check. Performance Research, 17 (3). pp. 76-82. doi:10.1080/13528165.2012.696865

Harpin, Anna (2020) You were an O. Your black O in the middle of your face’ : Madness and Catastrophe in Katie Mitchell’s Ophelias Zimmer and Anatomy of a Suicide. Contemporary Theatre Review, 30 (2). pp. 193-210. doi:10.1080/10486801.2020.1732954

Holdsworth, Amy (2008) "Television resurrections" : television and memory. Cinema Journal, Volume 47 (Number 3). pp. 137-144. doi:10.1353/cj.0.0017

Holdsworth, Nadine (2016) Performing place, heritage and Henry V in Portsmouth historic dockyard. Contemporary Theatre Review, 26 (2). pp. 196-210. doi:10.1080/10486801.2016.1144054

Hutchison, Yvette (2010) The 'Dark Continent' goes north: an exploration of intercultural theatre practice through Handspring and Sogolon Puppet Companies' production of Tall Horse. Theatre Journal , Vol.62 (No.1). pp. 57-73. doi:10.1353/tj.0.0335

Hutchison, Yvette and Ranford, Steve (2019) Creating a network on and off-line, in and out of Africa : African women playwright network. Research in Drama Education: The Journal of Applied Theatre and Performance . doi:10.1080/13569783.2019.1646122 (In Press)

Jestrovic, Silvija (2019) Bringing the left back : radical performances of dissent from the remains of ex-Yugoslavia. Studies in Theatre and Performance, 39 (3). doi:10.1080/14682761.2019.1654308 (In Press)

Jestrovic, Silvija (2008) Semiotics of nonsemiotic performance. Semiotica, Volume 2008 (Number 168). pp. 93-107. doi:10.1515/SEM.2008.005

Kershaw, Baz (2012) ‘This is the way the world ends, not …?’ : On performance compulsion and climate change. Performance Research, Vol.17 (No.4). pp. 5-17. doi:10.1080/13528165.2012.712244

Kirwan, Peter (2010) “What's past is prologue” : negotiating the authority of tense in reviewing Shakespeare. Shakespeare, Vol.6 (No.3). pp. 337-342. doi:10.1080/17450918.2010.497856

Kitchen, Jennifer (2020) Theatre and drama education and populism : the ensemble ‘family’ as a space for dialogic empathy and civic care. British Educational Research Journal . doi:10.1002/berj.3668 (In Press)

Lavender, Andy (2017) The internet, theatre and time : transmediating the theatron. Contemporary Theatre Review, 27 (3). pp. 340-352. doi:10.1080/10486801.2017.1343241

(2011) In memoriam : David Bradby (1942-2011) : liberte, egalite, fraternite. Contemporary Theatre Review, Vol.21 (No.2). pp. 235-252. doi:10.1080/10486801.2011.575690

Lewando Hundt, Gillian, Bryanston, Claudette, Lowe, Pam, Cross, Saul, Sandall, Jane and Spencer, Kevin (2011) Inside ‘Inside view’ : reflections on stimulating debate and engagement through a multimedia live theatre production on the dilemmas and issues of pre-natal screening policy and practice. Health Expectations, Vol.14 (No.1). pp. 1-9. doi:10.1111/j.1369-7625.2010.00597.x

Minors, Anne and Harvey, Carlo (2015) Influence of active listening on eye movements while viewing images of concert halls. Psychomusicology: Music, Mind, and Brain, 25 (3). pp. 345-354. doi:10.1037/pmu0000108

Mulcahy, Sean (2017) Boy actors on the Shakespearean stage : subliminal or subversive. Anglistik: International Journal of English Studies, 28 (2). pp. 87-111.

Mulcahy, Sean (2013) Legal regulation of women on the English Renaissance stage, 1558-1642. Warwick Student Law Review, 3 (1). pp. 13-28.

Neelands, Jonothan (2009) Acting together: ensemble as a democratic process in art and life. Research in Drama Education: The Journal of Applied Theatre and Performance, Vol.14 (No.2). pp. 173-189. doi:10.1080/13569780902868713

Neelands, Jonothan (2007) Taming the political: the struggle over recognition in the politics of applied theatre. Research in Drama Education, Vol.12 (No.3). pp. 305-317. doi:10.1080/13569780701560388

Neelands, Jonothan (2009) The art of togetherness: reflections on some essential artistic and pedagogic qualities of drama curricula. NJ Drama Australia Journal, Vol.33 (No.1). pp. 9-18.

Okuto, Maxwel and Smith, Bobby (2017) Reflecting on the challenges of applied theatre in Kenya. Research in Drama Education: The Journal of Applied Theatre and Performance, 22 (2). pp. 292-300. doi:10.1080/13569783.2017.1293509

Petrović, Goran (2019) Theatricality : a dramatic form of contesting spectatorial codes. Performance Research, 24 (4). pp. 68-75. doi:10.1080/13528165.2019.1641326

Pilcher, Katy Elizabeth Mary (2011) A ‘sexy space’ for women? Heterosexual women’s experiences of a male strip show venue. Leisure Studies, Volume 30 (Number 2). pp. 217-235. doi:10.1080/02614367.2010.512048

Purcell, Stephen (2018) Are Shakespeare's plays always metatheatrical? Shakespeare Bulletin , 36 (1). pp. 19-35. doi:10.1353/shb.2018.0002

Purcell, Stephen (2016) Editing for performance or documenting performance?: exploring the relationship between early modern text and clowning. Shakespeare Bulletin , 34 (1). pp. 5-27.

Purcell, Stephen (2018) Performing the public at Shakespeare's Globe. Shakespeare, 14 (1). pp. 51-63. doi:10.1080/17450918.2018.1439091

Raffield, Paul (2014) Student lawyer-playwrights and the theatre of law. Law and Humanities, Volume 8 (Number 1). pp. 136-145. doi:10.5235/17521483.8.1.136

Reinelt, Janelle G. (2007) Moving around. Theatre Survey, Vol.48 (No.2). pp. 331-338. doi:10.1017/S0040557407000713

Reinelt, Janelle G. (2011) Rethinking the public sphere for a global age. Performance Research, Vol.16 (No.2). pp. 16-27. doi:10.1080/13528165.2011.578724

Reinelt, Janelle G. (2007) Selective affinities : British playwrights at work (characterizing a community of playwrights working in Britain). Modern Drama, Volume 50 (Number 3). pp. 305-324. doi:10.1353/mdr.2007.0060

Reinelt, Janelle G. (2006) Toward a poetics of theatre and public events - In the case of Stephen Lawrence. TDR-THE DRAMA REVIEW-A JOURNAL OF PERFORMANCE STUDIES, 50 (3). 69-+.

Reinelt, Janelle G. (2007) The limits of censorship. Theatre Research International, Vol.32 (No.1). pp. 3-15. doi:10.1017/S0307883306002471

Reinelt, Janelle G. (2011) The performance of political correctness. Theatre Research International, Vol.36 (No.2). pp. 134-147. doi:10.1017/S0307883311000216

Reinelt, Janelle G. (2007) The "rehabilitation" of Howard Brenton. TDR: The Journal of Performance Studies, Volume 51 (Number 3). pp. 167-174.

Reinelt, Janelle G. and Hewitt, Gerald (2011) David Edgar's Testing the Echo. Race & Class, Vol.53 (No.1). pp. 83-88. doi:10.1177/0306396811406788

Roberts, Penny (1995) Marlowe's The Massacre at Paris: a historical perspective. Renaissance Studies, Vol.9 (No.4). pp. 430-441. doi:10.1111/j.1477-4658.1995.tb00327.x

Rutter, Carol Chillington (2006) Facing history, facing now : Deborah Warner's Julius Caesar at the Barbican Theatre. Shakespeare Quarterly , Volume 57 (Number 1). pp. 71-85.

Sava, Laura (2011) Théâtre du Soleil meets the cinema : acting and mask work in Ariane Mnouchkine’s Molière. Screening the Past (No.31).

Sava, Laura (2010) The problem of film-theatre intermediality in Jesus of Montreal. Excursions, Vol.1 (No.1). pp. 102-122.

Scheer, Edward (2008) Australia's post-Olympic apocalypse? PAJ - A Journal of Performance and Art, Vol.30 (No.1 (PAJ 88)). pp. 42-56. doi:10.1162/pajj.2008.30.1.42

Scheer, Edward (2008) The performance of disappearance : Mike Parr's Amerika. TDR: The Journal of Performance Studies, Vol.52 (No.3). pp. 195-201. doi:10.1162/dram.2008.52.3.195

Sharpling, Gerard (2004) Women's stage? : the role of female characters in Artaud's Theatre of Cruelty. Dalhousie French Studies, 66 . pp. 39-52.

Smith, Bobby (2017) Performing partnership: the possibilities of decentring the expertise of international practitioners in international Theatre for Development partnerships. Applied Theatre Research, 5 (1). pp. 37-51. doi:10.1386/atr.5.1.37_1

Smyth, Patricia (2016) Landscape and identity in Australian melodrama. Journal of Victorian Culture, 21 (3). pp. 363-386. doi:10.1080/13555502.2016.1197687

Smyth, Patricia (2019) Theatricality, Michael Fried, and nineteenth-century art and theatre. Performance Research, 24 (4). pp. 5-9. doi:10.1080/13528165.2019.1641314

Turner-King, Rachel (2018) Creating welcoming spaces in the city : exploring the theory and practice of ‘hospitality’ in two regional theatres. Research in Drama Education: The Journal of Applied Theatre and Performance, 23 (3). pp. 421-437. doi:10.1080/13569783.2018.1477583

Wardhaugh, Jessica (2020) From anarchism to state funding : Louis Lumet and the cultural paradoxes of the third republic. French Historical Studies, 43 (3). (In Press)

White, Tim (2010) Just listening at Cafe Oto. Performance Research, Vol.15 (No.3 Sp. Iss. SI). pp. 15-22. doi:10.1080/13528165.2010.527194

Whybrow, Nicolas (2011) Situation Venice : towards a performative 'ex-planation' of a city. Research in Drama Education: the journal of applied theatre and performance, Vol.16 (No.2). pp. 279-298. doi:10.1080/13569783.2011.566994

Wilson, James A. (James Andrew) (2013) City of dreams : social engagement and aesthetic creation in the cultural olympiad. Contemporary Theatre Review, Volume 23 (Number 4). pp. 542-552. doi:10.1080/10486801.2013.839182

Winston, Joe, Lo, Chia-yu and Wang, Xiao-di (2010) Being in a state of crossing : drama education and transnational space. The Journal of Drama and Theatre Education in Asia , Vol.1 (No.1). pp. 7-24.

de Medeiros, Paulo (2018) Lusophony or the haunted logic of postempire. Lusotopie, 17 (2). pp. 227-247. doi:10.1163/17683084-12341720

Book Item

Astbury, Katherine (2019) Répertoires traditionnels et répertoire nouveau à Paris sous les Cent-Jours. In: Julian, Thibaut and De Santis, Vincenzo, (eds.) Fièvre et vie du théâtre sous la Révolution française et l’Empire. Encounters, 384 . Paris: Classiques Garnier, pp. 195-210. ISBN 9782406083108

Astbury, Katherine (2019) Réécrire une histoire du théâtre en province : les Mémoires et confessions d’un comédien de Jean-Edme Paccard. In: Julian, Thibaut and De Santis, Vincenzo, (eds.) Fièvre et vie du théâtre sous la Révolution française et l’Empire. Encounters, 384 . Paris: Classiques Garnier, pp. 293-310. ISBN 9782406083108

Astbury, Katherine (2008) The success of Marmontel's moral tales on the French stage 1760-1770. In: Cronk, Nicholas, (ed.) Voltaire and the 1760s : essays for John Renwick. Studies on Voltaire and the eighteenth century, Vol.2008 (No.10). Oxford: SVEC. ISBN 9780729409490

Bakola, Emmanuela (2018) Seeing the invisible : interior spaces and uncanny Erinyes in Aeschylus’ Oresteia. In: Kampakoglou, Alexandros and Novokhatko, Anna, (eds.) Gaze, vision and visuality in ancient Greek literature. Trends in Classics , 54 . Berlin ; Boston: Walter de Gruyter GmbH, pp. 163-186. ISBN 9783110571288

Coates, David J. (2019) Mapping London's amateur theatre histories. In: Cochrane, Claire and Robinson, Jo, (eds.) The Methuen Drama Handbook of Theatre History and Historiography. Bloomsbury, pp. 126-138. ISBN 9781350034297

Davis, Jim (2009) Auntie, can you do that? or 'Ibsen in Brixton' : Representing the Victorian theatre through caricature and cartoon. In: Heinrich, Anselm and Newey , Katherine and Richards, Jeffrey, (eds.) Ruskin, the theatre and Victorian visual culture. Basingstoke ; New York: Palgrave Macmillan ; [Bristol] : Arts & Humanities Research Council, pp. 216-238. ISBN 9780230200593

Haedicke, Susan C. (2011) Breaking down the walls : interventionist performance strategies in French street theatre. In: Finburgh, Clare and Lavery, Carl, 1969-, (eds.) Contemporary French Theatre and Performance. Performance interventions . Basingstoke : Palgrave Macmillan, pp. 162-173. ISBN 9780230580510

Haedicke, Susan C. (2009) Documenting the invisible : dramatizing the Algerian Civil War of the 1990s. In: Haedicke, Susan C., (ed.) Political performances : theory and practice. Themes in Theatre - Collective Approaches to Theatre and Performance (No.4). Amsterdam : Rodopi. ISBN 9789042026070

Haedicke, Susan C. (2012) Opéra Pagaï’s entreprise de détournement : collages of geographic, imaginary and discursive spaces. In: Performance and the politics of space : theatre and topology. Routledge Advances in Theatre & Performance Studies . London: Routledge. ISBN 9780415509688

Harpin, Anna (2016) Mute stages : performing silent lives. In: Harpin, Anna R. and Nicholson, Helen, (eds.) Performance and participation practices, audiences, politics. London: Palgrave Macmillan. ISBN 9781137393166

Holdsworth, Nadine (2013) Experimentation and internationalism : David Greig since 2000. In: Reballato, Dan, (ed.) Modern British playwriting : 2000-2009. Decades of modern British playwriting : voices, documents, new interpretations . Methuen. ISBN 9781408129265 (In Press)

Hutchison, Yvette (2010) Post-1990s verbatim theatre in South Africa : exploring an African concept of 'truth'. In: Martin, Carol, 1952-, (ed.) The dramaturgy of the real on the world stage. Studies in international performance . Basingstoke ; New York: Palgrave Macmillan, pp. 61-71. ISBN 9780230220546

Hutchison, Yvette (2009) Verbatim theatre in South Africa : ‘living theatre in a person’s performance’. In: Forsyth, Alison, 1961- and Megson, Christopher, (eds.) Get real : documentary theatre past and present. Performance interventions . Houndmills, Basingstoke, Hampshire [England] ; New York: Palgrave Macmillan, pp. 209-223. ISBN 9780230221154

Jestrovic, Silvija and Meerzon, Yana (2009) Introduction : Framing 'America' - between exilic imaginary and exilic collective. In: Jestrovic, Silvija, 1970- and Meerzon, Yana, (eds.) Performance, exile and 'America'. Studies in international performance . Basingstoke : Palgrave Macmillan, pp. 1-20. ISBN 9780230574564

Neelands, Jonothan (2010) 11/09 - the space in our hearts. In: O'Connor, Peter J., (ed.) Creating democratic citizenship through drama education : the writings of Jonothan Neelands. Stoke on Trent, UK: Trentham Books, pp. 119-130. ISBN 9781858564562

Neelands, Jonothan (2010) Beowulf : a sample lesson. In: O'Connor, Peter J., (ed.) Creating democratic citizenship through drama education : the writings of Jonothan Neelands. Stoke on Trent, UK: Trentham Books, pp. 7-24. ISBN 9781858564562

Neelands, Jonothan (2015) Democratic and participatory theatre for social justice : there has never been a famine in a democracy. But there will be. In: Freebody, Kelly and Finneran, Michael , (eds.) Drama and social justice : theory, research and practice in international contexts. Routledge research in education . Milton Park, Abingdon, Oxon ; New York, NY: Routledge. ISBN 9781138799653

Neelands, Jonothan (2011) Drama as creative learning. In: Sefton-Green, Julian and Thomson, Pat, 1951- and Jones, Ken and Breslar, Liora, (eds.) The Routledge international handbook of creative learning. The Routledge international handbooks series . Abingdon, Oxon ; New York : Routledge. ISBN 9780415548892

Neelands, Jonothan (2009) Getting off the subject: English, drama, media and the commonwealth of powerful culture. In: Manuel, Jacqueline and Brock, P. (Paul) and Carter , D. (Don) and Sawyer, Wayne, (eds.) Imagination, innovation, creativity: re-visioning English education. Sydney: Phoenix Education. ISBN 9781921586194

Neelands, Jonothan (2010) In the hands of living people. In: O'Connor, Peter J., (ed.) Creating democratic citizenship through drama education : the writings of Jonothan Neelands. Stoke on Trent, UK: Trentham Books, pp. 99-113. ISBN 9781858564562

Neelands, Jonothan (2010) Learning through imagined experience. In: O'Connor, Peter J., (ed.) Creating democratic citizenship through drama education : the writings of Jonothan Neelands. Stoke on Trent, UK: Trentham Books, pp. 35-48. ISBN 9781858564562

Neelands, Jonothan (2010) Mirror, dynamo or lens? In: O'Connor, Peter J., (ed.) Creating democratic citizenship through drama education : the writings of Jonothan Neelands. Stoke on Trent, UK: Trentham Books, pp. 143-158. ISBN 9781858564562

Neelands, Jonothan (2010) Mirror, dynamo or lens? Drama, children and social change. In: O'Connor, Peter, Dr., (ed.) Creating Democratic Citizenship through Drama Education: the writings of Jonothan Neelands. Stoke on Trent: Trentham Books. ISBN 9781858564562

Neelands, Jonothan (2010) Structuring to begin. In: O'Connor, Peter J., (ed.) Creating democratic citizenship through drama education : the writings of Jonothan Neelands. Stoke on Trent, UK: Trentham Books, pp. 49-62. ISBN 9781858564562

Neelands, Jonothan (2010) Theatre without walls. In: O'Connor, Peter J., (ed.) Creating democratic citizenship through drama education : the writings of Jonothan Neelands. Stoke on Trent, UK: Trentham Books, pp. 79-98. ISBN 9781858564562

Neelands, Jonothan (2010) The arrival. In: O'Connor, Peter J., (ed.) Creating democratic citizenship through drama education : the writings of Jonothan Neelands. Stoke on Trent, UK: Trentham Books, pp. 159-166. ISBN 9781858564562

Neelands, Jonothan (2010) The art of togetherness. In: O'Connor, Peter J., (ed.) Creating democratic citizenship through drama education : the writings of Jonothan Neelands. Stoke on Trent, UK: Trentham Books, pp. 131-142. ISBN 9781858564562

Neelands, Jonothan (2010) The meaning of drama. In: O'Connor, Peter J., (ed.) Creating democratic citizenship through drama education : the writings of Jonothan Neelands. Stoke on Trent, UK: Trentham Books, pp. 67-78. ISBN 9781858564562

Neelands, Jonothan and Goode, Tony (2010) Theatre as a learning process. In: O'Connor, Peter J., (ed.) Creating democratic citizenship through drama education : the writings of Jonothan Neelands. Stoke on Trent, UK: Trentham Books, pp. 25-34. ISBN 9781858564562

Oliver, Emily (2018) Hamlet and the fall of the Berlin wall : the myth of interventionist Shakespeare performance. In: Mancewicz, Aneta and Joubin , A., (eds.) Local and Global Myths in Shakespearean Performance. Reproducing Shakespeare . Cham: Palgrave Macmillan, pp. 139-154. ISBN 9783319898506

Paraschas, Sotirios (2012) "La contrefaçon spirituelle" : Balzac and the unauthorised stage adaptations of novels. In: Archer, Neil and Weisl-Shaw, Andreea, (eds.) Adaptation : studies in French and francophone culture. Oxford ; New York: Peter Lang, pp. 67-78. ISBN 9783034302227

Petrović, Goran (2018) Reconstructing the bodies : between the politics of order and the politics of disorder. In: Gržinić, Marina and Stojnić, Aneta, (eds.) Shifting Corporealities in Contemporary Performance. Avant-Gardes in Performance . Palgrave Macmillan, pp. 143-163. ISBN 9783319783420

Purcell, Stephen (2022) Playing with the audience in Othello. In: Smith, Simon and Whipday, Emma, (eds.) Playing and Playgoing: Actor, Audience and Performance in Early Modern England. Cambridge : Cambridge University Press.

Purcell, Stephen (2015) Shakespeare, spectatorship, and the “olympic spirit”. In: Prescott, Paul and Sullivan, Erin, (eds.) Shakespeare on the Global Stage. Arden Shakespeare . London: Bloomsbury. ISBN 9781472520340

Reinelt, Janelle G. (2010) Jan Lauwers : performance realities-memory, history, death. In: Delgado, Maria M. and Rebellato, Dan, 1968-, (eds.) Contemporary European theatre directors. London : Routledge, pp. 205-231. ISBN 9780415462501

Reinelt, Janelle G. (2009) On feminist and sexual politics. In: Aston, Elaine and Diamond, Elin, (eds.) The Cambridge companion to Caryl Churchill. Cambridge Collections Online . Cambridge: Cambridge University Press, pp. 18-35. ISBN 9780521493222

Rutter, Carol (1997) Eel pie and ugly sisters in 'King Lear'. In: Ogden, James and Scouten, Arthur H , (eds.) Lear from Study to Stage : Essays in Criticism. Madison: Univ Guelph, pp. 49-63. ISBN 9780838636909

Rutter, Carol Chillington (2018) Dressing the History Boys : Harry's Masks, Falstaff's Underpants. In: Holland, Peter, (ed.) Shakespeare Survey : Re-creating Shakespeare. Cambridge : Cambridge University Press, pp. 113-124. ISBN 9781108470834

Sava, Laura (2008) Adapting (to) the letter : Patrice Chéreau’s Gabrielle. In: Pethő, Ágnes, (ed.) Words and images on the screen : language, literature, moving pictures. Newcastle Upon Tyne: Cambridge Scholars Press, pp. 104-118. ISBN 9781847188434

Sava, Laura (2006) Home as a sound effect : Danica Dakic's installations. In: Ciugureanu, Adina and Irimia, Mihaela and Vlad, Eduard, (eds.) Balkan Cultural Identities. Constanța: Ovidius University Press, pp. 345-354.

Shewring, Margaret (2013) Repertoire of the professional players in Stratford-upon-Avon, 1568-1597. In: Mulryne, J. R., (ed.) The Guild and Guild Buildings of Shakespeare's Stratford : society, religion, school and stage. Farnham, Surrey ; Burlington, VT: Ashgate Publishing, pp. 225-262. ISBN 9781409417668

Shewring, Margaret (2013) The Royal Shakespeare Company at the Swan : the first twenty-five years. In: Holland, Peter, (ed.) Shakespeare Survey 65 : A Midsummer Night's Dream. Shakespeare Survey . Cambridge: Cambridge University Press. ISBN 9781107024519 (In Press)

Shewring, Margaret (2012) Staging Richard II for the new millenium. In: Lopez, Jeremy, (ed.) Richard II : new critical essays. Shakespeare Criticism . Routledge. ISBN 9780415569965

Vickery, Jonathan (2010) Infrastructures : creating FLASH@Hebburn. In: Vickery, Jonathan, (ed.) Flash@Hebburn : urban art in the new century. [S.l.]: Art & Architecture Journal Press. ISBN 9780956519207

Whybrow, Nicolas (2013) Losing Venice : conversations in a sinking city. In: Hopkins, D. J. and Solga, Kim, (eds.) Performance and the global city. Performance Interventions . Basingstoke: Palgrave Macmillan. ISBN 9780230361676

Conference Item

UNSPECIFIED (1997) Concrete poetry - A post-war experiment in visual poetry. In: Conference on Image into Text - Text into Image, ST PATRICKS COLL, MAYNOOTH, IRELAND, SEP, 1995. Published in: TEXT INTO IMAGE : IMAGE INTO TEXT - 1995 INTERDISCIPLINARY BICENTENARY CONFERENCE, 20 pp. 213-219. ISBN 90-420-0153-4. ISSN 0929-6999.

UNSPECIFIED (1995) STAGING AND DATE OF 'PROMETHEUS BOUND'. In: Annual General Meeting of the Classical-Association, UNIV EXETER, EXETER, ENGLAND, APR 05, 1994. Published in: THEATRE HISTORY STUDIES, 15 pp. 219-224. ISSN 0733-2033.

Barrett, Maria (2015) Diversity and social engagement : cultivating a working class theatre audience. In: 23rd ENCATC Annual Conference “The Ecology of Culture: Community Engagement, Co-creation, Cross Fertilization, Lecce , Italy, 22 Oct 2015. Published in: The Ecology of Culture pp. 47-61.

De Martino Cappuccio, Alessandra (2011) Acculturating dialect theatre : Casa Cupiello moves to west Lancashire. In: Naples Crucible of the World 2 : a 'foreign' perspective, University of Parthenope, Naples, 3-4 Jun 2011 (Unpublished)

De Martino Cappuccio, Alessandra (2011) Cultural translation in theatre. Exploring Neapolitan theatre through Eduardo De Filippo. In: Invited Speaker : for the Week of Italian Language, Shanghai International Studies University, 17 Oct 2011 (Unpublished)

De Martino Cappuccio, Alessandra (2010) Translating dialect theatre. In: Translating Theatre. Migrating Text(s), University of Warwick, 12 Jun 2010 (Unpublished)

De Martino Cappuccio, Alessandra (2010) Translating food in Eduardo De Filippo's theatre. In: International Conference : The Role of Theatre in Contemporary Society, University of Westminster, 14-15 May 2010 (Unpublished)

De Martino Cappuccio, Alessandra (2009) Translating for theatre : cultural encounters in Pippo Delbono's theatre. In: Conference on modern/contemporary Italian theatre : beyond Pirandello, Pearson Lecture Theatre, UCL, 23 May 2009 (Unpublished)

De Martino Cappuccio, Alessandra (2010) The multiple faces of Filumena Marturano. Tradition and modernity in Eduardo. In: Naples crucible of the world, Italian Cultural Institute/British Library, London, 29-30 Oct 2010 (Unpublished)

De Martino Cappuccio, Alessandra (2008) The representation of characters in an English adaptation of Napoli milionaria! In: The Tradition of the Actor/Author in Italian Theatre, University of Glasgow, 17-18 Oct 2008 (Unpublished)

De Martino Cappuccio, Alessandra and d'Amora, Mariano (2011) Translating cultures : dialect theatre in twentieth century Italy. The Neapolitan case. In: Italian Department Seminar Series, Italian Department, University of Warwick, 25 Jan 2011 (Unpublished)

Reinelt, Janelle G. (2010) The epistemology of first-person narrative. In: Nineteenth annual conference of the German Society for Contemporary Theatre and Drama in English, Paderborn, 2010. Published in: Narrative in drama : papers given on the occasion of the nineteenth annual conference of the German Society for Contemporary Theatre and Drama in English, Vol.18 pp. 107-120. ISSN 9783868213157.

Salzberg, Rosa Growing like a weed : ballad singers in the communications culture of renaissance Italy. In: Urban Crisis and Communication in Renaissance Italy, University of Sydney, Feb 2010

Salzberg, Rosa Poverty makes me invisible : street singers and the discourse about poverty and wealth in renaissance Italy. In: Renaissance Society of America Annual Meeting, Montreal, Mar 2011

Book

Davis, Jim, 1949- and Smithson, Harriet and Raby, Peter, eds. (2009) Lives of Shakespearian actors II : Edmund Kean, Sarah Siddons and Harriet Smithson by their contemporaries. London: Pickering & Chatto. ISBN 9781851968527 (set)

Jestrovic , Silvija, 1970- and Meerzon, Yana, eds. (2009) Performance, exile and 'America'. Studies in international performance . Basingstoke : Palgrave Macmillan. ISBN 9780230574564

Fricker, Karen and Gluhovic, Milija, eds. (2013) Performing the ‘new’ Europe : identities, feelings and politics in the Eurovision Song Contest. Studies in International Performance . Basingstoke; New York: Palgrave Macmillan Ltd.. ISBN 9780230299924

Haedicke, Susan C., ed. (2009) Political performances : theory and practice. Themes in Theatre - Collective Approaches to Theatre and Performance (No.4). Amsterdam : Rodopi. ISBN 9789042026070

Davis, Jim, 1949-, ed. (2010) Victorian pantomime : a collection of critical essays. Hampshire, U. K. ; New York: Palgrave Macmillan. ISBN 9780230221598

Baines, Roger W., Marinetti, Christina and Perteghella, Manuela (2011) Staging and performing translation : text and theatre practice. Basingstoke, Hampshire: Palgrave Macmillan. ISBN 9780230228191

Gluhovic, Milija (2013) Performing European memories : trauma, ethics, politics. Studies in International Performance . Houndmills, Basingstoke, Hampshire ; New York: Palgrave Macmillan Ltd.. ISBN 9780230297906

Haedicke, Susan C. (2013) Contemporary street arts in Europe : aesthetics and politics. Studies in International Performance . Basingstoke; New York: Palgrave Macmillan Ltd.. ISBN 9780230220263

Harding, James (2013) The ghosts of the avant-garde(s) : exorcising experimental theater and performance. Michigan: University of Michigan Press. ISBN 9780472118748 (In Press)

Holdsworth, Nadine (2011) Joan Littlewood’s theatre. Cambridge studies in modern theatre . Cambridge, UK ; New York: Cambridge University Press. ISBN 9780521119603

Holdsworth, Nadine (2010) Theatre and nation. Theatre& . New York: Palgrave Macmillan. ISBN 9780230218710

Hutchison, Yvette (2013) South African performance and the archive of memory. Manchester: Manchester University Press. ISBN 9780719083730

Jestrovic, Silvija (2013) Performance, space, utopia : cities of war, cities of exile. Studies in International Performance . Basingstoke; New York: Palgrave Macmillan Ltd.. ISBN 9780230292666

Kershaw, Baz and Nicholson, Helen (2011) Research methods in theatre and performance. Research methods for the arts and humanities . Edinburgh : Edinburgh University Press. ISBN 9780748641574

Marston, John (1966) Antonio and Mellida : the first part. Regents Renaissance drama series . London: Edward Arnold.

Marston, John (1966) Antonio's revenge : the second part of 'Antonio and Mellida'. Regents Renaissance drama series . London: Edward Arnold.

Neelands, Jonothan and Dobson, Warwick (2008) Advanced drama and theatre studies. London: Hodder Murray. ISBN 9780340972625

Reinelt, Janelle G. and Hewitt, Gerald (2011) The political theatre of David Edgar : negotiation and retrieval. Cambridge studies in modern theatre . Cambridge: Cambridge University Press. ISBN 9780521509688

Shewring, Margaret (2012) Waterborne pageants and festivities in the renaissance : essays in honour of J. R. Mulryne. European Festival Studies: 1450–1700 . Farnham Surrey: Ashgate Publishing. ISBN 9781409400233

Watanabe, J. and Neelands, Jonothan (2009) Using drama as a medium of instruction. Tokyo: Banseishobo Publications. ISBN 9784893803924

Winston, Joe and Tandy, Miles (2009) Beginning drama 4-11. London: Routledge. ISBN 9780415475839

Journal Item

UNSPECIFIED (1988) THE COMMON IMAGINATION AND THE INDIVIDUAL VOICE + AN INTERVIEW WITH CHURCHILL,CARYL. NEW THEATRE QUARTERLY, 4 (13). pp. 3-16.

UNSPECIFIED (1998) From travelling with Footsbarn to 'Wandertheater' with Ton-und-Kirschen - An interview with the founders of this new theatre company in Germany David Johnston and Margarete Biereye (continuing coverage of Footsbarn, and what happened next). NEW THEATRE QUARTERLY, 14 (56). pp. 299-310.

UNSPECIFIED (1987) PERCEPTIONS OF THE FEMALE ROLE - THE ISTA CONGRESS. NEW THEATRE QUARTERLY, 3 (11). pp. 234-240.

UNSPECIFIED (1985) STRUCTURALISM AND AFTER - TRENDS AND TENDENCIES IN THEATRE-ANALYSIS .1. NEW THEATRE QUARTERLY, 1 (1). pp. 79-82.

UNSPECIFIED (1985) STRUCTURALISM AND AFTER - TRENDS AND TENDENCIES IN THEATRE-ANALYSIS .2. NEW THEATRE QUARTERLY, 1 (2). pp. 205-207.

Cousin, Geraldine (1985) Shakespeare from scratch : the Footsbarn ‘Hamlet’ and ‘King Lear’. New Theatre Quarterly, Volume 1 (Number 1). pp. 105-127. doi:10.1017/S0266464X00001469

Haseman, Brad and Winston, Joe (2010) 'Why be interested?' Aesthetics, applied theatre and drama education. Research in Drama Education, Vol.15 (No.4). pp. 465-475. doi:10.1080/13569783.2010.512182

Holdsworth, Nadine, Milling, Jane and Nicholson, Helen (2017) Theatre, performance and the amateur turn. Contemporary Theatre Review, 27 (1). pp. 4-17. doi:10.1080/10486801.2017.1266229

Hutchison, Yvette and Walder, Dennis (2011) Editorial. Contemporary Theatre Review, Vol.21 (No.1). pp. 3-7. doi:10.1080/10486801.2011.536021

Hutchison, Yvette and Walder, Dennis (2011) Making theatre in Africa : reflections and documents [Editorial]. Contemporary Theatre Review, Volume 21 (Number 1). pp. 3-7. doi:10.1080/10486801.2011.536021

Jestrovic, Silvija (2019) Worksites of the left. Studies in Theatre and Performance, 39 (3). doi:10.1080/14682761.2019.1654307 (In Press)

Kershaw, Baz and Ley, Graham (2008) An editorial of Contemporary Theatre Review. Contemporary Theatre Review, Vol.18 (No.3). pp. 289-292. doi:10.1080/10486800802123658

Lavery, Carl and Whybrow, Nicolas (2012) Editorial Pas de Deux. Performance Research : A Journal of the Performing Arts, Volume 17 (Number 2). pp. 1-10. doi:10.1080/13528165.2012.671086

Mulcahy, Sean (2017) Acting Law | Law Acting : a conversation with Dr Felix Nobis & Prof Gary Watt. Exchanges: the Warwick Research Journal, 4 (2). pp. 189-200.

Mulcahy, Sean (2018) UK parliamentary inquiry turned verbatim musical : a theatre review. Alternative Law Journal, 43 (1). pp. 66-67. doi:10.1177/1037969X17753287

Reinelt, Janelle G. (2010) Generational shifts. Theatre Research International, Vol.35 (No.3). pp. 288-290. doi:10.1017/S0307883310000593

Reinelt, Janelle G. (2007) Is performance studies imperialist? Part 2. TDR, Volume 51 (Number 3). pp. 7-16.

Smith, Bobby (2020) Conclusions/provocations : applied theatre and global/sustainable/development. Research in Drama Education: The Journal of Applied Theatre and Performance, 25 (4). pp. 590-592. doi:10.1080/13569783.2020.1804348

Winston, Joe (2010) Editorial. Research in Drama Education, Vol.15 (No.2). pp. 145-146. doi:10.1080/13569781003700060

Thesis or Dissertation

Alrefaai, Nesrin (2009) An analytical study of Sadallah Wannous’s contribution towards defining an Arabic theatre in the Twentieth Century. PhD thesis, University of Warwick.

Aston, Elaine (1987) Outside the doll's house : a study in images of women in English and French theatre, 1848-1914. PhD thesis, University of Warwick.

Azmy, Hazem M. (2012) Staging Egypt on the global stage : (de)constructing narratives of post-9/11 Egyptian performance realities. PhD thesis, University of Warwick.

Babbage, Frances (2000) Re-visioning myth : feminist strategies in contemporary theatre. PhD thesis, University of Warwick.

Bahrami, Aida (2017) "Spectacles of woe" : Sadean readings of contemporary European drama. PhD thesis, University of Warwick.

Bai, Rongning (1996) Brecht and China : a mutual response. PhD thesis, University of Warwick.

Barrett, Maria (Researcher in theatre studies) (2016) 'Our place' : class, the theatre audience and the Royal Court Liverpool. PhD thesis, University of Warwick.

Belvis Pons, Esther (2012) Trans-formative theatre : living further realities. PhD thesis, University of Warwick.

Benshalom, Yotam (2012) Performing translation : theatrical theory and its relevance to textual transfer. PhD thesis, University of Warwick.

Billing, Christian M. (2000) Fashioning anatomies : figurations of the sexed and gendered body on the early modern English stage. PhD thesis, University of Warwick.

Buonanno, Giovanna (1995) A stage under petticoat government : Italian international actresses in the age of Queen Victoria. PhD thesis, University of Warwick.

Calvert, Dave (2017) Performance, learning disability and the priority of the object : a study of dialectics, dynamism and performativity in the work of learning disabled artists. PhD thesis, University of Warwick.

Cattell, Tracy Catherine (2015) The living language of stage management : an interpretative study of the history and development of professional stage management in the United Kingdom, 1567-1968. PhD thesis, University of Warwick.

Chadwick, Eleanor (2017) Shakespeare, the Middle Ages, and contemporary historically-responsive theatre practice. PhD thesis, University of Warwick.

Charalambous, Chryso (2012) Drama/theatre education for democracy : the role of aesthetic communities. PhD thesis, University of Warwick.

Cho, Seoug-kwan (2014) Shakespeare and the South Korean Stage. PhD thesis, University of Warwick.

Clarke, Jan (1988) The Guénégaud Theatre 1673-1680 and the machine plays of Thomas Corneille. PhD thesis, University of Warwick.

Coates, David James (2017) The development of amateur theatre in Britain in the long nineteenth century, 1789-1914. PhD thesis, University of Warwick.

Cornford, Thomas (2012) The English theatre studios of Michael Chekhov and Michel Saint-Denis, 1935-1965. PhD thesis, University of Warwick.

Crossley, Mark B. A. (2013) Best not to ignore : a critical enquiry into a higher education cine-theatrical pedagogy. PhD thesis, University of Warwick.

Davis, Natasha (2016) Performing migratory identity : practice-as-research on displacement and (Be)Longing. PhD thesis, University of Warwick.

Davis, Tracy C. (1984) Critical and popular reaction to Ibsen in England, 1872-1906. PhD thesis, University of Warwick.

Estrada-Fuentes, María (2017) Performative reintegration : ex-combatants' transitions toward civilian identities in Colombia. PhD thesis, University of Warwick.

Feng, Mengyu (2019) Learning to teach moral education through drama in a Chinese primary school. PhD thesis, University of Warwick.

Finnan, Kevin (2005) A body of work: performance and becoming. PhD thesis, University of Warwick.

Finneran, Michael J. (2008) Critical myths in drama as education. PhD thesis, University of Warwick.

Fowler, Benjamin Brynmor (2015) (Re)directing the text : politics & perception in the work Katie Mitchell & Thomas Ostermeier. PhD thesis, University of Warwick.

Francis, Michael Barrie (2013) Victorian values and the Victorian theatre. PhD thesis, University of Warwick.

Freakley, Vivien (2002) Mapping professional lives: the study of the professionalisation of actors and dancers. PhD thesis, University of Warwick.

French, Claire (2019) Methodologies for mobilising languaging : facilitating dynamic linguistic resources in applied performance praxis. PhD thesis, University of Warwick.

Fryer, Nic (2013) Towards a pedagogy of devised theatre praxis. PhD thesis, University of Warwick.

Gale, Maggie B. (1995) West End women : representations of woman, the female and femininity, in plays by women on the London stage 1918-1962. PhD thesis, University of Warwick.

Gould, Terence (2006) A historical study of the political and religious influences on the Alsatian language theatre. PhD thesis, University of Warwick.

Hampton-Reeves, Stuart (1997) Henry VI in performance : history, culture and Shakespeare reproduced. PhD thesis, University of Warwick.

Hart, Natalie (2013) In-between zones : the impact of class and ethnicity on engagement with the Birmingham Repertory Theatre's youth theatre (The Young REP). PhD thesis, University of Warwick.

Hartwig, David W. (2010) The place of Shakespeare : performing King Lear and The tempest in an endangered world. PhD thesis, University of Warwick.

Hatfull, Ronan (2018) ‘The other RSC’: the history and legacy of the Reduced Shakespeare Company. PhD thesis, University of Warwick.

Heron, Jonathan (2015) A different kind of failure : towards a model of experimental theatre as transdisciplinary performance. PhD thesis, University of Warwick.

Hida, Norifumi (2013) Reconsidering hyogen education in Japan : drama for the whole person in the twenty-first century. PhD thesis, University of Warwick.

Holden, Michael Derrick (2020) The London theatre business in the late sixteenth century. PhD thesis, University of Warwick.

Holmwood, Clive (2012) An investigation into the space where drama education and dramatherapy meet. What does this mean in conceptual and practical terms for practitioner and participant? PhD thesis, University of Warwick.

Hopkins, Lisa (1986) John Ford and his circle : coterie values and the language of Ford's theatre. PhD thesis, University of Warwick.

Hudson, Julie Patricia (2017) The environment on stage: scenery or shapeshifter? PhD thesis, University of Warwick.

Irish, Tracy (2016) Possible Shakespeares : the educational value of working with Shakespeare through theatre-based practice. PhD thesis, University of Warwick.

James, Dafydd (2011) Queer moments : the profound politics of performance. PhD thesis, University of Warwick.

Johnson, David Vivian (2001) The history, theatrical performance work and achievements of Talawa Theatre Company 1986-2001. PhD thesis, University of Warwick.

Keenan, Siobhan (1999) Provincial playing places and performances in early modern England, 1559-1625. PhD thesis, University of Warwick.

King, Rachel E. (2013) Processes of 'positive multiculturalism' in practice : an extended case study with Warwick Arts Centre (WAC). PhD thesis, University of Warwick.

Kitchen, Jennifer (2018) Power of play: facilitating ensemble ‘third space’ for active citizenship in Shakespeare education. PhD thesis, University of Warwick.

Komporaly, Jozefina (2001) Configurations of mothering in post-war British women's playwriting. PhD thesis, University of Warwick.

Kritsis, Konstantinos (2013) Exploring theatre translation : the translator of the stage in the case of a Stanislavskian actor. PhD thesis, University of Warwick.

Kuksa, Iryna (2007) Scenography and new media technologies: history, educational applications and visualization techniques. PhD thesis, University of Warwick.

Lamb, Charles (1992) Irrational theatre : the challenge posed by the plays of Howard Barker for contemporary performance theory and practice. PhD thesis, University of Warwick.

Lee, Hye-Kyung (2003) Reinventing the non-profit theatre: a study of the growth of educational work in British non-profit theatres from the 1990s to the present. PhD thesis, University of Warwick.

Lich-Knight, Lynda (1986) Reconstruction in the West German theatre : from the "Stunde Null" to the currency reform. PhD thesis, University of Warwick.

Liu, Jing (Researcher in Business Studies) (2010) An exploratory study of situated learning phenomenon in two theatre producing companies in the UK. PhD thesis, University of Warwick.

Lo, Chia-Yu (2013) Using participatory drama to teach Chinese stories in British primary schools. PhD thesis, University of Warwick.

Louro, Maria Filomena Pereira Rodrigues (1991) The Drama of J.M. Synge : a challenge to the ideology and myths of Irishness. PhD thesis, University of Warwick.

Marsh, Patrick (1973) The theatre in Paris during the German occupation, 1940-1944, with special reference to the Comédie-Française. PhD thesis, University of Warwick.

McGowan, Jack (2016) Slam the book: the role of performance in contemporary UK poetics. PhD thesis, University of Warwick.

Merkin, Ros (1993) The theatre of the organised working class 1830-1930. PhD thesis, University of Warwick.

Mohamed, Noorlinah (2013) At the nexus between theatre and education : a study of theatre artists' teaching practices. PhD thesis, University of Warwick.

Moyo, Awelani L. (2013) Re-tracing invisible maps : landscape in and as performance in contemporary South Africa. PhD thesis, University of Warwick.

Musset, Anne (2016) Stage costume and the representation of history in Britain, 1776-1834. PhD thesis, University of Warwick.

Park, Kyung Ran (1998) Philomela and her sisters : explorations of sexual violence in plays by British contemporary women dramatists. PhD thesis, University of Warwick.

Pedley, Catherine (2003) Dualities: the female performer and the popular stage in late nineteenth-century Paris. PhD thesis, University of Warwick.

Penlington, Amanda Jane (2001) 'A little easy and modern for the times' : a documentary of productions of Ben Jonson's plays by major professional theatre companies in England, 1977-2000. PhD thesis, University of Warwick.

Penny, Sarah (2018) Stages of the sea:20th century theatrical entertainment in the Royal Navy. PhD thesis, University of Warwick.

Pigkou-Repousi, Myrto (2012) Ensemble theatre and citizenship education : how ensemble theatre contributes to citizenship education. PhD thesis, University of Warwick.

Pilcher, Katy Elizabeth Mary (2012) Erotic dancing in night-time leisure venues : a sociological study of erotic dance performers and customers. PhD thesis, University of Warwick.

Poltrack, Emma (2015) The history and working practices of the Propeller Theatre Company (1997-2011). PhD thesis, University of Warwick.

Richards, Mary Elizabeth, Ph.D. (2002) Resisting the limits of the performing body. PhD thesis, University of Warwick.

Rissmann, Jeannette (2013) Dialect, drama and translation : a socio-cultural investigation into the factors influencing the choice of strategies in German-speaking Europe. PhD thesis, University of Warwick.

Rosa, Marco Antonio Camarotti (1995) The nature, roots and relevance of the folk theatre of the north-east of Brazil. PhD thesis, University of Warwick.

Sava, Laura (2011) Intermedial encounters : the representation of theatre in film. PhD thesis, University of Warwick.

Shah, Shahnaz Mohd Baldev (2020) Theatre and education in Malaysia’s public universities : a case study of the MAKUM theatre festival. PhD thesis, University of Warwick.

Sheeha, Iman (2013) Staging the servant : an examination of the roles of household servants in early modern domestic tragedy. PhD thesis, University of Warwick.

Skwirblies, Lisa (2017) Theatres of colonialism: theatricality, coloniality, and performance in the German Empire, 1884-1914. PhD thesis, University of Warwick.

Stock, Robert P. (2018) Do you hear what I hear? : inferring voice in celebrity translation in the theatre. PhD thesis, University of Warwick.

Temple, Emily (2017) Not quite in the thick of things: the liminal space between the ethnographic researcher and the applied theatre practitioner. PhD thesis, University of Warwick.

Thomas, Sita Chandra (2017) ‘In search of a new national story’: Issues of cultural diversity in the casting and performance of Shakespeare in Britain 2012–2016. PhD thesis, University of Warwick.

Townsend, Joanna Kate (1999) Speaking the body, representing the self : hysterical rhetoric on stage. PhD thesis, University of Warwick.

Tungtang, Paradee (2011) Shakespeare in Thailand. PhD thesis, University of Warwick.

Turbide, Johanne (1997) Management accounting systems and the exercise of interpersonal power in organizations: observations from an 'accounting free' zone : the case of not-for-profit performing arts organisations. PhD thesis, University of Warwick.

Turner, Elaine (1991) Applying the anthropological model, "cultural bias" to the drama, using tragedy as an example. PhD thesis, University of Warwick.

Turner, Rachael Lucy (2000) Myth, biography and the female role in the plays of Pam Gems. PhD thesis, University of Warwick.

Wei, Shu-Mei (2003) Unpacking identities: performing diasporic space in contemporary Taiwanese theatre. PhD thesis, University of Warwick.

Wilson, James Andrew (2013) Performance after collaboration : authorship in the social turn. PhD thesis, University of Warwick.

Woddis, Jane (2005) Spear-carriers or speaking parts?: arts practitioners in the cultural policy process. PhD thesis, University of Warwick.

Yagi, Naoko (1999) Towards a definition of performance improvisation. PhD thesis, University of Warwick.

Yun, Hunam (2010) Appropriations of Irish drama by modern Korean nationalist theatre : a focus on the influence of Sean O’Casey in a colonial context. PhD thesis, University of Warwick.

Zammar, Leila (2017) Scenography at the Barberini court in Rome : 1628-1656. PhD thesis, University of Warwick.

Zefferino, Melanie (2014) Dramatic figures in the Venetian Republic : performance, patronage, and puppets. PhD thesis, University of Warwick.

Book Review

UNSPECIFIED (1992) ACTING WOMEN - IMAGES OF WOMEN IN THEATER - FERRIS,L. SHAKESPEARE QUARTERLY, 43 (3). pp. 382-384. ISSN 0037-3222

UNSPECIFIED (1991) BERNHARDT,SARAH, A FRENCH ACTRESS ON THE ENGLISH STAGE - ASTON,E. THEATRE RESEARCH INTERNATIONAL, 16 (2). pp. 157-159. ISSN 0307-8833

UNSPECIFIED (1997) British drama, 1660-1779: A critical history - Kavenik,FM. COMPARATIVE DRAMA, 31 (2). pp. 309-312. ISSN 0010-4078

UNSPECIFIED (1991) THE COMMEDIA-DELL-ARTE FROM THE RENAISSANCE TO FO,DARIO - CAIRNS,C. THEATRE RESEARCH INTERNATIONAL, 16 (2). pp. 155-156. ISSN 0307-8833

UNSPECIFIED (1991) CONTEMPORARY APPROACHES TO IBSEN, VOL 6 - HEMMER,B, YSTAD,V. THEATRE RESEARCH INTERNATIONAL, 16 (1). pp. 65-66. ISSN 0307-8833

UNSPECIFIED (1998) Characters and authors in Luigi Pirandello. THEATRE RESEARCH INTERNATIONAL, 23 (3). p. 288. ISSN 0307-8833

UNSPECIFIED (1994) GERMAN AND DUTCH THEATER, 1600-1848 - BRANDT,GW, HOGENDOORN,W. THEATRE RESEARCH INTERNATIONAL, 19 (2). pp. 166-167. ISSN 0307-8833

UNSPECIFIED (2004) Jane Austen and the theatre. THEATRE SURVEY, 45 (1). pp. 141-142. ISSN 0040-5574

UNSPECIFIED (2000) Luigi Pirandello: Contemporary perspectives. THEATRE RESEARCH INTERNATIONAL, 25 (1). pp. 91-92. ISSN 0307-8833

UNSPECIFIED (2004) New readings in theatre history. MODERN DRAMA, 47 (1). pp. 149-151. ISSN 0026-7694

UNSPECIFIED (1988) OTHER THEATERS - THE DEVELOPMENT OF ALTERNATIVE AND EXPERIMENTAL THEATER IN BRITAIN - DAVIES,A. THEATRE RESEARCH INTERNATIONAL, 13 (3). pp. 299-300. ISSN 0307-8833

UNSPECIFIED (1989) PERFORMANCE - HILTON,J. THEATRE RESEARCH INTERNATIONAL, 14 (1). pp. 105-107. ISSN 0307-8833

UNSPECIFIED (1996) PLAYERS OF SHAKESPEARE, VOL 13 - JACKSON,R, SMALLWOOD,R. ESSAYS IN THEATRE-ETUDES THEATRALES, 14 (2). pp. 177-179. ISSN 0821-4425

UNSPECIFIED (1991) PORTRAIT OF TERRY,ELLEN - CHESHIRE,DF. THEATRE RESEARCH INTERNATIONAL, 16 (2). pp. 157-159. ISSN 0307-8833

UNSPECIFIED (1994) PRESENCE AND RESISTANCE - POSTMODERNISM AND CULTURAL POLITICS IN CONTEMPORARY AMERICAN PERFORMANCE - AUSLANDER,P. TDR-THE DRAMA REVIEW-A JOURNAL OF PERFORMANCE STUDIES, 38 (2). pp. 181-183. ISSN 1054-2043

UNSPECIFIED (1986) PRODUCIBLE INTERPRETATION, 8 ENGLISH PLAYS, 1675-1707 - MILHOUS,J, HUME,RD. COMPARATIVE DRAMA, 20 (2). pp. 187-189. ISSN 0010-4078

UNSPECIFIED (1994) REGICIDE AND RESTORATION, ENGLISH TRAGICOMEDY, 1660-1671 - MAGUIRE,NK. COMPARATIVE DRAMA, 28 (2). pp. 257-259. ISSN 0010-4078

UNSPECIFIED (1993) A REGISTER OF ENGLISH THEATRICAL DOCUMENTS 1660-1737 - MILHOUS,J, HUME,RD. COMPARATIVE DRAMA, 26 (4). pp. 377-379. ISSN 0010-4078

UNSPECIFIED (1992) RESTORATION AND GEORGIAN ENGLAND, 1660-1788 - THOMAS,D, HARE,A. COMPARATIVE DRAMA, 26 (1). pp. 76-77. ISSN 0010-4078

UNSPECIFIED (1988) RESTORATION COMEDY IN PERFORMANCE - STYAN,JL. COMPARATIVE DRAMA, 22 (2). pp. 174-176. ISSN 0010-4078

UNSPECIFIED (1994) THE SEMIOTICS OF THEATER - FISCHERLICHTE,E. THEATRE RESEARCH INTERNATIONAL, 19 (2). pp. 182-183. ISSN 0307-8833

UNSPECIFIED (2001) Shakespeare and race. ESSAYS IN THEATRE-ETUDES THEATRALES, 19 (2). pp. 169-171. ISSN 0821-4425

UNSPECIFIED (1998) Shakespeare and the authority of performance. ESSAYS IN THEATRE-ETUDES THEATRALES, 17 (1). pp. 77-79. ISSN 0821-4425

UNSPECIFIED (1994) THEATER AND PERFORMANCE IN AUSTRIA FROM MOZART TO JELINEK - ROBERTSON,R, TIMMS,E. THEATRE RESEARCH INTERNATIONAL, 19 (2). p. 170. ISSN 0307-8833

UNSPECIFIED (1996) Theatre and signification - French - Kowzan,T. THEATRE RESEARCH INTERNATIONAL, 21 (2). pp. 181-182. ISSN 0307-8833

UNSPECIFIED (1997) Theatre in Vienna: A critical history 1776-1995 - Yates,WE. THEATRE RESEARCH INTERNATIONAL, 22 (2). pp. 172-173. ISSN 0307-8833

UNSPECIFIED (1996) Theatre semiotics - French - Kowzan,T. THEATRE RESEARCH INTERNATIONAL, 21 (2). pp. 181-182. ISSN 0307-8833

UNSPECIFIED (2001) Transforming Shakespeare: Contemporary women's re-visions in literature and performance. SHAKESPEARE QUARTERLY, 52 (4). pp. 505-508. ISSN 0037-3222

UNSPECIFIED (2005) The censorship of British drama 1900-1968. MODERN DRAMA, 48 (1). pp. 204-206. ISSN 0026-7694

UNSPECIFIED (2001) The culture of playgoing in Shakespeare's England: A collaborative debate. ESSAYS IN THEATRE-ETUDES THEATRALES, 20 (1). pp. 67-69. ISSN 0821-4425

Allan, Sean (1995) Review of Kleist on stage, 1804-1987, by Reeve, W.C. Journal of European Studies, Vol.25 (No.1). pp. 96-97. ISSN 0047-2441

Caesar, Ann (2010) Review of Living masks: the achievement of Pirandello, by Mariani, U. Modern Drama, Vol.53 (No.1). pp. 124-126. ISSN 0026-7694

Davis, Jim (2008) A Review of: Fantasies of Empire: the Empire Theatre of Varieties and the licensing controversy of 1894 by Donohue, J.W. Theatre Journal , Vol.60 (No.3). pp. 495-496. ISSN 0192-2882

Holdsworth, Nadine (2008) Review of : Impossible plays : adventures with the Cottesloe Company, by Dewhurst, K. and Shepherd, J. Theatre Research International, Volume 33 (Number 2). pp. 218-219. ISSN 0307-8833

Holdsworth, Nadine (2008) Review of : Taking stock : the theatre of Max Stafford Clark, by Stafford-Clark, M. and Roberts, P. Theatre Research International, Volume 33 (Number 2). pp. 218-219. ISSN 0307-8833

Howard, Tony (2008) Review of: This wide and universal theater : Shakespeare in performance, then and now, by Bevington, D.M. Journal of British Studies, Volume 47 (Number 2). pp. 413-414. ISSN 0021-9371

Kershaw, Baz (2007) Review of 'Performing consumers' : global capital and its theatrical seductions by Wickstrom, M. Modern Drama, Volume 50 (Number 3). pp. 470-472. ISSN 0026-7694

Kershaw, Baz (2011) Review of: Theatre, facilitation and nation formation in the Balkans and Middle East, by Sonja Arsham Kuftinec. Theatre Survey, Volume 52 (Number 2). pp. 378-380. ISSN 0040-5574

Lorch, Jennifer (2008) A Review of: An art couple : Coppia d'arte: Dario Fo e Franca Rame. Con dipinti, testimonianze e dichiarazioni inedite, by D'Angeli, C. and Soriani, S. Modern Language Review, Volume 103 (Part 2). pp. 564-565. ISSN 0026-7937

Mulcahy, Sean (2017) Review of Theatre & Law by Read, Alan. Alternative Law Journal, 42 (1). pp. 81-82. ISSN 2398-9084

Osbourne, John (1998) The plays of Heinrich von Kleist: Ideals and illusions. THEATRE RESEARCH INTERNATIONAL, 23 (1). pp. 82-83. ISSN 0307-8833

Raffield, Paul (2012) Review of Inns of Court edited by Nelson, A. H and Elliott, J. R. Renaissance Quarterly, Vol.65 (No.4). pp. 1327-1329. ISSN 0034-4338

Reinelt, Janelle G. (2009) Review of It, by Roach, J. R. TDR: The Journal of Performance Studies, Vol.53 (No.1). pp. 151-153. ISSN 1054-2043