Journal Article

UNSPECIFIED. (1983) APPIA,ADOLPHE AND EURHYTHMICS. MASKE UND KOTHURN, 29 (1-4). pp. 141-152. ISSN 0025-4606

UNSPECIFIED. (1985) ARNOTT,JAMES - IN-MEMORIAM. NEW THEATRE QUARTERLY, 1 (1). p. 128. ISSN 0266-464X

UNSPECIFIED. (1985) AUDIENCE DISRUPTION IN THE THEATER OF THE WEIMAR-REPUBLIC. NEW THEATRE QUARTERLY, 1 (3). pp. 283-291. ISSN 0266-464X

UNSPECIFIED. (1982) BECKETT DRAMATIC COUNTERPOINT, A READING OF 'PLAY'. JOURNAL OF BECKETT STUDIES (9). pp. 25-41. ISSN 0309-5207

UNSPECIFIED. (1988) BROTHERS IN SUFFERING AND JOY, THE APPIA-CRAIG CORRESPONDENCE. NEW THEATRE QUARTERLY, 4 (15). pp. 268-288. ISSN 0266-464X

UNSPECIFIED. (1997) Behind the arras, through the wall: Wajda's 'Hamlet' in Krakow, 1989. NEW THEATRE QUARTERLY, 13 (49). pp. 53-68. ISSN 0266-464X

UNSPECIFIED. (1997) Body and ritual in Farquhar. COMPARATIVE DRAMA, 31 (3). pp. 414-435. ISSN 0010-4078

UNSPECIFIED. (1984) THE CASE OF THE RECUSANT ACROBAT + LEYOUNG,TOWSTAN. THEATRE NOTEBOOK, 38 (1). pp. 37-41. ISSN 0040-5523

UNSPECIFIED. (1986) CIBBER AND VANBRUGH, LANGUAGE, PLACE, AND SOCIAL-ORDER IN 'LOVES LAST SHIFT'. COMPARATIVE DRAMA, 20 (4). pp. 287-304. ISSN 0010-4078

UNSPECIFIED. (1983) COUNTERPOINT, ABSENCE AND THE MEDIUM IN BECKETT 'NOT I'. MODERN DRAMA, 26 (4). pp. 407-414. ISSN 0026-7694

UNSPECIFIED. (2002) Discovering Mary Arden's house: Property and society in Wilmcote, Warwickshire. SHAKESPEARE QUARTERLY, 53 (1). pp. 53-82. ISSN 0037-3222

UNSPECIFIED. (1995) EEL PIE AND UGLY SISTERS IN 'KING LEAR' .1. ESSAYS IN THEATRE-ETUDES THEATRALES, 13 (2). pp. 135-158. ISSN 0821-4425

UNSPECIFIED. (1995) EEL PIE AND UGLY SISTERS IN 'KING LEAR' .2. ESSAYS IN THEATRE-ETUDES THEATRALES, 14 (1). pp. 49-63. ISSN 0821-4425

UNSPECIFIED. (1990) FEMME FATALE AS SCAPEGOAT, THE MODERNITY OF DESCLEE,AIMEE. NEW THEATRE QUARTERLY, 6 (24). pp. 365-378. ISSN 0266-464X

UNSPECIFIED. (1993) FOOTSBARN, FROM A TRIBAL 'MACBETH' TO AN INTERCULTURAL 'DREAM'. NEW THEATRE QUARTERLY, 9 (33). pp. 16-30. ISSN 0266-464X

UNSPECIFIED. (1989) GAMES IN EDUCATION AND THEATER. NEW THEATRE QUARTERLY, 5 (19). pp. 227-235. ISSN 0266-464X

UNSPECIFIED. (1991) HELENAS CHOOSING - WRITING THE COUPLETS IN A CHOREOGRAPHY OF DISCONTINUITY ('ALLS WELL THAT ENDS WELL' 2-3). ESSAYS IN THEATRE-ETUDES THEATRALES, 9 (2). pp. 121-139. ISSN 0821-4425

UNSPECIFIED. (1997) Harrison, Herakles, and wailing women: 'Labourers' at Delphi. NEW THEATRE QUARTERLY, 13 (50). pp. 133-143. ISSN 0266-464X

UNSPECIFIED. (1997) 'Identity - Even if it is a fantasy': the work of Carran Waterfield. NEW THEATRE QUARTERLY, 13 (51). pp. 231-247. ISSN 0266-464X

UNSPECIFIED. (2001) An Iranian passion play: 'Taziyeh' in history and performance. NEW THEATRE QUARTERLY, 17 (65). pp. 54-66. ISSN 0266-464X

UNSPECIFIED. (1989) JAGRAN, THEATER FOR EDUCATION AND DEVELOPMENT + ASSESSMENT, INTERVIEW AND SCENARIOS FROM THE INDIAN MIME COMPANY. NEW THEATRE QUARTERLY, 5 (18). pp. 124-139. ISSN 0266-464X

UNSPECIFIED. (1994) THE LIVING MONUMENT - SELF AND STAGE IN THE CRITICISM AND SCHOLARSHIP OF BRADBROOK,M.C. SHAKESPEARE SURVEY - AN ANNUAL SURVEY OF SHAKESPEARE STUDIES AND PRODUCTION, VOL 47, 47 . pp. 107-116. ISSN 0080-9152

UNSPECIFIED. (1987) THE MAGDALENA-EXPERIMENT, NEW DIRECTIONS IN WOMENS THEATER. DRAMA REVIEW, 31 (4). pp. 10-17. ISSN 0012-5962

UNSPECIFIED. (1982) THE MEININGER-COMPANY AND ENGLISH SHAKESPEARE. SHAKESPEARE SURVEY (35). 13-&. ISSN 0080-9152

UNSPECIFIED. (1987) NAMING AND ENTITLEMENT IN WYCHERLEY, ETHEREGE, AND DRYDEN + CHIEF DRAMATISTS OF 1670S ENGLAND. COMPARATIVE DRAMA, 21 (3). pp. 259-289. ISSN 0010-4078

UNSPECIFIED. (1985) ORWELL 'ANIMAL FARM'. THEATER, 16 (2). pp. 30-31. ISSN 0161-0775

UNSPECIFIED. (1984) PATRONAGE, PLEASURE AND PROFIT, A STUDY OF THE THEATRE-ROYAL, LEICESTER 1847-1900. THEATRE NOTEBOOK, 38 (2). pp. 77-88. ISSN 0040-5523

UNSPECIFIED. (1986) A PIECE-OF-OUR-LIFE, THE THEATRE-OF-THE-EIGHTH-DAY + COLLAGE OF INTERVIEWS. NEW THEATRE QUARTERLY, 2 (8). pp. 291-305. ISSN 0266-464X

UNSPECIFIED. (1983) THE PIP-SIMMONS-COMPANY. MASKE UND KOTHURN, 29 (1-4). pp. 206-211. ISSN 0025-4606

UNSPECIFIED. (1987) PIRANDELLO DEBUT AS DIRECTOR - THE OPENING OF THE TEATRO-DARTE. NEW THEATRE QUARTERLY, 3 (12). pp. 349-351. ISSN 0266-464X

UNSPECIFIED. (1995) RE-CASTING THE PHAEDRA SYNDROME, MYTH AND MORALITY IN WERTENBAKER,TIMBERLAKE THE 'LOVE OF THE NIGHTINGALE'. MODERN DRAMA, 38 (4). pp. 510-519. ISSN 0026-7694

UNSPECIFIED. (1987) REINHARDTS 'MIRACLE' AT OLYMPIA, A RECORD AND A RECONSTRUCTION. NEW THEATRE QUARTERLY, 3 (9). pp. 3-23. ISSN 0266-464X

UNSPECIFIED. (2003) Remembering John McGrath. CONTEMPORARY THEATRE REVIEW, 13 (1). pp. 111-114. ISSN 1026-7166

UNSPECIFIED. (1997) Revisiting the Prozorovs + Chekhov, 'Three Sisters'. MODERN DRAMA, 40 (3). pp. 325-336. ISSN 0026-7694

UNSPECIFIED. (1985) SCHNEIDER,ALAN - IN-MEMORIAM. NEW THEATRE QUARTERLY, 1 (1). p. 128. ISSN 0266-464X

UNSPECIFIED. (1985) SHAKESPEARE 'HAMLET'. NEW THEATRE QUARTERLY, 1 (1). 108-&. ISSN 0266-464X

UNSPECIFIED. (1985) SHAKESPEARE 'KING LEAR'. NEW THEATRE QUARTERLY, 1 (1). 116-&. ISSN 0266-464X

UNSPECIFIED. (1994) SHAKESPEARE, HIS DESIGNERS, AND THE POLITICS OF COSTUME - HANDING OVER CRESSIDAS GLOVE. ESSAYS IN THEATRE-ETUDES THEATRALES, 12 (2). pp. 107-128. ISSN 0821-4425

UNSPECIFIED. (1989) STRUGGLING WITH THE PAST, WOMENS THEATER IN SEARCH OF A HISTORY. NEW THEATRE QUARTERLY, 5 (18). pp. 107-112. ISSN 0266-464X

UNSPECIFIED. (2000) Seamus Heaney, Colonialism, and the cure - Sophoclean re-visions (The 'Cure at Troy', the poet's version of Sophocles' 'Philoctetes'). PAJ-A JOURNAL OF PERFORMANCE AND ART (66). 1-+. ISSN 0735-8393

UNSPECIFIED. (1998) Sex, censorship, and 'Salome' in 1968: Or, "I'm not allowed to take my clothes off!". THEATER, 28 (3). pp. 51-60. ISSN 0161-0775

UNSPECIFIED. (1998) Snatched bodies; Ophelia in the grave (Three representations of Ophelia on film, Olivier, Kozintsev and Zeffirelli). SHAKESPEARE QUARTERLY, 49 (3). pp. 299-319. ISSN 0037-3222

UNSPECIFIED. (1986) THE TOURING OF THE SHREW + STAGING SHAKESPEARE THE 'TAMING OF THE SHREW'. NEW THEATRE QUARTERLY, 2 (7). pp. 275-281. ISSN 0266-464X

UNSPECIFIED. (2003) Travelling across borders: Re-imagining the nation and nationalism in contemporary Scottish theatre. CONTEMPORARY THEATRE REVIEW, 13 (2). pp. 25-39. ISSN 1026-7166

UNSPECIFIED. (1987) VANBRUGH AND CIBBER, LANGUAGE, PLACE, AND SOCIAL-ORDER IN THE 'RELAPSE'. COMPARATIVE DRAMA, 21 (1). pp. 62-83. ISSN 0010-4078

UNSPECIFIED. (2002) Virtuality and performativity - Recreating Rome's Theatre of Pompey. PAJ-A JOURNAL OF PERFORMANCE AND ART (70). pp. 25-43. ISSN 1520-281X

UNSPECIFIED. (1988) WHEN THE KISSING STOPPED AND WHAT HAPPENED NEXT + A PRACTICAL TEXTBOOK ON THE USES OF GAME-PLAYING FOR ACTORS. NEW THEATRE QUARTERLY, 4 (14). pp. 144-151. ISSN 0266-464X

UNSPECIFIED. (1994) WILDE INTERPRETATIONS + THEATER CRITICISM. MODERN DRAMA, 37 (1). pp. 156-174. ISSN 0026-7694

UNSPECIFIED. (1987) WOMEN EXPERIMENT WITH THEATER - MAGDALENA-86. NEW THEATRE QUARTERLY, 3 (11). pp. 224-234. ISSN 0266-464X

UNSPECIFIED. (2000) A computer reconstruction of Richelieu's Palais Cardinal Theatre, 1641 (Among the first purpose-built proscenium theatres in France). THEATRE RESEARCH INTERNATIONAL, 25 (3). pp. 233-247. ISSN 0307-8833

UNSPECIFIED. (1999) The design of the Theatre du Marais and Wren's Theatre Royal, Drury Lane: A computer-based investigation. THEATRE NOTEBOOK, 53 (3). pp. 127-145. ISSN 0040-5523

Allan, Sean and Griffiths, Elystan. (2011) Introduction. Heinrich von Kleist : performance and performativity. German Life and Letters, Vol.64 (No.3). pp. 327-336. ISSN 0016-8777

Amine, Khalid, Azmy, Hazem M. and Carlson, Marvin. (2010) IFTR's Arabic theatre working group. Theatre Research International, Vol.35 (No.3). pp. 263-274. ISSN 0307-8833

Ben-Shaul, Daphna, Kanner, Ruth, Reinelt, Janelle G. and Rokem, Freddie. (2010) Capturing moments of misperformance "local tales". Performance Research, Vol.15 (No.2). pp. 66-73. ISSN 1352-8165

Chillington Rutter, Carol. (2006) Facing history, facing now : Deborah Warner's Julius Caesar at the Barbican Theatre. Shakespeare Quarterly , Volume 57 (Number 1). pp. 71-85. ISSN 0037-3222

Cohen, Robin. (1981) Migrants on the screen and in the theatre. Newsletter on International Labour Studies (No.10). pp. 24-26.

Cornford, Tom. (2010) Reconstructing theatre: the Globe under Dominic Dromgoole. New Theatre Quarterly, Vol.26 (No.104). pp. 319-328. ISSN 0266-464X

Davis, Jim. (2014) ‘Slap on! Slap ever!’: Victorian pantomime, gender variance, and cross-dressing. New Theatre Quarterly, Volume 30 (Number 3). pp. 218-230. ISSN 0266-464X

Freebody, Kelly. (2013) Talking drama into being : types of talk in drama classrooms. Exchanges: the Warwick Research Journal, Volume 1 (Number 1). ISSN 2053-9665

Gluhovic, Milija. (2010) Exhumations : the return of the dead in Tadeusz Kantor’s Let the Artists Die and in Andrzej Wajda's Katyń. Polish Theatre Perspectives (PTP), Vol.1 (No.1). pp. 227-255. ISSN 2081-4844

Gluhovic, Milija. (2010) Melancholic loss in Harold Pinter’s landscape. Sarajevske Sveske (No.29-30). pp. 265-284. ISSN 1512-8539

Haedicke, Susan. (2015) Co-performance of bodies and buildings : Compagnie Willi Dorner’s bodies in urban spaces and fitting and Asphalt Piloten’s around the block. Theatre Journal, 67 (4). pp. 643-661. ISSN 0192-2882

Haedicke, Susan. (2016) Interrupting a legacy of hatred : Friches Théâtre Urbain's Lieu Commun. Research in Drama Education: The Journal of Applied Theatre and Performance, 21 (2). pp. 161-175. ISSN 1356-9783

Harding, James. (2012) You forgot your double security check. Performance Research, 17 (3). pp. 76-82. ISSN 1352-8165

Holdsworth, Amy. (2008) "Television resurrections" : television and memory. Cinema Journal, Volume 47 (Number 3). pp. 137-144. ISSN 1527-2087

Holdsworth, Nadine. (2016) Performing place, heritage and Henry V in Portsmouth historic dockyard. Contemporary Theatre Review, 26 (2). pp. 196-210. ISSN 1048-6801

Hutchison, Yvette. (2010) The 'Dark Continent' goes north: an exploration of intercultural theatre practice through Handspring and Sogolon Puppet Companies' production of Tall Horse. Theatre Journal , Vol.62 (No.1). pp. 57-73. ISSN 0192-2882

Jestrovic, Silvija. (2008) Semiotics of nonsemiotic performance. Semiotica, Volume 2008 (Number 168). pp. 93-107. ISSN 0037-1998

Kershaw, Baz. (2012) ‘This is the way the world ends, not …?’ : On performance compulsion and climate change. Performance Research, Vol.17 (No.4). pp. 5-17. ISSN 1352-8165

Kirwan, Peter. (2010) “What's past is prologue” : negotiating the authority of tense in reviewing Shakespeare. Shakespeare, Vol.6 (No.3). pp. 337-342. ISSN 1745-0918

. (2011) In memoriam : David Bradby (1942-2011) : liberte, egalite, fraternite. Contemporary Theatre Review, Vol.21 (No.2). pp. 235-252. ISSN 1048-6801

Lewando Hundt, Gillian, Bryanston, Claudette, Lowe, Pam, Cross, Saul, Sandall, Jane and Spencer, Kevin. (2011) Inside ‘Inside view’ : reflections on stimulating debate and engagement through a multimedia live theatre production on the dilemmas and issues of pre-natal screening policy and practice. Health Expectations, Vol.14 (No.1). pp. 1-9. ISSN 1369-6513

Minors, Anne and Harvey, Carlo. (2015) Influence of active listening on eye movements while viewing images of concert halls. Psychomusicology: Music, Mind, and Brain, 25 (3). pp. 345-354. ISSN 0275-3987

Neelands, Jonothan. (2009) Acting together: ensemble as a democratic process in art and life. Research in Drama Education: The Journal of Applied Theatre and Performance, Vol.14 (No.2). pp. 173-189. ISSN 1356-9783

Neelands, Jonothan. (2007) Taming the political: the struggle over recognition in the politics of applied theatre. Research in Drama Education, Vol.12 (No.3). pp. 305-317. ISSN 1356-9783

Neelands, Jonothan. (2009) The art of togetherness: reflections on some essential artistic and pedagogic qualities of drama curricula. NJ Drama Australia Journal, Vol.33 (No.1). pp. 9-18. ISSN 1445-2294

Pilcher, Katy Elizabeth Mary. (2011) A ‘sexy space’ for women? Heterosexual women’s experiences of a male strip show venue. Leisure Studies, Volume 30 (Number 2). pp. 217-235. ISSN 0261-4367

Purcell, Stephen. (2016) Editing for performance or documenting performance?: exploring the relationship between early modern text and clowning. Shakespeare Bulletin , 34 (1). pp. 5-27. ISSN 0748-2558

Reinelt, Janelle G.. (2007) Moving around. Theatre Survey, Vol.48 (No.2). pp. 331-338. ISSN 0040-5574

Reinelt, Janelle G.. (2011) Rethinking the public sphere for a global age. Performance Research, Vol.16 (No.2). pp. 16-27. ISSN 1352-8165

Reinelt, Janelle G.. (2007) Selective affinities : British playwrights at work (characterizing a community of playwrights working in Britain). Modern Drama, Volume 50 (Number 3). pp. 305-324. ISSN 0026-7694

Reinelt, Janelle G.. (2006) Toward a poetics of theatre and public events - In the case of Stephen Lawrence. TDR-THE DRAMA REVIEW-A JOURNAL OF PERFORMANCE STUDIES, 50 (3). 69-+. ISSN 1054-2043

Reinelt, Janelle G.. (2007) The limits of censorship. Theatre Research International, Vol.32 (No.1). pp. 3-15. ISSN 0307-8833

Reinelt, Janelle G.. (2011) The performance of political correctness. Theatre Research International, Vol.36 (No.2). pp. 134-147. ISSN 1474-0672

Reinelt, Janelle G.. (2007) The "rehabilitation" of Howard Brenton. TDR: The Journal of Performance Studies, Volume 51 (Number 3). pp. 167-174. ISSN 1054-2043

Reinelt, Janelle G. and Hewitt, Gerald. (2011) David Edgar's Testing the Echo. Race & Class, Vol.53 (No.1). pp. 83-88. ISSN 0306-3968

Roberts, Penny. (1995) Marlowe's The Massacre at Paris: a historical perspective. Renaissance Studies, Vol.9 (No.4). pp. 430-441. ISSN 0269-1213

Sava, Laura. (2011) Théâtre du Soleil meets the cinema : acting and mask work in Ariane Mnouchkine’s Molière. Screening the Past (No.31). ISSN 1328-9756

Sava, Laura. (2010) The problem of film-theatre intermediality in Jesus of Montreal. Excursions, Vol.1 (No.1). pp. 102-122. ISSN 2044-4095

Scheer, Edward. (2008) Australia's post-Olympic apocalypse? PAJ - A Journal of Performance and Art, Vol.30 (No.1 (PAJ 88)). pp. 42-56. ISSN 1520-281X

Scheer, Edward. (2008) The performance of disappearance : Mike Parr's Amerika. TDR: The Journal of Performance Studies, Vol.52 (No.3). pp. 195-201. ISSN 1054-2043

Sharpling, Gerard. (2004) Women's stage? : the role of female characters in Artaud's Theatre of Cruelty. Dalhousie French Studies, 66 . pp. 39-52. ISSN 0711-8813

White, Tim. (2010) Just listening at Cafe Oto. Performance Research, Vol.15 (No.3 Sp. Iss. SI). pp. 15-22. ISSN 1352-8165

Whybrow, Nicolas. (2011) Situation Venice : towards a performative 'ex-planation' of a city. Research in Drama Education: the journal of applied theatre and performance, Vol.16 (No.2). pp. 279-298. ISSN 1356-9783

Wilson, James A. (James Andrew). (2013) City of dreams : social engagement and aesthetic creation in the cultural olympiad. Contemporary Theatre Review, Volume 23 (Number 4). pp. 542-552. ISSN 1048-6801

Winston, Joe, Lo, Chia-yu and Wang, Xiao-di. (2010) Being in a state of crossing : drama education and transnational space. The Journal of Drama and Theatre Education in Asia , Vol.1 (No.1). pp. 7-24. ISSN 2079-960

Book Item

Astbury, Katherine (2008) The success of Marmontel's moral tales on the French stage 1760-1770. In: Cronk, Nicholas, (ed.) Voltaire and the 1760s : essays for John Renwick. Studies on Voltaire and the eighteenth century, Vol.2008 (No.10). Oxford: SVEC. ISBN 9780729409490

Davis, Jim (2009) Auntie, can you do that? or 'Ibsen in Brixton' : Representing the Victorian theatre through caricature and cartoon. In: Heinrich, Anselm and Newey , Katherine and Richards, Jeffrey, (eds.) Ruskin, the theatre and Victorian visual culture. Basingstoke ; New York: Palgrave Macmillan ; [Bristol] : Arts & Humanities Research Council, pp. 216-238. ISBN 9780230200593

Haedicke, Susan (2012) Opéra Pagaï’s entreprise de détournement : collages of geographic, imaginary and discursive spaces. In: Performance and the politics of space : theatre and topology. Routledge Advances in Theatre & Performance Studies . London: Routledge. ISBN 9780415509688

Haedicke, Susan C. (2011) Breaking down the walls : interventionist performance strategies in French street theatre. In: Finburgh, Clare and Lavery, Carl, 1969-, (eds.) Contemporary French Theatre and Performance. Performance interventions . Basingstoke : Palgrave Macmillan, pp. 162-173. ISBN 9780230580510

Haedicke, Susan C. (2009) Documenting the invisible : dramatizing the Algerian Civil War of the 1990s. In: Haedicke, Susan C., (ed.) Political performances : theory and practice. Themes in Theatre - Collective Approaches to Theatre and Performance (No.4). Amsterdam : Rodopi. ISBN 9789042026070

Harpin, Anna (2016) Mute stages : performing silent lives. In: Harpin, Anna R. and Nicholson, Helen, (eds.) Performance and participation practices, audiences, politics. London: Palgrave Macmillan. ISBN 9781137393166

Holdsworth, Nadine (2013) Experimentation and internationalism : David Greig since 2000. In: Reballato, Dan, (ed.) Modern British playwriting : 2000-2009. Decades of modern British playwriting : voices, documents, new interpretations . Methuen. ISBN 9781408129265 (In Press)

Hutchison, Yvette (2010) Post-1990s verbatim theatre in South Africa : exploring an African concept of 'truth'. In: Martin, Carol, 1952-, (ed.) The dramaturgy of the real on the world stage. Studies in international performance . Basingstoke ; New York: Palgrave Macmillan, pp. 61-71. ISBN 9780230220546

Hutchison, Yvette (2009) Verbatim theatre in South Africa : ‘living theatre in a person’s performance’. In: Forsyth, Alison, 1961- and Megson, Christopher, (eds.) Get real : documentary theatre past and present. Performance interventions . Houndmills, Basingstoke, Hampshire [England] ; New York: Palgrave Macmillan, pp. 209-223. ISBN 9780230221154

Jestrovic, Silvija and Meerzon, Yana (2009) Introduction : Framing 'America' - between exilic imaginary and exilic collective. In: Jestrovic, Silvija, 1970- and Meerzon, Yana, (eds.) Performance, exile and 'America'. Studies in international performance . Basingstoke : Palgrave Macmillan, pp. 1-20. ISBN 9780230574564

Neelands, Jonothan (2010) 11/09 - the space in our hearts. In: O'Connor, Peter J., (ed.) Creating democratic citizenship through drama education : the writings of Jonothan Neelands. Stoke on Trent, UK: Trentham Books, pp. 119-130. ISBN 9781858564562

Neelands, Jonothan (2010) Beowulf : a sample lesson. In: O'Connor, Peter J., (ed.) Creating democratic citizenship through drama education : the writings of Jonothan Neelands. Stoke on Trent, UK: Trentham Books, pp. 7-24. ISBN 9781858564562

Neelands, Jonothan (2011) Drama as creative learning. In: Sefton-Green, Julian and Thomson, Pat, 1951- and Jones, Ken and Breslar, Liora, (eds.) The Routledge international handbook of creative learning. The Routledge international handbooks series . Abingdon, Oxon ; New York : Routledge. ISBN 9780415548892

Neelands, Jonothan (2009) Getting off the subject: English, drama, media and the commonwealth of powerful culture. In: Manuel, Jacqueline and Brock, P. (Paul) and Carter , D. (Don) and Sawyer, Wayne, (eds.) Imagination, innovation, creativity: re-visioning English education. Sydney: Phoenix Education. ISBN 9781921586194

Neelands, Jonothan (2010) In the hands of living people. In: O'Connor, Peter J., (ed.) Creating democratic citizenship through drama education : the writings of Jonothan Neelands. Stoke on Trent, UK: Trentham Books, pp. 99-113. ISBN 9781858564562

Neelands, Jonothan (2010) Learning through imagined experience. In: O'Connor, Peter J., (ed.) Creating democratic citizenship through drama education : the writings of Jonothan Neelands. Stoke on Trent, UK: Trentham Books, pp. 35-48. ISBN 9781858564562

Neelands, Jonothan (2010) Mirror, dynamo or lens? In: O'Connor, Peter J., (ed.) Creating democratic citizenship through drama education : the writings of Jonothan Neelands. Stoke on Trent, UK: Trentham Books, pp. 143-158. ISBN 9781858564562

Neelands, Jonothan (2010) Mirror, dynamo or lens? Drama, children and social change. In: O'Connor, Peter, Dr., (ed.) Creating Democratic Citizenship through Drama Education: the writings of Jonothan Neelands. Stoke on Trent: Trentham Books. ISBN 9781858564562

Neelands, Jonothan (2010) Structuring to begin. In: O'Connor, Peter J., (ed.) Creating democratic citizenship through drama education : the writings of Jonothan Neelands. Stoke on Trent, UK: Trentham Books, pp. 49-62. ISBN 9781858564562

Neelands, Jonothan (2010) Theatre without walls. In: O'Connor, Peter J., (ed.) Creating democratic citizenship through drama education : the writings of Jonothan Neelands. Stoke on Trent, UK: Trentham Books, pp. 79-98. ISBN 9781858564562

Neelands, Jonothan (2010) The arrival. In: O'Connor, Peter J., (ed.) Creating democratic citizenship through drama education : the writings of Jonothan Neelands. Stoke on Trent, UK: Trentham Books, pp. 159-166. ISBN 9781858564562

Neelands, Jonothan (2010) The art of togetherness. In: O'Connor, Peter J., (ed.) Creating democratic citizenship through drama education : the writings of Jonothan Neelands. Stoke on Trent, UK: Trentham Books, pp. 131-142. ISBN 9781858564562

Neelands, Jonothan (2010) The meaning of drama. In: O'Connor, Peter J., (ed.) Creating democratic citizenship through drama education : the writings of Jonothan Neelands. Stoke on Trent, UK: Trentham Books, pp. 67-78. ISBN 9781858564562

Neelands, Jonothan and Goode, Tony (2010) Theatre as a learning process. In: O'Connor, Peter J., (ed.) Creating democratic citizenship through drama education : the writings of Jonothan Neelands. Stoke on Trent, UK: Trentham Books, pp. 25-34. ISBN 9781858564562

Paraschas, Sotirios (2012) "La contrefaçon spirituelle" : Balzac and the unauthorised stage adaptations of novels. In: Archer, Neil and Weisl-Shaw, Andreea, (eds.) Adaptation : studies in French and francophone culture. Oxford ; New York: Peter Lang, pp. 67-78. ISBN 9783034302227

Purcell, Stephen (2015) Shakespeare, spectatorship, and the “olympic spirit”. In: Prescott, Paul and Sullivan, Erin, (eds.) Shakespeare on the Global Stage. Arden Shakespeare . London: Bloomsbury. ISBN 9781472520340

Reinelt, Janelle G. (2010) Jan Lauwers : performance realities-memory, history, death. In: Delgado, Maria M. and Rebellato, Dan, 1968-, (eds.) Contemporary European theatre directors. London : Routledge, pp. 205-231. ISBN 9780415462501

Reinelt, Janelle G. (2009) On feminist and sexual politics. In: Aston, Elaine and Diamond, Elin, (eds.) The Cambridge companion to Caryl Churchill. Cambridge Collections Online . Cambridge: Cambridge University Press, pp. 18-35. ISBN 9780521493222

Sava, Laura (2008) Adapting (to) the letter : Patrice Chéreau’s Gabrielle. In: Pethő, Ágnes, (ed.) Words and images on the screen : language, literature, moving pictures. Newcastle Upon Tyne: Cambridge Scholars Press, pp. 104-118. ISBN 9781847188434

Sava, Laura (2006) Home as a sound effect : Danica Dakic's installations. In: Ciugureanu, Adina and Irimia, Mihaela and Vlad, Eduard, (eds.) Balkan Cultural Identities. Constanța: Ovidius University Press, pp. 345-354.

Shewring, Margaret (2013) Repertoire of the professional players in Stratford-upon-Avon, 1568-1597. In: Mulryne, J. R., (ed.) The Guild and Guild Buildings of Shakespeare's Stratford : society, religion, school and stage. Farnham, Surrey ; Burlington, VT: Ashgate Publishing, pp. 225-262. ISBN 9781409417668

Shewring, Margaret (2013) The Royal Shakespeare Company at the Swan : the first twenty-five years. In: Holland, Peter, (ed.) Shakespeare Survey 65 : A Midsummer Night's Dream. Shakespeare Survey . Cambridge: Cambridge University Press. ISBN 9781107024519 (In Press)

Shewring, Margaret (2012) Staging Richard II for the new millenium. In: Lopez, Jeremy, (ed.) Richard II : new critical essays. Shakespeare Criticism . Routledge. ISBN 9780415569965

Vickery, Jonathan (2010) Infrastructures : creating FLASH@Hebburn. In: Vickery, Jonathan, (ed.) Flash@Hebburn : urban art in the new century. [S.l.]: Art & Architecture Journal Press. ISBN 9780956519207

Whybrow, Nicolas (2013) Losing Venice : conversations in a sinking city. In: Hopkins, D. J. and Solga, Kim, (eds.) Performance and the global city. Performance Interventions . Basingstoke: Palgrave Macmillan. ISBN 9780230361676

Conference Item

UNSPECIFIED (1997) Concrete poetry - A post-war experiment in visual poetry. In: Conference on Image into Text - Text into Image, ST PATRICKS COLL, MAYNOOTH, IRELAND, SEP, 1995. Published in: TEXT INTO IMAGE : IMAGE INTO TEXT - 1995 INTERDISCIPLINARY BICENTENARY CONFERENCE, 20 pp. 213-219.

UNSPECIFIED (1995) STAGING AND DATE OF 'PROMETHEUS BOUND'. In: Annual General Meeting of the Classical-Association, UNIV EXETER, EXETER, ENGLAND, APR 05, 1994. Published in: THEATRE HISTORY STUDIES, 15 pp. 219-224.

De Martino Cappuccio, Alessandra (2011) Acculturating dialect theatre : Casa Cupiello moves to west Lancashire. In: Naples Crucible of the World 2 : a 'foreign' perspective, University of Parthenope, Naples, 3-4 Jun 2011 (Unpublished)

De Martino Cappuccio, Alessandra (2011) Cultural translation in theatre. Exploring Neapolitan theatre through Eduardo De Filippo. In: Invited Speaker : for the Week of Italian Language, Shanghai International Studies University, 17 Oct 2011 (Unpublished)

De Martino Cappuccio, Alessandra (2010) Translating dialect theatre. In: Translating Theatre. Migrating Text(s), University of Warwick, 12 Jun 2010 (Unpublished)

De Martino Cappuccio, Alessandra (2010) Translating food in Eduardo De Filippo's theatre. In: International Conference : The Role of Theatre in Contemporary Society, University of Westminster, 14-15 May 2010 (Unpublished)

De Martino Cappuccio, Alessandra (2009) Translating for theatre : cultural encounters in Pippo Delbono's theatre. In: Conference on modern/contemporary Italian theatre : beyond Pirandello, Pearson Lecture Theatre, UCL, 23 May 2009 (Unpublished)

De Martino Cappuccio, Alessandra (2010) The multiple faces of Filumena Marturano. Tradition and modernity in Eduardo. In: Naples crucible of the world, Italian Cultural Institute/British Library, London, 29-30 Oct 2010 (Unpublished)

De Martino Cappuccio, Alessandra (2008) The representation of characters in an English adaptation of Napoli milionaria! In: The Tradition of the Actor/Author in Italian Theatre, University of Glasgow, 17-18 Oct 2008 (Unpublished)

De Martino Cappuccio, Alessandra and d'Amora, Mariano (2011) Translating cultures : dialect theatre in twentieth century Italy. The Neapolitan case. In: Italian Department Seminar Series, Italian Department, University of Warwick, 25 Jan 2011 (Unpublished)

Reinelt, Janelle G. (2010) The epistemology of first-person narrative. In: Nineteenth annual conference of the German Society for Contemporary Theatre and Drama in English, Paderborn, 2010. Published in: Narrative in drama : papers given on the occasion of the nineteenth annual conference of the German Society for Contemporary Theatre and Drama in English, Vol.18 pp. 107-120.

Salzberg, Rosa Growing like a weed : ballad singers in the communications culture of renaissance Italy. In: Urban Crisis and Communication in Renaissance Italy, University of Sydney, Feb 2010

Salzberg, Rosa Poverty makes me invisible : street singers and the discourse about poverty and wealth in renaissance Italy. In: Renaissance Society of America Annual Meeting, Montreal, Mar 2011

Book

Davis, Jim, 1949- and Smithson, Harriet and Raby, Peter, eds. (2009) Lives of Shakespearian actors II : Edmund Kean, Sarah Siddons and Harriet Smithson by their contemporaries. London: Pickering & Chatto. ISBN 9781851968527 (set)

Jestrovic , Silvija, 1970- and Meerzon, Yana, eds. (2009) Performance, exile and 'America'. Studies in international performance . Basingstoke : Palgrave Macmillan. ISBN 9780230574564

Fricker, Karen and Gluhovic, Milija, eds. (2013) Performing the ‘new’ Europe : identities, feelings and politics in the Eurovision Song Contest. Studies in International Performance . Basingstoke; New York: Palgrave Macmillan Ltd.. ISBN 9780230299924

Haedicke, Susan C., ed. (2009) Political performances : theory and practice. Themes in Theatre - Collective Approaches to Theatre and Performance (No.4). Amsterdam : Rodopi. ISBN 9789042026070

Davis, Jim, 1949-, ed. (2010) Victorian pantomime : a collection of critical essays. Hampshire, U. K. ; New York: Palgrave Macmillan. ISBN 9780230221598

Baines, Roger W., Marinetti, Christina and Perteghella, Manuela (2011) Staging and performing translation : text and theatre practice. Basingstoke, Hampshire: Palgrave Macmillan. ISBN 9780230228191

Gluhovic, Milija (2013) Performing European memories : trauma, ethics, politics. Studies in International Performance . Houndmills, Basingstoke, Hampshire ; New York: Palgrave Macmillan Ltd.. ISBN 9780230297906

Haedicke, Susan (2013) Contemporary street arts in Europe : aesthetics and politics. Studies in International Performance . Basingstoke; New York: Palgrave Macmillan Ltd.. ISBN 9780230220263

Harding, James (2013) The ghosts of the avant-garde(s) : exorcising experimental theater and performance. Michigan: University of Michigan Press. ISBN 9780472118748 (In Press)

Holdsworth, Nadine (2011) Joan Littlewood’s theatre. Cambridge studies in modern theatre . Cambridge, UK ; New York: Cambridge University Press. ISBN 9780521119603

Holdsworth, Nadine (2010) Theatre and nation. Theatre& . New York: Palgrave Macmillan. ISBN 9780230218710

Hutchison, Yvette (2013) South African performance and the archive of memory. Manchester: Manchester University Press. ISBN 9780719083730

Jestrovic, Silvija (2013) Performance, space, utopia : cities of war, cities of exile. Studies in International Performance . Basingstoke; New York: Palgrave Macmillan Ltd.. ISBN 9780230292666

Kershaw, Baz and Nicholson, Helen (2011) Research methods in theatre and performance. Research methods for the arts and humanities . Edinburgh : Edinburgh University Press. ISBN 9780748641574

Marston, John (1966) Antonio and Mellida : the first part. Regents Renaissance drama series . London: Edward Arnold.

Marston, John (1966) Antonio's revenge : the second part of 'Antonio and Mellida'. Regents Renaissance drama series . London: Edward Arnold.

Neelands, Jonothan and Dobson, Warwick (2008) Advanced drama and theatre studies. London: Hodder Murray. ISBN 9780340972625

Reinelt, Janelle G. and Hewitt, Gerald (2011) The political theatre of David Edgar : negotiation and retrieval. Cambridge studies in modern theatre . Cambridge: Cambridge University Press. ISBN 9780521509688

Shewring, Margaret (2012) Waterborne pageants and festivities in the renaissance : essays in honour of J. R. Mulryne. European Festival Studies: 1450–1700 . Farnham Surrey: Ashgate Publishing. ISBN 9781409400233

Watanabe, J. and Neelands, Jonothan (2009) Using drama as a medium of instruction. Tokyo: Banseishobo Publications. ISBN 9784893803924

Winston, Joe and Tandy, Miles (2009) Beginning drama 4-11. London: Routledge. ISBN 9780415475839

Journal Item

UNSPECIFIED (1988) THE COMMON IMAGINATION AND THE INDIVIDUAL VOICE + AN INTERVIEW WITH CHURCHILL,CARYL. NEW THEATRE QUARTERLY, 4 (13). pp. 3-16. ISSN 0266-464X

UNSPECIFIED (1998) From travelling with Footsbarn to 'Wandertheater' with Ton-und-Kirschen - An interview with the founders of this new theatre company in Germany David Johnston and Margarete Biereye (continuing coverage of Footsbarn, and what happened next). NEW THEATRE QUARTERLY, 14 (56). pp. 299-310. ISSN 0266-464X

UNSPECIFIED (1987) PERCEPTIONS OF THE FEMALE ROLE - THE ISTA CONGRESS. NEW THEATRE QUARTERLY, 3 (11). pp. 234-240. ISSN 0266-464X

UNSPECIFIED (1985) STRUCTURALISM AND AFTER - TRENDS AND TENDENCIES IN THEATRE-ANALYSIS .1. NEW THEATRE QUARTERLY, 1 (1). pp. 79-82. ISSN 0266-464X

UNSPECIFIED (1985) STRUCTURALISM AND AFTER - TRENDS AND TENDENCIES IN THEATRE-ANALYSIS .2. NEW THEATRE QUARTERLY, 1 (2). pp. 205-207. ISSN 0266-464X

Cousin, Geraldine (1985) Shakespeare from scratch : the Footsbarn ‘Hamlet’ and ‘King Lear’. New Theatre Quarterly, Volume 1 (Number 1). pp. 105-127. ISSN 0266-464X

Haseman, Brad and Winston, Joe (2010) 'Why be interested?' Aesthetics, applied theatre and drama education. Research in Drama Education, Vol.15 (No.4). pp. 465-475. ISSN 1356-9783

Hutchison, Yvette and Walder, Dennis (2011) Editorial. Contemporary Theatre Review, Vol.21 (No.1). pp. 3-7. ISSN 1048-6801

Hutchison, Yvette and Walder, Dennis (2011) Making theatre in Africa : reflections and documents [Editorial]. Contemporary Theatre Review, Volume 21 (Number 1). pp. 3-7. ISSN 1048-6801

Kershaw, Baz and Ley, Graham (2008) An editorial of Contemporary Theatre Review. Contemporary Theatre Review, Vol.18 (No.3). pp. 289-292. ISSN 1048-6801

Lavery, Carl and Whybrow, Nicolas (2012) Editorial Pas de Deux. Performance Research : A Journal of the Performing Arts, Volume 17 (Number 2). pp. 1-10. ISSN 1352-8165

Reinelt, Janelle G. (2010) Generational shifts. Theatre Research International, Vol.35 (No.3). pp. 288-290. ISSN 0307-8833

Reinelt, Janelle G. (2007) Is performance studies imperialist? Part 2. TDR, Volume 51 (Number 3). pp. 7-16. ISSN 1054-2043

Winston, Joe (2010) Editorial. Research in Drama Education, Vol.15 (No.2). pp. 145-146. ISSN 1356-9783

Thesis or Dissertation

Alrefaai, Nesrin (2009) An analytical study of Sadallah Wannous’s contribution towards defining an Arabic theatre in the Twentieth Century. PhD thesis, University of Warwick.

Aston, Elaine (1987) Outside the doll's house : a study in images of women in English and French theatre, 1848-1914. PhD thesis, University of Warwick.

Azmy, Hazem M. (2012) Staging Egypt on the global stage : (de)constructing narratives of post-9/11 Egyptian performance realities. PhD thesis, University of Warwick.

Babbage, Frances (2000) Re-visioning myth : feminist strategies in contemporary theatre. PhD thesis, University of Warwick.

Bai, Rongning (1996) Brecht and China : a mutual response. PhD thesis, University of Warwick.

Barrett, Maria (Researcher in theatre studies) (2016) 'Our place' : class, the theatre audience and the Royal Court Liverpool. PhD thesis, University of Warwick.

Belvis Pons, Esther (2012) Trans-formative theatre : living further realities. PhD thesis, University of Warwick.

Benshalom, Yotam (2012) Performing translation : theatrical theory and its relevance to textual transfer. PhD thesis, University of Warwick.

Billing, Christian M. (2000) Fashioning anatomies : figurations of the sexed and gendered body on the early modern English stage. PhD thesis, University of Warwick.

Buonanno, Giovanna (1995) A stage under petticoat government : Italian international actresses in the age of Queen Victoria. PhD thesis, University of Warwick.

Cattell, Tracy Catherine (2015) The living language of stage management : an interpretative study of the history and development of professional stage management in the United Kingdom, 1567-1968. PhD thesis, University of Warwick.

Charalambous, Chryso (2012) Drama/theatre education for democracy : the role of aesthetic communities. PhD thesis, University of Warwick.

Cho, Seoug-kwan (2014) Shakespeare and the South Korean Stage. PhD thesis, University of Warwick.

Clarke, Jan (1988) The Guénégaud Theatre 1673-1680 and the machine plays of Thomas Corneille. PhD thesis, University of Warwick.

Cornford, Thomas (2012) The English theatre studios of Michael Chekhov and Michel Saint-Denis, 1935-1965. PhD thesis, University of Warwick.

Crossley, Mark B. A. (2013) Best not to ignore : a critical enquiry into a higher education cine-theatrical pedagogy. PhD thesis, University of Warwick.

Davis, Natasha (2016) Performing migratory identity : practice-as-research on displacement and (Be)Longing. PhD thesis, University of Warwick.

Davis, Tracy C. (1984) Critical and popular reaction to Ibsen in England, 1872-1906. PhD thesis, University of Warwick.

Finnan, Kevin (2005) A body of work: performance and becoming. PhD thesis, University of Warwick.

Finneran, Michael J. (2008) Critical myths in drama as education. PhD thesis, University of Warwick.

Fowler, Benjamin Brynmor (2015) (Re)directing the text : politics & perception in the work Katie Mitchell & Thomas Ostermeier. PhD thesis, University of Warwick.

Francis, Michael Barrie (2013) Victorian values and the Victorian theatre. PhD thesis, University of Warwick.

Freakley, Vivien (2002) Mapping professional lives: the study of the professionalisation of actors and dancers. PhD thesis, University of Warwick.

Fryer, Nic (2013) Towards a pedagogy of devised theatre praxis. PhD thesis, University of Warwick.

Gale, Maggie B. (1995) West End women : representations of woman, the female and femininity, in plays by women on the London stage 1918-1962. PhD thesis, University of Warwick.

Gould, Terence (2006) A historical study of the political and religious influences on the Alsatian language theatre. PhD thesis, University of Warwick.

Hampton-Reeves, Stuart (1997) Henry VI in performance : history, culture and Shakespeare reproduced. PhD thesis, University of Warwick.

Hart, Natalie (2013) In-between zones : the impact of class and ethnicity on engagement with the Birmingham Repertory Theatre's youth theatre (The Young REP). PhD thesis, University of Warwick.

Hartwig, David W. (2010) The place of Shakespeare : performing King Lear and The tempest in an endangered world. PhD thesis, University of Warwick.

Heron, Jonathan (2015) A different kind of failure : towards a model of experimental theatre as transdisciplinary performance. PhD thesis, University of Warwick.

Hida, Norifumi (2013) Reconsidering hyogen education in Japan : drama for the whole person in the twenty-first century. PhD thesis, University of Warwick.

Holmwood, Clive (2012) An investigation into the space where drama education and dramatherapy meet. What does this mean in conceptual and practical terms for practitioner and participant? PhD thesis, University of Warwick.

Hopkins, Lisa (1986) John Ford and his circle : coterie values and the language of Ford's theatre. PhD thesis, University of Warwick.

James, Dafydd (2011) Queer moments : the profound politics of performance. PhD thesis, University of Warwick.

Johnson, David Vivian (2001) The history, theatrical performance work and achievements of Talawa Theatre Company 1986-2001. PhD thesis, University of Warwick.

Keenan, Siobhan (1999) Provincial playing places and performances in early modern England, 1559-1625. PhD thesis, University of Warwick.

King, Rachel E. (2013) Processes of 'positive multiculturalism' in practice : an extended case study with Warwick Arts Centre (WAC). PhD thesis, University of Warwick.

Komporaly, Jozefina (2001) Configurations of mothering in post-war British women's playwriting. PhD thesis, University of Warwick.

Kritsis, Konstantinos (2013) Exploring theatre translation : the translator of the stage in the case of a Stanislavskian actor. PhD thesis, University of Warwick.

Kuksa, Iryna (2007) Scenography and new media technologies: history, educational applications and visualization techniques. PhD thesis, University of Warwick.

Lamb, Charles (1992) Irrational theatre : the challenge posed by the plays of Howard Barker for contemporary performance theory and practice. PhD thesis, University of Warwick.

Lee, Hye-Kyung (2003) Reinventing the non-profit theatre: a study of the growth of educational work in British non-profit theatres from the 1990s to the present. PhD thesis, University of Warwick.

Lich-Knight, Lynda (1986) Reconstruction in the West German theatre : from the "Stunde Null" to the currency reform. PhD thesis, University of Warwick.

Liu, Jing (Researcher in Business Studies) (2010) An exploratory study of situated learning phenomenon in two theatre producing companies in the UK. PhD thesis, University of Warwick.

Lo, Chia-Yu (2013) Using participatory drama to teach Chinese stories in British primary schools. PhD thesis, University of Warwick.

Marsh, Patrick (1973) The theatre in Paris during the German occupation, 1940-1944, with special reference to the Comédie-Française. PhD thesis, University of Warwick.

Merkin, Ros (1993) The theatre of the organised working class 1830-1930. PhD thesis, University of Warwick.

Mohamed, Noorlinah (2013) At the nexus between theatre and education : a study of theatre artists' teaching practices. PhD thesis, University of Warwick.

Moyo, Awelani L. (2013) Re-tracing invisible maps : landscape in and as performance in contemporary South Africa. PhD thesis, University of Warwick.

Park, Kyung Ran (1998) Philomela and her sisters : explorations of sexual violence in plays by British contemporary women dramatists. PhD thesis, University of Warwick.

Pedley, Catherine (2003) Dualities: the female performer and the popular stage in late nineteenth-century Paris. PhD thesis, University of Warwick.

Penlington, Amanda Jane (2001) 'A little easy and modern for the times' : a documentary of productions of Ben Jonson's plays by major professional theatre companies in England, 1977-2000. PhD thesis, University of Warwick.

Pigkou-Repousi, Myrto (2012) Ensemble theatre and citizenship education : how ensemble theatre contributes to citizenship education. PhD thesis, University of Warwick.

Pilcher, Katy Elizabeth Mary (2012) Erotic dancing in night-time leisure venues : a sociological study of erotic dance performers and customers. PhD thesis, University of Warwick.

Poltrack, Emma (2015) The history and working practices of the Propeller Theatre Company (1997-2011). PhD thesis, University of Warwick.

Richards, Mary Elizabeth, Ph.D. (2002) Resisting the limits of the performing body. PhD thesis, University of Warwick.

Rissmann, Jeannette (2013) Dialect, drama and translation : a socio-cultural investigation into the factors influencing the choice of strategies in German-speaking Europe. PhD thesis, University of Warwick.

Rosa, Marco Antonio Camarotti (1995) The nature, roots and relevance of the folk theatre of the north-east of Brazil. PhD thesis, University of Warwick.

Sava, Laura (2011) Intermedial encounters : the representation of theatre in film. PhD thesis, University of Warwick.

Sheeha, Iman (2013) Staging the servant : an examination of the roles of household servants in early modern domestic tragedy. PhD thesis, University of Warwick.

Townsend, Joanna Kate (1999) Speaking the body, representing the self : hysterical rhetoric on stage. PhD thesis, University of Warwick.

Tungtang, Paradee (2011) Shakespeare in Thailand. PhD thesis, University of Warwick.

Turbide, Johanne (1997) Management accounting systems and the exercise of interpersonal power in organizations: observations from an 'accounting free' zone : the case of not-for-profit performing arts organisations. PhD thesis, University of Warwick.

Turner, Rachael Lucy (2000) Myth, biography and the female role in the plays of Pam Gems. PhD thesis, University of Warwick.

Wei, Shu-Mei (2003) Unpacking identities: performing diasporic space in contemporary Taiwanese theatre. PhD thesis, University of Warwick.

Wilson, James Andrew (2013) Performance after collaboration : authorship in the social turn. PhD thesis, University of Warwick.

Woddis, Jane (2005) Spear-carriers or speaking parts?: arts practitioners in the cultural policy process. PhD thesis, University of Warwick.

Yagi, Naoko (1999) Towards a definition of performance improvisation. PhD thesis, University of Warwick.

Yun, Hunam (2010) Appropriations of Irish drama by modern Korean nationalist theatre : a focus on the influence of Sean O’Casey in a colonial context. PhD thesis, University of Warwick.

Zefferino, Melanie (2014) Dramatic figures in the Venetian Republic : performance, patronage, and puppets. PhD thesis, University of Warwick.

Book Review

UNSPECIFIED (1992) ACTING WOMEN - IMAGES OF WOMEN IN THEATER - FERRIS,L. SHAKESPEARE QUARTERLY, 43 (3). pp. 382-384. ISSN 0037-3222

UNSPECIFIED (1991) BERNHARDT,SARAH, A FRENCH ACTRESS ON THE ENGLISH STAGE - ASTON,E. THEATRE RESEARCH INTERNATIONAL, 16 (2). pp. 157-159. ISSN 0307-8833

UNSPECIFIED (1997) British drama, 1660-1779: A critical history - Kavenik,FM. COMPARATIVE DRAMA, 31 (2). pp. 309-312. ISSN 0010-4078

UNSPECIFIED (1991) THE COMMEDIA-DELL-ARTE FROM THE RENAISSANCE TO FO,DARIO - CAIRNS,C. THEATRE RESEARCH INTERNATIONAL, 16 (2). pp. 155-156. ISSN 0307-8833

UNSPECIFIED (1991) CONTEMPORARY APPROACHES TO IBSEN, VOL 6 - HEMMER,B, YSTAD,V. THEATRE RESEARCH INTERNATIONAL, 16 (1). pp. 65-66. ISSN 0307-8833

UNSPECIFIED (1998) Characters and authors in Luigi Pirandello. THEATRE RESEARCH INTERNATIONAL, 23 (3). p. 288. ISSN 0307-8833

UNSPECIFIED (1994) GERMAN AND DUTCH THEATER, 1600-1848 - BRANDT,GW, HOGENDOORN,W. THEATRE RESEARCH INTERNATIONAL, 19 (2). pp. 166-167. ISSN 0307-8833

UNSPECIFIED (2004) Jane Austen and the theatre. THEATRE SURVEY, 45 (1). pp. 141-142. ISSN 0040-5574

UNSPECIFIED (2000) Luigi Pirandello: Contemporary perspectives. THEATRE RESEARCH INTERNATIONAL, 25 (1). pp. 91-92. ISSN 0307-8833

UNSPECIFIED (2004) New readings in theatre history. MODERN DRAMA, 47 (1). pp. 149-151. ISSN 0026-7694

UNSPECIFIED (1988) OTHER THEATERS - THE DEVELOPMENT OF ALTERNATIVE AND EXPERIMENTAL THEATER IN BRITAIN - DAVIES,A. THEATRE RESEARCH INTERNATIONAL, 13 (3). pp. 299-300. ISSN 0307-8833

UNSPECIFIED (1989) PERFORMANCE - HILTON,J. THEATRE RESEARCH INTERNATIONAL, 14 (1). pp. 105-107. ISSN 0307-8833

UNSPECIFIED (1996) PLAYERS OF SHAKESPEARE, VOL 13 - JACKSON,R, SMALLWOOD,R. ESSAYS IN THEATRE-ETUDES THEATRALES, 14 (2). pp. 177-179. ISSN 0821-4425

UNSPECIFIED (1991) PORTRAIT OF TERRY,ELLEN - CHESHIRE,DF. THEATRE RESEARCH INTERNATIONAL, 16 (2). pp. 157-159. ISSN 0307-8833

UNSPECIFIED (1994) PRESENCE AND RESISTANCE - POSTMODERNISM AND CULTURAL POLITICS IN CONTEMPORARY AMERICAN PERFORMANCE - AUSLANDER,P. TDR-THE DRAMA REVIEW-A JOURNAL OF PERFORMANCE STUDIES, 38 (2). pp. 181-183. ISSN 1054-2043

UNSPECIFIED (1986) PRODUCIBLE INTERPRETATION, 8 ENGLISH PLAYS, 1675-1707 - MILHOUS,J, HUME,RD. COMPARATIVE DRAMA, 20 (2). pp. 187-189. ISSN 0010-4078

UNSPECIFIED (1994) REGICIDE AND RESTORATION, ENGLISH TRAGICOMEDY, 1660-1671 - MAGUIRE,NK. COMPARATIVE DRAMA, 28 (2). pp. 257-259. ISSN 0010-4078

UNSPECIFIED (1993) A REGISTER OF ENGLISH THEATRICAL DOCUMENTS 1660-1737 - MILHOUS,J, HUME,RD. COMPARATIVE DRAMA, 26 (4). pp. 377-379. ISSN 0010-4078

UNSPECIFIED (1992) RESTORATION AND GEORGIAN ENGLAND, 1660-1788 - THOMAS,D, HARE,A. COMPARATIVE DRAMA, 26 (1). pp. 76-77. ISSN 0010-4078

UNSPECIFIED (1988) RESTORATION COMEDY IN PERFORMANCE - STYAN,JL. COMPARATIVE DRAMA, 22 (2). pp. 174-176. ISSN 0010-4078

UNSPECIFIED (1994) THE SEMIOTICS OF THEATER - FISCHERLICHTE,E. THEATRE RESEARCH INTERNATIONAL, 19 (2). pp. 182-183. ISSN 0307-8833

UNSPECIFIED (2001) Shakespeare and race. ESSAYS IN THEATRE-ETUDES THEATRALES, 19 (2). pp. 169-171. ISSN 0821-4425

UNSPECIFIED (1998) Shakespeare and the authority of performance. ESSAYS IN THEATRE-ETUDES THEATRALES, 17 (1). pp. 77-79. ISSN 0821-4425

UNSPECIFIED (1994) THEATER AND PERFORMANCE IN AUSTRIA FROM MOZART TO JELINEK - ROBERTSON,R, TIMMS,E. THEATRE RESEARCH INTERNATIONAL, 19 (2). p. 170. ISSN 0307-8833

UNSPECIFIED (1996) Theatre and signification - French - Kowzan,T. THEATRE RESEARCH INTERNATIONAL, 21 (2). pp. 181-182. ISSN 0307-8833

UNSPECIFIED (1997) Theatre in Vienna: A critical history 1776-1995 - Yates,WE. THEATRE RESEARCH INTERNATIONAL, 22 (2). pp. 172-173. ISSN 0307-8833

UNSPECIFIED (1996) Theatre semiotics - French - Kowzan,T. THEATRE RESEARCH INTERNATIONAL, 21 (2). pp. 181-182. ISSN 0307-8833

UNSPECIFIED (2001) Transforming Shakespeare: Contemporary women's re-visions in literature and performance. SHAKESPEARE QUARTERLY, 52 (4). pp. 505-508. ISSN 0037-3222

UNSPECIFIED (2005) The censorship of British drama 1900-1968. MODERN DRAMA, 48 (1). pp. 204-206. ISSN 0026-7694

UNSPECIFIED (2001) The culture of playgoing in Shakespeare's England: A collaborative debate. ESSAYS IN THEATRE-ETUDES THEATRALES, 20 (1). pp. 67-69. ISSN 0821-4425

Allan, Sean (1995) Review of Kleist on stage, 1804-1987, by Reeve, W.C. Journal of European Studies, Vol.25 (No.1). pp. 96-97. ISSN 0047-2441

Caesar, Ann Hallamore (2010) Review of Living masks: the achievement of Pirandello, by Mariani, U. Modern Drama, Vol.53 (No.1). pp. 124-126. ISSN 0026-7694

Davis, Jim (2008) A Review of: Fantasies of Empire: the Empire Theatre of Varieties and the licensing controversy of 1894 by Donohue, J.W. Theatre Journal , Vol.60 (No.3). pp. 495-496. ISSN 0192-2882

Holdsworth, Nadine (2008) Review of : Impossible plays : adventures with the Cottesloe Company, by Dewhurst, K. and Shepherd, J. Theatre Research International, Volume 33 (Number 2). pp. 218-219. ISSN 0307-8833

Holdsworth, Nadine (2008) Review of : Taking stock : the theatre of Max Stafford Clark, by Stafford-Clark, M. and Roberts, P. Theatre Research International, Volume 33 (Number 2). pp. 218-219. ISSN 0307-8833

Howard, Tony (2008) Review of: This wide and universal theater : Shakespeare in performance, then and now, by Bevington, D.M. Journal of British Studies, Volume 47 (Number 2). pp. 413-414. ISSN 0021-9371

Kershaw, Baz (2007) Review of 'Performing consumers' : global capital and its theatrical seductions by Wickstrom, M. Modern Drama, Volume 50 (Number 3). pp. 470-472. ISSN 0026-7694

Kershaw, Baz (2011) Review of: Theatre, facilitation and nation formation in the Balkans and Middle East, by Sonja Arsham Kuftinec. Theatre Survey, Volume 52 (Number 2). pp. 378-380. ISSN 0040-5574

Lorch, Jennifer (2008) A Review of: An art couple : Coppia d'arte: Dario Fo e Franca Rame. Con dipinti, testimonianze e dichiarazioni inedite, by D'Angeli, C. and Soriani, S. Modern Language Review, Volume 103 (Part 2). pp. 564-565. ISSN 0026-7937

Osbourne, John (1998) The plays of Heinrich von Kleist: Ideals and illusions. THEATRE RESEARCH INTERNATIONAL, 23 (1). pp. 82-83. ISSN 0307-8833

Raffield, Paul (2012) Review of Inns of Court edited by Nelson, A. H and Elliott, J. R. Renaissance Quarterly, Vol.65 (No.4). pp. 1327-1329. ISSN 0034-4338

Reinelt, Janelle G. (2009) Review of It, by Roach, J. R. TDR: The Journal of Performance Studies, Vol.53 (No.1). pp. 151-153. ISSN 1054-2043