Lewis, W. J. (Wanda J.) and Smith, James R.. (2014) The effect of string tension variation on the perceived pitch of a classical guitar. Exchanges: the Warwick Research Journal, Volume 2 (Number 1). pp. 53-81. ISSN 2053-9665

Morgan, Letisha Yvonne (2004) Representing blackness : MOVE, the media, and the city of Philadelphia. PhD thesis, University of Warwick.

Refaat, Malik (2014) A reaction time investigation of absolute pitch. PhD thesis, University of Warwick.

Stewart, Neil and Brown, G. D. A.. (2004) Sequence effects in the categorization of tones varying in frequency. Journal of Experimental Psychology: Learning, Memory, and Cognition, Vol.30 (No.2). pp. 416-430. ISSN 0278-7393

Toulson, David (2016) Culture is a weapon: popular music, protest and opposition to apartheid in Britain. PhD thesis, University of Warwick.

Varriale, Simone. (2016) Beyond distinction : theorising cultural evaluation as a social encounter. Cultural Sociology, 10 (2). pp. 160-177. ISSN 1749-9755

Varriale, Simone. (2014) Bourdieu and the sociology of cultural evaluation : lessons from the Italian popular music press. Rassegna Italiana di Sociologia, Volume 2014 (Number 1). pp. 121-148. ISSN 0486-0349

Varriale, Simone. (2015) Cultural production and the morality of markets : popular music critics and the conversion of economic power into symbolic capital. Poetics : Journal of Empirical Research on Culture, the Media and the Arts, 51 . ISSN 0304-422X

Varriale, Simone. (2015) Reconceptualizing aesthetic cosmopolitanism : evidence from the early consecration of Anglo-American pop-rock in Italy. American Behavioral Scientist . ISSN 0002-7642 (In Press)

Yoo, Jiyun (2014) Live music and the dilemmas of the Korean consumer experience : consumption, markets, and identities. PhD thesis, University of Warwick.