
The Library
Items where Subject is "M Music and Books on Music > M Music"
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- Subject Classification [Library of Congress, Moys] (37834)
- M Music and Books on Music (66)
- M Music (29)
- M Music and Books on Music (66)
Number of items at this level: 29.
Benetos, Emmanouil, Ragano, Alessandro, Sgroi, Daniel and Tuckwell, Anthony (2021) Measuring national happiness with music. Working Paper. Coventry, UK: University of Warwick. Department of Economics. Warwick economics research papers series (WERPS) (1326). (Unpublished)
Benetos, Emmanouil, Ragano, Alessandro, Sgroi, Daniel and Tuckwell, Anthony (2022) Measuring national mood with music : using machine learning to construct a measure of national valence from audio data. Behavior Research Methods . doi:10.3758/s13428-021-01747-7 (In Press)
Charles, Monique (2016) 'Hallowed be thy Grime? : A musicological and sociological genealogy of Grime music and its relation to Black Atlantic religious discourse' (#HBTG?). PhD thesis, University of Warwick.
Chowdhury, Shreyan, Guha, Tanaya and Hegde, Rajesh M. (2017) Music tempo estimation using sub-band synchrony. In: Interspeech 2017, Stockholm, Sweden, 20-24 Aug 2017. Published in: Proceedings of Interspeech 2017 pp. 3093-3096. ISSN 1990-9772. doi:10.21437/Interspeech.2017-1000
Davidson, Joe P. L. (2022) Repeating beats : the return of rave, memories of joy and nostalgia between the afterglow and the hangover. Memory Studies . doi:10.1177/17506980221101115 (In Press)
Edworthy, Judy (1983) An experimental investigation into the relationship between pitch-interval and contour in melody processing. PhD thesis, University of Warwick.
Elliott, Mark T., Ward, Dominic , Stables, Ryan , Fraser, Dagmar , Jacoby, Nori and Wing, Alan M. (2018) Analysing multi-person timing in music and movement : event based methods. In: Vatakis, Argiro and Balcı, Fuat and Di Luca, Massimiliano and Correa, Ángel , (eds.) Timing and Time Perception : Procedures, Measures, and Applications. Brill, pp. 177-215. ISBN 9789004280205
Fagge, Roger (2020) The politics, aesthetics and dissonance of music in everyday life. Jazz Research Journal, 13 (1-2). pp. 7-18. doi:10.1558/jazz.39944
Formilan, Giovanni and Stark, David (2021) Moments of identity : dynamics of artist, persona, and audience in electronic music. Theory and Society . doi:10.1007/s11186-021-09458-w (In Press)
Garcia, Luana Tavano (2019) Performing nationhood Brazilian identity in performance. PhD thesis, University of Warwick.
Hodkinson, James R. (2017) Playing the gallery. Time, space and the digital in Brian Eno’s recent installation music. Oxford German Studies, 46 (3). pp. 315-328. doi:10.1080/00787191.2017.1345435
Kelleher, Carol, Wilson, Hugh N., Macdonald, Emma K. and Peppard, Joe (2019) The score is not the music : integrating experience and practice perspectives on value co-creation in collective consumption contexts. Journal of Service Research, 22 (2). pp. 120-138. doi:10.1177/1094670519827384
Lee, Dongjoon (2021) Strategic organisational change and artist-leadership in the K-pop industry: a narrative analysis approach. PhD thesis, University of Warwick.
Lewis, W. J. (Wanda J.) and Smith, James R. (2014) The effect of string tension variation on the perceived pitch of a classical guitar. Exchanges: the Warwick Research Journal, Volume 2 (Number 1). pp. 53-81.
Meredith, Sharon (2002) Tuk in Barbados : the history, development and recontextualisation of a musical genre. PhD thesis, University of Warwick.
Morgan, Letisha Yvonne (2004) Representing blackness : MOVE, the media, and the city of Philadelphia. PhD thesis, University of Warwick.
Refaat, Malik (2014) A reaction time investigation of absolute pitch. PhD thesis, University of Warwick.
Stewart, Neil and Brown, G. D. A. (2004) Sequence effects in the categorization of tones varying in frequency. Journal of Experimental Psychology: Learning, Memory, and Cognition, Vol.30 (No.2). pp. 416-430. doi:10.1037/0278-7393.30.2.416
Toulson, David (2016) Culture is a weapon: popular music, protest and opposition to apartheid in Britain. PhD thesis, University of Warwick.
Vanhaelen, Maude (2017) Cosmic harmony, demons, and the mnemonic power of music in Renaissance Florence : the case of Marsilio Ficino. In: Prins, Jacomien and Vanhaelen, Maude, (eds.) Sing Aloud Harmonious Spheres : Renaissance Conceptions of Cosmic Harmony. Warwick Series in the Humanities . New York: Routledge : Taylor & Francis Group. ISBN 9781138063464
Varriale, Simone (2016) Beyond distinction : theorising cultural evaluation as a social encounter. Cultural Sociology, 10 (2). pp. 160-177. doi:10.1177/1749975515596447
Varriale, Simone (2014) Bourdieu and the sociology of cultural evaluation : lessons from the Italian popular music press. Rassegna Italiana di Sociologia, Volume 2014 (Number 1). pp. 121-148. doi:10.1423/76934
Varriale, Simone (2015) Cultural production and the morality of markets : popular music critics and the conversion of economic power into symbolic capital. Poetics : Journal of Empirical Research on Culture, the Media and the Arts, 51 . doi:10.1016/j.poetic.2015.03.002
Varriale, Simone (2021) Reconceptualizing aesthetic cosmopolitanism : evidence from the early consecration of Anglo-American pop-rock in Italy. American Behavioral Scientist . doi:10.1177/0002764218800139
Varriale, Simone (2016) Whose culture is global? Listening to Anglo-American pop music in Italy. [Online]. (http://discoversociety.org/2016/11/01/whose-cultur...). Bristol, UK: Discover Society Policy Press.
Watt, Gary (2020) Law making music. Law and Humanities, 14 (1). pp. 26-56. doi:10.1080/17521483.2020.1752429
Watt, Gary (2020) Sound and fury signifying Brexit. Law Text Culture, 24 . pp. 1-26. 8.
Weston, Leanne (2021) Fascinating rhythms : music programming, memory and materiality in visual culture. PhD thesis, University of Warwick.
Yoo, Jiyun (2014) Live music and the dilemmas of the Korean consumer experience : consumption, markets, and identities. PhD thesis, University of Warwick.