A

Anderson, Joanne W. (2009) The Magdalen Fresco Cycles of the Trentino, Tyrol and Swiss Grisons, c.1300-c.1500. PhD thesis, University of Warwick.

Avilio, Carlo (2016) Naturalism and the picaresque in Jusepe de Ribera's work. PhD thesis, University of Warwick.

B

Brazeau, Bryan (2019) Building a mystery : Giorgio de Chirico and Italian renaissance painting. The Italianist, 39 (1). pp. 20-43. doi:10.1080/02614340.2019.1556446 (In Press)

Bycroft, Michael (2018) Style and substance in rococo science. Journal of Interdisciplinary History, 48 (3). pp. 359-384. doi:10.1162/JINH_a_01162

C

Carpiniello, Matteo (2019) Bartolomeo Montagna: business, art and mobility in Renaissance Veneto. PhD thesis, University of Warwick.

Collier, Carly Elizabeth (2013) British artists and early Italian art c. 1770-1845 : the pre Pre-Raphaelites? PhD thesis, University of Warwick.

D

De Luca, Tiago (2018) Global visions : around-the-world travel and visual culture in early modernity. In: Bayman, Louis and Pinazza, Natália, (eds.) Journeys on Screen Theory, Ethics, Aesthetics. Edinburgh: Edinburgh University Press, pp. 19-35. ISBN 9781474421836

De Luca, Tiago (2017) Watching cinema disappear : intermediality and aesthetic experience in Tsai Ming-liang’s Goodbye Dragon Inn (2003) and Stray Dogs (2013). In: Gibbs, John and Pye, Douglas, (eds.) The Long Take : Critical Approaches. Palgrave Close Readings in Film and Television . London: Palgrave, pp. 163-176. ISBN 9781137585738

E

Elliott, Janis (2000) The Last Judgement scene in central Italian painting, c.1266-1343 : the impact of Guelf politics, papal power and Angevin iconography. PhD thesis, University of Warwick.

F

Farquhar, Jillian Clare (2004) Trecento panel painting in Romagna and Marche : iconography, form and function. PhD thesis, University of Warwick.

G

Gerritsen, Anne (2016) Domesticating goods from overseas : global material culture in the early modern Netherlands. Journal of Design History, 29 (3). pp. 228-244. doi:10.1093/jdh/epw021

H

Hatt, Michael (2019) Zahrtmann’s symposium : ethics, history, desire. Perspective .

Haughton, Ann (2014) Mythology and masculinity : a study of gender, sexuality and identity in the art of the Italian Renaissance. PhD thesis, University of Warwick.

I

Ichikawa, Kayoko (2015) Guido da Siena’s narrative panels and the Madonna del Voto : the formation of the Marian civic identity in Sienese Art c.1260. PhD thesis, University of Warwick.

J

Jensen, Eric (2013) Reconsidering "the love of art" : evaluating the potential of art museum outreach. Visitor Studies, Volume 16 (Number 2). pp. 144-159. doi:10.1080/10645578.2013.827010

K

Kearns, James (1976) Symbolist landscapes : the place of painting in the poetry and criticism of Mallarmé and his circle. PhD thesis, University of Warwick.

L

Laureti, S., Sfarra, S., Malekmohammadi, H., Burrascano, P., Hutchins, David A., Senni, L., Silipigni, G., Maldague, X. P. V. and Ricci, M. (2018) The use of pulse-compression thermography for detecting defects in paintings. NDT & E International, 98 . pp. 147-154. doi:10.1016/j.ndteint.2018.05.003

Lupi, Livia (2017) The rhetoric of fictive architecture : Copia and Amplificatio in Altichiero Da Zevio's Paintings at the Oratory of St George in Padua. Architectural History, 60 . pp. 1-35. doi:10.1017/arh.2017.1

Lühr, Berit (2002) The language of gestures in some of El Greco's altarpieces. PhD thesis, University of Warwick.

N

Neher, Gabriele (1999) Moretto and Romanino: religious painting in Brescia 1510-1550: identity in the shadow of La serenissima. PhD thesis, University of Warwick.

P

Pericolo, Lorenzo (2017) "Donna bella e crudele" : Michelangelo's Divine Heads in Light of the Rime. Mitteilungen des Kunsthistorischen Institutes Florenz, 59 (2). pp. 202-233.

Purdom, Judy (2000) Thinking in painting : Gilles Deleuze and the revolution from representation to abstraction. PhD thesis, University of Warwick.

Q

Quilley, Geoff (1998) The imagery of travel in British painting : with particular reference to nautical and maritime imagery, circa 1740-1800. PhD thesis, University of Warwick.

R

Roberts, Pendaran and Schmidtke, Kelly (2019) Folk core beliefs about color. Review of Philosophy and Psychology, 10 (4). pp. 849-869. doi:10.1007/s13164-019-00437-w

S

Schrock, Lauren (2017) Organisational dystopia : surrealist paintings for critical management studies. PhD thesis, University of Warwick.

Schroeder, Jonathan D. S. (2014) The painting of modern light : local color before regionalism. American Literature, 86 (3). pp. 551-581. doi:10.1215/00029831-2717407

Smith, Paul (2007) 'Real primitives' : Cézanne, Wittgenstein, and the nature of aesthetic quality. In: Harris, Jonathan (Jonathan P.), (ed.) Value, art, politics : criticism, meaning and interpretation after Postmodernism. Value, art, politics . Liverpool: Liverpool University Press, pp. 93-122. ISBN 9781846310423

Smith, Paul (2018) ‘The most beautiful blue’ : painting, science, and the perception of coloured shadows. British Journal of Aesthetics, 58 (4). pp. 401-421. doi:10.1093/aesthj/ayy030

Smyth, Patricia (2019) Theatricality, Michael Fried, and nineteenth-century art and theatre. Performance Research, 24 (4). pp. 5-9. doi:10.1080/13528165.2019.1641314

Sutton, Kay Ann (1984) A Lombard manuscript, Paris B.N. Latin 757 : associated manuscripts and the context of their illumination. PhD thesis, University of Warwick.

T

Threlfall, Tim (1978) Piet Mondrian : his life's work and evolution, 1872 to 1944. PhD thesis, University of Warwick.

V

Vella, Charlene (2015) In the footsteps of Antonello Da Messina : the Antonelliani in Sicily and Venice in the late fifteenth and early sixteenth centuries. PhD thesis, University of Warwick.