A

Al-Qasimi, Noor (2007) The codes of modesty: reconfiguring the Muslim female subject. PhD thesis, University of Warwick.

Allan, Seán. (2011) 'Sagt, wie soll man Stalin danken?' Kurt Maetzig's Ehe im schatten (1947), Roman einer jungen ehe (1952) and the cultural politics of post-war Germany. German Life and Letters, Volume 64 (Number 2). pp. 255-271. ISSN 1468-0483

Allen, Steven William, 1967- (2003) A pleasure in pain : contemporary mainstream cinema's fascination with the aestheticized spectacle of the controlled body. PhD thesis, University of Warwick.

Andrews, Hannah, Ph.D. (2011) Public service broadcasters and British cinema, 1990–2010. PhD thesis, University of Warwick.

B

Boss, Peter John, 1954- (1989) Death, disintegration of the body and subjectivity in the contemporary horror film. PhD thesis, University of Warwick.

Brown, Tom, 1978- (2007) From intimate pleasures to spectacular vistas: musicality and historicity in French and American 'classical' cinema of the 1930s. PhD thesis, University of Warwick.

Brunsdon, Charlotte. (2009) Introduction : screen Londons. Journal of British Cinema and Television, Vol.6 (No.2). pp. 165-177. ISSN 1743-4521

Brunsdon, Charlotte. (2012) 'It's a film' : medium specificity as textual gesture in Red road and The unloved. Journal of British Cinema and Television, Vol.9 (No.3). pp. 457-479. ISSN 1743-4521

Bruzzi, Stella, 1962-. (2010) Imperfect justice : Fritz Lang's Fury (1936) and cinema's use of the trial form. Law and Humanities, Vol.4 (No.1). pp. 1-19. ISSN 1752-1483

Burrows, Jon. (2009) ‘A vague Chinese quarter elsewhere’ : Limehouse in the cinema 1914–36. Journal of British Cinema and Television, Vol.6 (No.2). pp. 282-301. ISSN 1743-4521

C

Chung, Hsiao-Ling (2009) Managing the cross-industry networks of the audiovisual sector: a perspective from the independent screen productions in the UK and Taiwan. PhD thesis, University of Warwick.

Crouse, Jeffrey Dennis (1997) Representations of screen heterosexuality in the musicals of Fred Astaire and Vincente Minnelli. PhD thesis, University of Warwick.

Curzon, John (2009) Whatever happened to the north of England? : the spaces of post-industrial northern England in contemporary television and film drama. PhD thesis, University of Warwick.

D

Darke, Paul Anthony (1999) The cinematic construction of physical disability as identified through the application of the social model of disability to six indicative films made since 1970 : A day in the death of Joe Egg (1970), The raging moon (1970), The elephant man (1980), Whose life is it anyway? (1981), Duet for one (1987) and My left foot (1989). PhD thesis, University of Warwick.

Dwyer, Kevin Anthony, 1960- (1996) On a celluloid platter : an analysis of the representations and functions of food and eating in the cinema. PhD thesis, University of Warwick.

E

Epstein, Debbie and Steinberg, Deborah Lynn. (2011) The Bourne tragedy : lost subjects of the bioconvergent age. MediaTropes, Vol.3 (No.1). pp. 89-112. ISSN 1913-6005

F

Falconer, Peter (2010) Melancholy in Hollywood westerns, 1939-1962. PhD thesis, University of Warwick.

Fowler, Catherine, 1969- (1995) The films of Chantal Akerman : a cinema of displacements. PhD thesis, University of Warwick.

G

Gabrysiak, Diane (2006) The representation of money in film : gold, paper, metal and electronic. PhD thesis, University of Warwick.

Garwood, Ian (1999) Pop music and characterisation in narrative film. PhD thesis, University of Warwick.

Goode, Ian (2000) Voices of inheritance : aspects of British film and television in the 1980s and 1990s. PhD thesis, University of Warwick.

Grist, Leighton (1996) Authorship and context: the films of Martin Scorsese 1963-1977. PhD thesis, University of Warwick.

Guha, Malini (2008) The post-imperial cityscape: London and Paris in the cinema. PhD thesis, University of Warwick.

H

Haggith, Toby (1998) Castles in the air : British film and the reconstruction of the built environment, 1939-51. PhD thesis, University of Warwick.

Hartwig, David W. (2010) The place of Shakespeare : performing King Lear and The tempest in an endangered world. PhD thesis, University of Warwick.

Henderson, Stuart. (2009) From screen to shelf : perspectives on independent distribution. Journal of British Cinema and Television, Vol.6 (No.3). pp. 468-480. ISSN 1743-4521

Henderson, Stuart (2011) The history and form of the Hollywood sequel, 1911-2010. PhD thesis, University of Warwick.

J

Jeffers, Tamar Elizabeth Louise (2005) "Should I surrender?": performing and interrogating female virginity in Hollywood films 1957-64. PhD thesis, University of Warwick.

Jenkins, Claire (2009) Family entertainment: representations of the American family in contemporary Hollywood cinema. PhD thesis, University of Warwick.

Joo, Woojeong (2011) The flavour of tofu : Ozu, history and the representation of the everyday. PhD thesis, University of Warwick.

K

Kiss, Robert James (2000) The Doppelgänger in Wilhelmine cinema (1895-1914) : modernity, audiences and identity in turn-of-the-century Germany. PhD thesis, University of Warwick.

Klevan, Andrew (1996) Disclosure of the everyday : the undramatic achievements in narrative film. PhD thesis, University of Warwick.

L

Laing, Heather (2000) Wandering minds and anchored bodies: music, gender and emotion in melodrama and the woman's film. PhD thesis, University of Warwick.

Lehin, Barbara (2003) Cinema and society: Thatcher's Britain and Mitterand's France. PhD thesis, University of Warwick.

M

MacDowell, James (2011) The final couple : happy endings in Hollywood cinema. PhD thesis, University of Warwick.

Marie, Laurent (2000) The French Communist Party and French cinema 1944-1999. PhD thesis, University of Warwick.

Martino, Mariarita (2011) An analysis of scopophilia in an intersemiotic context : four Italian film adaptations. PhD thesis, University of Warwick.

McDonald, Paul, 1963- (1997) Public bodies, private moments : method acting and American cinema in the 1950s. PhD thesis, University of Warwick.

Meir, Christopher (2007) Underwriting national sovereignty?: policy, the market and Scottish cinema, 1982- present. PhD thesis, University of Warwick.

Morrey, Douglas (2002) Jean-Luc Godard and the other history of cinema. PhD thesis, University of Warwick.

Morrey, Douglas. (2010) Secrets and lies, or how (not) to write about Jacques Rivette. Australian Journal of French Studies, Vol.47 (No.2). pp. 121-132. ISSN 0004-9468

Moseley, Rachel (2000) Trousers and tiaras : growing up with Audrey Hepburn. PhD thesis, University of Warwick.

P

Perkins, V. F., 1936-. (2009) Le plaisir: "the mask" and "the model". Film Quarterly, Vol.63 (No.1). pp. 15-22. ISSN 0015-1386

Pigott, Michael (2009) Time and film style. PhD thesis, University of Warwick.

Pillai, Nicolas (2012) The happy couple : American marriages in Hollywood films 1934-1948. PhD thesis, University of Warwick.

R

Read, Jacinda (1998) Narratives of transformation : feminism, femininity and the rape-revenge cycle. PhD thesis, University of Warwick.

S

Sargeant, Amy, 1962-. (2009) Sparrows can't sing : East End kith and kinship in the 1960s. Journal of British Cinema and Television, Vol.6 (No.2). pp. 256-266. ISSN 1743-4521

Sauter, Martin, 1963- (2010) Liesl Frank, Charlotte Dieterle and the European Film Fund. PhD thesis, University of Warwick.

Sava, Laura (2011) Intermedial encounters : the representation of theatre in film. PhD thesis, University of Warwick.

Shaw, Spencer, 1945- (2002) Showtime: the phenomenology of film consciousness. PhD thesis, University of Warwick.

Stanley, Alice (2009) Representations of sexuality in the films of François Ozon. PhD thesis, University of Warwick.

Stollery, Martin (1994) Alternative empires : Soviet montage cinema, the British documentary movement & colonialism. PhD thesis, University of Warwick.

Sykes, Leo (1995) Directing through montage : a chronological look at the construction of performance through the creation and combination of its various elements. PhD thesis, University of Warwick.

T

Tasker, Yvonne, 1964- (1995) Spectacular bodies: gender, genre and the action cinema. PhD thesis, University of Warwick.

Thomas, Sarah, 1978- (2008) Face-maker : the negotiation between screen performance, extra-filmic persona and conditions of employment within the career of Peter Lorre. PhD thesis, University of Warwick.

Totaro, Donato, 1958- (2001) Time and the long take in The Magnificent Ambersons, Ugetsu and Stalker. PhD thesis, University of Warwick.

W

Willmets, Simon (2011) Falling out with history : Hollywood and the Central Intelligence Agency, 1945 - 1975. PhD thesis, University of Warwick.

Wimmer, Leïla, 1966- (2006) The French reception of British cinema. PhD thesis, University of Warwick.

Z

Zborowski, James (2008) ‘Between sympathy and detachment’: point of view and distance in movies directed by Alfred Hitchcock, Otto Preminger and Max Ophuls. PhD thesis, University of Warwick.

Ū

Ūdris, Jānis (1988) Grotesque and excremental humour : Monty Python's meaning of life. PhD thesis, University of Warwick.