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Brunsdon, Charlotte (2012) 'It's a film' : medium specificity as textual gesture in Red road and The unloved. Journal of British Cinema and Television, Vol.9 (No.3). pp. 457-479. doi:10.3366/jbctv.2012.0100

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Darke, Paul Anthony (1999) The cinematic construction of physical disability as identified through the application of the social model of disability to six indicative films made since 1970 : A day in the death of Joe Egg (1970), The raging moon (1970), The elephant man (1980), Whose life is it anyway? (1981), Duet for one (1987) and My left foot (1989). PhD thesis, University of Warwick.

De Luca, Tiago (2017) Casa Grande & Senzala: domestic space and class conflict in Casa Grande and Que horas ela volta? In: da Silva, Antonio Marcio and Cunha, Mariana, (eds.) Space and Subjectivity in Contemporary Brazilian Cinema. Screening Spaces . London: Palgrave, pp. 203-219. ISBN 9783319839004

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De Luca, Tiago (2017) On length : a short history of long cinema. ANIKI: Portuguese Journal of the Moving Image, 4 (2). pp. 335-352. doi:10.14591/aniki.v4n2.353

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De Luca, Tiago (2019) The end of the world viewed, or the wind in the things : on Nikolaus Geyrhalter’s Homo Sapiens. Discourse : Journal for Theoretical Studies in Media and Culture, 41 (1). pp. 112-141.

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Dwyer, Kevin Anthony (1996) On a celluloid platter : an analysis of the representations and functions of food and eating in the cinema. PhD thesis, University of Warwick.

Eikhof, Doris Ruth, Newsinger, Jack, Luchinskaya, Daria and Aidley, Daniela (2019) And … action? Gender, knowledge and inequalities in the UK screen industries. Gender, Work & Organization, 26 (6). pp. 840-859. doi:10.1111/gwao.12318

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Falconer, Peter (2010) Melancholy in Hollywood westerns, 1939-1962. PhD thesis, University of Warwick.

Fowler, Catherine (1995) The films of Chantal Akerman : a cinema of displacements. PhD thesis, University of Warwick.

Frame, Gregory (2012) The American president in film and television. PhD thesis, University of Warwick.

Gabrysiak, Diane (2006) The representation of money in film : gold, paper, metal and electronic. PhD thesis, University of Warwick.

Gallimore, Adam (2014) Subjectivity, immediacy, and the digital : historical reassessment in contemporary American cinema. PhD thesis, University of Warwick.

Garwood, Ian (1999) Pop music and characterisation in narrative film. PhD thesis, University of Warwick.

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Goyal, Ankit, Kumar, Naveen, Guha, Tanaya and Narayanan, Shrikanth S. (2016) A multimodal mixture-of-experts model for dynamic emotion prediction in movies. In: 2016 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), Shanghai, China, 20-25 March 2016 pp. 2822-2826. ISBN 9781479999880. ISSN 2379-190X. doi:10.1109/ICASSP.2016.7472192

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Guha, Malini (2008) The post-imperial cityscape: London and Paris in the cinema. PhD thesis, University of Warwick.

Guha, Tanaya, Huang, Che-Wei, Kumar, Naveen, Zhu, Yan and Narayanan, Shrikanth S. (2015) Gender representation in cinematic content : a multimodal approach. In: 17th ACM International Conference on Multimodal Interaction, Seattle, Washington, USA, 9-13 Nov 2015 . Published in: Proceedings of the 2015 ACM on International Conference on Multimodal Interaction pp. 31-34. ISBN 9781450339124. doi:10.1145/2818346.2820778

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Harrod, Mary (2020) From postnational mobility to posthuman fluidity : unfixed identities and social responsibilities in Personal Shopper (Assayas, 2016) and Happy End (Haneke, 2017). Northern Lights: Film & Media Studies Yearbook, 18 (1). pp. 85-101. doi:10.1386/nl_00015_1

Harrod, Mary and Powrie, Phil (2018) New directions in contemporary French comedies : from nation, sex and class to ethnicity, community and the vagaries of the postmodern. Studies in French Cinema, 18 (1). pp. 1-17. doi:10.1080/14715880.2017.1415420

Hartwig, David W. (2010) The place of Shakespeare : performing King Lear and The tempest in an endangered world. PhD thesis, University of Warwick.

Henderson, Stuart (2009) From screen to shelf : perspectives on independent distribution. Journal of British Cinema and Television, Vol.6 (No.3). pp. 468-480. doi:10.3366/E1743452109001149

Henderson, Stuart (2011) The history and form of the Hollywood sequel, 1911-2010. PhD thesis, University of Warwick.

Hodkinson, James R. (2020) Returning again. Resurrection narratives and afterlife aesthetics in contemporary television drama. Poetics Today, 41 (3). pp. 395-416. doi:10.1215/03335372-8519642

Holdaway, Dom (2013) A return to cinema d'impegno? Cinematic engagements with organized crime in Italy, 1950-2010. PhD thesis, University of Warwick.

Hussein, Nazia and Hussain, Saba (2015) Interrogating practices of gender, religion and nationalism in the representation of Muslim women in Bollywood : contexts of change, sites of continuity. Exchanges: the Warwick Research Journal, 2 (2). pp. 284-304.

Intepe, Demet (2020) Environmental justice and writers as activists in multi-ethnic U.S. literatures, film, and theate. PhD thesis, University of Warwick.

Jacoby, Alexander (2010) The old capital on film : the representation of Kyoto in Japanese cinema, 1945-1964. PhD thesis, University of Warwick.

Jeffers, Tamar Elizabeth Louise (2005) "Should I surrender?": performing and interrogating female virginity in Hollywood films 1957-64. PhD thesis, University of Warwick.

Jenkins, Claire (2009) Family entertainment: representations of the American family in contemporary Hollywood cinema. PhD thesis, University of Warwick.

Jesson, Claire (2017) 'We shall really have to do something about your equipment' : the projectionist’s negotiation of obsolescence in the Smallest Show on Earth and Coming Up Roses. Journal of British Cinema and Television, 15 (1). pp. 115-130.

Jesson, Claire (2018) The projectionist in cinema and the persistence of film. PhD thesis, University of Warwick.

Johnstone, Sara R. (2013) A special relationship : the British Empire in British and American cinema, 1930-1960. PhD thesis, University of Warwick.

Joo, Woojeong (2011) The flavour of tofu : Ozu, history and the representation of the everyday. PhD thesis, University of Warwick.

Jung, Berenike Christiane (2016) The (In)visibilities of torture : political torture and visual evidence in U.S. and Chilean fiction cinema (2004 – 2014). PhD thesis, University of Warwick.

Kiss, Robert James (2000) The Doppelgänger in Wilhelmine cinema (1895-1914) : modernity, audiences and identity in turn-of-the-century Germany. PhD thesis, University of Warwick.

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Laing, Heather (2000) Wandering minds and anchored bodies: music, gender and emotion in melodrama and the woman's film. PhD thesis, University of Warwick.

Lehin, Barbara (2003) Cinema and society: Thatcher's Britain and Mitterand's France. PhD thesis, University of Warwick.

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Lester, Catherine (2016) The children's horror film : characterizing an 'impossible' subgenre. The Velvet Light Trap, 78 . 628733.

Lim, Michael Kho (2017) Pinoy Indie, Inc. : the cultural economy of distribution and Philippine independent cinema. PhD thesis, University of Warwick.

Liu, Tingli (2019) Love and marriage for ‘leftover' women : representations and readings in Chinese media. PhD thesis, University of Warwick.

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MacDowell, James (2011) The final couple : happy endings in Hollywood cinema. PhD thesis, University of Warwick.

Macedo, Lynne (2001) Fiction and film : the influence of cinema on writers from Trinidad and Jamaica 1950-1985. PhD thesis, University of Warwick.

Mancosu, Gianmarco (2019) DecolonItaly : decolonization and national identity in post-war Italy, 1945-1960. PhD thesis, University of Warwick.

Marco, Derilene (2016) Films about South Africa 1987-2014 : representations of 'The Rainbow'. PhD thesis, University of Warwick.

Marie, Laurent (2000) The French Communist Party and French cinema 1944-1999. PhD thesis, University of Warwick.

Martino, Mariarita (2011) An analysis of scopophilia in an intersemiotic context : four Italian film adaptations. PhD thesis, University of Warwick.

McDonald, Paul (1997) Public bodies, private moments : method acting and American cinema in the 1950s. PhD thesis, University of Warwick.

Meir, Christopher (2007) Underwriting national sovereignty?: policy, the market and Scottish cinema, 1982- present. PhD thesis, University of Warwick.

Mengis, Jeanne, Nicolini, Davide and Gorli, Mara (2018) The video production of space : how different recording practices matter. Organizational Research Methods, 21 (2). pp. 288-315. doi:10.1177/1094428116669819

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Moffat, Kate (2018) Bodies in transition : Somatechnics and the experimental art of Liselotte Wajstedt's Sámi Nieida Jojk (Sámi Daughter Yoik, 2007). Somatechnics, 8 (1). pp. 48-63. doi:10.3366/soma.2018.0236

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Morrey, Douglas (2002) Jean-Luc Godard and the other history of cinema. PhD thesis, University of Warwick.

Morrey, Douglas (2010) Secrets and lies, or how (not) to write about Jacques Rivette. Australian Journal of French Studies, Vol.47 (No.2). pp. 121-132.

Morrey, Douglas (2016) The rough and the smooth : narrative, character and performance in Fingers (1978) and De battre mon coeur s'est arrêté/The Beat that My Heart Skipped (2005). Studies in French Cinema, 16 (3). pp. 190-204. doi:10.1080/14715880.2016.1220196

Moseley, Rachel (2000) Trousers and tiaras : growing up with Audrey Hepburn. PhD thesis, University of Warwick.

Mulligan, Georgia (2017) The queer cinema of Jacques Demy. PhD thesis, University of Warwick.

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Pigott, Michael (2009) Time and film style. PhD thesis, University of Warwick.

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Pillai, Nicolas (2012) The happy couple : American marriages in Hollywood films 1934-1948. PhD thesis, University of Warwick.

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Rios Miranda, Sofia (2020) Mexican screen melodrama : unravelling Mexico's sociocultural expectations and ambiguities. PhD thesis, University of Warwick.

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Schmitz, Helmut (2016) Täter lite – unsere mütter, unsere väter and the manufacturing of empathy with German wartime trauma. German Life and Letters, 69 (3). pp. 365-386. doi:10.1111/glal.12125

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Schoonover, Karl (2018) The cinema of disposal : Max Ophuls and accumulation in America. Differences, 29 (1). pp. 33-65. doi:10.1215/10407391-6681640

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Shacklock, Zoe Ruth (2017) The kinaesthetics of serial television. PhD thesis, University of Warwick.

Shaka, Femi Okiremuete (1994) Colonial and post-colonial African cinema : (a theoretical and critical analysis of discursive practices). PhD thesis, University of Warwick.

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Turner, Elizabeth Clair (2018) Box of tricks: a critical analysis of twenty-first century televised performance magic. PhD thesis, University of Warwick.

Walkley, Sarah Elizabeth (2016) To what extent can France continue to defend the cultural exception in the digital age? : an analysis of cultural diversity in the French film industry. PhD thesis, University of Warwick.

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Whittaker, Thomas (2018) Crime, knowledge and the photographic object in la isla mínima. Hispanic Research Journal, 19 (1). pp. 41-54. doi:10.1080/14682737.2017.1419547

Willis, Corin Charles (2002) The signifier returns to haunt the referent : blackface and the stereotyping of African-Americans in Hollywood early sound film. PhD thesis, University of Warwick.

Willmetts, Simon (2011) Falling out with history : Hollywood and the Central Intelligence Agency, 1945 - 1975. PhD thesis, University of Warwick.

Wimmer, Leïla (2006) The French reception of British cinema. PhD thesis, University of Warwick.

Wąsik, Marta (2016) The home movie imagination in UK and US fiction films. PhD thesis, University of Warwick.

Yacavone, Peter (2014) The aesthetics of negativity : the cinema of Suzuki Seijun. PhD thesis, University of Warwick.

Zborowski, James (2008) ‘Between sympathy and detachment’: point of view and distance in movies directed by Alfred Hitchcock, Otto Preminger and Max Ophuls. PhD thesis, University of Warwick.

Zhao, Jing (2020) The Chinese queer glocalisation of TV formats in the new millennium. PhD thesis, University of Warwick.

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Ūdris, Jānis (1988) Grotesque and excremental humour : Monty Python's meaning of life. PhD thesis, University of Warwick.