Al-Qasimi, Noor (2007) The codes of modesty: reconfiguring the Muslim female subject. PhD thesis, University of Warwick.

Allan, Seán. (2011) 'Sagt, wie soll man Stalin danken?' Kurt Maetzig's Ehe im schatten (1947), Roman einer jungen ehe (1952) and the cultural politics of post-war Germany. German Life and Letters, Volume 64 (Number 2). pp. 255-271. ISSN 1468-0483

Allen, Steven William (2003) A pleasure in pain : contemporary mainstream cinema's fascination with the aestheticized spectacle of the controlled body. PhD thesis, University of Warwick.

Andrews, Hannah, Ph.D. (2011) Public service broadcasters and British cinema, 1990–2010. PhD thesis, University of Warwick.

Boss, Peter John (1989) Death, disintegration of the body and subjectivity in the contemporary horror film. PhD thesis, University of Warwick.

Brown, Tom (2007) From intimate pleasures to spectacular vistas: musicality and historicity in French and American 'classical' cinema of the 1930s. PhD thesis, University of Warwick.

Brunsdon, Charlotte. (2009) Introduction : screen Londons. Journal of British Cinema and Television, Vol.6 (No.2). pp. 165-177. ISSN 1743-4521

Brunsdon, Charlotte. (2012) 'It's a film' : medium specificity as textual gesture in Red road and The unloved. Journal of British Cinema and Television, Vol.9 (No.3). pp. 457-479. ISSN 1743-4521

Bruzzi, Stella. (2010) Imperfect justice : Fritz Lang's Fury (1936) and cinema's use of the trial form. Law and Humanities, Vol.4 (No.1). pp. 1-19. ISSN 1752-1483

Bumrungsalee, Intira (2013) Translating culture in films : subtitling in Thailand. PhD thesis, University of Warwick.

Burrows, Jon. (2009) ‘A vague Chinese quarter elsewhere’ : Limehouse in the cinema 1914–36. Journal of British Cinema and Television, Vol.6 (No.2). pp. 282-301. ISSN 1743-4521

Chung, Hsiao-Ling (2009) Managing the cross-industry networks of the audiovisual sector: a perspective from the independent screen productions in the UK and Taiwan. PhD thesis, University of Warwick.

Cox, Fiona E. (2013) Dressing the part : costuming of lesbian identities in contemporary film and television. PhD thesis, University of Warwick.

Crouse, Jeffrey Dennis (1997) Representations of screen heterosexuality in the musicals of Fred Astaire and Vincente Minnelli. PhD thesis, University of Warwick.

Curzon, John (2009) Whatever happened to the north of England? : the spaces of post-industrial northern England in contemporary television and film drama. PhD thesis, University of Warwick.

Darke, Paul Anthony (1999) The cinematic construction of physical disability as identified through the application of the social model of disability to six indicative films made since 1970 : A day in the death of Joe Egg (1970), The raging moon (1970), The elephant man (1980), Whose life is it anyway? (1981), Duet for one (1987) and My left foot (1989). PhD thesis, University of Warwick.

Denny, Matthew (2015) The postmodern auteur : a contradiction in terms? PhD thesis, University of Warwick.

Dwyer, Kevin Anthony (1996) On a celluloid platter : an analysis of the representations and functions of food and eating in the cinema. PhD thesis, University of Warwick.

Epstein, Debbie and Steinberg, Deborah Lynn. (2011) The Bourne tragedy : lost subjects of the bioconvergent age. MediaTropes, Vol.3 (No.1). pp. 89-112. ISSN 1913-6005

Falconer, Peter (2010) Melancholy in Hollywood westerns, 1939-1962. PhD thesis, University of Warwick.

Fowler, Catherine (1995) The films of Chantal Akerman : a cinema of displacements. PhD thesis, University of Warwick.

Frame, Gregory (2012) The American president in film and television. PhD thesis, University of Warwick.

Gabrysiak, Diane (2006) The representation of money in film : gold, paper, metal and electronic. PhD thesis, University of Warwick.

Gallimore, Adam (2014) Subjectivity, immediacy, and the digital : historical reassessment in contemporary American cinema. PhD thesis, University of Warwick.

Garwood, Ian (1999) Pop music and characterisation in narrative film. PhD thesis, University of Warwick.

Goode, Ian (2000) Voices of inheritance : aspects of British film and television in the 1980s and 1990s. PhD thesis, University of Warwick.

Grist, Leighton (1996) Authorship and context: the films of Martin Scorsese 1963-1977. PhD thesis, University of Warwick.

Guha, Malini (2008) The post-imperial cityscape: London and Paris in the cinema. PhD thesis, University of Warwick.

Haggith, Toby (1998) Castles in the air : British film and the reconstruction of the built environment, 1939-51. PhD thesis, University of Warwick.

Hartwig, David W. (2010) The place of Shakespeare : performing King Lear and The tempest in an endangered world. PhD thesis, University of Warwick.

Henderson, Stuart. (2009) From screen to shelf : perspectives on independent distribution. Journal of British Cinema and Television, Vol.6 (No.3). pp. 468-480. ISSN 1743-4521

Henderson, Stuart (2011) The history and form of the Hollywood sequel, 1911-2010. PhD thesis, University of Warwick.

Holdaway, Dom (2013) A return to cinema d'impegno? Cinematic engagements with organized crime in Italy, 1950-2010. PhD thesis, University of Warwick.

Jacoby, Alexander (2010) The old capital on film : the representation of Kyoto in Japanese cinema, 1945-1964. PhD thesis, University of Warwick.

Jeffers, Tamar Elizabeth Louise (2005) "Should I surrender?": performing and interrogating female virginity in Hollywood films 1957-64. PhD thesis, University of Warwick.

Jenkins, Claire (2009) Family entertainment: representations of the American family in contemporary Hollywood cinema. PhD thesis, University of Warwick.

Jesson, Claire. (2017) 'We shall really have to do something about your equipment' : the projectionist’s negotiation of obsolescence in the Smallest Show on Earth and Coming Up Roses. Journal of British Cinema and Television . ISSN 1743-4521 (In Press)

Johnstone, Sara R. (2013) A special relationship : the British Empire in British and American cinema, 1930-1960. PhD thesis, University of Warwick.

Joo, Woojeong (2011) The flavour of tofu : Ozu, history and the representation of the everyday. PhD thesis, University of Warwick.

Jung, Berenike Christiane (2016) The (In)visibilities of torture political torture and visual evidence in U.S. and Chilean fiction cinema (2004 – 2014). PhD thesis, University of Warwick.

Kiss, Robert James (2000) The Doppelgänger in Wilhelmine cinema (1895-1914) : modernity, audiences and identity in turn-of-the-century Germany. PhD thesis, University of Warwick.

Klevan, Andrew (1996) Disclosure of the everyday : the undramatic achievements in narrative film. PhD thesis, University of Warwick.

Laing, Heather (2000) Wandering minds and anchored bodies: music, gender and emotion in melodrama and the woman's film. PhD thesis, University of Warwick.

Lehin, Barbara (2003) Cinema and society: Thatcher's Britain and Mitterand's France. PhD thesis, University of Warwick.

Lester, Catherine. (2016) The children's horror film : characterizing an 'impossible' subgenre. The Velvet Light Trap, 78 . 628733. ISSN 0149-1830

MacDowell, James (2011) The final couple : happy endings in Hollywood cinema. PhD thesis, University of Warwick.

Macedo, Lynne (2001) Fiction and film : the influence of cinema on writers from Trinidad and Jamaica 1950-1985. PhD thesis, University of Warwick.

Marco, Derilene (2016) Films about South Africa 1987-2014 : representations of 'The Rainbow'. PhD thesis, University of Warwick.

Marie, Laurent (2000) The French Communist Party and French cinema 1944-1999. PhD thesis, University of Warwick.

Martino, Mariarita (2011) An analysis of scopophilia in an intersemiotic context : four Italian film adaptations. PhD thesis, University of Warwick.

McDonald, Paul (1997) Public bodies, private moments : method acting and American cinema in the 1950s. PhD thesis, University of Warwick.

Meir, Christopher (2007) Underwriting national sovereignty?: policy, the market and Scottish cinema, 1982- present. PhD thesis, University of Warwick.

Mengis , Jeanne, Nicolini, Davide and Gorli, Mara. (2016) The video production of space : how different recording practices matter. Organizational Research Methods . ISSN 1094-4281 (In Press)

Merchant, Hayley J. (2012) Mind to screen : the conveyance of disordered mental states in film. PhD thesis, University of Warwick.

Morrey, Douglas (2002) Jean-Luc Godard and the other history of cinema. PhD thesis, University of Warwick.

Morrey, Douglas. (2010) Secrets and lies, or how (not) to write about Jacques Rivette. Australian Journal of French Studies, Vol.47 (No.2). pp. 121-132. ISSN 0004-9468

Morrey, Douglas. (2016) The rough and the smooth : narrative, character and performance in Fingers (1978) and De battre mon coeur s'est arrêté/The Beat that My Heart Skipped (2005). Studies in French Cinema, 16 (3). pp. 190-204. ISSN 1471-5880

Moseley, Rachel (2000) Trousers and tiaras : growing up with Audrey Hepburn. PhD thesis, University of Warwick.

Ottman, Barbara Verena (2015) The Lubitsch touch : a meta-critical study, 1923–1947. PhD thesis, University of Warwick.

Oyarzabal, Santiago (2012) Representations of social crisis in recent Argentine cinema. PhD thesis, University of Warwick.

Perkins, V. F.. (2009) Le plaisir: "the mask" and "the model". Film Quarterly, Vol.63 (No.1). pp. 15-22. ISSN 0015-1386

Pigott, Michael (2009) Time and film style. PhD thesis, University of Warwick.

Pilkington, Patrick (2015) The courtroom trial sequence in Hollywood cinema, 1934-1966. PhD thesis, University of Warwick.

Pillai, Nicolas (2012) The happy couple : American marriages in Hollywood films 1934-1948. PhD thesis, University of Warwick.

Read, Jacinda (1998) Narratives of transformation : feminism, femininity and the rape-revenge cycle. PhD thesis, University of Warwick.

Sargeant, Amy. (2009) Sparrows can't sing : East End kith and kinship in the 1960s. Journal of British Cinema and Television, Vol.6 (No.2). pp. 256-266. ISSN 1743-4521

Sauter, Martin (2010) Liesl Frank, Charlotte Dieterle and the European Film Fund. PhD thesis, University of Warwick.

Sava, Laura (2011) Intermedial encounters : the representation of theatre in film. PhD thesis, University of Warwick.

Schmitz, Helmut. (2016) Täter lite – unsere mütter, unsere väter and the manufacturing of empathy with German wartime trauma. German Life and Letters, 69 (3). pp. 365-386. ISSN 0016-8777

Schoonover, Karl and Galt, Rosalind. (2015) Os mundos do cinema queer : da estética ao ativismo. ArtCultura, 17 (30). pp. 97-107. ISSN 1516-8603

Shaka, Femi Okiremuete (1994) Colonial and post-colonial African cinema : (a theoretical and critical analysis of discursive practices). PhD thesis, University of Warwick.

Shaw, Spencer (2002) Showtime: the phenomenology of film consciousness. PhD thesis, University of Warwick.

Sloan, Anna C. (2013) Imperial Hollywood : American cinematic representations of Europe, 1948-1964. PhD thesis, University of Warwick.

Slugan, Mario (2014) Montage aesthetics : narrative, adaptation and urban modernity in Alfred Döblin’s Berlin Alexanderplatz. PhD thesis, University of Warwick.

Smith, Frances C. E. (2013) Rethinking the norm : Judith Butler and the Hollywood teen movie. PhD thesis, University of Warwick.

Soto, E. R. (2014) (Un)veiling bodies : a trajectory of Chilean post-dictatorship documentary. PhD thesis, University of Warwick.

Stanley, Alice (2009) Representations of sexuality in the films of François Ozon. PhD thesis, University of Warwick.

Stollery, Martin (1994) Alternative empires : Soviet montage cinema, the British documentary movement & colonialism. PhD thesis, University of Warwick.

Sykes, Leo (1995) Directing through montage : a chronological look at the construction of performance through the creation and combination of its various elements. PhD thesis, University of Warwick.

Tasker, Yvonne (1995) Spectacular bodies: gender, genre and the action cinema. PhD thesis, University of Warwick.

Thomas, Sarah (2008) Face-maker : the negotiation between screen performance, extra-filmic persona and conditions of employment within the career of Peter Lorre. PhD thesis, University of Warwick.

Thompson, Lauren Jade (2012) Becoming what women want : formations of masculinity in postfeminist film and television. PhD thesis, University of Warwick.

Totaro, Donato (2001) Time and the long take in The Magnificent Ambersons, Ugetsu and Stalker. PhD thesis, University of Warwick.

Treveri Gennari, Daniela (2005) America, the Vatican and the Catholic Church sphere of activity in Italian post war cinema (1945-1960). PhD thesis, University of Warwick.

Walkley, Sarah Elizabeth (2016) To what extent can France continue to defend the cultural exception in the digital age? : an analysis of cultural diversity in the French film industry. PhD thesis, University of Warwick.

Weetch, Owen (2013) Images in depth : spectacle, narrative and meaning construction in contemporary 3D cinema. PhD thesis, University of Warwick.

Willis, Corin Charles (2002) The signifier returns to haunt the referent : blackface and the stereotyping of African-Americans in Hollywood early sound film. PhD thesis, University of Warwick.

Willmetts, Simon (2011) Falling out with history : Hollywood and the Central Intelligence Agency, 1945 - 1975. PhD thesis, University of Warwick.

Wimmer, Leïla (2006) The French reception of British cinema. PhD thesis, University of Warwick.

Yacavone, Peter (2014) The aesthetics of negativity : the cinema of Suzuki Seijun. PhD thesis, University of Warwick.

Zborowski, James (2008) ‘Between sympathy and detachment’: point of view and distance in movies directed by Alfred Hitchcock, Otto Preminger and Max Ophuls. PhD thesis, University of Warwick.

Ūdris, Jānis (1988) Grotesque and excremental humour : Monty Python's meaning of life. PhD thesis, University of Warwick.