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Items where Subject is "P Language and Literature > PN Literature (General) > PN1993 Motion Pictures"
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- Subject Classification [Library of Congress, Moys] (30748)
- P Language and Literature (1420)
- PN Literature (General) (510)
- PN1993 Motion Pictures (135)
- PN Literature (General) (510)
- P Language and Literature (1420)
Number of items at this level: 135.
Aaron, Michele (2020) Love's revival : film practice and the art of dying. Film-Philosophy, 24 (2). pp. 83-103. doi:10.3366/film.2020.0133
Al-Qasimi, Noor (2007) The codes of modesty: reconfiguring the Muslim female subject. PhD thesis, University of Warwick.
Allan, Seán (2011) 'Sagt, wie soll man Stalin danken?' Kurt Maetzig's Ehe im schatten (1947), Roman einer jungen ehe (1952) and the cultural politics of post-war Germany. German Life and Letters, Volume 64 (Number 2). pp. 255-271. doi:10.1111/j.1468-0483.2010.01532.x
Allen, Steven William (2003) A pleasure in pain : contemporary mainstream cinema's fascination with the aestheticized spectacle of the controlled body. PhD thesis, University of Warwick.
Andrews, Hannah, Ph.D. (2011) Public service broadcasters and British cinema, 1990–2010. PhD thesis, University of Warwick.
Boss, Peter John (1989) Death, disintegration of the body and subjectivity in the contemporary horror film. PhD thesis, University of Warwick.
Brown, Tom (2007) From intimate pleasures to spectacular vistas: musicality and historicity in French and American 'classical' cinema of the 1930s. PhD thesis, University of Warwick.
Brunsdon, Charlotte (2009) Introduction : screen Londons. Journal of British Cinema and Television, Vol.6 (No.2). pp. 165-177. doi:10.3366/E1743452109000855
Brunsdon, Charlotte (2012) 'It's a film' : medium specificity as textual gesture in Red road and The unloved. Journal of British Cinema and Television, Vol.9 (No.3). pp. 457-479. doi:10.3366/jbctv.2012.0100
Bruzzi, Stella (2010) Imperfect justice : Fritz Lang's Fury (1936) and cinema's use of the trial form. Law and Humanities, Vol.4 (No.1). pp. 1-19.
Bumrungsalee, Intira (2013) Translating culture in films : subtitling in Thailand. PhD thesis, University of Warwick.
Burrows, Jon (2009) ‘A vague Chinese quarter elsewhere’ : Limehouse in the cinema 1914–36. Journal of British Cinema and Television, Vol.6 (No.2). pp. 282-301. doi:10.3366/E1743452109000946
Chua, Ling-Yen (1998) Deviant intersections : interrogating discourses of race, sexuality and non-white homosexuality in contemporary films. PhD thesis, University of Warwick.
Chung, Hsiao-Ling (2009) Managing the cross-industry networks of the audiovisual sector: a perspective from the independent screen productions in the UK and Taiwan. PhD thesis, University of Warwick.
Constable, Catherine (2018) Challenging capitalism : ethics, exploitation and the sublime in Moon and Source Code. Science Fiction Film and Television, 11 (3). pp. 417-448. doi:10.3828/sfftv.2018.25
Constable, Catherine (2018) Surfaces of science fiction : enacting gender and “humanness” in Ex Machina. Film-Philosophy, 22 (2). pp. 281-301. doi:10.3366/film.2018.0077
Cox, Fiona E. (2013) Dressing the part : costuming of lesbian identities in contemporary film and television. PhD thesis, University of Warwick.
Crouse, Jeffrey Dennis (1997) Representations of screen heterosexuality in the musicals of Fred Astaire and Vincente Minnelli. PhD thesis, University of Warwick.
Curzon, John (2009) Whatever happened to the north of England? : the spaces of post-industrial northern England in contemporary television and film drama. PhD thesis, University of Warwick.
Darke, Paul Anthony (1999) The cinematic construction of physical disability as identified through the application of the social model of disability to six indicative films made since 1970 : A day in the death of Joe Egg (1970), The raging moon (1970), The elephant man (1980), Whose life is it anyway? (1981), Duet for one (1987) and My left foot (1989). PhD thesis, University of Warwick.
De Luca, Tiago (2017) Casa Grande & Senzala: domestic space and class conflict in Casa Grande and Que horas ela volta? In: da Silva, Antonio Marcio and Cunha, Mariana, (eds.) Space and Subjectivity in Contemporary Brazilian Cinema. Screening Spaces . London: Palgrave, pp. 203-219. ISBN 9783319839004
De Luca, Tiago (2018) Earth networks : 'The human surge' and cognitive mapping. NECSUS: European Journal of Media Studies, Autumn 2018 .
De Luca, Tiago (2018) Global visions : around-the-world travel and visual culture in early modernity. In: Bayman, Louis and Pinazza, Natália, (eds.) Journeys on Screen Theory, Ethics, Aesthetics. Edinburgh: Edinburgh University Press, pp. 19-35. ISBN 9781474421836
De Luca, Tiago (2017) On length : a short history of long cinema. ANIKI: Portuguese Journal of the Moving Image, 4 (2). pp. 335-352. doi:10.14591/aniki.v4n2.353
De Luca, Tiago (2017) Watching cinema disappear : intermediality and aesthetic experience in Tsai Ming-liang’s Goodbye Dragon Inn (2003) and Stray Dogs (2013). In: Gibbs, John and Pye, Douglas, (eds.) The Long Take : Critical Approaches. Palgrave Close Readings in Film and Television . London: Palgrave, pp. 163-176. ISBN 9781137585738
De Luca, Tiago (2019) The end of the world viewed, or the wind in the things : on Nikolaus Geyrhalter’s Homo Sapiens. Discourse : Journal for Theoretical Studies in Media and Culture, 41 (1). pp. 112-141.
Denny, Matthew (2015) The postmodern auteur : a contradiction in terms? PhD thesis, University of Warwick.
Dwyer, Kevin Anthony (1996) On a celluloid platter : an analysis of the representations and functions of food and eating in the cinema. PhD thesis, University of Warwick.
Eikhof, Doris Ruth, Newsinger, Jack, Luchinskaya, Daria and Aidley, Daniela (2018) And … action? Gender, knowledge and inequalities in the UK screen industries. Gender, Work & Organization . doi:10.1111/gwao.12318 (In Press)
Epstein, Debbie and Steinberg, Deborah Lynn (2011) The Bourne tragedy : lost subjects of the bioconvergent age. MediaTropes, Vol.3 (No.1). pp. 89-112.
Falconer, Peter (2010) Melancholy in Hollywood westerns, 1939-1962. PhD thesis, University of Warwick.
Fowler, Catherine (1995) The films of Chantal Akerman : a cinema of displacements. PhD thesis, University of Warwick.
Frame, Gregory (2012) The American president in film and television. PhD thesis, University of Warwick.
Gabrysiak, Diane (2006) The representation of money in film : gold, paper, metal and electronic. PhD thesis, University of Warwick.
Gallimore, Adam (2014) Subjectivity, immediacy, and the digital : historical reassessment in contemporary American cinema. PhD thesis, University of Warwick.
Garwood, Ian (1999) Pop music and characterisation in narrative film. PhD thesis, University of Warwick.
Goode, Ian (2000) Voices of inheritance : aspects of British film and television in the 1980s and 1990s. PhD thesis, University of Warwick.
Goyal, Ankit, Kumar, Naveen, Guha, Tanaya and Narayanan, Shrikanth S. (2016) A multimodal mixture-of-experts model for dynamic emotion prediction in movies. In: 2016 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), Shanghai, China, 20-25 March 2016 pp. 2822-2826. ISBN 9781479999880. ISSN 2379-190X. doi:10.1109/ICASSP.2016.7472192
Grist, Leighton (1996) Authorship and context: the films of Martin Scorsese 1963-1977. PhD thesis, University of Warwick.
Guha, Malini (2008) The post-imperial cityscape: London and Paris in the cinema. PhD thesis, University of Warwick.
Guha, Tanaya, Huang, Che-Wei, Kumar, Naveen, Zhu, Yan and Narayanan, Shrikanth S. (2015) Gender representation in cinematic content : a multimodal approach. In: 17th ACM International Conference on Multimodal Interaction, Seattle, Washington, USA, 9-13 Nov 2015 . Published in: Proceedings of the 2015 ACM on International Conference on Multimodal Interaction pp. 31-34. ISBN 9781450339124. doi:10.1145/2818346.2820778
Haggith, Toby (1998) Castles in the air : British film and the reconstruction of the built environment, 1939-51. PhD thesis, University of Warwick.
Harrod, Mary (2020) From postnational mobility to posthuman fluidity : unfixed identities and social responsibilities in Personal Shopper (Assayas, 2016) and Happy End (Haneke, 2017). Northern Lights: Film & Media Studies Yearbook, 18 (1). pp. 85-101. doi:10.1386/nl_00015_1
Harrod, Mary and Powrie, Phil (2018) New directions in contemporary French comedies : from nation, sex and class to ethnicity, community and the vagaries of the postmodern. Studies in French Cinema . doi:10.1080/14715880.2017.1415420 (In Press)
Hartwig, David W. (2010) The place of Shakespeare : performing King Lear and The tempest in an endangered world. PhD thesis, University of Warwick.
Henderson, Stuart (2009) From screen to shelf : perspectives on independent distribution. Journal of British Cinema and Television, Vol.6 (No.3). pp. 468-480. doi:10.3366/E1743452109001149
Henderson, Stuart (2011) The history and form of the Hollywood sequel, 1911-2010. PhD thesis, University of Warwick.
Hodkinson, James R. (2020) Returning again. Resurrection narratives and afterlife aesthetics in contemporary television drama. Poetics Today, 41 (3). pp. 395-416. doi:10.1215/03335372-8519642
Holdaway, Dom (2013) A return to cinema d'impegno? Cinematic engagements with organized crime in Italy, 1950-2010. PhD thesis, University of Warwick.
Hussein, Nazia and Hussain, Saba (2015) Interrogating practices of gender, religion and nationalism in the representation of Muslim women in Bollywood : contexts of change, sites of continuity. Exchanges: the Warwick Research Journal, 2 (2). pp. 284-304.
Jacoby, Alexander (2010) The old capital on film : the representation of Kyoto in Japanese cinema, 1945-1964. PhD thesis, University of Warwick.
Jeffers, Tamar Elizabeth Louise (2005) "Should I surrender?": performing and interrogating female virginity in Hollywood films 1957-64. PhD thesis, University of Warwick.
Jenkins, Claire (2009) Family entertainment: representations of the American family in contemporary Hollywood cinema. PhD thesis, University of Warwick.
Jesson, Claire (2017) 'We shall really have to do something about your equipment' : the projectionist’s negotiation of obsolescence in the Smallest Show on Earth and Coming Up Roses. Journal of British Cinema and Television, 15 (1). pp. 115-130.
Jesson, Claire (2018) The projectionist in cinema and the persistence of film. PhD thesis, University of Warwick.
Johnstone, Sara R. (2013) A special relationship : the British Empire in British and American cinema, 1930-1960. PhD thesis, University of Warwick.
Joo, Woojeong (2011) The flavour of tofu : Ozu, history and the representation of the everyday. PhD thesis, University of Warwick.
Jung, Berenike Christiane (2016) The (In)visibilities of torture : political torture and visual evidence in U.S. and Chilean fiction cinema (2004 – 2014). PhD thesis, University of Warwick.
Kiss, Robert James (2000) The Doppelgänger in Wilhelmine cinema (1895-1914) : modernity, audiences and identity in turn-of-the-century Germany. PhD thesis, University of Warwick.
Klevan, Andrew (1996) Disclosure of the everyday : the undramatic achievements in narrative film. PhD thesis, University of Warwick.
Laing, Heather (2000) Wandering minds and anchored bodies: music, gender and emotion in melodrama and the woman's film. PhD thesis, University of Warwick.
Lehin, Barbara (2003) Cinema and society: Thatcher's Britain and Mitterand's France. PhD thesis, University of Warwick.
Lester, Catherine (2016) The children's horror film : beneficial fear and subversive pleasure in an (im)possible Hollywood subgenre. PhD thesis, University of Warwick.
Lester, Catherine (2016) The children's horror film : characterizing an 'impossible' subgenre. The Velvet Light Trap, 78 . 628733.
Lim, Michael Kho (2017) Pinoy Indie, Inc. : the cultural economy of distribution and Philippine independent cinema. PhD thesis, University of Warwick.
Luijnenburg, Linde Maria Elise (2017) Hidden postcolonial conscience in Italian cinema: Attempts to autodefine ‘the Italian’ through representations of the Black Other in the commedia all’italiana. PhD thesis, University of Warwick.
MacDonald, Malcolm (2018) Editorial. Language and Intercultural Communication, 18 (6). pp. 591-594. doi:10.1080/14708477.2018.1522720
MacDowell, James (2018) Interpretation, irony, and "surface meaning" in film. Film-Philosophy, 22 (2). pp. 261-280. doi:10.3366/film.2018.0076
MacDowell, James (2011) The final couple : happy endings in Hollywood cinema. PhD thesis, University of Warwick.
Macedo, Lynne (2001) Fiction and film : the influence of cinema on writers from Trinidad and Jamaica 1950-1985. PhD thesis, University of Warwick.
Marco, Derilene (2016) Films about South Africa 1987-2014 : representations of 'The Rainbow'. PhD thesis, University of Warwick.
Marie, Laurent (2000) The French Communist Party and French cinema 1944-1999. PhD thesis, University of Warwick.
Martino, Mariarita (2011) An analysis of scopophilia in an intersemiotic context : four Italian film adaptations. PhD thesis, University of Warwick.
McDonald, Paul (1997) Public bodies, private moments : method acting and American cinema in the 1950s. PhD thesis, University of Warwick.
Meir, Christopher (2007) Underwriting national sovereignty?: policy, the market and Scottish cinema, 1982- present. PhD thesis, University of Warwick.
Mengis, Jeanne, Nicolini, Davide and Gorli, Mara (2018) The video production of space : how different recording practices matter. Organizational Research Methods, 21 (2). pp. 288-315. doi:10.1177/1094428116669819
Merchant, Hayley J. (2012) Mind to screen : the conveyance of disordered mental states in film. PhD thesis, University of Warwick.
Moffat, Kate (2018) Bodies in transition : Somatechnics and the experimental art of Liselotte Wajstedt's Sámi Nieida Jojk (Sámi Daughter Yoik, 2007). Somatechnics, 8 (1). pp. 48-63. doi:10.3366/soma.2018.0236
Moffat, Kate (2016) Short Subject : From imperfect strangers to new citizens : screening race and ethnicity in Nordic film history. Journal of Scandinavian Cinema, 6 (3). pp. 225-233. doi:10.1386/jsca.6.3.225_1
Moffat, Kate and Kaapa, Pietari (2018) Unthinking ethnocentrism : ecocritical approaches to ethnic diversity in Nordic screen media. Journal of Scandinavian Cinema, 8 (2). pp. 149-165. doi:10.1386/jsca.8.2.149_1
Morrey, Douglas (2002) Jean-Luc Godard and the other history of cinema. PhD thesis, University of Warwick.
Morrey, Douglas (2010) Secrets and lies, or how (not) to write about Jacques Rivette. Australian Journal of French Studies, Vol.47 (No.2). pp. 121-132.
Morrey, Douglas (2016) The rough and the smooth : narrative, character and performance in Fingers (1978) and De battre mon coeur s'est arrêté/The Beat that My Heart Skipped (2005). Studies in French Cinema, 16 (3). pp. 190-204. doi:10.1080/14715880.2016.1220196
Moseley, Rachel (2000) Trousers and tiaras : growing up with Audrey Hepburn. PhD thesis, University of Warwick.
Mulligan, Georgia (2017) The queer cinema of Jacques Demy. PhD thesis, University of Warwick.
Ottman, Barbara Verena (2015) The Lubitsch touch : a meta-critical study, 1923–1947. PhD thesis, University of Warwick.
Oyarzabal, Santiago (2012) Representations of social crisis in recent Argentine cinema. PhD thesis, University of Warwick.
Perkins, V. F. (2009) Le plaisir: "the mask" and "the model". Film Quarterly, Vol.63 (No.1). pp. 15-22. doi:10.1525/FQ.2009.63.1.15
Phillips, Alastair (1999) City of darkness, city of light : the representation of Paris in the 1930's French films of the German emigrés. PhD thesis, University of Warwick.
Pigott, Michael (2018) Sounds of the projection box : liner notes for a phonographic method. Journal of British Cinema and Television, 15 (1). pp. 27-45. doi:10.3366/jbctv.2018.0400
Pigott, Michael (2009) Time and film style. PhD thesis, University of Warwick.
Pilkington, Patrick (2015) The courtroom trial sequence in Hollywood cinema, 1934-1966. PhD thesis, University of Warwick.
Pillai, Nicolas (2012) The happy couple : American marriages in Hollywood films 1934-1948. PhD thesis, University of Warwick.
Rao, Isabel Joan Sutherland (2018) Screening the seventies: Representations of the 1970s in British film and television. PhD thesis, University of Warwick.
Read, Jacinda (1998) Narratives of transformation : feminism, femininity and the rape-revenge cycle. PhD thesis, University of Warwick.
Sargeant, Amy (2009) Sparrows can't sing : East End kith and kinship in the 1960s. Journal of British Cinema and Television, Vol.6 (No.2). pp. 256-266. doi:10.3366/E1743452109000922
Sauter, Martin (2010) Liesl Frank, Charlotte Dieterle and the European Film Fund. PhD thesis, University of Warwick.
Sava, Laura (2011) Intermedial encounters : the representation of theatre in film. PhD thesis, University of Warwick.
Schmitz, Helmut (2016) Täter lite – unsere mütter, unsere väter and the manufacturing of empathy with German wartime trauma. German Life and Letters, 69 (3). pp. 365-386. doi:10.1111/glal.12125
Schoonover, Karl (2019) What do we do with vacant space in horror films? Discourse, 40 (3). pp. 342-357.
Schoonover, Karl (2018) The cinema of disposal : Max Ophuls and accumulation in America. Differences, 29 (1). pp. 33-65. doi:10.1215/10407391-6681640
Schoonover, Karl and Corsi, Barbara (2020) Primed real estate : film producers and land development, a conversation with Karl Schoonover and Barbara Corsi. Historical Journal of Film Radio and Television . doi:10.1080/01439685.2020.1715600 (In Press)
Schoonover, Karl and Galt, Rosalind (2015) Os mundos do cinema queer : da estética ao ativismo. ArtCultura, 17 (30). pp. 97-107.
Schwartz, Laura (2018) Review article : the politics of remembering the suffragettes. Revue Francais Civilisation Britanique, XXIII (1). doi:10.4000/rfcb.1841
Shacklock, Zoe Ruth (2017) The kinaesthetics of serial television. PhD thesis, University of Warwick.
Shaka, Femi Okiremuete (1994) Colonial and post-colonial African cinema : (a theoretical and critical analysis of discursive practices). PhD thesis, University of Warwick.
Shaw, Spencer (2002) Showtime: the phenomenology of film consciousness. PhD thesis, University of Warwick.
Sloan, Anna C. (2013) Imperial Hollywood : American cinematic representations of Europe, 1948-1964. PhD thesis, University of Warwick.
Slugan, Mario (2014) Montage aesthetics : narrative, adaptation and urban modernity in Alfred Döblin’s Berlin Alexanderplatz. PhD thesis, University of Warwick.
Smith, Frances C. E. (2013) Rethinking the norm : Judith Butler and the Hollywood teen movie. PhD thesis, University of Warwick.
Soto, E. R. (2014) (Un)veiling bodies : a trajectory of Chilean post-dictatorship documentary. PhD thesis, University of Warwick.
Stanley, Alice (2009) Representations of sexuality in the films of François Ozon. PhD thesis, University of Warwick.
Stollery, Martin (1994) Alternative empires : Soviet montage cinema, the British documentary movement & colonialism. PhD thesis, University of Warwick.
Stone, Katherine (2016) Sympathy, empathy, and postmemory : problematic positions in Unsere Mütter, unsere Väter. Modern Language Review, 111 (2). pp. 454-477. doi:10.5699/modelangrevi.111.2.0454
Sykes, Leo (1995) Directing through montage : a chronological look at the construction of performance through the creation and combination of its various elements. PhD thesis, University of Warwick.
Tasker, Yvonne (1995) Spectacular bodies: gender, genre and the action cinema. PhD thesis, University of Warwick.
Taylor, James (2016) Hollywood superheroes : the aesthetics of comic book to film adaptation. PhD thesis, University of Warwick.
Teinemaa, Teet (2017) The American imaginary in the contemporary American multi-protagonist film. PhD thesis, University of Warwick.
Thomas, Sarah (2008) Face-maker : the negotiation between screen performance, extra-filmic persona and conditions of employment within the career of Peter Lorre. PhD thesis, University of Warwick.
Thompson, Lauren Jade (2012) Becoming what women want : formations of masculinity in postfeminist film and television. PhD thesis, University of Warwick.
Totaro, Donato (2001) Time and the long take in The Magnificent Ambersons, Ugetsu and Stalker. PhD thesis, University of Warwick.
Treveri Gennari, Daniela (2005) America, the Vatican and the Catholic Church sphere of activity in Italian post war cinema (1945-1960). PhD thesis, University of Warwick.
Turner, Elizabeth Clair (2018) Box of tricks: a critical analysis of twenty-first century televised performance magic. PhD thesis, University of Warwick.
Walkley, Sarah Elizabeth (2016) To what extent can France continue to defend the cultural exception in the digital age? : an analysis of cultural diversity in the French film industry. PhD thesis, University of Warwick.
Wallace, Richard James (2020) Documentary style as post-truth monstrosity in the mockumentary horror film. Quarterly Review of Film and Video . doi:10.1080/10509208.2020.1780107 (In Press)
Weetch, Owen (2013) Images in depth : spectacle, narrative and meaning construction in contemporary 3D cinema. PhD thesis, University of Warwick.
Whittaker, Thomas (2018) Crime, knowledge and the photographic object in la isla mínima. Hispanic Research Journal, 19 (1). pp. 41-54. doi:10.1080/14682737.2017.1419547
Willis, Corin Charles (2002) The signifier returns to haunt the referent : blackface and the stereotyping of African-Americans in Hollywood early sound film. PhD thesis, University of Warwick.
Willmetts, Simon (2011) Falling out with history : Hollywood and the Central Intelligence Agency, 1945 - 1975. PhD thesis, University of Warwick.
Wimmer, Leïla (2006) The French reception of British cinema. PhD thesis, University of Warwick.
Wąsik, Marta (2016) The home movie imagination in UK and US fiction films. PhD thesis, University of Warwick.
Yacavone, Peter (2014) The aesthetics of negativity : the cinema of Suzuki Seijun. PhD thesis, University of Warwick.
Zborowski, James (2008) ‘Between sympathy and detachment’: point of view and distance in movies directed by Alfred Hitchcock, Otto Preminger and Max Ophuls. PhD thesis, University of Warwick.
de Medeiros, Paulo (2019) Lusophone cinemas in transnational perspective. In: Leite, Ana Mafalda and Owen, Hilary and Sapega, Ellen W. and Secco, Tindó, (eds.) Postcolonial Nation and Narrative III: Literature & Cinema. Reconfiguring Identities in the Portuguese-Speaking World (13). Oxford: Peter Lang, pp. 21-34. ISBN 9781787075818
Ūdris, Jānis (1988) Grotesque and excremental humour : Monty Python's meaning of life. PhD thesis, University of Warwick.