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Al-Qasimi, Noor (2007) The codes of modesty: reconfiguring the Muslim female subject. PhD thesis, University of Warwick.

Allan, Seán (2011) 'Sagt, wie soll man Stalin danken?' Kurt Maetzig's Ehe im schatten (1947), Roman einer jungen ehe (1952) and the cultural politics of post-war Germany. German Life and Letters, Volume 64 (Number 2). pp. 255-271. doi:10.1111/j.1468-0483.2010.01532.x

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Brunsdon, Charlotte (2012) 'It's a film' : medium specificity as textual gesture in Red road and The unloved. Journal of British Cinema and Television, Vol.9 (No.3). pp. 457-479. doi:10.3366/jbctv.2012.0100

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Curzon, John (2009) Whatever happened to the north of England? : the spaces of post-industrial northern England in contemporary television and film drama. PhD thesis, University of Warwick.

Darke, Paul Anthony (1999) The cinematic construction of physical disability as identified through the application of the social model of disability to six indicative films made since 1970 : A day in the death of Joe Egg (1970), The raging moon (1970), The elephant man (1980), Whose life is it anyway? (1981), Duet for one (1987) and My left foot (1989). PhD thesis, University of Warwick.

De Luca, Tiago (2017) Casa Grande & Senzala: domestic space and class conflict in Casa Grande and Que horas ela volta? In: da Silva, Antonio Marcio and Cunha, Mariana, (eds.) Space and Subjectivity in Contemporary Brazilian Cinema. Screening Spaces . London: Palgrave, pp. 203-219. ISBN 9783319839004

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De Luca, Tiago (2017) On length : a short history of long cinema. ANIKI: Portuguese Journal of the Moving Image, 4 (2). pp. 335-352. doi:10.14591/aniki.v4n2.353

De Luca, Tiago (2017) Watching cinema disappear : intermediality and aesthetic experience in Tsai Ming-liang’s Goodbye Dragon Inn (2003) and Stray Dogs (2013). In: Gibbs, John and Pye, Douglas, (eds.) The Long Take : Critical Approaches. Palgrave Close Readings in Film and Television . London: Palgrave, pp. 163-176. ISBN 9781137585738

De Luca, Tiago (2019) The end of the world viewed, or the wind in the things : on Nikolaus Geyrhalter’s Homo Sapiens. Discourse : Journal for Theoretical Studies in Media and Culture, 41 (1). pp. 112-141.

Denny, Matthew (2015) The postmodern auteur : a contradiction in terms? PhD thesis, University of Warwick.

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Eikhof, Doris Ruth, Newsinger, Jack, Luchinskaya, Daria and Aidley, Daniela (2018) And … action? Gender, knowledge and inequalities in the UK screen industries. Gender, Work & Organization . doi:10.1111/gwao.12318 (In Press)

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Falconer, Peter (2010) Melancholy in Hollywood westerns, 1939-1962. PhD thesis, University of Warwick.

Fowler, Catherine (1995) The films of Chantal Akerman : a cinema of displacements. PhD thesis, University of Warwick.

Frame, Gregory (2012) The American president in film and television. PhD thesis, University of Warwick.

Gabrysiak, Diane (2006) The representation of money in film : gold, paper, metal and electronic. PhD thesis, University of Warwick.

Gallimore, Adam (2014) Subjectivity, immediacy, and the digital : historical reassessment in contemporary American cinema. PhD thesis, University of Warwick.

Garwood, Ian (1999) Pop music and characterisation in narrative film. PhD thesis, University of Warwick.

Goode, Ian (2000) Voices of inheritance : aspects of British film and television in the 1980s and 1990s. PhD thesis, University of Warwick.

Goyal, Ankit, Kumar, Naveen, Guha, Tanaya and Narayanan, Shrikanth S. (2016) A multimodal mixture-of-experts model for dynamic emotion prediction in movies. In: 2016 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), Shanghai, China, 20-25 March 2016 pp. 2822-2826. ISBN 9781479999880. ISSN 2379-190X. doi:10.1109/ICASSP.2016.7472192

Grist, Leighton (1996) Authorship and context: the films of Martin Scorsese 1963-1977. PhD thesis, University of Warwick.

Guha, Malini (2008) The post-imperial cityscape: London and Paris in the cinema. PhD thesis, University of Warwick.

Guha, Tanaya, Huang, Che-Wei, Kumar, Naveen, Zhu, Yan and Narayanan, Shrikanth S. (2015) Gender representation in cinematic content : a multimodal approach. In: 17th ACM International Conference on Multimodal Interaction, Seattle, Washington, USA, 9-13 Nov 2015 . Published in: Proceedings of the 2015 ACM on International Conference on Multimodal Interaction pp. 31-34. ISBN 9781450339124. doi:10.1145/2818346.2820778

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Harrod, Mary (2020) From postnational mobility to posthuman fluidity : unfixed identities and social responsibilities in Personal Shopper (Assayas, 2016) and Happy End (Haneke, 2017). Northern Lights: Film & Media Studies Yearbook, 18 (1). pp. 85-101. doi:10.1386/nl_00015_1

Harrod, Mary and Powrie, Phil (2018) New directions in contemporary French comedies : from nation, sex and class to ethnicity, community and the vagaries of the postmodern. Studies in French Cinema . doi:10.1080/14715880.2017.1415420 (In Press)

Hartwig, David W. (2010) The place of Shakespeare : performing King Lear and The tempest in an endangered world. PhD thesis, University of Warwick.

Henderson, Stuart (2009) From screen to shelf : perspectives on independent distribution. Journal of British Cinema and Television, Vol.6 (No.3). pp. 468-480. doi:10.3366/E1743452109001149

Henderson, Stuart (2011) The history and form of the Hollywood sequel, 1911-2010. PhD thesis, University of Warwick.

Hodkinson, James R. (2020) Returning again. Resurrection narratives and afterlife aesthetics in contemporary television drama. Poetics Today, 41 (3). pp. 395-416. doi:10.1215/03335372-8519642

Holdaway, Dom (2013) A return to cinema d'impegno? Cinematic engagements with organized crime in Italy, 1950-2010. PhD thesis, University of Warwick.

Hussein, Nazia and Hussain, Saba (2015) Interrogating practices of gender, religion and nationalism in the representation of Muslim women in Bollywood : contexts of change, sites of continuity. Exchanges: the Warwick Research Journal, 2 (2). pp. 284-304.

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Jenkins, Claire (2009) Family entertainment: representations of the American family in contemporary Hollywood cinema. PhD thesis, University of Warwick.

Jesson, Claire (2017) 'We shall really have to do something about your equipment' : the projectionist’s negotiation of obsolescence in the Smallest Show on Earth and Coming Up Roses. Journal of British Cinema and Television, 15 (1). pp. 115-130.

Jesson, Claire (2018) The projectionist in cinema and the persistence of film. PhD thesis, University of Warwick.

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Joo, Woojeong (2011) The flavour of tofu : Ozu, history and the representation of the everyday. PhD thesis, University of Warwick.

Jung, Berenike Christiane (2016) The (In)visibilities of torture : political torture and visual evidence in U.S. and Chilean fiction cinema (2004 – 2014). PhD thesis, University of Warwick.

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Laing, Heather (2000) Wandering minds and anchored bodies: music, gender and emotion in melodrama and the woman's film. PhD thesis, University of Warwick.

Lehin, Barbara (2003) Cinema and society: Thatcher's Britain and Mitterand's France. PhD thesis, University of Warwick.

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Lester, Catherine (2016) The children's horror film : characterizing an 'impossible' subgenre. The Velvet Light Trap, 78 . 628733.

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MacDowell, James (2011) The final couple : happy endings in Hollywood cinema. PhD thesis, University of Warwick.

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Martino, Mariarita (2011) An analysis of scopophilia in an intersemiotic context : four Italian film adaptations. PhD thesis, University of Warwick.

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Meir, Christopher (2007) Underwriting national sovereignty?: policy, the market and Scottish cinema, 1982- present. PhD thesis, University of Warwick.

Mengis, Jeanne, Nicolini, Davide and Gorli, Mara (2018) The video production of space : how different recording practices matter. Organizational Research Methods, 21 (2). pp. 288-315. doi:10.1177/1094428116669819

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Moffat, Kate (2018) Bodies in transition : Somatechnics and the experimental art of Liselotte Wajstedt's Sámi Nieida Jojk (Sámi Daughter Yoik, 2007). Somatechnics, 8 (1). pp. 48-63. doi:10.3366/soma.2018.0236

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Morrey, Douglas (2010) Secrets and lies, or how (not) to write about Jacques Rivette. Australian Journal of French Studies, Vol.47 (No.2). pp. 121-132.

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Pigott, Michael (2009) Time and film style. PhD thesis, University of Warwick.

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Pillai, Nicolas (2012) The happy couple : American marriages in Hollywood films 1934-1948. PhD thesis, University of Warwick.

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Wimmer, Leïla (2006) The French reception of British cinema. PhD thesis, University of Warwick.

Wąsik, Marta (2016) The home movie imagination in UK and US fiction films. PhD thesis, University of Warwick.

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Ūdris, Jānis (1988) Grotesque and excremental humour : Monty Python's meaning of life. PhD thesis, University of Warwick.