Skip to content Skip to navigation
University of Warwick
  • Study
  • |
  • Research
  • |
  • Business
  • |
  • Alumni
  • |
  • News
  • |
  • About

University of Warwick
Publications service & WRAP

Highlight your research

  • WRAP
    • Home
    • Search WRAP
    • Browse by Warwick Author
    • Browse WRAP by Year
    • Browse WRAP by Subject
    • Browse WRAP by Department
    • Browse WRAP by Funder
    • Browse Theses by Department
  • Publications Service
    • Home
    • Search Publications Service
    • Browse by Warwick Author
    • Browse Publications service by Year
    • Browse Publications service by Subject
    • Browse Publications service by Department
    • Browse Publications service by Funder
  • Help & Advice
University of Warwick

The Library

  • Login
  • Admin

Building a mystery : Giorgio de Chirico and Italian renaissance painting

Tools
- Tools
+ Tools

Brazeau, Bryan (2019) Building a mystery : Giorgio de Chirico and Italian renaissance painting. The Italianist, 39 (1). pp. 20-43. doi:10.1080/02614340.2019.1556446 ISSN 0261-4340.

[img]
Preview
PDF
WRAP-building-mystery-Giorgio-de-Chirico-Italian-renaissance-painting-Brazeau-2019.pdf - Accepted Version - Requires a PDF viewer.

Download (797Kb) | Preview
Official URL: https://doi.org/10.1080/02614340.2019.1556446

Request Changes to record.

Abstract

In an infamous 1926 article in La révolution Surréaliste, André Breton roundly condemned Giorgio de Chirico, faintly praising his early ‘metaphysical’ works, yet rejecting the artist’s later production. This judgment has had a marked impact on later criticism, which often separates the artist’s work into his early ‘metaphysical’ period and his production after 1919, when he proclaimed himself a pictor classicus advocating a ‘return to craft’ that focused on painting as a technical skill and the copying of Renaissance masters. Building on work of recent scholars, this essay investigates de Chirico’s relationship to Renaissance painting, arguing that his interest in early modern Italian masters predates his 1919 break with the avant-garde. Through an examination of de Chirico’s writings and early metaphysical canvases, the artist’s interest in Renaissance paintings is shown to be a constant thread throughout his early career, rather than a reactionary rejection of contemporary artistic currents.

Item Type: Journal Article
Alternative Title:
Subjects: N Fine Arts > ND Painting
Divisions: Faculty of Arts > School for Cross-faculty Studies
Faculty of Arts > School for Cross-faculty Studies > Liberal Arts
Library of Congress Subject Headings (LCSH): Painting, Renaissance -- Italy, De Chirico, Giorgio, 1888-1978
Journal or Publication Title: The Italianist
Publisher: Routledge
ISSN: 0261-4340
Official Date: 3 April 2019
Dates:
DateEvent
3 April 2019Published
8 December 2018Accepted
Volume: 39
Number: 1
Page Range: pp. 20-43
DOI: 10.1080/02614340.2019.1556446
Status: Peer Reviewed
Publication Status: Published
Reuse Statement (publisher, data, author rights): This is an Accepted Manuscript of an article published by Taylor & Francis in The Italianist on 03/04/2019, available online: http://www.tandfonline.com/10.1080/02614340.2019.1556446. (The Version of Record for this article also includes 10 figures that cannot be distributed open access through the institutional repository. To consult these figures, please see the published version: https://doi.org/10.1080/02614340.2019.1556446)
Access rights to Published version: Restricted or Subscription Access
Date of first compliant deposit: 9 January 2019
Date of first compliant Open Access: 3 October 2020
RIOXX Funder/Project Grant:
Project/Grant IDRIOXX Funder NameFunder ID
UNSPECIFIEDGreg Wells Legacy FundUNSPECIFIED
UNSPECIFIEDHumanities Research FundUNSPECIFIED
UNSPECIFIEDUniversity of Warwickhttp://dx.doi.org/10.13039/501100000741
Related URLs:
  • Publisher

Request changes or add full text files to a record

Repository staff actions (login required)

View Item View Item

Downloads

Downloads per month over past year

View more statistics

twitter

Email us: wrap@warwick.ac.uk
Contact Details
About Us