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Haydn’s impropriety
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Waltham-Smith, Naomi R. (2018) Haydn’s impropriety. Journal of Music Theory, 62 (1). pp. 119-144. doi:10.1215/00222909-4450660 ISSN 0022-2909.
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Official URL: http://dx.doi.org/10.1215/00222909-4450660
Abstract
Haydn is known for his playful (mis)use of cadential formulas. Examining examples of this predilection and processes of cadential liquidation, this article develops a theory of the use of musical material. This entails a deconstruction of the Adornian dialectic between generic convention and particular expression and—following Jacques Derrida’s notion of exappropriation—between proper and improper, and propriety and impropriety.
| Item Type: | Journal Article | ||||||
|---|---|---|---|---|---|---|---|
| Subjects: | M Music and Books on Music > ML Literature of music | ||||||
| Divisions: | Faculty of Social Sciences > Centre for Interdisciplinary Methodologies | ||||||
| Library of Congress Subject Headings (LCSH): | Haydn, Joseph, 1732-1809 -- Criticism and interpretation, Adorno, Theodor W., 1903-1969, Derrida, Jacques, 1930-2004 | ||||||
| Journal or Publication Title: | Journal of Music Theory | ||||||
| Publisher: | Duke University Press | ||||||
| ISSN: | 0022-2909 | ||||||
| Official Date: | 1 April 2018 | ||||||
| Dates: |
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| Volume: | 62 | ||||||
| Number: | 1 | ||||||
| Page Range: | pp. 119-144 | ||||||
| DOI: | 10.1215/00222909-4450660 | ||||||
| Status: | Peer Reviewed | ||||||
| Publication Status: | Published | ||||||
| Access rights to Published version: | Restricted or Subscription Access | ||||||
| Date of first compliant deposit: | 21 March 2019 | ||||||
| Date of first compliant Open Access: | 2 April 2019 |
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