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Watching cinema disappear : intermediality and aesthetic experience in Tsai Ming-liang’s Goodbye Dragon Inn (2003) and Stray Dogs (2013)
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De Luca, Tiago (2017) Watching cinema disappear : intermediality and aesthetic experience in Tsai Ming-liang’s Goodbye Dragon Inn (2003) and Stray Dogs (2013). In: Gibbs, John and Pye, Douglas, (eds.) The Long Take : Critical Approaches. Palgrave Close Readings in Film and Television . London: Palgrave, pp. 163-176. ISBN 9781137585738
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Official URL: https://link.springer.com/chapter/10.1057/978-1-13...
Abstract
The long take is often theorised in relation to the movement of characters in association with theatrical staging. Less examined is the way in which it can forge connections with immobile visual forms such as painting and photography. Looking at two films by Taiwan-based Tsai Ming-liang—Goodbye Dragon Inn (2003) and Stray Dogs (2013)—this chapter explores such connections through a consideration of cinematic slowness and stillness. Separated by a ten-year gap, both films provide a fascinating comparative analysis by showing how Tsai’s increasingly unorthodox use of the long take has struggled to survive within the aesthetic and institutional confines of cinema, thus migrating into the art gallery.
| Item Type: | Book Item | ||||||
|---|---|---|---|---|---|---|---|
| Subjects: | N Fine Arts > ND Painting P Language and Literature > PN Literature (General) > PN1993 Motion Pictures T Technology > TR Photography |
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| Divisions: | Faculty of Arts > Film and Television Studies | ||||||
| Library of Congress Subject Headings (LCSH): | Cai, Mingliang, 1957- -- Bu San, Cai, Mingliang, 1957- -- Goodbye, Dragon Inn, Cai, Mingliang, 1957- -- Jiao yu, Cai, Mingliang, 1957- -- Stray Dogs | ||||||
| Series Name: | Palgrave Close Readings in Film and Television | ||||||
| Publisher: | Palgrave | ||||||
| Place of Publication: | London | ||||||
| ISBN: | 9781137585738 | ||||||
| Book Title: | The Long Take : Critical Approaches | ||||||
| Editor: | Gibbs, John and Pye, Douglas | ||||||
| Official Date: | 28 October 2017 | ||||||
| Dates: |
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| Page Range: | pp. 163-176 | ||||||
| DOI: | 10.1057/978-1-137-58573-8_11 | ||||||
| Status: | Not Peer Reviewed | ||||||
| Publication Status: | Published | ||||||
| Access rights to Published version: | Restricted or Subscription Access | ||||||
| Copyright Holders: | Palgrave Macmillan | ||||||
| Date of first compliant deposit: | 28 March 2019 | ||||||
| Date of first compliant Open Access: | 28 October 2019 | ||||||
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- Watching cinema disappear : intermediality and aesthetic experience in Tsai Ming-liang’s Goodbye Dragon Inn (2003) and Stray Dogs (2013). (deposited 28 Mar 2019 11:58) [Currently Displayed]
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