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Theatricality, Michael Fried, and nineteenth-century art and theatre

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Smyth, Patricia (2019) Theatricality, Michael Fried, and nineteenth-century art and theatre. Performance Research, 24 (4). pp. 5-9. doi:10.1080/13528165.2019.1641314 ISSN 1352-8165.

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Official URL: https://doi.org/10.1080/13528165.2019.1641314

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Abstract

This provocation uses a case study of the French history painter Paul Delaroche to examine the way in which theatricality is invoked as a critical term. Michael Fried considers Delaroche’s work to exemplify theatricality, a designation that, for him, connotes qualities of exaggeration and inauthenticity, but I argue that this is not how Delaroche was viewed in his own time. This leads to a wider consideration of the assumptions that underpin thinking about theatricality. In particular, I question the idea that theatricality is a quality of popular, as opposed to avant-garde, art. Finally, I want to challenge the automatic association between theatre and artifice that is threaded through discussions of theatricality.

Item Type: Journal Article
Subjects: N Fine Arts > ND Painting
P Language and Literature > PN Literature (General) > PN2000 Dramatic representation. The Theater
Divisions: Faculty of Arts > Theatre, Performance and Cultural Policy Studies
Journal or Publication Title: Performance Research
Publisher: Routledge
ISSN: 1352-8165
Official Date: 17 September 2019
Dates:
DateEvent
17 September 2019Available
22 March 2019Accepted
Volume: 24
Number: 4
Page Range: pp. 5-9
DOI: 10.1080/13528165.2019.1641314
Status: Peer Reviewed
Publication Status: Published
Reuse Statement (publisher, data, author rights): “This is an Accepted Manuscript of an article published by Taylor & Francis in Performance Research on 17/09/2019, available online: http://www.tandfonline.com/10.1080/13528165.2019.1641314
Access rights to Published version: Restricted or Subscription Access
Date of first compliant deposit: 4 June 2019
Date of first compliant Open Access: 17 March 2021
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