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Perret versus Le Corbusier Building for Art in the 1920s
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Campbell, Louise (2014) Perret versus Le Corbusier Building for Art in the 1920s. Kunst og Kultur Oslo, 97 (4). pp. 206-215. ISSN 0023-5415.
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Official URL: https://www.idunn.no/kk/2014/04/perret_versus_le_c...
Abstract
This article situates Parisian studio-houses in the context of the boom in contemporary art of the 1920s. It argues that in a highly competitive art market, architecture proved a useful means of individuating artists from one another. As boom turned to crash in the 1930s, the architecture of Perret served to shield his artist-clients from criticism and as an emblem of their integrity in an art market which stood accused of price-fixing.
Item Type: | Journal Article | ||||||||
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Divisions: | Faculty of Arts > History of Art | ||||||||
Journal or Publication Title: | Kunst og Kultur Oslo | ||||||||
Publisher: | Universitetsforlaget AS | ||||||||
ISSN: | 0023-5415 | ||||||||
Official Date: | 2014 | ||||||||
Dates: |
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Volume: | 97 | ||||||||
Number: | 4 | ||||||||
Page Range: | pp. 206-215 | ||||||||
Status: | Peer Reviewed | ||||||||
Publication Status: | Published | ||||||||
Access rights to Published version: | Restricted or Subscription Access |
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