Skip to content Skip to navigation
University of Warwick
  • Study
  • |
  • Research
  • |
  • Business
  • |
  • Alumni
  • |
  • News
  • |
  • About

University of Warwick
Publications service & WRAP

Highlight your research

  • WRAP
    • Home
    • Search WRAP
    • Browse by Warwick Author
    • Browse WRAP by Year
    • Browse WRAP by Subject
    • Browse WRAP by Department
    • Browse WRAP by Funder
    • Browse Theses by Department
  • Publications Service
    • Home
    • Search Publications Service
    • Browse by Warwick Author
    • Browse Publications service by Year
    • Browse Publications service by Subject
    • Browse Publications service by Department
    • Browse Publications service by Funder
  • Help & Advice
University of Warwick

The Library

  • Login
  • Admin

Authorship and context: the films of Martin Scorsese 1963-1977

Tools
- Tools
+ Tools

Grist, Leighton (1996) Authorship and context: the films of Martin Scorsese 1963-1977. PhD thesis, University of Warwick.

[img] PDF
WRAP_THESIS_Grist_1996.pdf - Requires a PDF viewer.

Download (16Mb)
Official URL: http://webcat.warwick.ac.uk/record=b1402492~S9

Request Changes to record.

Abstract

This thesis centres upon variously detailed analyses of the early fictional films of director Martin Scorsese, ranging from the student short film What's a Nice Girl Like You Doing in a Place Like This? (1963) to the big-budget production New York, New York (1977). Through this, the thesis seeks to enact an intervention in the debate surrounding film authorship. Informed by a broadly poststructuralist position, the thesis recasts authorship as a discourse that exists in a particular, mutually inflecting relation with a text's other constituting elements. While the analysis of specific films traces the stylistic and thematic consistencies that inform Scorsese's authorial discourse, the latter's specific articulations are read in relation to the texts' institutional, industrial, and historical determination. That the texts studied were made within a variety of filmmaking practices - student production, exploitation cinema, independent filmmaking, major studio finance and distribution - enables consideration of authorship within different contexts of production. Crossing this, the thesis charts the genesis, institutional appropriation, and consequent rejection of New Hollywood Cinema, a phase of filmmaking of which Scorsese's early work is paradigmatic.

The thesis is organized on a chapter per film or production situation basis. The introduction outlines its theoretical underpinning. The conclusion briefly contextualizes the films which Scorsese has directed since New York, New York.

The thesis concludes that authorial analysis remains a valid critical practice, but also one which needs to be located in relation to other determining factors.

Item Type: Thesis (PhD)
Subjects: P Language and Literature > PN Literature (General) > PN1993 Motion Pictures
Library of Congress Subject Headings (LCSH): Scorsese, Martin, Alice doesn’t live here anymore, Taxi driver (Motion picture : 1976), New York, New York (Motion picture), Motion picture authorship -- United States, Motion pictures -- Production and direction, Motion pictures -- United States
Official Date: September 1996
Dates:
DateEvent
September 1996Submitted
Institution: University of Warwick
Theses Department: Department of Film and Television Studies
Thesis Type: PhD
Publication Status: Unpublished
Format of File: pdf
Extent: 283 leaves
Language: eng

Request changes or add full text files to a record

Repository staff actions (login required)

View Item View Item

Downloads

Downloads per month over past year

View more statistics

twitter

Email us: wrap@warwick.ac.uk
Contact Details
About Us