Skip to content Skip to navigation
University of Warwick
  • Study
  • |
  • Research
  • |
  • Business
  • |
  • Alumni
  • |
  • News
  • |
  • About

University of Warwick
Publications service & WRAP

Highlight your research

  • WRAP
    • Home
    • Search WRAP
    • Browse by Warwick Author
    • Browse WRAP by Year
    • Browse WRAP by Subject
    • Browse WRAP by Department
    • Browse WRAP by Funder
    • Browse Theses by Department
  • Publications Service
    • Home
    • Search Publications Service
    • Browse by Warwick Author
    • Browse Publications service by Year
    • Browse Publications service by Subject
    • Browse Publications service by Department
    • Browse Publications service by Funder
  • Help & Advice
University of Warwick

The Library

  • Login
  • Admin

The language of gestures in some of El Greco's altarpieces

Tools
- Tools
+ Tools

Lühr, Berit (2002) The language of gestures in some of El Greco's altarpieces. PhD thesis, University of Warwick.

[img] PDF
WRAP_THESIS_Luhr_2002.pdf - Requires a PDF viewer.

Download (9Mb)
Official URL: http://webcat.warwick.ac.uk/record=b1667419~S15

Request Changes to record.

Abstract

This study explores El Greco's language of gestures. The first part will explain the
preconditions for the general development towards rhetorical gestures and draw
parallels with El Greco's artistic development in the sphere of gestures. In addition,
handbooks on gestures are introduced. The second part will analyse how El Greco
applied gestures, using examples of his paintings .. It will reveal how El Greco
developed some gestures over more than thirty years, and how he creates with their
help an intense concentrated mood in his paintings. It will also demonstrate how he
worked by means of hyperbole to evoke an inspiring atmosphere, how he created
space with the help of gestures and gaze, and how he transformed the meaning of
some 'model' gestures he took over from famous Italian painters. Finally, this work
seeks to renew and intensify the analysis of gestures in painting as a way of
approaching the paintings and revealing layers of meaning that can not be found by an
analysis solely focused on iconographic topics. In this study the body is taken as a
mediator of signs, difficult to read, but decipherable. This study is intended to be a
step forward in approaching a deeper understanding of the codified language of
gesture. It should open the way to an intensified concern with the language of
gestures, with the reading of bodily signs in paintings.

Item Type: Thesis (PhD)
Subjects: N Fine Arts > ND Painting
Library of Congress Subject Headings (LCSH): Greco, 1541?-1614 -- Criticism and interpretation, Gesture in art, Altarpieces, Spanish
Official Date: September 2002
Dates:
DateEvent
September 2002Submitted
Institution: University of Warwick
Theses Department: Department of History of Art
Thesis Type: PhD
Publication Status: Unpublished
Extent: 2 v. (241, [77] leaves)
Language: eng

Request changes or add full text files to a record

Repository staff actions (login required)

View Item View Item

Downloads

Downloads per month over past year

View more statistics

twitter

Email us: wrap@warwick.ac.uk
Contact Details
About Us