Garwood, Ian (1999) Pop music and characterisation in narrative film. PhD thesis, University of Warwick.

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Abstract

This thesis discusses the use of pop songs in narrative films, with
particular attention paid to their role in characterisation. My
argument concerns the potential for pop to retain its specificity as
a certain type of music whilst it carries out functions normally
attributed to a composed score. Many commentators have assumed
that, because a song may be known before it is used in a film, its
narrative meanings are "pre-packaged". I combine an appreciation
of pop music's propensity to come to a film already 'known' with an
attempt to demonstrate how individual narratives ask songs to
perform different affective roles. It is my contention that pop
music's quality of 'knownness' is fundamental to its narrative
affect in films, without, however, pre-determining that affect. I
argue my case through close textual analysis, discussing the
relationship between real-life pop stars' musical personas and the
film characters they are asked to play, as well as offering numerous
examples of songs without an on-screen performer becoming
involved in processes of filmic narration.

Item Type:	Thesis (PhD)
Subjects:	M Music and Books on Music > ML Literature of music P Language and Literature > PN Literature (General) > PN1993 Motion Pictures
Library of Congress Subject Headings (LCSH):	Popular music in motion pictures
Official Date:	September 1999
Dates:	Date Event September 1999 Submitted
Institution:	University of Warwick
Theses Department:	Department of Film and Television Studies
Thesis Type:	PhD
Publication Status:	Unpublished
Supervisor(s)/Advisor:	Dyer, Richard, 1945-
Extent:	372 leaves
Language:	eng

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