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The invisible presence : cut-in, close-up, and off-scene in Antonello da Messina's Palermo Annunciate
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Pericolo, Lorenzo (2009) The invisible presence : cut-in, close-up, and off-scene in Antonello da Messina's Palermo Annunciate. Representations, Vol.107 (No.1). pp. 1-29. doi:10.1525/rep.2009.107.1.1 ISSN 0734-6018.
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Official URL: http://dx.doi.org/10.1525/rep.2009.107.1.1
Abstract
Antonello da Messina's Palermo Annunciate (c. 1475) is usually construed as the equivalent of an icon. Relying on the iconography of the fifteenth-century Flemish Annunciation, Lorenzo Pericolo demonstrates that Antonello's panel must rather be interpreted as a "truncated" narrative in the form of an icon. From this premise, Pericolo also unveils the experimental charge of some pictorial devices used by Antonello, such as close-up, cut-in, and off-scene.
Item Type: | Journal Article | ||||
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Divisions: | Faculty of Arts > History of Art | ||||
Journal or Publication Title: | Representations | ||||
Publisher: | University of California Press, Journals Division | ||||
ISSN: | 0734-6018 | ||||
Official Date: | 2009 | ||||
Dates: |
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Volume: | Vol.107 | ||||
Number: | No.1 | ||||
Page Range: | pp. 1-29 | ||||
DOI: | 10.1525/rep.2009.107.1.1 | ||||
Status: | Peer Reviewed | ||||
Publication Status: | Published | ||||
Access rights to Published version: | Restricted or Subscription Access |
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