Farquhar, Jillian Clare (2004) Trecento panel painting in Romagna and Marche : iconography, form and function. PhD thesis, University of Warwick.

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Abstract

This thesis investigates the panel paintings produced in the Riminese context in the first half of the Trecento. These altarpieces, crosses and devotional panels have been widely dispersed, fragmented and decontextualised over the centuries, and this study reunites the panels and investigates the unusual iconographical traits and distinctive formats employed.

The introduction looks at previous discussions of the panels and at the available documentary evidence. It also discusses the historical context in which the panels were produced.

The first chapter re-examines the relationship of Giotto to Rimini and to the Riminese painters by investigating the nature of Giotto's work in Rimini, at the beginning of the Trecento, and how this work influenced local panel painting in the following decades.

The second chapter investigates the surviving visual evidence and analyses the forms of iconography, and the types of visual language, utilised by the Riminese painters. The chapter also investigates, in detail, specific images employed by the painters. It reveals that the narrative image was predominant, whereas iconic imagery tended to be subordinated, and highlights the dual impact of Byzantine and modern Italian iconography.

The third chapter investigates the group of extant painted crosses from the area around Rimini and proposes that the Franciscan Order was instrumental in the popularity of the painted cross in the region.

The fourth chapter discusses the extant altarpieces and attempts to contextualise these fragmented works. It investigates the development of the Riminese altarpiece, from dossal to polyptych, with particular reference to the unusual formats employed in the structures.

The final chapter investigates the Riminese devotional panels and links the iconographies with the female mystics of the early Trecento, as well as the Franciscan Spirituals of the Marches. The impact of Adriatic trade on the devotional panels is discussed in terms of the powerful influence of imports from Byzantium, such as mosaic and ivory icons.

Item Type:	Thesis or Dissertation (PhD)
Subjects:	N Fine Arts > ND Painting
Library of Congress Subject Headings (LCSH):	Panel painting, Italian -- 12th century, Panel painting, Italian -- 13th century, Altarpieces, Italian, Altarpieces, Medieval -- Italy
Official Date:	2004
Dates:	Date Event 2004 Submitted
Institution:	University of Warwick
Theses Department:	Department of History of Art
Thesis Type:	PhD
Publication Status:	Unpublished
Supervisor(s)/Advisor:	Gardner, Julian
Extent:	x, 243 leaves
Language:	eng

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