
The Library
Review of Carl Maria von Weber, Der Freischütz, directed by Marshall Pynkoski, Opera Atelier
Tools
Taylor, David F. (2012) Review of Carl Maria von Weber, Der Freischütz, directed by Marshall Pynkoski, Opera Atelier. [Online]. (https://www.bsecs.org.uk/criticks-reviews/opera-at...). Criticks: British Society for eighteenth century studies.
Research output not available from this repository.
Request-a-Copy directly from author or use local Library Get it For Me service.
Official URL: https://www.bsecs.org.uk/criticks-reviews/opera-at...
Abstract
Carl Maria von Weber’s Der Freischütz (‘The Freeshooter’) is the most influential of early Romantic operas. First performed in Berlin’s Schauspielhaus in 1821, it took Germany and then Europe by storm, with international audiences drawn not just by Weber’s music but also by the Faustian drama of Johann Friedrich Kind’s libretto, which took its story from German folklore, and the spectacular Gothic staging of the dreaded Wolf’s Glen.
Item Type: | Digital Scholarly Resource | ||||
---|---|---|---|---|---|
Divisions: | Faculty of Arts > English and Comparative Literary Studies | ||||
Journal or Publication Title: | Criticks Reviews | ||||
Publisher: | British Society for eighteenth century studies | ||||
Place of Publication: | Criticks | ||||
Official Date: | 30 October 2012 | ||||
Dates: |
|
||||
Status: | Not Peer Reviewed | ||||
Publication Status: | Published | ||||
Media of Output (format): | Online review | ||||
Access rights to Published version: | Open Access (Creative Commons) |
Request changes or add full text files to a record
Repository staff actions (login required)
![]() |
View Item |