A

Anderson, Joanne W. (2009) The Magdalen Fresco Cycles of the Trentino, Tyrol and Swiss Grisons, c.1300-c.1500. PhD thesis, University of Warwick.

Avilio, Carlo (2016) Naturalism and the picaresque in Jusepe de Ribera's work. PhD thesis, University of Warwick.

B

Bogoczek, Barbara and Howard, Tony (2020) Maria Pawlikowska-Jasnozewska (b. 1891, Krakow, d.1945, Manchester) : the pictorial art of young Poland's daughter. In: Griffin, Julia and Szczerski, Andrzej, (eds.) Young Poland: The Polish Arts and Crafts Movement, 1890-1918. London: Lund Humphries, pp. 135-148. ISBN 978I848224537

Bourdua, Louise (2011) Guariento and the Carrara Padua various artists. Burlington Magazine, Vol.153 (No.1302). pp. 628-629. ISSN 0007-6287.

Brazeau, Bryan (2019) Building a mystery : Giorgio de Chirico and Italian renaissance painting. The Italianist, 39 (1). pp. 20-43. doi:10.1080/02614340.2019.1556446 ISSN 0261-4340.

Bycroft, Michael (2018) Style and substance in rococo science. Journal of Interdisciplinary History, 48 (3). pp. 359-384. doi:10.1162/JINH_a_01162 ISSN 0022-1953.

C

Camilletti, Fabio (2009) Dante's Vita Nova and the Victorians : the hidden image behind Rossetti's 'Giotto painting the portrait of Dante'. In: Vescovi, Alessandro and Villa, Luisa and Vita, Paul, (eds.) The Victorians and Italy : literature, travel, politics and art. English library (No.1). Milano: Polimetrica, pp. 181-192. ISBN 9788876991639

Campbell, Louise (1999) Decoration, display, disguise : Leighton House re-considered. In: Barringer, Tim and Prettejohn, Elizabeth, (eds.) Frederic Leighton : antiquity, renaissance, modernity. Studies in British art, Vol.5 . New Haven ; London: Yale University Press, pp. 267-293. ISBN 0300079370

Carpiniello, Matteo (2019) Bartolomeo Montagna: business, art and mobility in Renaissance Veneto. PhD thesis, University of Warwick.

Collier, Carly Elizabeth (2013) British artists and early Italian art c. 1770-1845 : the pre Pre-Raphaelites? PhD thesis, University of Warwick.

Cropper, E. and Pericolo, L. (2019) Life of Guido Reni. Felsina Pittrice: The Lives of the Bolognese Painters, IX (2 volumes) . Turhout: Harvey Miller/ Brepols. ISBN 9781909400696

D

Davidson, Peter and Roberts, Penny (1996) Valois monarchy and visual propaganda : a suggested reading of Giorgio Ghisi’s Dream of Raphael or Allegory of Life. Emblematica: an interdisciplinary journal for emblem studies, Vol.10 (No.2). pp. 415-422. ISSN 0885-968X .

De Luca, Tiago (2018) Global visions : around-the-world travel and visual culture in early modernity. In: Bayman, Louis and Pinazza, Natália, (eds.) Journeys on Screen Theory, Ethics, Aesthetics. Edinburgh: Edinburgh University Press, pp. 19-35. ISBN 9781474421836

De Luca, Tiago (2017) Watching cinema disappear : intermediality and aesthetic experience in Tsai Ming-liang’s Goodbye Dragon Inn (2003) and Stray Dogs (2013). In: Gibbs, John and Pye, Douglas, (eds.) The Long Take : Critical Approaches. Palgrave Close Readings in Film and Television . London: Palgrave, pp. 163-176. ISBN 9781137585738

Dias, Rosie (2013) Memory and the aesthetics of military experience : viewing the landscape of the Anglo-Mysore Wars. Tate Papers (No.19). ISSN 1753-9854.

E

El-Shewy, Mohamed (2020) The spatial politics of street art in post-revolution Egypt. Journal of Urban Cultural Studies, 7 (2-3). pp. 263-280. doi:10.1386/jucs_00029_1 ISSN 2050-9790.

Elliott, Janis (2000) The Last Judgement scene in central Italian painting, c.1266-1343 : the impact of Guelf politics, papal power and Angevin iconography. PhD thesis, University of Warwick.

F

Farquhar, Jillian Clare (2004) Trecento panel painting in Romagna and Marche : iconography, form and function. PhD thesis, University of Warwick.

Franz, Fabio (2021) Reassessing connoisseurship before and after the Manchester art treasures exhibition of 1857. PhD thesis, University of Warwick.

G

Gardner, Julian (2008) Review of : Sienese painting after the black death: Artistic pluralism, politics, and the new art market, by Steinhoff, J. B. Speculum, Volume 83 (Number 3). pp. 763-764. ISSN 0038-7134

Gerritsen, Anne (2016) Domesticating goods from overseas : global material culture in the early modern Netherlands. Journal of Design History, 29 (3). pp. 228-244. doi:10.1093/jdh/epw021 ISSN 0952-4649.

H

Hatt, Michael (2019) Zahrtmann’s symposium : ethics, history, desire. Perspective . pp. 1-42. ISSN 2446-1806.

Haughton, Ann (2014) Mythology and masculinity : a study of gender, sexuality and identity in the art of the Italian Renaissance. PhD thesis, University of Warwick.

I

Ichikawa, Kayoko (2015) Guido da Siena’s narrative panels and the Madonna del Voto : the formation of the Marian civic identity in Sienese Art c.1260. PhD thesis, University of Warwick.

J

Jensen, Eric (2013) Reconsidering "the love of art" : evaluating the potential of art museum outreach. Visitor Studies, Volume 16 (Number 2). pp. 144-159. doi:10.1080/10645578.2013.827010 ISSN 1064-5578.

K

Kearns, James (1976) Symbolist landscapes : the place of painting in the poetry and criticism of Mallarmé and his circle. PhD thesis, University of Warwick.

L

Lang, Karen A. (2009) April Gornik's landscape. X-TRA, Vol.11 (No.3). pp. 60-63.

Lang, Karen A. (2008) Chinese brushwork and the well-informed eye. In: Kuo, Jason C., (ed.) Perspectives on connoisseurship of Chinese painting. ashington, D.C.: New Academia Publishin, pp. 142-164. ISBN 9780980081473

Lang, Karen A. (2009) David Salle's new realism. In: Moll, Frank-Thorsten and Görner, Veit, (eds.) Distanz von Nirgendwo. Bielefeld: Kehrer Verlag, pp. 38-48. ISBN 9783868280708

Lang, Karen A. (2009) Liat Yossifor : Below the eye. X-TRA, Vol.11 (No.4). pp. 56-59.

Lang, Karen A. (2009) Maria Lassnig's body sensation, body awareness. X-TRA, Vol.12 (No.2). pp. 66-70.

Lang, Karen A. (2010) Richter's painting, Richter's hope. In: Mehring, Christine and Nugent, Jeanne Anne and Seydl, Jon L., (eds.) Gerhard Richter : early work, 1951-1972. Los Angeles: Getty Research Institute, pp. 156-163. ISBN 9781606060407

Laureti, S., Sfarra, S., Malekmohammadi, H., Burrascano, P., Hutchins, David A., Senni, L., Silipigni, G., Maldague, X. P. V. and Ricci, M. (2018) The use of pulse-compression thermography for detecting defects in paintings. NDT & E International, 98 . pp. 147-154. doi:10.1016/j.ndteint.2018.05.003 ISSN 0963-8695.

Lupi, Livia (2017) The rhetoric of fictive architecture : Copia and Amplificatio in Altichiero Da Zevio's Paintings at the Oratory of St George in Padua. Architectural History, 60 . pp. 1-35. doi:10.1017/arh.2017.1 ISSN 0066-622X.

Lühr, Berit (2002) The language of gestures in some of El Greco's altarpieces. PhD thesis, University of Warwick.

N

Neher, Gabriele (1999) Moretto and Romanino: religious painting in Brescia 1510-1550: identity in the shadow of La serenissima. PhD thesis, University of Warwick.

P

Pacini, Benedetta (2019) Navigating the canals : making and moving venetian Renaissance paintings. PhD thesis, University of Warwick.

Pericolo, Lorenzo (2011) Caravaggio and pictorial narrative : dislocating the Istoria in early modern painting. HMSBA, Vol.2 . London: Harvey Miller. ISBN 9781905375486

Pericolo, Lorenzo (2008) Caravaggio's The cardsharps and Marino's Gioco di Primera : a case of intertextuality? In: Minor, Vernon Hyde, (ed.) Memoirs of the American Academy in Rome 53. Memoirs of the American Academy in Rome (No.53). New York: American Academy in Rome, pp. 129-152. ISBN 9781879549173

Pericolo, Lorenzo (2017) "Donna bella e crudele" : Michelangelo's Divine Heads in Light of the Rime. Mitteilungen des Kunsthistorischen Institutes Florenz, 59 (2). pp. 202-233. ISSN 0342-1201.

Pericolo, Lorenzo (2009) Love in the mirror : a comparative reading of Titian's Woman at her toilet and Caravaggio's Conversion of Mary Magdalene. I Tatti Studies, Vol.12 . pp. 149-179. ISSN 0393-5949.

Plock, Phillippa (2008) Watching women watching warriors : Nicolas Poussin's 'Tancred and Erminia' and the visuality of papal court tournaments. Art History, Volume 31 (Number 2). pp. 139-158. doi:10.1111/j.1467-8365.2008.00603.x ISSN 0141-6790.

Purdom, Judy (2000) Thinking in painting : Gilles Deleuze and the revolution from representation to abstraction. PhD thesis, University of Warwick.

Q

Quilley, Geoff (1998) The imagery of travel in British painting : with particular reference to nautical and maritime imagery, circa 1740-1800. PhD thesis, University of Warwick.

R

Roberts, Pendaran and Schmidtke, Kelly (2019) Folk core beliefs about color. Review of Philosophy and Psychology, 10 (4). pp. 849-869. doi:10.1007/s13164-019-00437-w ISSN 1878-5158.

S

Schrock, Lauren (2017) Organisational dystopia : surrealist paintings for critical management studies. PhD thesis, University of Warwick.

Schroeder, Jonathan D. S. (2014) The painting of modern light : local color before regionalism. American Literature, 86 (3). pp. 551-581. doi:10.1215/00029831-2717407 ISSN 0002-9831.

Smith, Paul (2006) Les Paysages tardifs de Cézanne, ou la perspective de la mort. In: Cézanne in Provence. New Haven, Conn. ; London [Washington]: Yale University Press [National Gallery of Art], pp. 81-96. ISBN 9780300113389

Smith, Paul (1997) Manet bits. Art History, Vol.20 (No.3). pp. 477-482. doi:10.1111/1467-8365.00072

Smith, Paul (1987) Pictures and history : one man's truth. Oxford Art Journal, Vol.10 (No.2). pp. 97-105. doi:10.1093/oxartj/10.2.97

Smith, Paul (2007) 'Real primitives' : Cézanne, Wittgenstein, and the nature of aesthetic quality. In: Harris, Jonathan (Jonathan P.), (ed.) Value, art, politics : criticism, meaning and interpretation after Postmodernism. Value, art, politics . Liverpool: Liverpool University Press, pp. 93-122. ISBN 9781846310423

Smith, Paul (2018) ‘The most beautiful blue’ : painting, science, and the perception of coloured shadows. British Journal of Aesthetics, 58 (4). pp. 401-421. doi:10.1093/aesthj/ayy030 ISSN 0007-0904.

Smyth, Patricia (2016) Narrative strategies in Paul Delaroche's assassination of the Duc de Guise. In: Cooke, Peter and Lübbren, Nina, (eds.) Painting and narrative in France : from Poussin to Gauguin. Abingdon : Routledge. ISBN 9781472440105

Smyth, Patricia (2014) Spectators and performers : viewing Delaroche. In: Hibberd, Sarah and Wrigley, Richard, (eds.) Art, Theatre, and Opera in Paris, 1750-1850 Exchanges and Tensions. Routledge. ISBN 9781409439479

Smyth, Patricia (2019) Theatricality, Michael Fried, and nineteenth-century art and theatre. Performance Research, 24 (4). pp. 5-9. doi:10.1080/13528165.2019.1641314 ISSN 1352-8165.

Sutton, Kay Ann (1984) A Lombard manuscript, Paris B.N. Latin 757 : associated manuscripts and the context of their illumination. PhD thesis, University of Warwick.

T

Threlfall, Tim (1978) Piet Mondrian : his life's work and evolution, 1872 to 1944. PhD thesis, University of Warwick.

V

Vella, Charlene (2015) In the footsteps of Antonello Da Messina : the Antonelliani in Sicily and Venice in the late fifteenth and early sixteenth centuries. PhD thesis, University of Warwick.

W

Weil, Kathryn Emily van de (2019) Fascinum: the apotropaic phallus of Campania in the ancient & modern imagination. PhD thesis, University of Warwick.