The Library
Browse by Research subject area at the University of Warwick
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- Subject Classification [Library of Congress, Moys] (83294)
- P Language and Literature (4141)
- PN Literature (General) (1874)
- PN1993 Motion Pictures (256)
- PN Literature (General) (1874)
- P Language and Literature (4141)
Number of items at this level: 255.
A
Aaron, Michele (2020) Love's revival : film practice and the art of dying. Film-Philosophy, 24 (2). pp. 83-103. doi:10.3366/film.2020.0133 ISSN 1466-4615.
Abbey, Matthew (2021) ‘Refugees welcome’, including in (gay) porn : violence under the mask of liberation. Porn Studies, 8 (3). pp. 314-330. doi:10.1080/23268743.2021.1879666 ISSN 2326-8743.
Akass, Kim (2022) Mothers on American television: the relationship between representation and economic oppression in a neoliberal patriarchal society. PhD thesis, University of Warwick.
Al-Qasimi, Noor (2007) The codes of modesty: reconfiguring the Muslim female subject. PhD thesis, University of Warwick.
Allan, Sean (2000) 1989 and the wende in East German cinema : Peter Kahane’s Die Architekten (1990), Egon Günther’s Stein (1991) and Jörg Foth’s Letztes aus der Da Da eR (1990). In: Flanagan , Clare and Taberner, Stuart , (eds.) 1948-1989: Cultural perspectives on division and unity in East and West. German Monitor (No.50). Amsterdam : Rodopi, pp. 291-309. ISBN 9042014628
Allan, Sean (2004) Burger King versus Spreewaldgurken : der Ost-West diskurs in Wolfgang Becker's Good Bye, Lenin! In: Reiher, Ruth and Baumann , Antje , (eds.) Vorwärts und nichts vergessen : Sprache in der DDR : was war, was ist, was bleibt. AtV [Aufbau Taschenbuch Verlag] (8118). Berlin : Aufbau Taschenbuch Verlag, pp. 326-334. ISBN 3746681189
Allan, Sean (1999) DEFA. An historical overview. In: Allan , Sean and Sandford, John, 1944 Jan. 1-, (eds.) DEFA : East German cinema, 1946-1992. New York: Berghahn, pp. 1-21. ISBN 1571819436
Allan, Sean (2009) Der arge weg der erkenntnis : Konrad Wolf's Goya and its relation to GDR cultural policy and the DEFA künstlerfilm. In: Wallace, Ian, 1942-, (ed.) Feuchtwanger and Film. Feuchtwanger studies (No.1). Oxford : Peter Lang, pp. 21-40. ISBN 9783039119547
Allan, Sean (2005) Frauen, stars und arbeitswelten : DEFA-forschung in Großbritannien 1996-2005. In: Schenk, Ralf, 1956- and Richter, Erika and Löser , Claus, 1962-, (eds.) Apropos: Film 2005 : das 6. Jahrbuch der DEFA-Stiftung. Berlin : DEFA-Stiftung / Bertz + Fischer, pp. 308-313. ISBN 3865051650
Allan, Sean (2002) 'Geld ist die quelle allen wohlstands und regelt die (un)ordnung der welt' : DEFA, history and the rise and fall of the GDR. In: Byg , Barton and Moore, Betheny , (eds.) Moving images of East Germany : past and future of DEFA film. Harry & Helen Gray Humanities Program series (No.12). Washington, D.C.: American Institute for Contemporary German Studies, pp. 35-55. ISBN 9780941441650
Allan, Sean (2006) Good Bye, Lenin! : ostalgie und identität im wieder vereinigten Deutschland. GFL: German as a Foreign Language, Vol.1 . pp. 46-59. ISSN 1470-9570.
Allan, Sean (2009) Ich denke, sie machen meistens nackte Weiber : kunst und künstler in Konrad Wolf's Goya (1971) und Der Nackte Mann auf dem Sportplatz (1974). In: Eichinger, Barbara and Stern , Frank, 1944-, (eds.) Film im Sozialismus - die DEFA. Buchreihe der ÖH Uni Wien , Vol.4 (No.4). Wien : Mandelbaum, pp. 342-367. ISBN 9783854762911
Allan, Sean (1999) Lampe, Jutta. In: Sandford, John, 1944 Jan. 1-, (ed.) Encyclopedia of Contemporary German Culture. Routledge World Reference edition . London: Routledge, p. 364. ISBN 9780415263528
Allan, Sean (2000) 'Meine liebe junge freundin! Du scheinst dir nicht bewußt zu sein, daß es eine Auszeichnung ist, bei mir arbeiten zu dürfen' : frauen und Vorgesetzte im DEFA-Spielfilm. In: Zimmermann , Peter, 1944 and Moldenhauer, Gebhard, 1939-, (eds.) Der geteilte Himmel : Arbeit, Alltag und Geschichte im ost- und westdeutschen Film. Close Up (No.13). Konstanz : UVK Medien, pp. 399-423. ISBN 3896692798
Allan, Sean (2007) 'Memories are made of this' : gender, history and identity in East German cinema. In: Barker, Peter and Ohse, Marc-Dietrich and Tate , Dennis , (eds.) Views from abroad : die DDR aus britischer Perspektive. Bielefeld : WBV, W. Bertelsmann Verlag, pp. 247-258. ISBN 9783763935697
Allan, Sean (2006) Ostalgie, fantasy and the normalization of east-west relations in post-unification comedy. In: Clarke, David , (ed.) German cinema : since unification. New Germany in context . London ; New York, NY: Continuum, pp. 105-126. ISBN 9780826491060
Allan, Sean (2010) Post-unification German-Jewish relations and the discourse of victimhood in Dani Levy’s films. In: Cooke , Paul, 1969- and Silberman, Marc, 1948-, (eds.) Screening war : perspectives on German suffering. Screen cultures . Rochester, N.Y.: Random House, pp. 351-266. ISBN 9781571134370
Allan, Sean (2010) Projections of history : East German filmmakers and the Berlin Wall. In: Hochscherf, Tobias and Laucht , Christoph and Plowman, Andrew, (eds.) Divided, but not disconnected : German experiences of the Cold War. New York ; Oxford : Berghahn, pp. 119-133. ISBN 9781845457518
Allan, Sean (2006) Review of Expressionist film : new perspectives, by Scheunemann, D., ed. Modern Language Review, Vol.101 (No.1). pp. 292-293. ISSN 0026-7937
Allan, Sean (2003) Review of Fritz Lang's 'Metropolis' : cinematic visions of technology and fear, by Minden, M. and Bachmann, H., eds. Modern Language Review, Vol.98 (No.3). p. 782. ISSN 0026-7937
Allan, Sean (2006) Review of Your Unknown Brother (Dein unbekannter Bruder) [DVD], directed by Weiß, U. German Studies Review, Vol.29 (No.3). pp. 713-714. ISSN 0149-7952.
Allan, Sean (2011) Revolutionary aesthetics? Kleist, 1968, and the New German cinema. German Life and Letters, Vol.64 (No.3). pp. 472-487. doi:10.1111/j.1468-0483.2011.01546.x ISSN 00168777.
Allan, Sean (2007) 'Seit der wende hat der mann nur pech gehabt. Jetzt soll er auch noch jude sein' : theatricality, memory and identity in Dani Levy's Alles auf Zucker! (2004). Debatte: Journal of Contemporary Central and Eastern Europe, Vol.15 (No.1). pp. 25-42. doi:10.1080/09651560701241412 ISSN 0965-156X.
Allan, Sean and Sandford, John (1999) DEFA : East German cinema, 1946-1992. New York : Berghahn. ISBN 1571819436
Allan, Seán (2011) 'Sagt, wie soll man Stalin danken?' Kurt Maetzig's Ehe im schatten (1947), Roman einer jungen ehe (1952) and the cultural politics of post-war Germany. German Life and Letters, Volume 64 (Number 2). pp. 255-271. doi:10.1111/j.1468-0483.2010.01532.x ISSN 1468-0483.
Allen, Steven William (2003) A pleasure in pain : contemporary mainstream cinema's fascination with the aestheticized spectacle of the controlled body. PhD thesis, University of Warwick.
Andrews, Hannah, Ph.D. (2011) Public service broadcasters and British cinema, 1990–2010. PhD thesis, University of Warwick.
Arroyo, José (2000) Queering the folklore : genre and re-presentation of homosexual and national identities in 'Las cosas del querer'. In: Marshall, Bill, 1957- and Stilwell, Robynn Jeananne, (eds.) Musicals : Hollywood and beyond. Exeter: Intellect Books, pp. 70-79. ISBN 9781841500034
B
Baker, Catherine, Szczygielska, Marianna and Zorko, Špela Drnovšek (2021) Guarding the “Balkan Route” on the postsocialist frontier : revisiting Maja Weiss’ Varuh meje (2002). International Feminist Journal of Politics, 23 (5). pp. 811-828. doi:10.1080/14616742.2021.1991827 ISSN 1461-6742.
(2011) Library matters. Sight and Sound, Volume 21 (Number 3). p. 96. ISSN 0037-4806
Boss, Peter John (1989) Death, disintegration of the body and subjectivity in the contemporary horror film. PhD thesis, University of Warwick.
Brown, Tom (2007) From intimate pleasures to spectacular vistas: musicality and historicity in French and American 'classical' cinema of the 1930s. PhD thesis, University of Warwick.
Brunsdon, Charlotte (2009) Introduction : screen Londons. Journal of British Cinema and Television, Vol.6 (No.2). pp. 165-177. doi:10.3366/E1743452109000855 ISSN 1743-4521.
Brunsdon, Charlotte (2012) 'It's a film' : medium specificity as textual gesture in Red road and The unloved. Journal of British Cinema and Television, Vol.9 (No.3). pp. 457-479. doi:10.3366/jbctv.2012.0100 ISSN 1743-4521.
Brunsdon, Charlotte (2012) The attractions of the cinematic city. Screen, Volume 53 (Number 3). pp. 209-227. doi:10.1093/screen/hjs021 ISSN 0036-9543.
Bruzzi, Stella (2010) Approximation – documentary, history and staging reality. In: The documentary real : on the ambiguous relation between documentary film and reality, Domzaal, Vooruit, 21 Oct 2010 (Unpublished)
Bruzzi, Stella (2010) Imperfect justice : Fritz Lang's Fury (1936) and cinema's use of the trial form. Law and Humanities, Vol.4 (No.1). pp. 1-19. ISSN 1752-1483.
Bruzzi, Stella (2009) Where are those buggers? : aspects of homosexuality in mainstream British cinema. In: Murphy, Robert, (ed.) The British cinema book (third edition). London ; New York: Palgrave Macmillan on behalf of the BFI. ISBN 9781844572762
Bumrungsalee, Intira (2013) Translating culture in films : subtitling in Thailand. PhD thesis, University of Warwick.
Burns, Rob (1995) Fassbinder’s Angst essen Seele auf : a mellow Brechtian drama. German Life and Letters, Vol.48 (No.1). pp. 56-74. doi:10.1111/j.1468-0483.1995.tb01618.x ISSN 0016-8777.
Burns, Rob (1997) From bondage to bonding : Saliha Scheinhardt's Frauen, die sterben, ohne daß sie gelebt hätten and Tevfik Baser's abschied vom falschen paradies. In: Conference on Image into Text - Text into Image, St Patrick's College, Maynooth, Ireland, Sep 1995. Published in: Text Into Image: Image Into Text - 1995 Interdisciplinary Bicentenary Conference, Vol.20 pp. 339-347. ISBN 90-420-0153-4. ISSN 0929-6999.
Burns, Rob (2009) On the streets and on the road : identity in transit in Turkish–German travelogues on screen. New Cinemas: Journal of Contemporary Film, 7 (1). pp. 11-26. doi:10.1386/ncin.7.1.11_1 ISSN 1474-2756.
Burns, Rob (1996) Promise unfulfilled? Margarethe von Trotta’s Germany film 'Das Versprechen'. Debatte: Journal of Contemporary Central and Eastern Europe, 4 (2). pp. 130-147. doi:10.1080/09651569608454544 ISSN 0965-156X.
Burns, Rob (2007) Towards a cinema of cultural hybridity: Turkish-German filmmakers and the representation of alterity. Debatte: Journal of Contemporary Central and Eastern Europe, 15 (1). pp. 3-24. doi:10.1080/09651560701241362 ISSN 0965-156X.
Burns, Rob (2006) Turkish-German cinema : from cultural resistance to transnational cinema? In: Clake, David, (ed.) German cinema : since unification. New Germany in Context . London and New York: Continuum, pp. 127-134. ISBN 978-0826481450
Burns, Rob and Lamb, Stephen (1981) Social reality and stylisation in 'Fear Eats the Soul' : Fassbinder’s study in prejudice. New German Studies, Vol.9 (No.3). pp. 193-206. ISSN 0307-2770.
Burrows, John (2018) Piccadilly (1929). In: Neale, Steve, (ed.) Silent Features : The Development of Silent Feature Films 1914-1934. Exeter studies in film history . Exeter: University of Exeter Press. ISBN 9780859892896
Burrows, Jon (2010) Near broke, but no tramp : Billie Ritchie, Charlie Chaplin and 'that costume'. Early Popular Visual Culture, 8 (3). pp. 247-262. doi:10.1080/17460654.2010.498162 ISSN 1746-0654.
Burrows, Jon (2011) Review of Early Irish cinema 1895–1921, by Condon, D. Journal of British Cinema and Television, Vol.8 (No.1). pp. 159-161. ISSN 1743-4521
Burrows, Jon (2008) Review of Women filmmakers in early Hollywood, by Mahar, K. W. ; Beyond the Gibson Girl : reimagining the American New Woman, 1895-1915, by Patterson, M. H. Early Popular Visual Culture, Vol.6 (No.2). pp. 212-214. ISSN 1746-0654
Burrows, Jon (2010) "She had so many appearances" : Alphonse Courlander and the birth of the "moving picture girl". In: Shail, Andrew, (ed.) Reading the cinematograph : the cinema in British short fiction, 1896-1912. Exeter studies in film history . Exeter: University of Exeter Press. ISBN 9780859898539
Burrows, Jon (2010) West is best!; or, what we can learn from Bournemouth. Early Popular Visual Culture, Vol.8 (No.4). pp. 351-362. doi:10.1080/17460654.2010.513818 ISSN 1746-0654.
Burrows, Jon (2013) The art of not "playing to pictures" in British cinemas, 1906-1914. In: Brown, Julie and Davison, Annette, (eds.) The Sounds of the Silents in Britain. Oxford: Oxford University Press. ISBN 9780199797615 (In Press)
Burrows, Jon (2009) ‘A vague Chinese quarter elsewhere’ : Limehouse in the cinema 1914–36. Journal of British Cinema and Television, Vol.6 (No.2). pp. 282-301. doi:10.3366/E1743452109000946 ISSN 1743-4521.
Burrows, Jon and Brown, Richard (2010) Financing the Edwardian cinema boom, 1909-1914. Historical Journal of Film, Radio and Television, 30 (1). pp. 1-20. doi:10.1080/01439681003619349 ISSN 0143-9685.
C
Capitano, Rossana (2022) Politics and aesthetics in the cinema of Luchino Visconti 1943-1963. PhD thesis, University of Warwick.
Chua, Ling-Yen (1998) Deviant intersections : interrogating discourses of race, sexuality and non-white homosexuality in contemporary films. PhD thesis, University of Warwick.
Chung, Hsiao-Ling (2009) Managing the cross-industry networks of the audiovisual sector: a perspective from the independent screen productions in the UK and Taiwan. PhD thesis, University of Warwick.
Cohen, Robin (1981) Migrants on the screen and in the theatre. Newsletter on International Labour Studies (No.10). pp. 24-26.
Constable, Catherine (2018) Challenging capitalism : ethics, exploitation and the sublime in Moon and Source Code. Science Fiction Film and Television, 11 (3). pp. 417-448. doi:10.3828/sfftv.2018.25 ISSN 1754-3770.
Constable, Catherine (2018) Surfaces of science fiction : enacting gender and “humanness” in Ex Machina. Film-Philosophy, 22 (2). pp. 281-301. doi:10.3366/film.2018.0077 ISSN 1466-4615.
Cox, Fiona E. (2013) Dressing the part : costuming of lesbian identities in contemporary film and television. PhD thesis, University of Warwick.
Crouse, Jeffrey Dennis (1997) Representations of screen heterosexuality in the musicals of Fred Astaire and Vincente Minnelli. PhD thesis, University of Warwick.
Curzon, John (2009) Whatever happened to the north of England? : the spaces of post-industrial northern England in contemporary television and film drama. PhD thesis, University of Warwick.
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Darke, Paul Anthony (1999) The cinematic construction of physical disability as identified through the application of the social model of disability to six indicative films made since 1970 : A day in the death of Joe Egg (1970), The raging moon (1970), The elephant man (1980), Whose life is it anyway? (1981), Duet for one (1987) and My left foot (1989). PhD thesis, University of Warwick.
Dauncey, H. and Morrey, Douglas (2008) Quiet contradictions of celebrity : Zinedine Zidane, image, sound, silence and fury. International Journal of Cultural Studies, Vol.11 (No.3). pp. 301-320. doi:10.1177/1367877908092587 ISSN 1367-8779.
Davis, Oliver and Rancière, Jacques (2011) Re-visions : remarks on the Love of cinema : an interview with Jacques Rancière by Oliver Davis. The Journal of Visual Culture, Vol.10 (No.3). pp. 294-304. ISSN 1470-4129 doi:10.1177/1470412911419747
De Luca, Tiago (2017) Casa Grande & Senzala: domestic space and class conflict in Casa Grande and Que horas ela volta? In: da Silva, Antonio Marcio and Cunha, Mariana, (eds.) Space and Subjectivity in Contemporary Brazilian Cinema. Screening Spaces . London: Palgrave, pp. 203-219. ISBN 9783319839004
De Luca, Tiago (2018) Earth networks : 'The human surge' and cognitive mapping. NECSUS: European Journal of Media Studies, Autumn 2018 . ISSN 2215-1222.
De Luca, Tiago (2018) Global visions : around-the-world travel and visual culture in early modernity. In: Bayman, Louis and Pinazza, Natália, (eds.) Journeys on Screen Theory, Ethics, Aesthetics. Edinburgh: Edinburgh University Press, pp. 19-35. ISBN 9781474421836
De Luca, Tiago (2023) Nebulous cinema. Studies in World Cinema, 3 (2). doi:10.1163/26659891-bja10035 ISSN 2665-9883.
De Luca, Tiago (2017) On length : a short history of long cinema. ANIKI: Portuguese Journal of the Moving Image, 4 (2). pp. 335-352. doi:10.14591/aniki.v4n2.353 ISSN 2183-1750.
De Luca, Tiago (2017) Watching cinema disappear : intermediality and aesthetic experience in Tsai Ming-liang’s Goodbye Dragon Inn (2003) and Stray Dogs (2013). In: Gibbs, John and Pye, Douglas, (eds.) The Long Take : Critical Approaches. Palgrave Close Readings in Film and Television . London: Palgrave, pp. 163-176. ISBN 9781137585738
De Luca, Tiago (2019) The end of the world viewed, or the wind in the things : on Nikolaus Geyrhalter’s Homo Sapiens. Discourse : Journal for Theoretical Studies in Media and Culture, 41 (1). pp. 112-141. ISSN 1522-5321.
Denny, Matthew (2015) The postmodern auteur : a contradiction in terms? PhD thesis, University of Warwick.
Devereaux, Michelle (2022) Orders from an unborn baby : maternal scepticism, vengeance and voicelessness in Alice Lowe’s Prevenge. Screen, 63 (1). pp. 107-114. doi:10.1093/screen/hjac007 ISSN 0036-9543.
Dwyer, Kevin Anthony (1996) On a celluloid platter : an analysis of the representations and functions of food and eating in the cinema. PhD thesis, University of Warwick.
de Medeiros, Paulo (2019) Lusophone cinemas in transnational perspective. In: Leite, Ana Mafalda and Owen, Hilary and Sapega, Ellen W. and Secco, Tindó, (eds.) Postcolonial Nation and Narrative III: Literature & Cinema. Reconfiguring Identities in the Portuguese-Speaking World (13). Oxford: Peter Lang, pp. 21-34. ISBN 9781787075818
E
Edwards, Jake (2021) Unidentified flying objects, photographic aesthetics, and moving images. PhD thesis, University of Warwick.
Eikhof, Doris Ruth, Newsinger, Jack, Luchinskaya, Daria and Aidley, Daniela (2019) And … action? Gender, knowledge and inequalities in the UK screen industries. Gender, Work & Organization, 26 (6). pp. 840-859. doi:10.1111/gwao.12318 ISSN 0968-6673.
Epstein, Debbie and Steinberg, Deborah Lynn (2011) The Bourne tragedy : lost subjects of the bioconvergent age. MediaTropes, Vol.3 (No.1). pp. 89-112. ISSN 1913-6005.
F
Falconer, Peter (2010) Melancholy in Hollywood westerns, 1939-1962. PhD thesis, University of Warwick.
Farnell, Ian (2021) Contemporary British theatre and science fiction : staging the final frontier. PhD thesis, University of Warwick.
Ferrand-Verdejo, Eva-Rosa (2022) The aesthetics of trauma : young Chilean filmmaking and the memory of the dictatorship. PhD thesis, University of Warwick.
Fowler, Catherine (1995) The films of Chantal Akerman : a cinema of displacements. PhD thesis, University of Warwick.
Frame, Gregory (2012) The American president in film and television. PhD thesis, University of Warwick.
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Gabrysiak, Diane (2006) The representation of money in film : gold, paper, metal and electronic. PhD thesis, University of Warwick.
Gallafent, Ed (2013) Touching relations in Jean Renoir's 'The Southerner'. In: Phillips, Alastair, 1963- and Vincendeau, Ginette, (eds.) A companion to Jean Renoir. Oxford: John Wiley and Sons Ltd.. ISBN 9781444338539 (In Press)
Gallimore, Adam (2014) Subjectivity, immediacy, and the digital : historical reassessment in contemporary American cinema. PhD thesis, University of Warwick.
Garwood, Ian (1999) Pop music and characterisation in narrative film. PhD thesis, University of Warwick.
Goode, Ian (2000) Voices of inheritance : aspects of British film and television in the 1980s and 1990s. PhD thesis, University of Warwick.
Goyal, Ankit, Kumar, Naveen, Guha, Tanaya and Narayanan, Shrikanth S. (2016) A multimodal mixture-of-experts model for dynamic emotion prediction in movies. In: 2016 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), Shanghai, China, 20-25 March 2016 pp. 2822-2826. ISBN 9781479999880. doi:10.1109/ICASSP.2016.7472192 ISSN 2379-190X.
Grist, Leighton (1996) Authorship and context: the films of Martin Scorsese 1963-1977. PhD thesis, University of Warwick.
Guha, Malini (2008) The post-imperial cityscape: London and Paris in the cinema. PhD thesis, University of Warwick.
Guha, Tanaya, Huang, Che-Wei, Kumar, Naveen, Zhu, Yan and Narayanan, Shrikanth S. (2015) Gender representation in cinematic content : a multimodal approach. In: 17th ACM International Conference on Multimodal Interaction, Seattle, Washington, USA, 9-13 Nov 2015 . Published in: Proceedings of the 2015 ACM on International Conference on Multimodal Interaction pp. 31-34. ISBN 9781450339124. doi:10.1145/2818346.2820778
Gundle, Stephen (2008) Glamour : a history. Oxford ; New York: Oxford University Press. ISBN 9780199210985
Gundle, Stephen (2008) Stars and stardom in the study of Italian cinema. Italian Studies, Volume 63 (Number 2). pp. 261-266. ISSN 0075-1634
H
Haggith, Toby (1998) Castles in the air : British film and the reconstruction of the built environment, 1939-51. PhD thesis, University of Warwick.
Harrod, Mary (2020) From postnational mobility to posthuman fluidity : unfixed identities and social responsibilities in Personal Shopper (Assayas, 2016) and Happy End (Haneke, 2017). Northern Lights: Film & Media Studies Yearbook, 18 (1). pp. 85-101. doi:10.1386/nl_00015_1 ISSN 1601-829X.
Harrod, Mary (2022) Heightened genre and women’s filmmaking in Hollywood : Twilight (Catherine Hardwicke, 2008) as teen gothic. Feminist Encounters: A Journal of Critical Studies in Culture and Politics, 6 (2). p. 20. ISSN 2542-4920 doi:10.20897/femenc/12343
Harrod, Mary (2022) Nostalgia, melancholy, trauma : backlash postfeminism in contemporary French screen romance. Nottingham French Studies, 61 (3). pp. 208-226. doi:10.3366/nfs.2022.0356 ISSN 0029-4586.
Harrod, Mary (2024) Out of time : fantasising the French romantic hero in the Netflix era. French Screen Studies, 24 (2). doi:10.1080/26438941.2023.2275896 ISSN 2643-8941. (In Press)
Harrod, Mary (2023) Staging the generic self : Céline Sciamma’s autofictional praxis. French Screen Studies, 23 (2-3). pp. 212-230. doi:10.1080/26438941.2022.2149171 ISSN 2643-895X.
Harrod, Mary and Powrie, Phil (2018) New directions in contemporary French comedies : from nation, sex and class to ethnicity, community and the vagaries of the postmodern. Studies in French Cinema, 18 (1). pp. 1-17. ISSN 1471-5880 doi:10.1080/14715880.2017.1415420
Hartwig, David W. (2010) The place of Shakespeare : performing King Lear and The tempest in an endangered world. PhD thesis, University of Warwick.
Henderson, Stuart (2009) From screen to shelf : perspectives on independent distribution. Journal of British Cinema and Television, Vol.6 (No.3). pp. 468-480. doi:10.3366/E1743452109001149 ISSN 1743-4521.
Henderson, Stuart (2011) The history and form of the Hollywood sequel, 1911-2010. PhD thesis, University of Warwick.
Hillier, Jim and Phillips, Alastair (2009) 100 film noirs. BFI Screen Guides . London: Palgrave Macmillan on behalf of the BFI. ISBN 9781844572151
Hitchin, Hannah (2022) Daughters, dream girls and gymslips : British teen femininities in the long 1960s. PhD thesis, University of Warwick.
Hodkinson, James R. (2020) Returning again. Resurrection narratives and afterlife aesthetics in contemporary television drama. Poetics Today, 41 (3). pp. 395-416. doi:10.1215/03335372-8519642 ISSN 0333-5372.
Holdaway, Dom (2013) A return to cinema d'impegno? Cinematic engagements with organized crime in Italy, 1950-2010. PhD thesis, University of Warwick.
Hussein, Nazia and Hussain, Saba (2015) Interrogating practices of gender, religion and nationalism in the representation of Muslim women in Bollywood : contexts of change, sites of continuity. Exchanges: the Warwick Research Journal, 2 (2). pp. 284-304. ISSN 2053-9665.
I
Intepe, Demet (2020) Environmental justice and writers as activists in multi-ethnic U.S. literatures, film, and theater. PhD thesis, University of Warwick.
Irwin, Mary M. From Coronation street to Mean streets : Life on Mars US. Scope, Vol.19 . ISSN 1465-9166.
J
Jacoby, Alexander (2010) The old capital on film : the representation of Kyoto in Japanese cinema, 1945-1964. PhD thesis, University of Warwick.
Jeffers, Tamar Elizabeth Louise (2005) "Should I surrender?": performing and interrogating female virginity in Hollywood films 1957-64. PhD thesis, University of Warwick.
Jenkins, Claire (2009) Family entertainment: representations of the American family in contemporary Hollywood cinema. PhD thesis, University of Warwick.
Jensen, Eric (2008) The Dao of human cloning : utopian/dystopian hype in the British press and popular films. Public Understanding of Science, Vol.17 (no.2). pp. 123-143. doi:10.1177/0963662506065874 ISSN 0963-6625.
Jesson, Claire (2017) 'We shall really have to do something about your equipment' : the projectionist’s negotiation of obsolescence in the Smallest Show on Earth and Coming Up Roses. Journal of British Cinema and Television, 15 (1). pp. 115-130. ISSN 1743-4521.
Jesson, Claire (2018) The projectionist in cinema and the persistence of film. PhD thesis, University of Warwick.
Johnstone, Sara R. (2013) A special relationship : the British Empire in British and American cinema, 1930-1960. PhD thesis, University of Warwick.
Joo, Woojeong (2011) The flavour of tofu : Ozu, history and the representation of the everyday. PhD thesis, University of Warwick.
Jung, Berenike Christiane (2016) The (In)visibilities of torture : political torture and visual evidence in U.S. and Chilean fiction cinema (2004 – 2014). PhD thesis, University of Warwick.
K
Kaapa, Pietari, Aaltonen, Jouko and Sills-Jones, Dafydd (2023) Documentary in Finland : history, practice, policy. Studies in Documentary Film Cultures, 3 . Oxford: Peter Lang. ISBN 9781787077461
Kaapa, Pietari and Sills-Jones, Dafydd (2023) Introduction : Documentary in the age of COVID. In: Kaapa, Pietari and Sills-Jones, Dafydd, (eds.) Documentary in the age of COVID. Studies in Documentary Film Cultures, 4 . Oxford: Peter Lang. ISBN 9781800791992
King, John (2010) Review of On location in Cuba: street filmmaking during times of transition, by Stock, A. M. The Americas, Vol.66 (No.3). pp. 418-419. ISSN 0003-1615
Kiss, Robert James (2000) The Doppelgänger in Wilhelmine cinema (1895-1914) : modernity, audiences and identity in turn-of-the-century Germany. PhD thesis, University of Warwick.
Klevan, Andrew (1996) Disclosure of the everyday : the undramatic achievements in narrative film. PhD thesis, University of Warwick.
Krebs, Gerhild (2021) Walter Rilla (1894-1980) : Medien, Darstellende Künste, Exil und Startum am Beispiel seines frühen und mittleren Filmwerks im deutsch-britischen Kulturkontext 1921-1957. PhD thesis, University of Warwick.
L
Laing, Heather (2000) Wandering minds and anchored bodies: music, gender and emotion in melodrama and the woman's film. PhD thesis, University of Warwick.
Lehin, Barbara (2003) Cinema and society: Thatcher's Britain and Mitterand's France. PhD thesis, University of Warwick.
Lester, Catherine (2016) The children's horror film : beneficial fear and subversive pleasure in an (im)possible Hollywood subgenre. PhD thesis, University of Warwick.
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Lim, Michael Kho (2017) Pinoy Indie, Inc. : the cultural economy of distribution and Philippine independent cinema. PhD thesis, University of Warwick.
Liu, Hong Yu (2022) Book Review. Global Media and China, 7 (2). pp. 241-243. ISSN 2059-4364
Liu, Tingli (2019) Love and marriage for ‘leftover' women : representations and readings in Chinese media. PhD thesis, University of Warwick.
Luijnenburg, Linde Maria Elise (2017) Hidden postcolonial conscience in Italian cinema: Attempts to autodefine ‘the Italian’ through representations of the Black Other in the commedia all’italiana. PhD thesis, University of Warwick.
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Morrey, Douglas (2005) Jean-Luc Godard. Manchester: Manchester University Press. ISBN 9780719067587
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Moseley, Rachel (2000) Trousers and tiaras : growing up with Audrey Hepburn. PhD thesis, University of Warwick.
Moseley, Rachel (2013) Women at the edge : encounters with the Cornish coast in British film and television. Continuum, Volume 27 (Number 5). pp. 644-662. doi:10.1080/10304312.2013.824861 ISSN 1030-4312.
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O'Rourke, Chris (2022) Boyish' women and female soldiers : British gender disguise comedies between the world wars. In: Gergely, Gábor and Hayward, Susan, (eds.) The Routledge Companion to European Cinema. Abingdon, Oxon: Routledge, pp. 285-293. ISBN 9781003027447
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Ūdris, Jānis (1988) Grotesque and excremental humour : Monty Python's meaning of life. PhD thesis, University of Warwick.