Journal Article

Bashford-Rogers, Thomas, Debattista, Kurt and Chalmers, Alan (2014) Importance driven environment map sampling. IEEE Transactions on Visualization and Computer Graphics, 20 (6). pp. 907-918. doi:10.1109/TVCG.2013.258 ISSN 1077-2626.

Bourdua, Louise (2017) The discovery of the Trecento in the long nineteenth century. Predella, 56 (41-42). pp. 1-13. ISSN 1827-8655.

Butcher, Kevin (2015) Coins from Sippar. Journal of the Oriental Society of Australia, 47 . pp. 182-189. ISSN 0030-5340.

Bycroft, Michael (2018) Style and substance in rococo science. Journal of Interdisciplinary History, 48 (3). pp. 359-384. doi:10.1162/JINH_a_01162 ISSN 0022-1953.

Costello, Diarmuid (2012) Automat, automatic, automatism : Rosalind Krauss and Stanley Cavell on photography and the photographically dependent arts. Critical Inquiry, Vol.38 (No.4). pp. 819-854. doi:10.1086/667426 ISSN 0093-1896.

Costello, Diarmuid (2021) Conceptual art and aesthetic ideas. Kantian Review, 26 (4). pp. 603-618. doi:10.1017/S1369415421000388 ISSN 1369-4154.

Costello, Diarmuid (2021) On the very idea of a "political" work of art. Journal of Political Philosophy, 29 (1). pp. 25-45. doi:10.1111/jopp.12217 ISSN 0963-8016.

Dessy, Clément (2016) Une esthétique de la rue. 'La Revue blanche' au cœur de la ville. Romantisme, 2016/1 (171). pp. 74-88. doi:10.3917/rom.171.0074 ISSN 0048-8593.

Gale, Ken, Gallant, Mike, Gannon, Susanne, Kirkpatrick, Davina, Malthouse, Marina, Percy, McClain, Perrier, Maud, Porter, Sue, Rippin, Ann, Sakellariadis, Artemi, Speedy, Jane, Wyatt, Jonathan and Wyatt, Tess (2013) Inquiring into Red/Red inquiring. Humanities, Volume 2 (Number 2). pp. 253-277. doi:10.3390/h2020253 ISSN 2076-0787.

Haedicke, Susan C. (2015) Co-performance of bodies and buildings : Compagnie Willi Dorner’s bodies in urban spaces and fitting and Asphalt Piloten’s around the block. Theatre Journal, 67 (4). pp. 643-661. doi:10.1353/tj.2015.0120 ISSN 0192-2882.

Haedicke, Susan C. (2016) Interrupting a legacy of hatred : Friches Théâtre Urbain's Lieu Commun. Research in Drama Education: The Journal of Applied Theatre and Performance, 21 (2). pp. 161-175. doi:10.1080/13569783.2016.1155409 ISSN 1356-9783.

Haedicke, Susan C. and Harper, Sarah (2015) Hope is a wooded time : an eco-performance of biodiversity in discarded geographic and social space. Performing Ethos : An International Journal of Ethics in Theatre & Performance, 5 (1/2). pp. 101-118. doi:10.1386/peet.5.1-2.101_1 ISSN 1757-1979.

Hatt, Michael (2022) Counter-ceremonial : contemporary artists and Queen Victoria monuments. 19: Interdisciplinary Studies in the Long Nineteenth Century (33). doi:10.16995/ntn.4732 ISSN 1755-1560.

Hatt, Michael and Marschner, Joanna (2022) Introduction : Victoria’s self-fashioning : curating the royal image for dynasty, nation, and empire. 19: Interdisciplinary Studies in the Long Nineteenth Century (33). doi:10.16995/ntn.8185 ISSN 1755-1560.

Hodkinson, James R. (2021) The Hafis-Goethe-Denkmal and Cultural Sounds? As artistic responses to Goethe’s Divan : between close reading and cultural politics. Publications of the English Goethe Society, 89 (2-3). pp. 238-258. doi:10.1080/09593683.2020.1829269 ISSN 0959-3683.

Holdaway, Dominic (2012) Rome Awards : a return to cinema d'impegno? Contemporary cinematic engagements with organized crime. Papers of the British School at Rome, Volume 80 . pp. 353-354. doi:10.1017/S0068246212000402 ISSN 0068-2462.

Holdsworth, Nadine (2013) 'Boys don't dance, do they?'. Research in Drama Education: The Journal of Applied Theatre and Performance, Volume 18 (Number 2). pp. 168-178. doi:10.1080/13569783.2013.787255 ISSN 1356-9783.

John, Eileen (2020) Learning from aesthetic disagreement and flawed artworks. The Journal of Aesthetics and Art Criticism, 78 (3). pp. 279-288. doi:10.1111/jaac.12748 ISSN 0021-8529.

Lambert, Cath (2016) The affective work of art : an ethnographic study of Brian Lobel's fun with cancer patients. The Sociological Review, 64 (4). pp. 929-950. doi:10.1111/1467-954X.12394 ISSN 0038-0261.

Mick, Christoph (2023) The fight for the past: contested heritage and the Russian invasion of Ukraine. The Historic Environment: Policy & Practice . doi:10.1080/17567505.2023.2205703 ISSN 1756-7505. (In Press)

Pericolo, Lorenzo (2017) "Donna bella e crudele" : Michelangelo's Divine Heads in Light of the Rime. Mitteilungen des Kunsthistorischen Institutes Florenz, 59 (2). pp. 202-233. ISSN 0342-1201.

Schroeder, Jonathan D. S. (2014) The painting of modern light : local color before regionalism. American Literature, 86 (3). pp. 551-581. doi:10.1215/00029831-2717407 ISSN 0002-9831.

Smith, Paul (2023) Painting coloured shadows : an introduction. Vision Research, 209 . 108225. doi:10.1016/j.visres.2023.108225 ISSN 0042-6989.

Smyth, Patricia (2021) Place and space in nineteenth-century representations of old London : the Thieves’ House on West Street. Journal of Victorian Culture, 26 (3). pp. 357-383. doi:10.1093/jvcult/vcab010 ISSN 1355-5502.

Viala, Fabienne (2020) La mémoire des gestes de l’esclavage dans les pratiques performatives caribéennes. L’Annuaire théâtral (63–64). pp. 49-62. doi:10.7202/1067747ar ISSN 0827-0198.

Vickery, Jonathan (2011) Art, public authorship and the possibility of re-democratization. Visual Culture in Britain, Vol.12 (No.2). pp. 219-235. doi:10.1080/14714787.2011.575296 ISSN 1471-4787.

Vogt, Naomi (2021) The invention of (YouTube) ritual and Pierre Huyghe's holiday. TDR : The Drama Review, 65 (4). pp. 147-165. doi:10.1017/S1054204321000599 ISSN 1054-2043.

Watt, Gary (2021) Passing resemblance : death, masks, and law’s theatrical inheritance. Law Text Culture, 25 . pp. 22-52. ISSN 1322-9060.

Welland, Julia (2017) Violence and the contemporary soldiering body. Security Dialogue, 48 (6). pp. 524-540. doi:10.1177/0967010617733355 ISSN 0967-0106.

Whybrow, Nicolas (2010) Venice topologies/sent to Coventry. Liminalities: a journal of performance studies, Vol.6 (No.1). ISSN 1557-2935.

Whybrow, Nicolas (2015) Watermarked : ‘Venice really lives up to its postcard beauty'. Performance Research, 20 (3). pp. 50-57. doi:10.1080/13528165.2015.1049036 ISSN 1352-8165.

Wilson, Paul, Griffiths, Susan, Williams, Ellis, Smith, M. Paul and Williams, Mark A. (2020) Designing 3-D prints for blind and partially sighted audiences in museums : exploring the needs of those living with sight loss. Visitor Studies, 23 (2). pp. 120-140. doi:10.1080/10645578.2020.1776562 ISSN 1064-5578.

Young, Tom (2022) Colesworthy Grant's portraits of colonial society in India : lithography, liberalism, and the global making of middle‐class culture, c. 1833–57. Art History, 45 (4). pp. 712-743. doi:10.1111/1467-8365.12682 ISSN 0141-6790.

Book Item

Costello, Diarmuid (2014) Leaning into the wind : poiesis in Richard Long. In: Boetzkes, Amanda and Vinegar, Aron, (eds.) Heidegger and the Work of Art History. Farnham : Ashgate, pp. 141-169. ISBN 9781409456131

Costello, Diarmuid (2018) On the (so called) problem of detail : Michael Fried, Roland Barthes, and Roger Scruton on photography and intentionality. In: Abbott, Mathew, (ed.) Michael Fried and Philosophy: Modernism, Intention, and Theatricality. Routledge. ISBN 9781138679801

Costello, Diarmuid (2018) On the (so called) problem of detail : Michael Fried, Roland Barthes, and Roger Scruton on photography and intentionality. In: Abbott, Mathew, (ed.) Michael Fried and philosophy : modernism, intention, and theatricality. Routledge research in aesthetics, 1 . New York: Routledge, pp. 151-170. ISBN 9781138679801

Jensen, Eric (2016) Creativity and culture for all? Enhancing cultural participation in museums and galleries. In: Glaveanu, Vlad Petre , (ed.) The Palgrave Handbook of Creativity and Culture Research 2016. Basingstoke : Palgrave MacMillan. ISBN 9781137463432

Whybrow, Nicolas (2016) Complex Coventry : towards an urban sensography. In: Davies, Trevor and Verwilt, Katrien, (eds.) Changing Metropolis III : Metropolis 2012-15. Laboratory and festival for art and performance in urban space. Copenhagen: Copenhagen International Theatre, pp. 91-96.

Whybrow, Nicolas (2020) Ring cycle. In: Urban sensographies. Abingdon, Oxon ; New York: Routledge, Taylor & Francis Group. ISBN 9780367406714

de Medeiros, Paulo (2019) Lusophone cinemas in transnational perspective. In: Leite, Ana Mafalda and Owen, Hilary and Sapega, Ellen W. and Secco, Tindó, (eds.) Postcolonial Nation and Narrative III: Literature & Cinema. Reconfiguring Identities in the Portuguese-Speaking World (13). Oxford: Peter Lang, pp. 21-34. ISBN 9781787075818

Conference Item

Vickery, Jonathan (2011) Anti-spaces and ante-spaces in the post-creative city urban landscape. In: Eastside Projects Public Evaluation, Eastside Projects Digbeth Birmingham, 27-29 Oct 2011

Vickery, Jonathan (2020) On the role of artistic freedoms in protecting fundamental human rights. In: Human Rights Conference 2020: Lawyers without Borders Student Division Aberdeen University, Aberdeen University, Scotland, 6 Mar 2020

Working or Discussion Paper

Vickery, Jonathan (2017) Researching SPILLOVER in the creative and cultural industries. Discussion Paper. Dortmund: European Research Partnership in Cultural and Creative Spillovers.

Journal Item

Schoonover, Karl and Corsi, Barbara (2020) Primed real estate : film producers and land development, a conversation with Karl Schoonover and Barbara Corsi. Historical Journal of Film Radio and Television, 40 (1). pp. 129-139. doi:10.1080/01439685.2020.1715600

Submitted Journal Article

Perkins, V. F. (2008) You only live once.

Report

Brook, Orian and Scott, Mark (2022) Art for the many not the few : addressing cultural & other inequalities at scale. Coventry: University of Warwick ; Arts and Humanities Research Council (AHRC). (Future Trends Series).

Neelands, Jonothan, Hodgson, Jacqueline, Scott, Mark, Kaszynska, Patrycja and Dixon, Andrew (2022) The Warwick UK Cities of Culture Project : towards a research-informed approach. Coventry: University of Warwick ; Arts and Humanities Research Council (AHRC).

Vickery, Jonathan (2018) The Spon Spun Festival : final evaluation report. Coventry: KE-W and Artspace Partnership.

Vickery, Jonathan (2011) Stretching new boundaries : participation in visual arts. Folkestone: Strange Cargo. (Unpublished)

Woodhead, Charlotte (2019) Implementing recommendation 3 of the 2017 London Conference Action Plan. London: Department for Digital Culture Media and Sport (DCSM) ; Spoliation Advisory Panel.

Thesis

Barnett, Maura (1993) The contemporary response to British art before Ruskin's "Modern painters" : an examination of exhibition reviews published in the British periodical press and the journalist art critics who penned them : from the late eighteenth century to 1843. PhD thesis, University of Warwick.

Barwell, Michael John (2002) Patterns of redemption: parachronicity in the work of Piero della Francesca, Frank Zappa and Stanley Spencer. PhD thesis, University of Warwick.

Bourdua, Louise (1991) Aspects of Franciscan patronage of the arts in the Veneto during the later Middle Ages. PhD thesis, University of Warwick.

Burnett, Sarah (2009) The cult of St Nicholas in medieval Italy. PhD thesis, University of Warwick.

Busiakiewicz, Adam (2021) The Countess’s palette : Anne Countess of Warwick (1829-1903). PhD thesis, University of Warwick.

Cameron, Alasdair F. (1983) The repertory theatre movement, 1907-1917. PhD thesis, University of Warwick.

Chou, Shengfang (2019) Re-imagining Chineseness: Chinese people, Chinatown, and British masculine chinoiserie ca. 1850- ca. 1920. PhD thesis, University of Warwick.

Deby, Carolyn May (2020) Urbanwild becomings : choreographing audience experience to reveal sympoietic entanglement in the Anthropocene everyday. PhD thesis, University of Warwick.

Demir, Dace (2020) The institutionalisation project of Latvian contemporary visual arts : a critical-historical analysis of the Latvian field of cultural production 1991-2016. PhD thesis, University of Warwick.

Dunlop, Anne Elizabeth (1997) Advocata nostra: central Italian paintings of Mary as the Second Eve, c.1335-c.1445. PhD thesis, University of Warwick.

Eaton, Natasha Jane (2000) Imaging Empire : the trafficking of art and aesthetics in British India c.1772 to c.1795. PhD thesis, University of Warwick.

Eden, Alice (2016) Women, representation and the spiritual in the works of Thomas Cooper Gotch, Robert Anning Bell and Frederick Cayley Robinson. PhD thesis, University of Warwick.

Franz, Fabio (2021) Reassessing connoisseurship before and after the Manchester art treasures exhibition of 1857. PhD thesis, University of Warwick.

Gatward Cevizli, Antonia (2011) Beyond Bellini : aspects of Italian-Ottoman cultural exchange 1453-1512. PhD thesis, University of Warwick.

Gibb, Reba Ann (2003) A study of the early Renaissance Sibyl cycles in the art of Northern and Central Italy. PhD thesis, University of Warwick.

Gietz, Nora (2013) The effects of revolutionary and Napoleonic policy on the artistic patrimony of Venice (1797 and 1806-1814). PhD thesis, University of Warwick.

Gow, Christopher Malcolm (2005) Iranian cinema in long shot. PhD thesis, University of Warwick.

Graham, Deborah Jane (2000) The manifestation of national identities in late eighteenth-century Scottish art c1750-1800. PhD thesis, University of Warwick.

Harrold, Jillian (2007) Saintly doctors : the early iconography of SS. Cosmas and Damian in Italy. PhD thesis, University of Warwick.

Hay, Miriam Anna (2019) Classical remains and Christian remembrance: reviewing late Roman sarcophagi. PhD thesis, University of Warwick.

Heathcote, Nigel James (2020) Damnatio memoriae and exemplarity in Imperial Rome : from the Julio-Claudians to the Severans. PhD thesis, University of Warwick.

Hemingway, Tom (2021) The aesthetics of post-broadcast comedy television. PhD thesis, University of Warwick.

Hutchinson, Laura Anne (2010) Seeing as sensing : the structuring of bodily experience in modern pictorial art. PhD thesis, University of Warwick.

Jewell, Victoria Catherine (2022) Concepts of colour in ancient Greek art and culture. PhD thesis, University of Warwick.

Kearns, James (1976) Symbolist landscapes : the place of painting in the poetry and criticism of Mallarmé and his circle. PhD thesis, University of Warwick.

Kolpakova, Maria (2020) Genoa and the Christian East : artistic exchanges in the late Middle Ages. PhD thesis, University of Warwick.

Lafferty, Michael Gerald (2006) Arthur Danto's philosophy of art. PhD thesis, University of Warwick.

Love, Angus (2020) Alain Badiou’s twisted contemporaneity : inaesthetics and the contemporary. PhD thesis, University of Warwick.

Massini, Alexandra (2016) Taming transgression: Dionysos in the arts of the modern era. PhD thesis, University of Warwick.

Mirzoeff, Nicholas (1990) Pictorial sign and social order : L'Académie Royale de Peinture et Sculpture 1638-1752. PhD thesis, University of Warwick.

Moldovan, Delia (2020) Illustrating the year : the calendar in northern Italy during the late fifteenth and sixteenth centuries. Volume 1. PhD thesis, University of Warwick.

Morales, Patricia (2003) 'Mere good taste is nothing else but genius without the power of execution': artists as arbiters of taste, 1792-1836. PhD thesis, University of Warwick.

Mulcahy, Sean (2020) Performing the law: a study of performance in the court of law. PhD thesis, University of Warwick.

Niebrzydowski, Sue (1998) Verry matrymony : representations of the Virgin Mary and her mother, Saint Anne, as wives in medieval England, 1200-1540. PhD thesis, University of Warwick.

Prophet, Jane (1994) Taste, teaching and the Utah teapot : creative, gender, aesthetic and pedagogical issues surrounding the use of electronic media in art and design education : with particular reference to hypertext applications. PhD thesis, University of Warwick.

Retford, Kate (2000) Family and familiarity : the domestic sphere in eighteenth-century English visual culture. PhD thesis, University of Warwick.

Trowsdale, Jo (2019) Art-making as a site for education : a case study of the Imagineerium project. PhD thesis, University of Warwick.

Verlander, Freya (2020) (Skin)aesthetics: a study of skin(s) in spectatorship. PhD thesis, University of Warwick.

Wako, Miho (2012) Figured in lively paint : Eastern decorative art, English aestheticism, and consumer culture 1862-1900. PhD thesis, University of Warwick.

Walcot, Clare (2003) Figuring finance : London's new financial world and the iconography of speculation, circa 1689-1763. PhD thesis, University of Warwick.

Warr, Cordelia (1994) Female patronage and the rise of female spirituality in Italian art of the thirteenth and fourteenth centuries. PhD thesis, University of Warwick.

Weil, Kathryn Emily van de (2019) Fascinum: the apotropaic phallus of Campania in the ancient & modern imagination. PhD thesis, University of Warwick.

Wesner, Simone (2002) Adaptation and resistance: the impact of German unification on the living and working conditions of visual artists in Saxony and their response to transformation. PhD thesis, University of Warwick.

Willis, Zoë F. (2012) Saint cults and the politics of power in the Dalmatian commune of Zadar (1000-1468). PhD thesis, University of Warwick.

Zucca, Amy Marie (2002) Images of Moses and sixteenth-century Venice. PhD thesis, University of Warwick.

Book Review

Vogt, Naomi (2020) Extreme performances that lived inside a book. Art Journal . pp. 97-100. ISSN 0004-3249

Wright, David (2016) Review of Cultural policy : management, value and modernity in the creative industries by O'Brien, D. The British Journal of Sociology, 67 (3). pp. 569-570. ISSN 1468-4446

Scholarly Text

Vickery, Jonathan (2012) Public art and the art of the public : after the creative city. Birmingham: IXIA Public Arts Think Tank.

Vickery, Jonathan (2011) Strange cargo : the future of cultural participation. Strange Cargo. (Unpublished)

Vickery, Jonathan (2013) Urban art, intellectual property and aesthetic organization : understanding "2-3Strassen". Coventry: University of Warwick.

Vickery, Jonathan (2012) The past and possible future of countermonument. Birmingham: IXIA Public Arts Think Tank.