Journal Article

Baark, Josefine (2018) The Tranquebar Palampore : trade, diplomacy, and "a little amusement" in an early modern Indo-Danish textile. Eighteenth-Century Studies, 52 (1). pp. 69-92. doi:10.1353/ecs.2018.0027

Belfiore, Eleonora (2002) Art as a means of alleviating social exclusion : does it really work? A critique of instrumental cultural policies and social impact studies in the UK. International Journal of Cultural Policy, Vol.8 (No.1). pp. 91-106. doi:10.1080/102866302900324658

Belfiore, Eleonora (2004) Auditing culture : the subsidised cultural sector in the New Public Management. International Journal of Cultural Policy, Vol.10 (No.2). pp. 183-202. doi:10.1080/10286630042000255808

Belfiore, Eleonora (2012) "Defensive instrumentalism" and the legacy of New Labour's cultural policies. Cultural Trends, Vol.21 (No.2). pp. 103-111. doi:10.1080/09548963.2012.674750

Belfiore, Eleonora (2003) Economic impact - inconclusive evidence. ArtsProfessional (No.43).

Belfiore, Eleonora (2015) 'Impact', 'value' and 'bad economics' : making sense of the problem of value in the arts and humanities. Arts and Humanities in Higher Education, Volume 14 (Number 1). pp. 95-110. doi:10.1177/1474022214531503

Belfiore, Eleonora (2009) On bullshit in cultural policy practice and research : notes from the British case. International Journal of Cultural Policy, Vol.15 (No.3). pp. 343-359. doi:10.1080/10286630902806080

Belfiore, Eleonora (2007) Sounding board - a matter of value. ArtsProfessional (No.140). pp. 8-9.

Belfiore, Eleonora (2006) Sounding board - evaluating value. ArtsProfessional (No.115). pp. 10-11.

Belfiore, Eleonora and Bennett, Oliver (2010) Beyond the “Toolkit Approach” : arts impact evaluation research and the realities of cultural policy‐making. Journal for Cultural Research, Vol.14 (No.2). pp. 121-142. doi:10.1080/14797580903481280

Belfiore, Eleonora and Bennett, Oliver (2007) Determinants of impact : towards a better understanding of encounters with the arts. Cultural Trends, Vol.16 (No.3). pp. 225-275. doi:10.1080/09548960701479417

Belfiore, Eleonora and Bennett, Oliver (2009) Researching the social impact of the arts : literature, fiction and the novel. International Journal of Cultural Policy, Vol.15 (No.1). pp. 17-33. doi:10.1080/10286630802322386

Belfiore, Eleonora and Bennett, Oliver (2007) Rethinking the social impacts of the arts. International Journal of Cultural Policy, Vol.13 (No.2). pp. 135-151. doi:10.1080/10286630701342741

Bilton, Chris and Leary, Ruth (2002) What can managers do for creativity? : brokering creativity in the creative industries. International Journal of Cultural Policy, Volume 8 (Number 1). pp. 49-64. doi:10.1080/10286630290032431

Davis, Jim (2017) Looking and being looked at : visualizing the Nineteenth-Century spectator. Theatre Journal, 69 (4). pp. 515-534. doi:10.1353/tj.2017.0068

Dieter, Michael, Gauthier, David and Tuters, Marc (2019) Conversation pieces : on recounting new media art mailinglist cultures. Internet Histories, 3 (3-4). pp. 245-274. doi:10.1080/24701475.2019.1674580

Doustaly, Cécile and Gray, Clive (2010) Labour and the arts : managing transformation? Observatoire de la société britannique, Vol.2010 (No.8). pp. 319-338.

Gluhovic, Milija (2019) Europe in crisis, the left, and the challenge of migration. Studies in Theatre and Performance, 39 (3). pp. 285-301. doi:10.1080/14682761.2019.1654295

Gray, Clive (2017) Local government and the arts revisited. Local Government Studies, 43 (3). pp. 315-322. doi:10.1080/03003930.2016.1269758

Haedicke, Susan C. (2016) Interrupting a legacy of hatred : Friches Théâtre Urbain's Lieu Commun. Research in Drama Education: The Journal of Applied Theatre and Performance, 21 (2). pp. 161-175. doi:10.1080/13569783.2016.1155409

Hodkinson, James R. (2017) Playing the gallery. Time, space and the digital in Brian Eno’s recent installation music. Oxford German Studies, 46 (3). pp. 315-328. doi:10.1080/00787191.2017.1345435

Hutchison, Yvette (2015) Between word, image and movement : performative critiques of colonial ethnography. Témoigner: Testimony Between History and Memory, Auschwitz Foundation International Quarterly, 121 . pp. 121-132.

Jestrovic, Silvija (2008) Performing like an asylum seeker : paradoxes of hyper-authenticity. Research in Drama Education, Vol.13 (No.2). pp. 159-170. doi:10.1080/13569780802054810

Lavender, Andy (2018) Living in the moment : duration now and then. Performance Research, 23 (4-5). pp. 186-190. doi:10.1080/13528165.2018.1518599

Peetz, Julia (2020) Legitimacy as a zero-sum game : presidential populism and the performative success of the unauthorized outsider. Contemporary Political Theory, 19 (4). pp. 642-662. doi:10.1057/s41296-019-00375-3

Pericolo, Lorenzo (2017) "Donna bella e crudele" : Michelangelo's Divine Heads in Light of the Rime. Mitteilungen des Kunsthistorischen Institutes Florenz, 59 (2). pp. 202-233.

Peters, Christabelle (2016) The cultural politics of Luso-African identity : a look at the 7th São Tomé biennial. Critical Interventions : Journal of African Art History and Visual Culture, 10 (3). pp. 261-275. doi:10.1080/19301944.2016.1227217

Reinelt, Janelle G. (2011) Power working through/on bodies in the United Kingdom. Theatre Survey, Vol.52 (No.1). pp. 153-158. doi:10.1017/S0040557411000123

Smyth, Patricia (2021) Place and space in nineteenth-century representations of old London : the Thieves’ House on West Street. Journal of Victorian Culture . vcab010. doi:10.1093/jvcult/vcab010 (In Press)

Stone, Katherine (2019) Guest editor’s introduction. Violence against Women, 25 (13). pp. 1515-1521. doi:10.1177/1077801219869549

Trowsdale, Jo (2016) Imagineering : re-creating spaces through collaborative art-making. Creativity: Theories-Research-Applications, 3 (2). doi:https://doi.org/10.1515/ctra-2016-0018

Trowsdale, Jo and Hayhow, Richard (2015) Psycho-physical theatre practice as embodied learning for young people with learning disabilities. International Journal of Inclusive Education, 19 (10). pp. 1022-1036. doi:10.1080/13603116.2015.1031832

Varriale, Simone (2016) Beyond distinction : theorising cultural evaluation as a social encounter. Cultural Sociology, 10 (2). pp. 160-177. doi:10.1177/1749975515596447

Vickery, Jonathan (2019) Cultural rights and cultural policy : identifying the cultural policy implications of culture as a human right. Journal of Law, Social Justice & Global Development, 22 (1). pp. 128-151. doi:10.31273/LGD.2018.2210

Vogt, Naomi (2020) The invention of ritual : ceremonies on YouTube and Pierre Huyghe's Holiday. TDR .

Whybrow, Nicolas (2015) Folkestone futures : an elevated excursion. Studies in Theatre and Performance, 36 (1). pp. 58-74. doi:10.1080/14682761.2015.1111017

Whybrow, Nicolas (2016) Folkestone perennial : the enduring work of art in the reconstitution of place. Cultural Geographies, 23 (4). pp. 671-692. doi:10.1177/1474474016638047

Whybrow, Nicolas (2011) Situation Venice : towards a performative 'ex-planation' of a city. Research in Drama Education: the journal of applied theatre and performance, Vol.16 (No.2). pp. 279-298. doi:10.1080/13569783.2011.566994

Book Item

Bilton, Chris (2013) Playing to the gallery : myth, method and complexity in the creative process. In: Thomas, Kerry and Chan, Janet, (eds.) Handbook Of Research On Creativity. Cheltenham: Edward Elgar Publishing , pp. 125-137. ISBN 9780857939807

Lavender, Andy (2020) Persona ex machina : Kris Verdonck’s sincere object actors. In: Eckersall, Peter and van Baarle, Kristof, (eds.) Machine Made Silence: The Art of Kris Verdonck. Aberystwyth: Performance Research Books, pp. 16-22. ISBN 9781906499075

Conference Item

Bilton, Chris (2010) Identity, creativity and the cultural entrepreneur. In: 23rd EGOS Colloquium, Vienna, 5-7 July 2010 (Unpublished)

Bilton, Chris and Leary, Ruth (2012) Digital transformation in the arts : a case study. In: Seventh International Conference on Cultural Policy Research (ICCPR 2012) , Barcelona, Spain, 9-12 Jul 2012 (Unpublished)

Vickery, Jonathan (2020) On the role of artistic freedoms in protecting fundamental human rights. In: Human Rights Conference 2020: Lawyers without Borders Student Division Aberdeen University, Aberdeen University, Scotland, 6 Mar 2020

Working or Discussion Paper

Bilton, Chris (1999) The new adhocracy : strategy, risk and the small creative firm. Working Paper. Coventry: University of Warwick. Centre for Cultural Policy Studies. Research papers, Vol.4 .

Kawashima, Nobuko (1999) The making of a programme diary : a study into the programming of arts presentation at arts centres in Britain. Working Paper. Coventry: University of Warwick. Centre for Cultural Policy Studies. Research papers, Vol.5 .

Book

Marres, Noortje and Guggenheim, Michael and Wilkie, Alexander, eds. (2018) Inventing the social. Manchester: Mattering Press. ISBN 9780995527768

Journal Item

Schoonover, Karl and Corsi, Barbara (2020) Primed real estate : film producers and land development, a conversation with Karl Schoonover and Barbara Corsi. Historical Journal of Film Radio and Television . doi:10.1080/01439685.2020.1715600 (In Press)

Report

Policy Exchange (Firm) (Including: Belfiore, Eleonora). (2006) The social impacts of the arts – myth or reality? London: Policy Exchange Limited.

Bilton, Chris (2012) Happenstance report. Coventry, UK: Centre for Cultural Policy Studies, University of Warwick.

Cullen, Stephen Michael, Hartas, Dimitra and Lindsay, Geoff (2007) Schools as creative beacons II : creative partnerships, Coventry. Coventry, UK: University of Warwick.

Cullen, Stephen Michael, Hartas, Dimitra, Medwell, Jane and Lindsay, Geoff (2006) Schools as creative beacons : creative partnerships (CP), Coventry. Coventry, UK: University of Warwick.

Lyonette, Clare, Hunt, William and Baldauf, Beate (2017) Occupations and skills of Arts, Humanities and Social Sciences graduates and postgraduates. London: British Academy.

Trowsdale, Jo, Winston, Joe and Lindsay, Geoff (2005) Cultivating creativity? Coventry, UK: University of Warwick.

Vickery, Jonathan (2015) Spillover effects in the arts, culture and the creative industries in Europe. Dortmund: european centre for creative economy.

Thesis or Dissertation

Bjørnsen, Egil (2009) Norwegian cultural policy: a civilising mission? PhD thesis, University of Warwick.

Borchi, Alice (2017) Culture and economic crisis : cultural value in Italy from 2008 to the present day. PhD thesis, University of Warwick.

Cameron, Alasdair F. (1983) The repertory theatre movement, 1907-1917. PhD thesis, University of Warwick.

Cros Gutiérrez, Almudena (2008) The artistic patronage Of Gil De Albornoz (1302-1367), a cardinal in context. PhD thesis, University of Warwick.

Gargett, Adrian (1997) Sextant in dogtown : a project. PhD thesis, University of Warwick.

Gregory, Davinia Louise (2019) Learning from The Drum : towards a decolonization of the arts in the UK. PhD thesis, University of Warwick.

Jones, David (Researcher in education) (1996) Aesthetic justice and communal theatre : a new conceptual approach to the community play as an aspect of theatre for empowerment. PhD thesis, University of Warwick.

Maelen, Kjell Magne (2008) Arts centres as audience relationship managers. PhD thesis, University of Warwick.

Ray, Sumana (2011) The rise of the 'liminal Briton' : literary and artistic productions of black and Asian women in the Midlands. PhD thesis, University of Warwick.

Ruben, Mel (1998) Grace under pressure : re-reading Giselle. PhD thesis, University of Warwick.

White, Timothy Edward John (1994) The use of the performative to disrupt form in the work of artists since 1960. PhD thesis, University of Warwick.

Scholarly Text

Vickery, Jonathan (2012) After the creative city? Dortmund: european centre for creative economy.

Vickery, Jonathan (2011) Beyond the creative city : cultural policy in an age of scarcity. Birmingham: MADE centre for placemaking.

Vickery, Jonathan (2013) Cultural strategy and economic development : challenges for the European City. Jonathan Vickery. (Unpublished)